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Archiepiscopal Christmas Encyclical
VOL 66 NO 1185 DECEMBER 2001 http://wwwobservergoarchorg E-mail: observer@goarchorg PATRIARCHAL PROCLAMATION Archiepiscopal ON THE NATIVITY OF CHRIST Christmas Encyclical ÿ BARTHOLOMEW BY THE MERCY OF GOD ARCHBISHOP OF CONSTANTINOPLE, NEW ROME The Nativity of Christ AND ECUMENICAL PATRIARCH UNTO THE ENTIRE PLENITUDE To the Most Reverend Hierarchs, OF THE CHURCH GRACE, MERCY the Reverend Priests and Deacons, the AND PEACE FROM CHRIST Monks and Nuns, the Presidents and OUR SAVIOR BORN IN BETHLEHEM Members of the Parish Councils of the Greek Orthodox Communities, the Day And she gave birth to her first born son, and wrapped him in swaddling and Afternoon Schools, the Philop- clothes and made him recline in a tochos Sisterhoods, the Youth, the Hel- manger (Luke 2,7)5 lenic Organizations, and the entire Greek Orthodox Family in America he greatest event in the his Beloved Brothers T tory of the universe, the In and Sisters in Christ, carnation of the Son of God, was accomplished almost impercepti- s we observe the Nativ- bly As the sacred hymnographer says ity season and celebrate in addressing the Lord, Unnoticed, you A the birth of our Lord were born in a cave and Savior Jesus Christ, we do so in a Truly, the Incarnated Word of God time of great challenges and concerns was born from the Virgin Maiden within We have seen and experienced the a cave in Bethlehem during a silent tragic events of September 11th We are night, like all other nights He was aware of the tremendous suffering of wrapped in swaddling clothes like all those who have -
Annual Report
ANNUAL 17 REPORT 18 MISSION VISION • We will educate enterprising artists, thinkers, innovators, leaders, and globally conscious citizens who transform The Theatre School trains students communities across DePaul, Chicago, the nation, and the world. • We will support an expert, passionate faculty and staff to the highest level of professional committed to advancing the vibrancy of live theatre and performance while continually adapting to a broadening and changing profession. skill and artistry in an inclusive • We will become a model of diversity and inclusion for the University and the field. and diverse conservatory setting. • We will produce public programs and performances that challenge, entertain, and stimulate the imagination. • We will foster cross-disciplinary collaboration to further student understanding and appreciation of every aspect of theatre work. VALUES EDUCATION We advance intellectual development and ethical consciousness. We foster moral, spiritual, social, political, and artistic growth. We promote participation in civic life. RESPECT We inspire respect for self, for others, for the profession, and for humanity. We embrace the Vincentian model of service. FREEDOM We build a community founded on the principles of creativity and freedom of expression. We value initiative, innovation, exploration, and risk-taking. IMAGINATION We celebrate the primacy of imagination in our work. SPIRITUALITY We believe theatre is a place for reflection, awakening, and the development of moral awareness. Welcome to The Theatre School’s (TTS) 2017-18 Annual Report. It was a year of “firsts” for TTS. For the first time, we held our annual fundraising event, now titled LIGHTS UP!, at TTS, offering guests behind-the-scenes access to our artistic home. -
About the Herero of Namibia, Formerly Known As South West Africa, from the German Sudwestafrika, Between the Years 1884-1915
presents About the Herero of Namibia, Formerly Known as South West Africa, From the German Sudwestafrika, Between the Years 1884-1915 by Jackie Sibblies Drury Director – Erin Kraft Choreographer – Alex Gordon Fight Director – Kyle Encinas Vocal Coach – Louis Colaianni Scenic Designer – Jessica Olson Costume Designer – Olivia Engobor Lighting Designer – Joseph Clavell Sound Designer – Haley Feiler Cultural Consultant – Tania Richard Dramaturgs – Hampton Cade, Lauren Quinlan Stage Manager – Erin Collins February 10 – 19, 2017 The Theatre School at DePaul University Fullerton Stage 2350 N Racine Ave, Chicago IL, 60614 Email: [email protected] (773) 325-7900 Presenting Level Sponsor CAST DIRECTOR’S NOTE Actor 6/ Black Woman ................................................................................................Ayanna Bria Bakari The first play I directed in grad school was Circle Mirror Transformation—a strange little Actor 1/ White Man ....................................................................................................................Sam Straley comedy about the power of theatre, community, and time to change your life. In it, Actor 2/ Black Man ............................................................................................................Michael Morrow a small town creative drama class discovers unexpected truths about themselves by Actor 3/ Another White Man ...........................................................................Arie DuPree Thompson playing theatre games. Though the action -
Storm Fee Getting the Boot for Good?
