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Pflanzen Aus Glas (Plants Made of Glass) 6-18 ©Naturwissenschaftlicher Verein Für Schwaben, Download Unter
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Berichte des naturwiss. Vereins für Schwaben, Augsburg Jahr/Year: 2010 Band/Volume: 114 Autor(en)/Author(s): Mayer Andreas Artikel/Article: Pflanzen aus Glas (Plants made of glass) 6-18 ©Naturwissenschaftlicher Verein für Schwaben, download unter www.biologiezentrum.at Berichte des Naturwissenschaftlichen Vereins für Schwaben 114. Bd. 2010 Andreas Mayer Pflanzen aus Glas (Plants made of glass) Zusammenfassung Die berühmte Harvard Universität besitzt ein angesehenes naturwissenschaftliches Museum das „Harvard Museum of Natural History“, welches jährlich rund 180.000 Besucher aus aller Welt anlockt. Die Hauptattraktion stellt eine einzigartige Sammlung von Pflanzenmodellen aus Glas dar. Prof. George Lincoln Goodale, der erste Direktor des Botanischen Museums von Harvard, wollte in den frühen 80er Jahren des 19. Jahr hunderts permanente Pflanzenmodelle aus Glas. Sie sollten zum einen die Schönheit des Pflanzenreichs in möglichst realistischer Form abbilden und zum anderen das ganze Jahr über zu Unterrichtszwecken genutzt werden. Ihm gelang es die beiden äußerst talentierten deutschen Glaskünstler, die sich bereits durch die Herstellung sehr realistischer Glasmodelle von marinen Invertebraten (wie etwa Quallen und See anemonen) einen Namen gemacht hatten, Leopold und seinen Sohn Rudolf Blaschka zur Herstellung von Pflanzen aus Glas zu überzeugen. Die Modelle wurden in den Jah ren 1886 bis 1936 exklusiv für die Harvard Universität mit damals üblichen Techniken gefertigt. Sie versetzten von da an den Betrachter durch ihre unbeschreibliche Schön heit und Detailtreue in großes Erstaunen. Die Finanzierung dieses Mammutprojekts übernahm Elizabeth C. Ware und ihre Tochter Mary Lee Ware zum Gedenken an Dr. -
Kunstformen Als Wissensrepräsentationen. Die Naturwissenschaftlichen Glasmodelle Von Leopold (1822-1895) Und Rudolf (1857-1939) Blaschka
Häder, Sonja Kunstformen als Wissensrepräsentationen. Die naturwissenschaftlichen Glasmodelle von Leopold (1822-1895) und Rudolf (1857-1939) Blaschka Priem, Karin [Hrsg.]; König, Gudrun M. [Hrsg.]; Casale, Rita [Hrsg.]: Die Materialität der Erziehung. Kulturelle und soziale Aspekte pädagogischer Objekte. Weinheim u.a. : Beltz 2012, S. 200-217. - (Zeitschrift für Pädagogik, Beiheft ; 58) urn:nbn:de:0111-opus-72115 in Kooperation mit / in cooperation with: http://www.juventa.de Nutzungsbedingungen / conditions of use Gewährt wird ein nicht exklusives, nicht übertragbares, persönliches und beschränktes Recht auf Nutzung dieses Dokuments. Dieses Dokument ist ausschließlich für den persönlichen, nicht-kommerziellen Gebrauch bestimmt. Die Nutzung stellt keine Übertragung des Eigentumsrechts an diesem Dokument dar und gilt vorbehaltlich der folgenden Einschränkungen: Auf sämtlichen Kopien dieses Dokuments müssen alle Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen Schutz beibehalten werden. Sie dürfen dieses Dokument nicht in irgendeiner Weise abändern, noch dürfen Sie dieses Dokument für öffentliche oder kommerzielle Zwecke vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder anderweitig nutzen. We grant a non-exclusive, non-transferable, individual and limited right to using this document. This document is solely intended for your personal, non-commercial use. Use of this document does not include any transfer of property rights and it is conditional to the following limitations: All of the copies of this documents must retain all copyright information and other information regarding legal protection. You are not allowed to alter this document in any way, to copy it for public or commercial purposes, to exhibit the document in public, to perform, distribute or otherwise use the document in public. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. -
Harvard Museums of Science & Culture Coloring Book 2021
