DOCSLIB.ORG

Ent-2000-03-17.Pdf (500.5Kb)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ent-2000-03-17.Pdf (500.5Kb) ENTERTAINMENT PAGE 25 Technique • Friday, March 17, 2000 • 25 The Regular Guys Sonique musters a cry ENTERTAINMENT For your reading pleasure, we begin a With her new album, Hear My Cry, series of morning radio show reviews. Sonique tries to continue her success Technique • Friday, March 17, 2000 This week: 96 Rock. Page 27 in the dance music genre. Page 29 No signs of intelligent life found in ‘Mission to Mars’ Jamie Schulz the big farewell party. Argh. We the sentimentality and dead wife Well everyone’s seen it already… have to sit through twenty min- thing. In addition to being con- utes of goodbye, I love you, I’ll stantly reminded of Maggie, we MPAA Rating: PG miss you. Blah blah blah. And it have to sit through ten minutes Starring: Gary Sinise, Tim doesn’t end there. The movie of McConnell watching videos Robbins, Don Cheadle, of her while he is going to Mars. Jerry O’Connell, Connie Please! If I want home videos, Nielson I’ll go to a family reunion. Director: Brian De Palma The premise behind There’s also the whole thing Studio: Touchstone Pictures between Woody Blake (Robbins) Running Time: 113 minutes Mission to Mars is and his wife, Terri Fisher (Niel- Rating: yy a good one. son), who seen to be trying to get the love back into their rela- One of the guys I went to the However, premise tionship. We finally witness it movie theater with overheard an and execution of in a very 2001-ish scene set in usher say to another while we the rotating commons area of were leaving the theatre “Boy, an idea are two the Mars station. the movie must be bad. No one different things. Which brings up another is talking about it.” Well, you point—the movie borrows very got that right, Chuckie. heavily from other movies. As The premise behind Mission I’ve mentioned, it uses the 2001 to Mars is a good one—get some just drips of sentimentality. rotating-thing, and it also relies good actors to try to cultivate We’re constantly reminded on Mars being a sort of HAL- Mars, then have bad things start of Jim McConnell’s (Sinise) dead like planet. When Luke Gra- to happen. However, premise wife, Maggie (Kim Delaney), who ham (Cheadle) and the first team and execution of an idea are two is given credit for beginning the try to set radar at a very mysteri- different things. whole concept of exploring Mars ous shape, a whirlwind appears The movie begins with what with the intention of inhabiting and eats up everyone, save Luke. By Rob McEwan / TOUCHSTONE PICTURES the usual mission-to-outer-space it. (So we have her to thank for When the first team to land sends a final, panicked transmission back to Earth, it’s movie has placed in the middle: the movie.) But anyway, back to See Mission to Mars, page 26 up to a second team led by Robbins and Sinise to save them in Mission to Mars. ‘Planet’ is‘ hospitable, hilarious Ørbit gives classics a new twist By Gus Ramage, IV en are from Venus,” but it is ed soon on campus. By Paul Egas Mascagni and two works by con- What planet am I from? actually far from it. This is a When he arrives on Earth, Floating through a serene sky temporary composer, Henryk great film to take a date to. Harold meets Perry Gordon Górecki. MPAA Rating: R The year is (Greg Kin- Artist: William Ørbit William Ørbit has been known Starring: Gary Shandling, 2999. Gary near), a co- Album: Pieces in a Modern Style throughout the music world as much Annette Bening, Greg Shandling worker at the Studio: Maverick Records for his music as his production abil- Kinnear, Ben Kingsley, Linda plays Harold [Shandling] delivers bank. Perry Tracks: 11 ities. His Strange Cargo series cre- Fiorentino, John Goodman Anderson, an shows him Running Time: 60:10 ated quite a stir in the English techno Director: Mike Nichols alien who must how to meet hilarious dialogue Genre: Ambient community, which quickly spread Studio: Columbia Pictures mate and pro- women at 12- while still conveying Rating: yyyy throughout the world. It was in Running Time: 100 minutes duce a child in step groups this series that Beth Orton gives Rating: yyyy order to save and other lo- a message about William Ørbit has been getting her debut on lead vocals for the his planet. the way men and cations. After a lot of press lately. He is the one phenomenally popular “Water Director Mike Nichols (The There are no encounters that is credited with remaking Ma- From A Vine Leaf.” It