Ice-T Rhyme Pays Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Ice-T Rhyme Pays mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Rhyme Pays Country: Europe Released: 1987 Style: Gangsta MP3 version RAR size: 1628 mb FLAC version RAR size: 1524 mb WMA version RAR size: 1602 mb Rating: 4.2 Votes: 541 Other Formats: ADX AU VQF TTA VOX FLAC VOC Tracklist 1 Intro / Rhyme Pays 6:29 2 6 'N The Morning 7:11 3 Make It Funky 5:09 4 Somebody Gotta Do It (Pimpin' Ain't Easy!!!) 3:03 5 409 5:20 6 I Love Ladies 4:44 7 Sex 2:57 8 Pain 3:36 9 Squeeze The Trigger 6:12 10 Make It Funky (12" Mix) 5:58 11 Sex (Bonus Beat) 3:53 12 Somebody Gotta Do It (Pimpin' Ain't Easy!!!) (12" Mix) 3:27 13 Our Most Requested Record (Long Version) 6:45 Companies, etc. Marketed By – Warner Bros. Records Inc. Phonographic Copyright (p) – Sire Records Company Copyright (c) – Sire Records Company Credits Engineer – Greg "SSL?" Mann* (tracks: 5), Jim Lyons (tracks: 1 to 4, 6 to 13) Engineer [Recording] – David Storrs Executive-Producer – Ralph "The Blooper" Cooper Mastered By – Jose Rodriguez* Mixed By – Afrika Islam, Ice-T Producer – Afrika Islam, Ice-T Programmed By – Afrika Islam Written-By – Dave Storrs* (tracks: 1), Ice-T Notes Produced and mixed for Rhyme Syndicate Productions Made in Germany Included is a 20-page booklet with lyrics The music on this Compact Digital Disc was originally recorded on analog equipment. We have attempted to preserve, as closely as possible, the sound of the original recording. Because of its high resolution, however, the Compact Disc can reveal limitations of the source tape. Barcode and Other Identifiers Barcode (Text): 0 7599-25602-2 1 Barcode (String): 075992560221 Matrix / Runout: 759925602-2 RSA Rights Society: GEMA/BIEM Label Code: LC 3228 Other (Distribution Code France): WE 835 Other versions Category Artist Title (Format) Label Category Country Year 1-25602, 9 25602-1 Ice-T Rhyme Pays (LP, Album) Sire, Sire 1-25602, 9 25602-1 US 1987 WPCP-4405 Ice-T Rhyme Pays (CD, Album) Sire WPCP-4405 Japan 1991 925 602-1 Ice-T Rhyme Pays (LP, Album) Sire 925 602-1 Europe 1987 Rhyme Pays (LP, Album, 8122795777 Ice-T Sire 8122795777 Europe 2014 RE) 92 56021 Ice-T Rhyme Pays (LP, Album) Sire 92 56021 Canada 1987 Related Music albums to Rhyme Pays by Ice-T Ice-T - Make It Funky Ice-T - New Jack Hustler (Nino's Theme) / Lifestyles Of The Rich And Infamous Ice-T - Gotta Lotta Love Afrika Islam - Colors - Purple "Zuluone" Afrika Islam - The Bitch Don't Fuck / Just For The Club Vansilk Featuring Afrika Islam - Basepipe (It's Not Your Friend) Ice-T - O.G. Original Gangster Body Count - Body Count Afrika Bambaataa - Funky Heroes Figures On A Beach - Figures On A Beach Ice-T - Power Talking Heads - Fear Of Music.

Copy Link

Recommended publications

In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
[Show full text]
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb ..
[Show full text]
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.