Day of the Dead candelabra, Peabody Museum of Archaeology & Ethnology. Izucar de Matamoros, Puebla, Mexico. Alfonso Castillo Orta, ca. 1980-1989. PM 993-24-20/27396 #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Devonshire cup coral, Caryophyllia smithii. Museum of Comparative Zoology SC 72. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Astronomical Compendium, Collection of Historical Scientific Instruments, Inventory Number: 7377. Roch Pacquellet, Laon, France, ca. 1567. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Gypsum, oversized crystal, Mineralogical & Geological Museum at Harvard. Naica, State of Chihuahua, Mexico. Collected through the courtesy of the Penõles Company of Mexico. MGMH #117966 #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Coffin of Ankh-khonsu, painted wood. Harvard Museum of the Ancient Near East, HMANE 1902.50.9 Dynasty 22, 945–712 BC, Egypt (Thebes), Gift of Theodore M. Davis. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Glass Flowers Bouquet, Harvard University Herbaria. Leopold and Rudolf Blaschka, 1889. The Archives of Rudolf and Leopold Blaschka and the Ware Collection of Blaschka Glass Models of Plants. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Drawing Upon the Collections: Coloring Pages from the Harvard Museums of Science & Culture Peabody Museum of Harvard Museum of Natural History Collection of Historical Archaeology & Ethnology Museum of Comparative Zoology Scientific Instruments Day of the Dead candelabra, Devonshire cup coral, Caryophyllia Astronomical Compendium, Alfonso Castillo Orta, ca. -
Things That Talk
MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science 2003 PREPRINT 233 Lorraine Daston and Anke te Heesen Things that Talk Table of Contents Introduction 3 The Glass Flowers Lorraine Daston 5 News, Papers, Scissors Anke te Heesen 33 Things that Talk – Table of Contents 57 Introduction These two essays were written as part of a working group of historians of art and science on “Things that Talk”, organized under the auspices of the research project “The Common Languages of Art and Science” (2001-3) at the Max Planck Institute for the History of Science, Berlin (Dept. II). The other members of the working group were Peter Galison (Harvard University, USA), Caroline A. Jones (MIT, USA and Wissenschafts- kolleg zu Berlin, Germany), Joseph Koerner (University College London, UK), Antoine Picon (Ecole des Ponts et Chausées, Paris, France), Joel Snyder (University of Chicago, USA), Simon Schaffer (University of Cambridge, UK), and Norton Wise (UCLA, USA). The group met three times in Berlin to discuss various versions of members’ essays and, more generally, the place of material culture in the history of science and the history of art. The nine essays, including the two that appear here as a preprint, will be published as a volume by Zone Books. A complete table of contents is appended to this preprint. The aim of the research project was to go beyond cases of historical interactions between art and science to investigate tools (e.g. drawing) and challenges (e.g. representation) common to both. In the case of the working group on “Things that Talk”, the departure point was a shared perplexity about how to capture the thingness of things in our respective disciplines. -
The Palaeontology Newsletter
The Palaeontology Newsletter Contents 89 Editorial 2 Association Business 3 Association Meetings 28 Palaeontology at EGU 33 News 34 From our correspondents Legends of Rock: Murchison 43 Behind the scenes at the Museum 46 Buffon’s Gang 51 R: Regression 58 PalAss press releases 68 Blaschka glass models 69 Sourcing the Ring Master 73 Underwhelming fossil of the month 75 Future meetings of other bodies 80 Meeting Reports 87 Obituaries Percy Milton Butler 100 Lennart Jeppsson 103 Grant and Bursary reports 106 Book Reviews 116 Careering off course! 