was Ørbit Graduate, Primary Colors) has females on his with a steward- women view dating donna. Ørbit, along with Madon- that discovered her and encour- really delivered a great film in world, and the ess, topless and relationships. na, received two Grammys in 1998 aged her to sing. His other efforts, What Planet are You From? It is only way they waitress, and (for “Best Pop Album” as well as such as Bassomatic, have met with one of the best romantic come- reproduce is Perry’s wife “Dance Recording”) for his work similar success. dies since Notting Hill. I was through clon- (Linda Fioren- on Ray of Light. For those of you Ørbit spends almost as much laughing most of the way through ing. Harold and others are given tino), Harold finally meets Sus- who are accus- time making his own music as he the movie and thought it was a training on how to talk to Earth an Hart (Annette Bening) at a tomed to his work does working with great. I was expecting this film women and lure them into bed. meeting. Susan is a recovering on Ray of Light, you others. Along with to be something along the lines Some of the pickup lines are very are in for some- the Madonna’s of “Men are From Mars, Wom- funny, and will likely be repeat- Ørbit tackles the See Planet, page 28 thing different “Ray of Light,” her with his new al- classics with this forthcoming re- bum, Pieces in a endeavor and lease, and her sin- Modern Style. gle “Beautiful This latest ef- reinvents them. The Stranger,” Ørbit fort shows exactly synthetic rendering has produced the why he is called En- likes of Beth Or- gland’s finest am- breathes life into ton, Blur and All bient-house the classical pieces, Saints’ “Pure pioneer. Ørbit Shores,” from the tackles the classics while keeping the recent release, The with this endeav- original intricacies. Beach. He also co- or and reinvents wrote and co-pro- them, as the title duced the Ricky suggests, in a mod- Martin/Madonna ern style. The smooth, synthetic duet, “Cuidado Con Mi Corazon.” rendering breathes life into the clas- William Ørbit is equally hailed for sical pieces, while keeping the orig- his abilities a remixing works, and inal intricacies. has done so for Kraftwerk, Seal, This CD pairs Ørbit’s electron- Prince and Depeche Mode. ic ambitions with the works of clas- Pieces in a Modern Style, howev- sical composers from the past to er, suffers the curse of most of Ør- present. Along with the “classical” bit’s work; while some pieces stand classics—pieces by Beethoven, Rav- out, the others are mediocre. The el, Handel and Vivaldi—are early first single, “Adagio for Strings” by By Francois Duhamel / COLUMBIA PICTURES twentieth century pieces by Sam- FAA Agent Roland Jones (John Goodman) suspects that there is something more to Harold Anderson uel Barber, John Cage and Pietro See Ørbit, page 26 (Gary Shandling) and Susan Hart’s (Annette Bening) engagement in What Planet Are You From? 26 • Friday, March 17, 2000 • Technique ENTERTAINMENT Mission to Mars from page 25 ØØrbit from page 25 Next, a string of debris strikes nal back to the hill, and unlock the Barber, is by far the best, and the the ship occupied by the second mystery of Mars. Some big mys- reworked dance version has already (and now rescue) crew, nearly keeping tery—the Martians “seeded” Earth reached the Top 5 in the UK. The Woody and his crew from getting after it was destroyed, meaning we fact that the CD also includes a to Mars in the first place. And so on are they, or they are us. I find that a bonus disk with two remixes of this and so on. little hard to digest. track is an additional treat. In the beginning of the movie, And then there’s the product Other good tracks are Handel’s Jerry O’Connell’s character , Phil placement. We’ve got Pepsi (Dr. “Xerxes,” Cage’s “In A Landscape” Ohlmyer, seems to be too much a Pepper), Pennzoil, Kawasaki, Isu- and Beethoven’s “Opus 132.” The copy of Ben Affleck from Armaged- zu, and of course, Mars, for the other track, and CD as a whole, are don. Then there’s the similarity to M&M DNA chain that Jerry good for relaxation but fail to have Contact when Luke deciphers a code O’Connell constructs which repre- the draw of the aforementioned in the signal he picked up from the sents his “perfect woman.” Won- tracks. The Vivaldi piece, “Triple mysterious Martian “hill” (which der if she’s a blonde? But a Georgia Concerto” reminds me of the mu- turns out to be a really big alien Tech bumper sticker does sneak its sic usually heard on some kiddie head).