A3 SUNDAY, JUNE 2, 2019 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $2 Lake City Reporter LAKECITYREPORTER.COM SUNDAY + PLUS >> Blueberries by Best of Stamp out the bazillion the Best storm fee ballot 1D for good inside TASTE BUDDIES Opinion/4A Wellborn’s annual fest/6A See 6B 4 months CITY COUNCIL and counting Storm fee for Hunter getting Burn victim Hunter Dover, 8, still can’t shake infection, other the boot ailments. 2A for good? COURTESY Greene: Take unenforced provisions off the books as ‘Don’t dream of a job, dream of a verb’ a precautionary measure. By CARL MCKINNEY [email protected] A stormwater fee enact- ed by the city two years ago — but never executed — is set to be offi- cially strick- en from the books to ease the business communi- ty’s con- Greene cerns about Photos by RAY CARPENTER/Special to the Reporter the controversial program Valedictorian Linash Thomas leads the student body onto the field for graduation Friday at CHS. resurfacing in the future. Lake City Manager Joe Helfenberger will ask the 446 claim diplomas at Columbia High City Council on Monday to rescind the the fee, which Newly-minted CHS would have funded storm- grads share their water improvement proj- ects throughout town. The visions of the future. fee never saw the light of day after officials discov- By CARL MCKINNEY ered practical issues with [email protected] collecting the money. Purple caps and gowns The city halted enforce- started trickling onto the ment and instead opted football field as the sun for a grant-based approach started to set Friday eve- to pay for the work. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 108 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 108 CONGRESS, SECOND SESSION Vol. 150 WASHINGTON, TUESDAY, JUNE 22, 2004 No. 87 Senate The Senate met at 9:47 a.m. and was Government and our country, which he authorization bill. Last night’s agree- called to order by the Honorable always referred to as ‘‘a country of ment provides for an additional hour of WAYNE ALLARD, a Senator from the kindness.’’ debate in relation to Senator LEVIN’s State of Colorado. Amen. missile defense amendment. The order The PRESIDING OFFICER. Today’s f also provides for the vote on the prayer will be offered by guest Chap- Brownback indecency amendment im- PLEDGE OF ALLEGIANCE lain Rabbi Moshe Feller, of Saint Paul, mediately following the Levin vote. MN. The Honorable WAYNE ALLARD led Senators can, therefore, expect two The guest chaplain offered the fol- the Pledge of Allegiance, as follows: consecutive votes at approximately 11 lowing prayer. I pledge allegiance to the Flag of the a.m. this morning. We have also United States of America, and to the Repub- reached an agreement to have all first- PRAYER lic for which it stands, one nation under God, degree amendments offered by 6:30 this indivisible, with liberty and justice for all. Almighty God, Master of the Uni- evening. Given this agreement, I an- verse, the Members of the U.S. Senate f ticipate we will have votes throughout convene here today to fulfill one of the APPOINTMENT OF ACTING the day into the evening. -
Rosalind Chao, Paula Cale Lisbe, Justina Machado and Jaime Ray Newman Star As Some of the Girls in This West-Coast Premiere Directed by Labute
Contact: Allison Rawlings Director of Communications (310) 966-2412 [email protected] Leading Man Mark Feuerstein Heads a Cast of Small-Screen Starlets in Neil LaBute’s Some Girl(s) in The Audrey at The Geffen Playhouse Rosalind Chao, Paula Cale Lisbe, Justina Machado and Jaime Ray Newman Star as Some of the Girls in this West-Coast Premiere Directed by LaBute LOS ANGELES, January 15, 2008 — Mark Feuerstein, an actor who has made a name for himself by playing irresistibly charming characters on screens both big (In Her Shoes, What Women Want) and small (“West Wing,” “Good Morning, Miami”), takes on a bit of an edge as the lead role in Neil LaBute’s Some Girl(s) in the Audrey Skirball Theater at the Geffen Playhouse, opening this February. Feuerstein stars as the ambiguous romantic lead Guy, a character who is traveling between non-descript hotel rooms in various cities meeting with the women of his past and searching for … something. Putting the “girls” in Some