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BALKAN BLAZE Tuesday 25 October 2016, 7.30Pm Barbican Centre, Silk St, London EC2Y 8DS
th LONDON FESTIVAL 4 OF BULGARIAN CULTURE MUSIC EXHIBITION ART THEATRE BALKAN BLAZE Tuesday 25 October 2016, 7.30pm Barbican Centre, Silk St, London EC2Y 8DS Page 1! LONDON FESTIVAL OF BULGARIAN CULTURE Join the Balkan Adventure LFBC BRIEF HISTORY London Festival of Bulgarian Culture has already celebrated 3 successful editions in 2010, 2012, and 2014. More than 40 events – music, cinema, theatre, and exhibitions have been presented in the month of November every two years since 2010. Over three hundred Bulgarian, British, and international artists and formations such as the English Chamber Orchestra, Royal Philharmonic Orchestra, London Bulgarian Choir, Le WELCOME TO THE 4TH Mystere Des Voix Bulgares, The Big Band of EDITION OF OUR FESTIVAL! Bulgarian National Radio, etc., have participated in concert venues in London, At tonight’s opening concert we are very excited attracting a combined audience of more than 20 to present a programme representing the best of 000. The presentation of lesser known music our Bulgarian and Balkan music heritage. Joining composed by historic Bulgarian composers, and forces as soloists with an orchestra and choir are new music created by both British and Bulgarian two incredible musicians who defy categorization composers has been one of the principal aims of – the superstar and always inventive Nigel the festival which has already seen its objective Kennedy and our very own Bulgarian gudoulka largely fulfilled through the presentation of over virtuoso and composer Georgi Andreev - the 30 World, UK, and London premières. Many fantastic partnership between them on stage will theatre, cinema, exhibitions and cultural events not leave you sitting still in your seats for long! have also been presented and organized by the Bulgarian Cultural Institute as part of the We also have some brilliant events as part of our Festival, showcasing Bulgaria’s rich cultural festival coming up in November; please do heritage. -
Studenckie Zeszyty Naukowe Instytutu Filologii Słowiańskiej UJ
ISSN 2299-2545 Studenckie Zeszyty Naukowe Instytutu Filologii Słowiańskiej UJ Numer 1(3)/2013 Kraków 2013 Redakcja naukowa dr Robert Sendek, Bartłomiej Rusin Redakcja Bartłomiej Rusin (redaktor naczelny) Aleksandra Głodowska, Aleksander Mąkosa, Monika Sakowska, Anna Sokulska, Krzysztof Romanowski Korekta Monika Sakowska, Krzysztof Popek Publikacja powstała w ramach prac Koła Naukowego Slawistów im. T. Lehra-Spławińskiego Opracowanie grafi czne, dtp Tomasz Sekunda Zdjęcie na okładce Cerkiew Świętego Sawy w Belgradzie, autorstwa użytkownika Threat to Democracy, udostępniony na serwisie Flickr.com na licencji CC BY 2.0 © by Autorzy, 2013 ISSN 2299-2545 Wydanie sfi nansowane ze środków Rady Kół Naukowych UJ Wydawca Wydawnictwo «scriptum» Tomasz Sekunda tel. + 48 60 4532 898 e-mail: [email protected] www.scriptum.strefa.pl Studenckie Zeszyty Naukowe Instytutu Filologii Słowiańskiej UJ nr 1(3)/2013 Spis treści Literatura Anna Król Tam gdzie kwitną konwalie – Sirota Cwetana w świetle zjawiska zbułgarszczania ......................................................5 Małgorzata Dambek Wielość światów. Środkowoeuropejskie przestrzenie wtwórczości Pavla Straussa ..............................................................21 Monika Sakowska Egon Bondy i„realizm totalny”. Słowo oczeskim undergroundzie lat 50. XX wieku ..........................33 Kultura Ewa Lewicka Początki kinematografi i bułgarskiej: życie itwórczość Wasiła Gendowa kadr po kadrze ............................47 Kostiantyn Mazur Promotion of the Bulgarian Culture on the Internet -
NVN Practitioners Histories and Connections
