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KEYS 04 2016 Leseprobe 04/16 66 Seiten Tests und Workshops 04 APRIL 2016 TESTREIHE Synthesizer AMP-PLUG-INS Native Instruments TEIL 2 Blocks Wired mit großer Marktübersicht Personal Samples 2016 Roland Juno-106 April 2016 Free Loops Audiobeispiele zu Tests und Workshops Der perfekte Audio-Rechner Diese Hardware brauche ich wirklich IM INTERVIEW MODERAT: TEST-HIGHLIGHTS: ZU GEWINNEN: Das Geheimnis ihrer • Akai MPC Touch Yamaha Reface DX Zusammenarbeit • Dreadbox Hades und CS im Wert • Native Instruments Una Corda von über 900 Euro SERVICE Inhalt Prioreau Flavien FC: Interview: Special: 22 Moderat 32 Der perfekte Audio-Rechner MAGAZIN TEST 22 Interview: Moderat 42 IK Multimedia Mesa/Boogie 26 Interview: Schiller 44 Overloud TH3 46 Brainworx Classic Guitar Tone Bundle 47 Akai MPC Touch SPECIAL 50 WMD/SSF Monolith 54 Dreadbox Hades Der perfekte Audio-Rechner 55 4ms Spectral Multiband Resonator 32 So fi nden Sie den besten Computer 56 Elektron Overbridge für Ihre Produktionen 58 Native Instruments Una Corda 60 TAL/DiscoDSP TAL-Sampler und Bliss 62 8DIO Majestica TESTREIHE 64 Rob Papen Vecto 65 Strezov Sampling Rhodope Ethnic 40 Amp-Plug-ins (Teil 2) Bulgarian Choir 66 Sonicsmith/Big Fish Audio The Foundry 68 VSL Dimension Strings II 69 Slate Digital FG-Bomber 70 Celemony Melodyne 4 74 Rob Papen RP-EQ 75 zynaptiq UNMIX::DRUMS 76 Soundtoys Version 5 78 Focusrite Clarett 2Pre 79 IK Multimedia iRig Acoustic 4 KEYS 04/2016 www.keys.de Inhalt SERVICE Marktübersicht: Test: 40 Amp-Plug-ins (Teil 2) 47 Akai MPC Touch PRAXIS SERVICE 82 Workshop Special 3 Editorial Auszug aus „Studio Basics“ 6 KEYS-Heft-DVD 88 Social Media Zone 8 KEYS-Short-Clips Musikvertrieb (Teil 2) 9 News 90 Recording Zone 108 Verlosung: Yamaha Reface CS und DX Exotische Instrumente aufnehmen 110 Händlerverzeichnis 92 Roland Aira 112 Vorschau, Impressum, Anzeigenindex Die AIRA-Boutique-Serie 114 Kolumne: Das nervt!!! 94 Producer School Zurück in die Vergangenheit: Der Sound der Achtziger-Jahre (Teil 1) 98 Ableton Zone Die Link-Technologie in Live 9.6 100 Cubase Zone Cubase Pro 8.5: Neuerungen im Projektfenster 102 Logic Zone Alchemy, Teil 3: Editor, Filter- und Master-Sektion 104 Pro Tools Zone Neue Features in Pro Tools 12 (Teil 2): Praxis-Folge verpasst? Im Onlineshop Track Freeze unter www.ppvmedien.de nachbestellen 106 Drum Zone Musiktheorie für Beat-Programmierer (Teil 2) www.keys.de KEYS 04/2016 5 MAGAZIN Interview Moderat Prioreau Flavien FC: Interview: Moderat Kompromiss macht schlank Zum dritten Mal haben sich Modeselektor und Apparat zusammengeschlossen, um als Moderat ein Album aufzunehmen. Sascha Ring, alias Apparat, verrät im KEYS-Interview alles über die Produktion zu „III“, dem neuesten Werk der Berliner Band. oderats drittes Album ist nicht so Wie gestaltet sich das Übertragen der KEYS: Warum habt ihr euch entschieden, üppig arrangiert wie etwa typi- neuen Songs in den Live-Kontext? ein Modularsystem zu nutzen? M sche Solo-Releases von Apparat, Sascha Ring: Da gibt es diesmal einen Sascha Ring: Da muss ich ein bisschen aber wesentlich intelligenter als das meiste, kleinen Stolperstein, weil wir bei dieser Platte ausholen. Ich hatte ja vor einiger Zeit einen