[Show full text]
Fear of a Muslim Planet
SOUND UNBOUND edited by Paul D. Miller aka DJ Spooky that Subliminal Kid The MIT Press Cambridge, Massachusetts London, England 6 2008 Paul D. Miller All rights reserved. No part of this book may be reproduced in any form by any elec- tronic or mechanical means (including photocopying, recording, or information stor- age and retrieval) without permission in writing from the publisher. For information about special quantity discounts, please email special_sales@mitpress .mit.edu This book was set in Minion and Syntax on 3B2 by Asco Typesetters, Hong Kong, and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Sound unbound / edited by Paul D. Miller. p. cm. Includes bibliographical references and index. ISBN 978-0-262-63363-5 (pbk. : alk. paper) 1. Music—21st century—History and criticism. 2. Music and technology. 3. Popular culture—21st century. I. DJ Spooky That Subliminal Kid. ML197.S694 2008 780.9005—dc22 2007032443 10987654321 Contents Foreword by Cory Doctorow ix 1 An Introduction, or My (Ambiguous) Life with Technology 1 Steve Reich 2 In Through the Out Door: Sampling and the Creative Act 5 Paul D. Miller aka DJ Spooky that Subliminal Kid 3 The Future of Language 21 Saul Williams 4 The Ecstasy of Inﬂuence: A Plagiarism Mosaic 25 Jonathan Lethem 5 ‘‘Roots and Wires’’ Remix: Polyrhythmic Tricks and the Black Electronic 53 Erik Davis 6 The Life and Death of Media 73 Bruce Sterling 7 Un-imagining Utopia 83 Dick Hebdige 8 Freaking the Machine: A Discussion about Keith Obadike’s Sexmachines 91 Keith + Mendi Obadike 9 Freeze Frame: Audio, Aesthetics, Sampling, and Contemporary Multimedia 97 Ken Jordan and Paul D.
[Show full text]
Flanagan's Running Club – Issue 44
Flanagan's Running Club – Issue 44 Introduction The first rule of Flanagan's Running Club is everyone should be telling everyone they know about Flanagan's Running Club! After all, sharing is caring. Details of how to sign up is in the epilogue. There is no need to panic, there is no actual running involved, it is not a running club in that sense. The title is made up from extending the title of my favourite book – Flanagan’s Run by Tom McNab. So, sit back, grab a cup of coffee (or beer or wine or whatever), and enjoy the read. On This Day – 12th February 1832 – Ecuador annexes the Galápagos Islands. 1909 – The National Association for the Advancement of Colored People (NAACP) is founded. 1993 – Two-year-old James Bulger is abducted from New Strand Shopping Centre by two ten-year-old boys, who later torture and murder him. 2019 – The country known as the Republic of Macedonia renames itself the Republic of North Macedonia in accordance with the Prespa agreement, settling a long-standing naming dispute with Greece. It’s National Freedom to Marry Day (United States) Red Hand Day (United Nations) Union Day (Myanmar) Youth Day (Venezuela) Thinker, Failure, Solider, Jailer. An Anthology of Great Lives in 365 Days Screamin’ Jay Hawkins, b. 1929, d. 2000 Screamin’ Jay Hawkins, who died aged seventy, was a performer whose bizarre and frenzied act caused a sensation in the early days of rock and roll; even more than Little Richard, he epitomised the wild and ungovernable aspect of the music.
[Show full text]
Hip Hop Ja Jazztanssi