From: Caroline Bithell, A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song (Oxford University Press, 2014) Chapter 3 Natural Voice Practitioners and Their Journeys Histories and Connections A Gathering of the Natural Voice Clan January 2010 is marked by the heaviest snowfall Britain has seen for many years, and South Yorkshire is no exception. Wortley Hall sits majestic and secure on its twenty-six- acre estate, surrounded by formal gardens and picturesque woodland covered in a blanket of white stretching as far as the eye can see, silently awaiting the arrival of the next party of guests. From all corners of the British Isles and beyond, we make our way towards the beacon of light and the warm welcome we know we will find at the end of our journey. Trains are delayed and cancelled; some set off but grind to a halt in a Narnia-like land we can barely see through the whirling flakes of snow that fall ever thicker and faster. Taxis lose their way and drivers lose their nerve when they find the usual route to the hall closed. The lane that eventually brings us to the gates is still just about passable. Apart from a few brave diners who will emerge, ghostlike, from the snowy wastes to partake of the Sunday lunchtime carvery, we have the house to ourselves and soon take possession of what are now familiar haunts: the lounge, dining rooms, library, garden room, conference rooms, ballroom, the Henry Collins Room, and the Stuart Charnley Room. The opulence of the setting belies the more humble environments to which we are more accustomed. -
Essentialism and Multiculturalism in Contemporary English Folk Music
This is a repository copy of Identifying the English: essentialism and multiculturalism in contemporary English folk music. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/113147/ Version: Accepted Version Article: Keegan-Phipps, S. orcid.org/0000-0002-3873-9455 (2017) Identifying the English: essentialism and multiculturalism in contemporary English folk music. Ethnomusicology Forum. ISSN 1741-1912 https://doi.org/10.1080/17411912.2017.1302809 © 2017 The Author(s). This is an author produced version of a paper subsequently published in Ethnomusicology Forum. Uploaded in accordance with the publisher's self-archiving policy. Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Identifying the English: essentialism and multiculturalism in contemporary English folk music Simon Keegan-Phipps Department of Music, University of Sheffield, UK Recent trends in ethnomusicology have included a growing concern with indigeneity. A conceptual alternative to the discipline’s long-standing preoccupations with diaspora, indigeneity is frequently characterised through a narrative in which ‘native’ groups assert their identity in opposition to an invading—historical or contemporary—oppressor. -
Gender and Identity in Welsh Choral Music, 1872–1918
The ‘Land of Song’: Gender and Identity in Welsh Choral Music, 1872–1918 A thesis submitted in partial satisfaction for the requirements for the degree Doctor of Philosophy in Ethnomusicology by Rachelle Louise Barlow © Rachelle Louise Barlow 2015 in memory of my sister, Laura i Contents List of Figures iv List of Plates v Notes on Welsh Pronunciation vi Conventions vii Abstract ix Preface x 1 Men of Harlech 1 2 The Chapel: Sacred Music, Nonconformity, Tonic Sol-fa 47 3 The Land of Song: Griffith Rhys Jones and the South Wales Choral 82 Union, 1872–1873 4 Performed Masculinities: Men and Music 114 5 ‘The Queen was Pleased’: Clara Novello Davies and the Royal Welsh 149 Ladies’ Choir, 1883–1900 6 Performed Femininities: Women of Harlech 188 7 Society and Singing: Examining Gender, Ideology and Song 224 8 Oral Histories, Written Narratives: The Myth of Wales 255 Conclusions 286 Appendix 290 Bibliography 297 Web Sources 310 ii List of Figures 2.1 Key protagonists of vocal pedagogy, 1859–c.1890 64 4.1 Rhondda Glee Society Recordings in the Gramophone Record Catalogue, 1899 145 5.1 Welsh Ladies’ Choir Press Reports, February–May 1894 173 iii List of Plates 1.1 Map of Wales 3 1.2 Frontispiece to Edward Jones’ Relicks (1794) 5 1.3 First print appearance of ‘Gorhoffedd Gwŷr Harlech’ (1794) 7 1.4 A military band at the 2015 NATO Summit, Newport 9 1.5 Members of the CDWSS marching in Cathays Park, 1913 17 2.1 A metrical psalm from Prys’ Llyfr y Psalmau (1621) 53 2.2 ‘Llyfr Pricio’ (c.1800) of David Edwards 67 2.3 John Roberts (‘Ieuan Gwyllt’, 1822–1877) -