was sonst dieser Tage unter dem Schlag- ziemlich viele Sessions gemacht haben und Motorradunfall. Als ich danach in meiner wort „elektronische Musik“ in den Charts zu auch mal mit einem Modularsystem einfach Wohnung auf der Couch lag, um mich fi nden ist. Die Herren Szary, Bronsert und ein paar Tage herumgespielt wurde. Aus auszukurieren, ist mir tatsächlich unten vor Ring feiern auf „III“ weiter einen Sound, der den Audio-Würsten – so nennen wir die der Haustür das Motorrad geklaut worden. mehr ist als die Summe seiner Teile. Das Resultate solcher Sessions – haben wir dann Da man mir sowieso verboten hatte, weiter Geheimnis ihrer Zusammenarbeit: Kompro- Teile herausgeschnitten. Die sind natürlich in Motorrad zu fahren, dachte ich mir: „Cool, misse eingehen, ohne sich kompromittieren Stein gemeißelt. Das kann man so nie wieder genau das Geld, was ich sonst für ein neues zu lassen. rekonstruieren. Und versuchen, es ungefähr Bike ausgegeben hätte, investiere ich jetzt in nachzubauen, fetzt auch nicht. Da nimmt ein Modularsystem.“ In den drei Monaten, die KEYS: Sascha, ihr bereitet euch gerade man dann doch lieber die Parts und spielt ich auf der Couch verbringen musste, habe auf die ersten Konzerte eurer Tour vor. etwas anderes drüber oder so. ich musikalisch echt nichts hinbekommen, 22 KEYS 04/2016 www.keys.de ich konnte mich aber mit dem Thema Modularsystem beschäftigen. Als Erstes habe ich mir ein Make-Noise- Koffer-System geholt. Und obwohl ich bei diesem Frankfurt am Main Thema schon einen Background besitze und früher auch viel mit dem Nord Modular oder MaxMSP gemacht 7. – 10. 4. 2016 habe, musste ich mich doch erst mal wieder mit den Grundkonzepten beschäftigen – Steuerspannungen, den Audiowegen und so weiter. Nach dem Make-Noise- Koffer ist noch mehr dazu gekommen. Sachen von Mutable Instruments zum Beispiel. KEYS: Wie habt ihr das System dann eingesetzt? Sascha Ring: Das Interessante ist, dass das System am Ende gar nicht für Synthese benutzt wurde. Ich habe gesampelt. Es gibt von Qu-Bit so ein Sampling-Modul – eigentlich ist das ein Granular-System, aber die Granu- lar-Features sind ziemlich rudimentär. Das Ausgangsma- terial bestand ganz oft aus Stimmen. Was dann auch ein bisschen das Konzept fürs Album war. Entweder habe ich schnell etwas eingesungen oder wir haben Sachen aus Songideen genommen, die schon vorhanden waren. Im Modularsystem ist das dann moduliert worden, auch um es rhythmisch zu machen. In „Running“ kann man das gut hören. Dafür haben wir so ein African-Rhythm- Pattern genommen und am Ende hatte der Song einen Dreiviertel-Takt. Ein Techno-Walzer! Es gibt aber im yi: 18.01.2016 DU: 11.02.2016 Inland Hintergrund auch subtilere Sachen. Hall-Flächen zum • K Beispiel, für die dann Stimmen im Granular-Sampler Y kurz gedreht wurden, sodass nur noch ein Fragment üb- M rig blieb. Was dann, fast wie bei einem Wavetable, ganz C kurz geloopt wurde. Microsampling sozusagen. KEYS: In der ersten Single „Reminder“ gibt es auch einen interessanten Stimmen-Part im Chorus. Wie habt ihr diese Vocals bearbeitet? Sascha Ring: Das ist einfach nur gepitcht. Es klingt aber wie ein komplizierterer Effekt, weil es nicht meine Stimme ist. Das ist ein weiblicher Vocal-Part. Wir