Harri Heinilä Hip hop ja jazztanssi Afrikkalaisamerikkalaisen tanssin jatkumo Kansi: Harri Heinilä ISBN 978-952-68364-8-5 Musiikkiarkisto 2021 musiikkiarkisto.fi [email protected] Sisällysluettelo Johdanto: hip hop ja jazztanssi 5 Jazztanssin synty 13 Jazzmusiikin synty 20 Jazzmusiikin ja -tanssin terminologia 22 Jazztanssi orjuuden aikana Yhdysvaltain plantaaseilla ja sen vaikutus 31 Minstrelsy-aikakausi 36 Cakewalk 52 Texas Tommy 61 Charleston 63 Lindy Hop 71 Mambo ja salsa 75 Rock and roll -tanssit 79 Hip hop -musiikin synty 85 Breikeistä rappiin: hip hop -kulttuurin muotoutuminen 96 Hip hop -tanssien synty 104 James Brown ja ’Get on the Good Foot’ -tanssi 106 Burning eli ”polttaminen” 108 Burning muuttuu breikkaukseksi 117 Bronxin alkuperäiset 1970-luvun breikkausryhmät 121 Bronxin alkuperäisen breikkauksen loppu 137 Länsirannikon Soul Train -tanssijat osana hip hop -tanssia 139 Breikkaus siirtyy uudelle sukupolvelle 151 Breikkauksen jatkumo vai katkeama: ensimmäisen ja toisen 163 sukupolven väliset erot Jazz- ja hip hop -tanssien yhtäläisyydet 168 2 Epilogi: hip hop -tanssi 2000-luvulla 192 Suomalaisen hip hop -kulttuurin musiikin ja tanssin alku 197 tutkijan näkökulmasta Taulukot 4 Viitteet 209 Lähteet 271 Henkilöhakemisto 292 3 Taulukot Taulukko 1. Ragtime vs. Jazz. Taulukko 2. William Henry Lane vs. John Diamond. Taulukko 3. Bronxin breikkausryhmiä 1970-luvulla. Taulukko 4. Bronxin breikkauspaikkoja 1970-luvulla. Taulukko 5. The Campbellock Dancers vuonna 1973. Taulukko 6. The Rock Steady Crew:n tanssijoita vuonna 1981. Taulukko 7. The New York City Breakers. Alkuperäinen kokoonpano vuonna 1982. Taulukko 8. Dynamic Rockers / Dynamic Breakers vuonna 1983. Taulukko 9. Breikkauksen leviäminen elokuvien kautta eri maissa. Teos on saanut tukea WSOY:n kirjallisuussäätiöltä ja Suomen tietokirjailijat ry:ltä.
[Show full text]
Ice-T Power Mp3, Flac, Wma
Ice-T Power mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Power Country: Brazil Released: 1988 Style: Gangsta, Conscious MP3 version RAR size: 1275 mb FLAC version RAR size: 1125 mb WMA version RAR size: 1850 mb Rating: 4.8 Votes: 396 Other Formats: MIDI MP2 MPC AIFF TTA DTS AA Tracklist Hide Credits A1 Intro 1:11 A2 Power 4:25 A3 Drama 4:15 A4 Heartbeat 4:08 The Syndicate A5 3:32 Rap [Featuring] – Donald D, Hen Gee* A6 Radio Suckers 4:24 I'm Your Pusher B1 5:35 Vocals – Pimpin' Rex B2 Personal 3:43 B3 Girls L.G.B.N.A.F. 3:00 B4 High Rollers 4:36 B5 Grand Larceny 3:51 B6 Soul On Ice 4:42 B7 Outro 0:39 Credits Design [Hyped-up Design] – Kav Deluxe Engineer [Mix] – Mark (Full Moon) Wolfson* Photography By – Glen E. Friedman Producer, Arranged By, Executive-Producer – Ice-T Producer, Programmed By, Written-By – Afrika Islam Scratches – DJ Evil "E" *The Great** Notes Recorded at Syndicate Studios West Mixed at Entourage Studios, LA Executive Produced for Rhyme Syndicate Productions Track B1 contains an interpolation of "Pusher Man" as written by Curtis Mayfield Other versions Category Artist Title (Format) Label Category Country Year 1-25765, 9 1-25765, 9 Ice-T Power (LP, Album) Sire, Sire US 1988 25765-1 25765-1 Power (CDr, Album, 9 25765-2 Ice-T Sire 9 25765-2 US Unknown RE) Warner Bros. 925765-1 Ice-T Power (LP, Album) 925765-1 Australia 1988 Records 925765-1, 925 Power (LP, Album, 925765-1, 925 Ice-T Sire, Sire Europe 1988 765-1 Emb) 765-1 9 25765-4, Power (Cass, Album, 9 25765-4, Ice-T Sire, Sire US 1988 4-25765 Whi) 4-25765 Related Music albums to Power by Ice-T Ice-T - Make It Funky Ice-T - Home Invasion Ice-T - New Jack Hustler (Nino's Theme) / Lifestyles Of The Rich And Infamous Ice-T - Gotta Lotta Love Vansilk Featuring Afrika Islam - Basepipe (It's Not Your Friend) Ice-T - O.G.