Giving Voice 06 Text Pages AW
International Festival of the Voice 06 Gwˆ yl Ryngwladol y Llais 4 - 9 April/Ebrill, Aberystwyth Workshops Gweithdai Presentations Cyflwyniadau Performances Perfformiadau Discussion Trafodaethau Supported by / Noddir Festival Media Partner Songlines www.givingvoice.org.uk CPR works in close association with University of Wales, Produced by / Cynhyrchir gan Aberystwyth Department of Theatre, Film & Television Voice International, studies. Mae CPR yn gweithio’n glòs ag Adran Astudiaethau a division of CPR Theatr, Ffilm & Theledu Prifysgol Cymru Aberystwyth. Giving Voice - ‘Myths of the Voice’ WORKSHOPS - PERFORMANCES - PRESENTATIONS - DISCUSSION Wales’ International Festival of the Voice brings together some of the world’s finest performers and voice teachers in an innovative CONTENTS celebration of the voice in performance. Y Llais Gwladol – chwilio grym y llais a sut y mae’n ffurfio ac yn symud How to Create y byd lle’r ydym yn byw. Your Own Experience Join us for an uplifting compendium of voice workshops, 3 performances, talks, seminars and lecture-demonstrations reflecting voices from Africa, Asia, the Americas, the Pacific Calendar Europe and Wales and meet with fellow voice enthusiasts and artists from around the world. 3 Giving Voice: Myths of the Voice explores how the voice is conceived of, listened to and used - especially in the arts and therapeutic practices Workshops - in a spectrum ranging from from pagan oracles to protestant singing, 4-8, 13-17 from ventriloquism to contemporary myths of the soul; the power of myths and archetypes in vocal development, therapy, and practice; the role of the voice within the great myths of the world; myths and truths in Evening Performances voice practices and understandings; the somatic voice; the listening 9-11 voice; the storyteller, the shaman and soul-singer; singing as personal transformation. -
Vagabond Issue 22 JULY 2008 4.99 Leva Black and American Media Ltd in So a Special USA º Issue-1 From360 Above
VAGA ONDB Media Ltd Bulgaria Publishers of high quality monthly magazines, guides and picture albums VAGABOND issue 22 JULY 2008 4.99 leva Black and American Media Ltd in So a Special USA º Issue-1 from360 above your complimentary copy John Beyrle’s nal touch your complimentary copy Основано през 2004 г., "Вагабонд Founded in 2004, Vagabond Media is From the Blue Ridge Mountains to y our complimentary copy the Balkans медиа" е единственото the only Bulgarian publishingSnow and house Crows at Zugspitze 37 издателство в България, specialising in bilingual (BulgarianMalko Tarnovo and NOV 2008 специализирано в издаването на English) monthly magazines, guides, брой 01 / октомври 2008 / цена 3,95 лв. DIRTY POLITICS OF FOOTBALL > EVERYBODY’S THESSALONIKI > BULGARIA двуезични (български и английски) high-qualityHeadquarters, picture Sofia, Bulgaria books and albums. UK office, London tel: +359 2 943 44 81 www.adis.bg tel: +44(0) 208 318 2944 месечни списания, гайдове, Our portfolio [email protected] HIGHFLIGHTS, [email protected] Bulgaria's Airport Magazine; Vagabond, Спечели луксозни илюстровани книги и NIKON!!! Супер албуми. В нашето портфолио са Bulgaria's English Monthly; and Go фотоконкурс JUNE-AUGUST 2008 месечните списания HIGHFLIGHTS Greece!, Bulgaria's magazine for tourism, info ǜǧǟǠǏǍǖ! – българското летищно списание; travel and entertainment in Greece. SURVIVE AND HAVEguide FUN IN BULGARIA ǞǭǹǻǿǽǭǷǵ, ǍǿǻǺ, ǗǭǼǭDZǻǷǵȌ VAGABOND – българското All our magazines, books and guides A Night in Vienna английско списание; и Varna's"Иди SPA в are produced by first-class Bulgarian Гърция!" – българското списание and English journalists, photographers, за туризъм, пътешествия и experts and writers. Their products are MAKELondon After the Great Fire 35 36 БЕЗПЛАТЕН SEPT 2008 OCT 2008 Lost inBELIEVE KovatchevitsaУИКЕНД В ǜǘǍǙǒǚ удоволствия в Гърция. -