Load more

Recommended publications
  • WILLIAM LEONARD Interviewer
    TRANSCRIPT—WILLIAM LEONARD Interviewee: WILLIAM LEONARD Interviewer: SAMUEL BAKER Interview Date: March 25th, 2013 Location: The Citadel, Capers Hall, Charleston, South Carolina Length: 1 hour, 38 minutes, and 15 seconds SAMUEL BAKER: Hello, good afternoon. Today is March 25th, and we’re here at The Citadel for the Veteran’s History Project. And today I’m going to be interviewing Mr. William Leonard. Would you want to start off by telling us about your childhood here in Charleston beforehand? WILLIAM LEONARD: Let’s start by that I guess. I was born in Charleston, 97 Tradd Street, in May 17th, 1925. I was born into a family, two sisters, older sisters, and one brother, and I was the youngest in the family. And my mother was from the old, one of the old families of Charleston. And my father was what we call a maverick in Charleston. He was a fella that was born in Alabama—Birmingham, Alabama—and he came here when he was two years old in 19—in 1896. And he was never a Charlestonian. But he married into a Charleston family so that made him be, be, in. He always—my father doesn’t like Charlestonians. SB: Very well, fair enough. WL: But anyway, made him a little [bit of an] outsider. I went to local schools. And ended up by going to a school in Mt. Pleasant because they started a new school over there, and they had girls in there, and I was 16 years old and was quite interested in girls. Graduated from over there in 1943, and immediately my father put me in The Citadel.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
    AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s.
    [Show full text]
  • One Thousand Miles II
    Word Count: 2,495 One Thousand Miles “Not fair,” I shout. “It’s always Doug.” Slamming the front door, I pull out my cell, hit autodial, and start walking. “Kim, it’s me, Darcy. Mom did it again—not going—can’t. She gave the car to Doug.” Kimmie shrieks, and I inch the phone away from my ear. “I know, I know. Can you believe it? He played the I’ve got a date card again. I’m sick of this crap, tired of begging. Today is the day. When I get my car, I’m gonna drive and drive—one thousand miles—and never look back.” *** Kim picks me up, and we drive in silence. She’s driven me too many places not to know I’m upset. The trip to Russelton is long, but it helps me collect my thoughts before the big purchase: driver’s license, money, Blue Book. “Pull in here,” I say, pointing to a gas station beside the road. She parks beside one of the pumps and scans the sprinkle of fields, trees, and homes along the road. “Is it safe?” “We’re not in the boonies,” I say, knowing the only place Kim feels safe is the mall. “My Aunt Shar lives here.” I point to a yellow two-story house with a garden in the front yard. “It’s where I babysit my cousin, Maddy.” “I still can’t believe you’re doing this without your mom,” she says, checking her lip gloss in the mirror. “Want me to stay?” “Nahhh, I’m fine.” Hopping from the car, I watch her drive away before trudging down the road.