[Show full text]
Islam in the West Final Paper
The History of Rap Music and Islam When Africans were first stolen and brought to the United States of America in 1619 their cultural tradition, language, and holistic identity was forcefully eradicated. While the introduc- tion of Christianity was used to foster new religious spirit among slaves it remained a product of Western interpretation. In 1865 the United States abolished chattel slavery and millions of African Americans became free to explore geographic mobility within a narrow set of heavily enforced regulations. With newfound freedom came the necessity of identity. Now that African Americans had endured and overcome slavery, who would they become? What could they achieve in a country they did not choose to become a part of? Faith provided a chance to tap into a more prosperous reality, one where the value of black life is not incessantly on trial. Black reli- gions developed throughout each region with a unique spiritual purpose and function under the guise of racial politics. Organizations such as The Nation of Islam and The Nation of Gods and Earths repackaged and reformulated Islam to fit goals centered around black empowerment and liberation. They used religion as a launch pad toward resistance and outlined specific guidelines that opened up a path toward success in the spiritual and material world. Economic opportunity was highlighted as a staple of salvation to achieve freedom and a greater sense of possibility in the physical world. The teachings of The Honorable Elijah Muhammad and the lessons of The Supreme Mathematics made their way around urban spaces and garnered devoted followers.
[Show full text]
Ice-T Home Invasion Mp3, Flac, Wma
Ice-T Home Invasion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Home Invasion Country: UK & Europe Style: Gangsta MP3 version RAR size: 1766 mb FLAC version RAR size: 1173 mb WMA version RAR size: 1539 mb Rating: 4.6 Votes: 898 Other Formats: DTS FLAC WMA MOD AHX AIFF MP4 Tracklist Hide Credits 1 Warning 0:36 2 It's On 4:56 3 Ice M.F. T 3:41 4 Home Invasion 2:59 G Style 5 4:29 Producer – Hen Gee*, DJ L.P.* 6 Addicted To Danger 3:27 7 Question And Answer 0:33 8 Watch The Ice Break 4:24 Race War 9 4:50 Bass – Mooseman (Body Count)* 10 That's How I'm Livin' 4:39 11 I Ain't New Ta This 5:01 Pimp Behind The Wheels (DJ Evil E The Great) 12 5:04 Producer – Hen Gee*, DJ L.P.* Gotta Lotta Love 13 5:24 Producer – Donald D Hit The Fan 14 4:47 Producer – Trekan Depths Of Hell 15 5:15 Bass – Mooseman (Body Count)*Featuring – Daddy Nitro 99 Problems 16 4:50 Featuring – Brother Marquis Funky Gripsta 17 4:47 Lyrics By – Grip*Music By – DJ Aladdin, Ice-TProducer, Written-By – Grip*, Wolf 18 Message To The Soldier 5:36 19 Ain't A Damn Thing Changed 0:36 Companies, etc. Recorded At – Soundcastle Recorded At – Syndicate Studios West Recorded At – Conway Studios Mixed At – Soundcastle Mastered At – Future Disc Copyright (c) – Rhyme $yndicate Records Phonographic Copyright (p) – Rhyme $yndicate Records Published By – Warner Chappell Music Publishing Published By – Ammo Dump Music Credits Design [Lp] – Dirk Walter Design Concept [Lp Cover] – David Halili*, Ice-T Engineer – Tony Pizarro Engineer [Assistant] – Kev D Executive Producer – Ice-T
[Show full text]
227 Abdul-Jabbar, Kareem, 132 Abercrombie Factors, 120 Afrika
Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law Richard L. Schur http://www.press.umich.edu/titleDetailDesc.do?id=822512 The University of Michigan Press, 2009. Index Abdul-Jabbar, Kareem, 132 Baker, Houston, 190n19 Abercrombie factors, 120 Bamboozled, 120, 207n5 Afrika Bambaataa, 47 Banneker, Benjamin, 158 Afrika Islam, 47 Barbershop, 2, 190n1 Allegory, 86, 160, 176 Basie, Count, 30 American Express, 85–87, 91, 93 Basquiat, Jean-Michel, vi, 85, 121–22, Anten, Todd, 123 203n84 Aoki, Keith, 34, 90 Bearden, Romare, 22, 42, 154, 192n67 Appropriation, 13, 40–41, 53, 83–84, Beastie Boys, 44 89, 102, 109, 111, 113, 115–17, Beatty, Paul, 186, 189n8, 192n67 134, 160, 183 Bell, Bernard, 70 Appropriation art, 40, 83–84, 89, 102, Bell, Derrick, 26–27, 99–101, 137, 178, 122, 125, 129, 160 181 Arewa, Olufunmilayo, 90–91, 114–15, Berger, Maurice, 154, 160 177, 189n5 Berlin, Ira, 154–55 Arlington Heights vs. Metropolitan Best, Stephen, 3, 90–94, 149, 177 Housing Development Co., 24 Bhabha, Homi, 139–41, 148, 159 Armstrong, Louis, 30 Biting, 48, 53, 84, 179 ASCAP, 13 Black Arts Movement, 121, 131, 135, A Tribe Called Quest, 32–33 172, 195n5 Aunt Jemima, 125, 135–37, 180 Blackface, 79, 92, 128, 130, 136 Austin, Regina, 3, 104–5 Blow, Kurtis, 186 Authenticity, 44, 51, 56, 58–59, Blues, 13, 34, 38, 42–44, 47, 54, 57, 60, 65–66, 113, 119, 121–23, 70, 91, 97, 107, 151, 164, 177, 185 128, 134, 166–67, 171, Boogie Down Productions, 54, 186 203n84 “Boondocks,” 30–31 Autobiography of Miss Jane Pitman, 5 Boyd, Todd, 3, 20 227 Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law Richard L.