121 Palaeontology vol 58 parts 3 & 4 123–124 Papers in Palaeontology, vol 1, part 1 125 Reminder: The deadline for copy for Issue no 90 is 12th October 2015. On the Web: <http://www.palass.org/> ISSN: 0954-9900 Newsletter 89 2 Editorial Here in London summer is under way, although it is difficult to tell just by looking out of the window; once you step outside, however, the high pollen counts are the main giveaway. It is largely the sort of ‘summer’ weather that confuses foreign tourists, makes a mud bath out of music festivals and stops play at Wimbledon. The perfect sort of weather to leave Britain behind and jet off to sunnier climes for a nice long field campaign: as I wistfully gaze at the grey skies I wish I were packing my notebook and field gear ready for departure. Those of you who are setting out for fieldwork during this Northern Hemisphere summer will probably be aware that it is not a walk in the park, as my initial rose-tinted memories lead me to believe. -
The Harvard Book
LD 2154 .P8 Copy 1 Mz& HARVARD BOOK THE HARVARD BOOK Prepared for the Thirty-Ninth Annual Convention of the American Rankers Association BOSTON OCTOBER SIX TO TEN, NINETEEN THIRTEEN . COPYRIGHT 1913 H. B. HUMPHREY COMPANY BOSTON ©CI.A3545 3 5 1 U • [ UNIVERSITY GUIDES Guides will be on hand at the Subway Entrance in Harvard Square on the mornings of October 6, 7, 8 and 9 at 10: 30, and in the afternoon of the same days at 2:30, and at other times during these days at No. 5 University Hall, to conduct the visitors about the grounds of the University and to other points of interest in Cambridge. The guides will be in charge of Charles A. Mahady, Head Guide, No. 5 University Hall. jBDHMtMitt f >.<. jj ^^ EARLY VIEW OF HARVARD COLLEGE IN CAMBRIDGE HARVARD UNIVERSITY A BRIEF STATEMENT T TARVARD College was founded in 1636. The bering nine, was graduated. For over half a century General Court of Massachusetts Bay gave four Harvard was the only college in the country. hundred pounds towards a college to be founded at New- The University includes Harvard College and the towne. The next year the name of the town was changed following graduate schools : Divinity, Law, Medicine, to Cambridge. Arts and Sciences, Applied Sciences, and Business Admin- In 1638 John Harvard, a clergyman, dying at istration. This organization is unique among educational Charlestown, left his library of two hundred and sixty institutions. Harvard College seeks to maintain the more volumes and half of his fortune to the infant college. -
PRACTICES of ART and SCIENCE a Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial
PRACTICES OF ART AND SCIENCE A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Hannah Star Rogers January 2012 © 2012 Hannah Star Rogers ii PRACTICES OF ART AND SCIENCE Hannah Star Rogers, Ph.D. Cornell University 2012 This dissertation explores the question of how art and science work as categories to circumscribe bodies of knowledge. I am interested in how specific knowledge communities label and materially shape artistic and scientific objects in contexts. People engage in rhetorical positioning through the creation of texts, style choices, making and unmaking the meanings of objects. Objects can be made to fit into the knowledge networks of art, science, or combinations of both. For different practitioners and audiences, what counts as art or science and their association vary in interesting ways. The categories of art and science serve many purposes. They indicate the kind of attention people, objects, and ideas want to elicit from readers, viewers, and thinkers. They serve to demarcate resources, to delineate interests, and to separate social groups. This dissertation contains three core case studies: the story of the Blaschka’s 19th century glass scientific models, the story of the 1990s tactical media movement, and the story of bioarts as practiced in a wet biological lab in Australia. These cases serve to show that art and science are not stable categories and demonstrate ways those categories are maintained. By unpacking the ways actors have used these categories, I complicate the division between the realms of art and science, be reflexive about thinking with regard to the categories we use to make sense of things and the value and power-orientation assigned to those categories, and show that science studies tools can be applied to artistic practice with fruitful results that iii offer new ways of thinking about people and objects that have often fallen outside the scope of science studies research. -