hatten hier mal Laila Samuelsen zu Gast, eine ziemlich coole Frau, die mir ein bisschen bei Songwriting-Problemen It’s my tune. helfen sollte. Ich bleibe da manchmal ein wenig stecken. Ich komme ja vom Techno. Laila hat dann versucht, mir ein paar Sachen zu zeigen. Wobei das nur bedingt Wirkung gezeigt hat. Dafür war es aber super, dass wir auf ihre Stimme zurückgreifen konnten. Als ich versucht habe, die Zeile „May burning bridges light my way“ zu singen, klang das „May“ immer wie bei einem Schaf. Ich habe dann Leila gefragt, ob sie das mal probieren Seien Sie mit dabei und machen Sie die könnte, und weil sie recht hoch gesungen hat, wurde Musikmesse 2016 zu Ihrem Event. Tauchen Sie der Part runtergepitcht. Ich wollte ursprünglich, dass der Part schwarz klingt. Soulful. Jetzt klingt es halt „artifi cial tief ein in die Welt der Musik, schließen Sie schwarz“. neue Kontakte und treffen Sie Branchen größen KEYS: Du hast eben von Hall-Flächen gesprochen. hautnah. Vor allem aber genießen Sie erst- Welche Reverb-Plug-ins nutzt du? klassige Musikvielfalt! Sascha Ring: Das Absurde ist, dass ich nach wie vor den schäbigen, in Logic enthaltenen Platinum-Reverb benutze. Der ist zwar nicht gut für richtig lange Hallfah- musikmesse.com nen, aber wenn man ihn ein bisschen ausdünnt, mag ich den gerne. In Sachen ernsthafte Reverbs hat man mir mal aufgezwungen, mich wieder mit Lexicon zu beschäftigen. Wenn ich ein Plate auf eine Stimme lege, 61508_MM_Allgemein_Keys_105x280_ROLLE • CD-Rom ISO 39 61508_MM_Allgemein_Keys_105x280_ROLLE SPECIAL Der perfekte Audio-Rechner Der perfekte Audio-Rechner SPECIAL KEYS-Special Der perfekte Audio-Rechner So finden Sie den besten Computer für Ihre Produktionen Worauf kommt es wirklich an, wenn es darum geht, sich einen Rechner für Musik-Anwen- dungen zuzulegen? In unserem Special befassen wir uns mit den wichtigsten Aspekten leistungsfähiger Audio-Rechner. er Computer ist heute das wich- Zu den renommierten Firmen in Deutsch- nicht den Aufwand betreiben, selbst einen tigste Werkzeug, das im Zuge von land zählen unter anderem: Digital Audio- Rechner zusammenzustellen, sich einfach D Musikproduktionen zum Einsatz networX, XI-Machines und Diawo.de. Zu blind einen entsprechenden Rechner dieser kommt. Ob Klangerzeugung, Aufnahme, einfach gedacht wäre es aber, will man Anbieter zuzulegen. Denn klarerweise fällt Mix oder Mastering – in so gut wie allen Be- reichen spielen Rechner für Musiker mitt- lerweile eine entscheidende Rolle. So weit, so bekannt. Aber worauf sollte man genau achten, wenn man nach einem passenden Computer-System sucht? Schließlich muss Letzteres besonderen Herausforderun- gen gewachsen sein. In unserem Special erläutern wir, was es zu beachten gilt, wenn man sich als Musiker einen Rechner für Studio- oder Live-Anwendungen anschaf- fen möchte. Anbieter oder Eigenbau Es gibt eine Reihe von Anbietern, die sich auf professionelle Desk- und Laptop- Lösungen für Musiker spezialisiert haben. Ein Rack-Computer des Anbieters Digital AudionetworX. 32 KEYS 04/2016 www.keys.de Der perfekte Audio-Rechner SPECIAL >> Geräuschlose Spannungswandler sind gerade im Home- Studio wichtig, wo Aufnahme- und Regieraum
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