[Show full text]
Hip Hop in American Culture
Katedra anglistiky a amerikanistiky Filozofická fakulta Univerzity Palackého Hip hop in American Culture Bakalářská práce Autor: Olga Jírová (Anglická – Německá filologie) Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2012 Prohlášení Prohlašuji, že jsem tuto práci vypracovala samostatně a uvedla úplný seznam použité a citované literatury. V Olomouci dne 30. Listopadu 2012 ……………………………… Poděkování Ráda bych poděkovala Mgr. Jiřímu Flajšarovi, Ph.D. za vedení mé bakalářské práce a poskytnutí informací a rad souvisejících s její tvorbou. Content 1. Introduction ......................................................................................................... 1 2. What is Hip Hop? ................................................................................................ 3 2.1 Characteristics of Hip Hop Culture ........................................................... 4 2.1.1 DJing ...................................................................................................... 4 2.1.2 MCing .................................................................................................... 5 2.1.3 B-boying ................................................................................................. 6 2.1.4 Graffiti .................................................................................................... 9 2.1.5. Additional Elements ............................................................................ 12 3. History of Hip Hop ..........................................................................................
[Show full text]
A Look Inside the Political Hip Hop Music of Tupac Amaru Shakur
ABSTRACT AFRICAN AMERICAN STUDIES, AFRICANA WOMEN’S STUDIES, AND HISTORY WATKINS, TRINAE M.A. CLARK ATLANTA UNIVERSITY, 2018 PANTHER POWER: A LOOK INSIDE THE POLITICAL HIP HOP MUSIC OF TUPAC AMARU SHAKUR Committee Chair: Charmayne Patterson, Ph.D. Thesis dated December 2018 In this study, seven rap songs by hip hop icon Tupac Shakur were examined to determine if the ideology of the Black Panther Party exists within the song lyrics of his politically oriented music. The study used content analysis as its methodology. Key among the Ten Point Program tenets reflected in Tupac’s song lyrics were for self- determination, full employment, ending exploitation of Blacks by Whites (or Capitalists), decent housing, police brutality, education, liberation of Black prisoners, and the demand for land, bread, housing, education, clothing, justice, peace, and a United Nations plebiscite. PANTHER POWER: A LOOK INSIDE THE POLITICAL HIP HOP MUSIC OF TUPAC AMARU SHAKUR A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY TRINAE WATKINS DEPARTMENT OF AFRICAN AMERICAN STUDIES, AFRICANA WOMEN’S STUDIES, AND HISTORY ATLANTA, GEORGIA DECEMBER 2018 © 2018 TRINAE WATKINS All Rights Reserved ACKNOWLEDGEMENTS I give all praises and honor to the Most High, the Eternal Elohim and Creator. I offer gratitude and sincere thanks to my grandparents and the wonderful ancestors that preceded them; my loving parents, Perry and Augustae Watkins; my forever supportive extended family from both the Watkins and Jones family lineages as well as childhood friends, Debbie Cooper and Dr. Sandra Cutts.
[Show full text]