10 29 Color.Pdf
10.29.15 The Halloween Issue Inside: Smoking, Halloween Happenings, and Joining the Crew 10.29.2015 The Indy wishes everyone Vol. XLVII, No. 7 10.29.15 a wicked good Halloween. CONTENTS The Halloween Issue Cover design by Anna Papp Inside: Smoking, Halloween Happenings, and Joining the Crew President Anna Papp '16 Editor-in-Chief Shaquilla Harrigan '16 Director of Production Sean Frazzette '16 3 A Special #tbt News Editor Aditya Agrawal '17 4 Cigarette Civil Rights Forum Editor Eloise Lynton '17 Arts Editor Michael Luo '16 5 Cigarette Civil Rights Sports Editor Caroline Cronin '18 Design Editor Anna Papp '16 6 Ghostly Get-ups Associate Forum Editor Caroline Gentile '17 7 Around Campus Associate Arts Editor Andrew Lin '17 Illustrator Yaara Yacoby '17 8 Philanthropic Munchies Designers Alice Linder '17 9 Perfect Petals Abigail Parker '17 10 I’m on a Boat Staff Writers Albert Murzakhanov ‘16 11 Timid Tigers Whitney Gao '16 Manik Bhatia '16 Terilyn Chen '16 Yuqi Hou '15 Chloe Li '16 As Harvard College's weekly undergraduate newsmagazine, the Harvard Dominique Luongo '17 Independent provides in-depth, critical coverage of issues and events of interest Orlea Miller '16 to the Harvard College community. The Independent has no political affiliation, Carlos Schmidt '15 instead offering diverse commentary on news, arts, sports, and student life. Frank Tamberino '16 For publication information and general inquiries, contact President Anna Jackie Leong '16 Papp ([email protected]). Letters to the Editor and comments Madi Taylor '16 regarding the content of the publication should be addressed to Editor-in-Chief Shreya Vardhan '17 Shaquilla Harrigan ([email protected]). -
The Dilemma of Loaning Harvard's Glass Flowers
Article: Send them out or keep them here? The dilemma of loaning Harvard’s Glass Flowers Author(s): Scott E. Fulton and Susan M. Rossi Wilcox Source: Objects Specialty Group Postprints, Volume Thirteen, 2006 Pages: 2-16 Compilers: Virginia Greene, Patricia Griffin, and Christine Del Re th © 2006 by The American Institute for Conservation of Historic & Artistic Works, 1156 15 Street NW, Suite 320, Washington, DC 20005. (202) 452-9545 www.conservation-us.org Under a licensing agreement, individual authors retain copyright to their work and extend publications rights to the American Institute for Conservation. Objects Specialty Group Postprints is published annually by the Objects Specialty Group (OSG) of the American Institute for Conservation of Historic & Artistic Works (AIC). A membership benefit of the Objects Specialty Group, Objects Specialty Group Postprints is mainly comprised of papers presented at OSG sessions at AIC Annual Meetings and is intended to inform and educate conservation-related disciplines. Papers presented in Objects Specialty Group Postprints, Volume Thirteen, 2006 have been edited for clarity and content but have not undergone a formal process of peer review. This publication is primarily intended for the members of the Objects Specialty Group of the American Institute for Conservation of Historic & Artistic Works. Responsibility for the methods and materials described herein rests solely with the authors, whose articles should not be considered official statements of the OSG or the AIC. The OSG is an approved division of the AIC but does not necessarily represent the AIC policy or opinions. Fulton and Rossi-Wilcox AIC Objects Specialty Group Postprints, Volume 13, 2006 SEND THEM OUT OR KEEP THEM HERE? - THE DILEMMA OF LOANING HARVARD’S GLASS FLOWERS Scott E.