Girl(s) is a group of actresses whose backgrounds and talents are as diverse and vast as Guy’s love life. Seasoned actress Rosalind Chao (“Star Trek: The Next Generation,” The Joy Luck Club) has some unfinished business to clear up as Lindsay, the savvy yet scarred older woman. Stage veteran Paula Cale Lisbe, best know for her television role as Joanie Hansen in NBC’s “Providence,” stars as Sam, the high-school girlfriend who didn’t quite make it to prom night. “Six Feet Under” star Justina Machado plays Tyler, the too- cool fling that won’t quite get flung; and taking on the role of Bobbi, a California sweetheart who got ditched for Chicago, is Geffen-alum (Fat Pig) and television talent Jaime Ray Newman. -
The Daily Show Effect
The Daily Show Effect: Humor, News, Knowledge and Viewers A Thesis Submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Rachel Joy Larris, B.A. Washington, D.C. May 2, 2005 Copyright © 2005 by Rachel Joy Larris All Rights Reserved 2 THE DAILY SHOW EFFECT: HUMOR, NEWS, KNOWLEDGE AND VIEWERS Rachel Joy Larris, B.A. Thesis Advisor: Diana Owen, Ph.D ABSTRACT What happens when the “news” is presented in an amusing format? The Daily Show with Jon Stewart is the result of the merging of several entertainment programming trends, notably the news satire format and the talk show format. The Daily Show’s unique formatting raises these questions for examination: What exactly is the political content of the program and who is the audience absorbing this content? Who consumes The Daily Show and what specifically are they consuming? For decades now, the youngest segment of the American public has been losing interest in the traditional sources of news. While their disinterest in traditional news has grown, they have shown themselves willing to consume news information from different sources. One of the most interesting new sources of news is the late-night comedy TV show. Because these programs have the potential to become important sources of news, it is important to see whether they are agenda setting for their audiences. Using two media consumption surveys, this project first constructs a political profile of the audience and then, through a statistical analysis of the guest list of the program, determines whether the audience’s political viewpoint is correlated with the majority of the show’s political guests. -
Annual Report
ANNUAL 16 REPORT 17 MISSION VISION • We will educate enterprising artists, thinkers, innovators, leaders, and globally conscious citizens who transform The Theatre School trains students communities across DePaul, Chicago, the nation, and the world. • We will support an expert, passionate faculty and staff to the highest level of professional committed to advancing the vibrancy of live theatre and performance while continually adapting to a broadening and changing profession. skill and artistry in an inclusive • We will become a model of diversity and inclusion for the University and the field. and diverse conservatory setting. • We will produce public programs and performances that challenge, entertain, and stimulate the imagination. • We will foster cross-disciplinary collaboration to further student understanding and appreciation of every aspect of theatre work. VALUES EDUCATION We advance intellectual development and ethical consciousness. We foster moral, spiritual, social, political, and artistic growth. We promote participation in civic life. RESPECT We inspire respect for self, for others, for the profession, and for humanity. We embrace the Vincentian model of service. FREEDOM We build a community founded on the principles of creativity and freedom of expression. We value initiative, innovation, exploration, and risk-taking. IMAGINATION We celebrate the primacy of imagination in our work. SPIRITUALITY We believe theatre is a place for reflection, awakening, and the development of moral awareness. Welcome to The Theatre School’s 2016-17 annual report. I’m always amazed to look back and reflect on all of the activities and accomplishments of our faculty, staff, and students, and this year is no exception. We kicked off the year by hosting our first all-day diversity forum Navigating and Addressing Race and Race Relations in October.