    [Show full text]
  • I Put a Spell on You Free
    FREE I PUT A SPELL ON YOU PDF John Burnside | 288 pages | 01 May 2014 | Vintage Publishing | 9780224093873 | English | London, United Kingdom Nina Simone's Albums "I Put A Spell On You" & "Pastel Blues" Arrive in Hi-Fi - JAZZIZ Magazine Famed chiefly for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You", Hawkins sometimes used macabre props onstage, making him one of the few early shock I Put a Spell on You. We're doing our best to make sure our content is useful, accurate and safe. If I Put a Spell on You any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. Forgot your password? Retrieve it. Get promoted. Powered by OnRad. Think you know music? Test your MusicIQ here! In Lyrics. By Artist. By Album. Notify me of new comments via email. Cancel Report. Create a new account. Log In. Powered by CITE. Missing lyrics by Screamin' Jay Hawkins? Know any other songs by Screamin' Jay Hawkins? Don't keep it to yourself! Add it Here. I Put a Spell on You. Michael J. Gibson the Rockstar Cat. Feels Like Dying. Ally Nicholas. Hidden Cities City's T…. David Gagne. Get instant explanation for any lyrics that hits you anywhere on the web! Get instant explanation for any acronym or abbreviation that hits you anywhere on the web! I Put a Spell on You - Limited Release Bottles - Blue Earl Brewing On top of everything else, I can't send a squad to a bathroom break without someone ambushing them.
    [Show full text]
  • Being Born at Home Is Natural: Care Rituals for Home Birth
    THEMATIC ISSUE: HEALTH OF WOMAN AND CHILD RESEARCH Being born at home is natural: care rituals for home birth Natural nascer em casa: rituais de cuidado para o parto domiciliar Natural nacer en casa: rituales de cuidado para el parto en casa Lisie Alende PratesI, Marcella Simões TimmI, Laís Antunes WilhelmI, Luiza CremoneseI, Gabriela OliveiraI, Maria Denise SchimithI, Lúcia Beatriz ResselI I Universidade Federal de Santa Maria. Santa Maria, Rio Grande do Sul, Brazil. How to cite this article: Prates LA, Timm MS, Wilhelm LA, Cremonese L, Oliveira G, Schimith MD, et al. Being born at home is natural: care rituals for home birth. Rev Bras Enferm [Internet]. 2018;71(Suppl 3):1247-56. [Thematic Issue: Health of woman and child] DOI: http://dx.doi.org/10.1590/0034-7167-2017-0541 Submission: 08-06-2017 Approval: 11-18-2017 ABSTRACT Objective: To be aware of the care rituals developed by families when preparing for home birth during the gestational process. Method: Qualitative and ethnographic research developed with families during the gestational process. We adopted the observation- participation-refl ection model, and the analysis was performed according to ethnonursing.Results: Care rituals are related to the choice of home as a place for childbirth, being characterized as a family’s rite of separation to experience this process. Other care rituals involved the preparation of the family and the eldest child as well as the home, the body, and the mind of the pregnant woman, and the choice of destination of the placenta. Final considerations: We must understand the birth process beyond the biological perspective, considering women and their family as a whole, within a cultural context with their beliefs and values.
    [Show full text]
  • 100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
    100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • TUITION Increasepushes Students Into Part-Time Status
    THE BSERVER November IS, 1996 THE STUDENT VOICE OF PORDHAM COLLEGE AT LINCOLN CENTER VOLUME xv. i..«.io TUITION INCREASE Pushes Students into Part-Time Status: EXCEL Affected by Change By Matthew Martinez students entering this year. The instead of being charged the flat rate. change in credits was made after the For students who were part-time last The University's adoption of the early registration period during the year and are part-time this year, new core curriculum for the class of spring 1996 semester and students tuition went from $380 a credit to $425 2000, which includes a reduction in who had registered early found out a credit For those students who were the number of credits of core courses < about it only when they received their full-time last year and are full-time this from four to three, is pushing many tuition bills over the summer. year, the per credit cost has risen from students into part-time status. At the Full time tuition at Fordham for $425 per credit to $455 per credit. same time, the cost of a Fordham edu- this year's entering freshman on both Fr. Joseph O'Hare, President of the cation has risen dramatically for newly campuses is $7,900 a semester and University, addressed the issue of enrolled, part-time students. $15,800 for a full year. Those figures money at the Fordham Town Meeting Because cofe courses have been are flatfrates, and apply to students on October 21. continued on page 6 reduced to three credits, students who taking anywhere froni 12 credits, the Noting that had been taking three courses for minimum for twelve credits (the minimum required full-time status, for full-time status), will lose full-time to 18 credits a status if one or more of their courses semester.