23 May 2008 Page 1 of 9 SATURDAY 17 MAY 2008 Travellers Going to the Tropics Should Be Aware of the Potential Ago
Radio 4 Listings for 17 – 23 May 2008 Page 1 of 9 SATURDAY 17 MAY 2008 Travellers going to the tropics should be aware of the potential ago. The clear-up begins after the Ronan Point disaster. dangers of the diseases they could be exposed to. Malaria is SAT 00:00 News and Weather (b00b9y2k) endemic in more than a hundred countries and Britain has The latest national and international news from BBC Radio 4, become one of the biggest importers of the disease amongst the SAT 17:00 Saturday PM (b00bb26d) followed by weather. industrialised nations. Full coverage and analysis of the day's news, plus the sports headlines. With Ritula Shah. Polly Patterson talks about her experience following a bite by a SAT 00:30 Book of the Week (b00b7173) malaria carrying mosquito and Professor Larry Goodyer Twenty Chickens for a Saddle: The Story of an African explains what can be done to prevent or treat malaria and other SAT 17:30 iPM (b00bb26g) Childhood tropical diseases, which are often underestimated by travellers. Eddie Mair presents the weekly interactive current affairs magazine featuring online conversation and debate. Episode 5 SAT 10:30 Punt PI (b00b9y3h) Anne-Marie Duff reads from Robyn Scott's affectionate Series 1 SAT 17:54 Shipping Forecast (b00bb26k) memoir of growing up in an eccentric family in Botswana. The latest shipping forecast. Episode 3 SAT 00:48 Shipping Forecast (b00b9y2m) Steve Punt turns private investigator, examining little mysteries SAT 17:57 Weather (b00bb26m) The latest shipping forecast. that perplex, amuse and beguile. The latest weather forecast. -
Bulgaria Comes to London 1 - 30 November 2012
Bulgaria Comes to London 1 - 30 November 2012 Music Film nd Art 2 Theatre London Festival of Bulgarian Culture www.lfbc.eu Presented & organized by Bulgarian Cultural Classical Concerts Productions Institute London In Partnership with Bulgarian Cultural Institute London and The Bulgarian Embassy in London Bulgarian Cultural Institute London DATE PAGE Varna Bulgarian Symphony Orchestra Martin Georgiev & Vania Vatralova-Stankov 3 Nov 6 Bulgarian and British Symphonic Folk Songs Chilingirian Quartet & Friends 6 Nov 9 Music Delights from the Romantic Era Isis Ensemble & Ivo Varbanov 12 Nov 19 Classical Pictures at an Exhibition for strings Inspirity Quintet 13 Nov 20 Music Clarinet Quintet master pieces Dimitar Burov (violin) & Mina Miletic (piano) 22 Nov 29 Eastern and Western passionate melodies West London Sinfonia & Devorina Gamalova 24 Nov 33 Bulgarian & English concerto premieres Arcadia Mundi, George Hlawiczka & Ivo Stankov ‘Jupiter’, Piazzolla, and something more 25 Nov 34 Alexandra Jekova Jazz Trio 8 Nov 10 JP3 Jazz Trio 10 Nov 14 Jazz Jazz with a twist of Bulgarian folklore Music The big band of the Bulgarian National Radio Liane Carroll & Ian Shaw 15 Nov 24 European Jazz - big band with special guests London Bulgarian Choir & A Spell In Time 9 Nov 13 Folk Music Bulgarian folk songs and tales Trio Perunika 28 Nov 35 Seven Saints Church Choir 1 Nov 5 Holst Choir (JAGS) & Paulina Voices 3 Nov 6 Choral Music London Bulgarian Choir 9 Nov 13 London Irish Choir 10 Nov 17 Filip Avramov & Milena Avramova 21 Nov 27 Pop Music Bogdana Karadocheva,