    [Show full text]
  • Most Requested Songs of 2020
    Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2020 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Cupid Cupid Shuffle 4 Journey Don't Stop Believin' 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Usher Feat. Ludacris & Lil' Jon Yeah 7 Walk The Moon Shut Up And Dance 8 V.I.C. Wobble 9 Earth, Wind & Fire September 10 Justin Timberlake Can't Stop The Feeling! 11 Garth Brooks Friends In Low Places 12 DJ Casper Cha Cha Slide 13 ABBA Dancing Queen 14 Bruno Mars 24k Magic 15 Outkast Hey Ya! 16 Black Eyed Peas I Gotta Feeling 17 Kenny Loggins Footloose 18 Bon Jovi Livin' On A Prayer 19 AC/DC You Shook Me All Night Long 20 Spice Girls Wannabe 21 Chris Stapleton Tennessee Whiskey 22 Backstreet Boys Everybody (Backstreet's Back) 23 Bruno Mars Marry You 24 Miley Cyrus Party In The U.S.A. 25 Van Morrison Brown Eyed Girl 26 B-52's Love Shack 27 Killers Mr. Brightside 28 Def Leppard Pour Some Sugar On Me 29 Dan + Shay Speechless 30 Flo Rida Feat. T-Pain Low 31 Sir Mix-A-Lot Baby Got Back 32 Montell Jordan This Is How We Do It 33 Isley Brothers Shout 34 Ed Sheeran Thinking Out Loud 35 Luke Combs Beautiful Crazy 36 Ed Sheeran Perfect 37 Nelly Hot In Herre 38 Marvin Gaye & Tammi Terrell Ain't No Mountain High Enough 39 Taylor Swift Shake It Off 40 'N Sync Bye Bye Bye 41 Lil Nas X Feat.
    [Show full text]
  • D3.2 – Predictive Analytics and Recommendation Framework V2
    D3.2 – Predictive analytics and recommendation framework v2 Αugust 31st, 2019 Authors: Thomas Lidy (MMAP), Adrian Lecoutre (MMAP), Khalil Boulkenafet (MMAP), Manos Schinas (CERTH), Christos Koutlis (CERTH), Symeon Papadopoulos (CERTH) Contributor/s: Vasiliki Gkatziaki (CERTH), Emmanouil Krasanakis (CERTH), Polychronis Charitidis (CERTH) Deliverable Lead Beneficiary: MMAP This project has been co-funded by the HORIZON 2020 Programme of the European Union. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use, which may be made of the information contained therein. Multimodal Predictive Analytics and Recommendation Services for the Music Industry 2 Deliverable number or D3.2 Predictive analytics and recommendation framework supporting document title Type Report Dissemination level Public Publication date 31-08-2019 Author(s) Thomas Lidy (MMAP), Adrian Lecoutre (MMAP), Khalil Boulkenafet (MMAP), Manos Schinas (CERTH), Christos Koutlis (CERTH), Symeon Papadopoulos (CERTH) Contributor(s) Emmanouil Krasanakis (CERTH), Vasiliki Gkatziaki (CERTH), Polychronis Charitidis (CERTH) Reviewer(s) Rémi Mignot (IRCAM) Keywords Track popularity, artist popularity, music genre popularity, track recognition estimation, emerging artist discovery, popularity forecasting Website www.futurepulse.eu CHANGE LOG Version Date Description of change Responsible V0.1 25/06/2019 First deliverable draft version, table of contents Thomas Lidy (MMAP) V0.2 18/07/2019 Main contribution on track recognition estimation
    [Show full text]