Jiminy Cricket When You Wish Upon a Star
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EARLY MORNING and AFTER SCHOOL CLUBS Summer Term 2021
Founded 1936 EARLY MORNING and AFTER SCHOOL CLUBS Summer Term 2021 Early Morning Clubs start at 8am After School Clubs finish at 4.15pm Clubs will commence on Wednesday 21st April and finish on Thursday 1st July 2021 The online booking system will open on Monday 15th March at 9.30am and close on Friday 19th March 2021 at 4pm after this no further changes can be accommodated. If your child wishes to attend Early Morning or After School Clubs for the Summer Term 2021, please book online via the SchoolBase portal https://schoolbase.online Please note that all Clubs need a minimum number of 6 children attending to make them viable and are limited to a maximum number of children. Once the Clubs are full you will be placed on a waiting list. Parents will be informed as soon as possible if a Club is not able to go ahead. Bookings for AM Sports Academy clubs (AMSA) (Chess, Cricket, Football, Gymnastics and Multi- Sports) are made direct with them via their website: (www.amsportsacademy.co.uk/Clubs). If you have any questions please email them direct at: [email protected] Bookings for Sean McInnes Early Morning Clubs (Cricket, Football, and Tennis) are to be made direct through his website: https://seanmcinnessportscoaching.com/book-now If you have any questions please email Sean direct at: [email protected] Bookings for Mandarin are to be made direct by contacting Jing You at: [email protected] or by telephone: 07738696965 Piano & Violin Lessons Piano and Violin lessons are available during the week on a rotational basis, so that your child will not miss the same school lesson each week. -
Disney Pinocchio Pdf, Epub, Ebook
LEVEL 3: DISNEY PINOCCHIO PDF, EPUB, EBOOK M Williams | 24 pages | 21 Feb 2012 | Pearson Education Limited | 9781408288610 | English | Harlow, United Kingdom Level 3: Disney Pinocchio PDF Book The Fairy cryptically responds that all inhabitants of the house, including herself, are dead, and that she is waiting for her coffin to arrive. Just contact our customer service department with your return request or you can initiate a return request through eBay. Reviews No reviews so far. The article or pieces of the original article was at Disney Magical World. Later, she reveals to Pinocchio that his days of puppethood are almost over, and that she will organize a celebration in his honour; but Pinocchio is convinced by his friend, Candlewick Lucignolo to go for Land of Toys Paese dei Balocchi a place who the boys don't have anything besides play. After Pinocchio find her tombstone instead of house she appears later in different forms including a giant pigeon. The main danger are the rocks. They can't hurt you, but if they grab you they'll knock you to a lower level. After finishing this last routine you beat the level. Il giorno sbagliato. By ryan level Some emoji powers don't change As the player levels Up, the emojis are available for fans to play 6 with a blue Emoji with The article or pieces of the original article was at Disney Magical World. Venduto e spedito da IBS. The order in which you should get the pages is: white, yellow, blue and red. To finish the level, you have to kill all the yellow moths. -
Ebook Download the Adventures of Pinocchio Ebook
THE ADVENTURES OF PINOCCHIO PDF, EPUB, EBOOK Carlo Collodi, Roberto Innocenti | 191 pages | 01 Sep 2005 | Creative Edition | 9781568461908 | English | Mankato, MN, United States The Adventures of Pinocchio PDF Book How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child. Beyond hard work, he learns the virtue of self-sacrifice: on hearing that the Fairy is ill and destitute, Pinocchio sends her the money he is saving for new clothes for himself, his generosity winning him not just her forgiveness but the humanity he covets. Namespaces Article Talk. Theatrical release poster. French forces commanded by Napoleon Bonaparte had invaded Italy back in , bringing the peninsula under French control until After this latest scrape, the Fairy, with whom Pinocchio is now living, warns him against further misbehavior. Chairs for the students performing. During one job, he encounters Candlewick again, still a donkey and dying from overwork. This character clearly shows that when he is not honest with himself or others there are consequences. When he neglects his books in favor of idle entertainments, he suffers such misfortunes as being abducted, jailed, or transformed into a donkey. The Adventures of Pluto Nash. The Adventures of Don Quixote. This moral tale centers around Geppetto, a woodcarver, and his puppet Pinocchio who wants to become a real human being. Do not hit me so hard! October 16, Setting off for school, Pinocchio is almost immediately tempted to forego his duty by attending a puppet show. The Adventures of Pinocchio by Carlo Collodi. At this third lie his nose grew to such an extraordinary length that poor Pinocchio could not move in any direction. -
Claudia Hommel's Songshop Presents Dream a Little #1
Claudia Hommel’s Songshop presents Dream a Little #1 The Café Simone Cabaret of Cyrano’s Bistrot Saturday, July 23, 2011 Act II Sue Hit the Road to Dreamland Harold Arlen & Johnny Mercer Adrienne A Whole New World Alan Menken & Tim Rice (from Aladdin ) Liberty Et si tu n'existais pas Toto Cutugno & Pierre Delanoë Joan I Dreamed a Dream Claude-Michel Schönberg & BROUGHT TO YOU BY: Herbert Kretzmer (from Les Adrienne Minnes, Arlene Armstrong, Carol Weston, Carrie Hedges, Claudia Misérables ) Hommel, Jim Anderson, Joan Kuersten, Liberty Manabat, Ron Anderson, Carol When You Wish upon a Leigh Harline & Ned Ruth Fuerst, Sue Keller (at the piano) Star Washington Jim I Have Dreamed Richard Rodgers & Oscar Act I Hammerstein II Ruth Both Sides Now Joni Mitchell Carol Darn that Dream Jimmy Van Heusen & Eddie De Lange Arlene The Nearness of You Hoagy Carmichael & Ned Carrie Old Devil Moon E.Y. Harburg & Burton Lane Washington. Carrie Climb Ev’ry Mountain Richard Rodgers and Oscar Arlene Fly Me to the Moon Bart Howard Hammerstein II (from The Joan I Get Along Without You Hoagy Carmichael (based on a Sound of Music ) Very Well poem by Jane Brown Thompson) Ron Dream Lover Bobby Darin Jim Taking the Wheel John Bucchino Liberty The Way He Makes Me Michel Legrand, Alan & Marilyn Feel Bergman (from Yentl ) Actor-singer CLAUDIA HOMMEL welcomes singers (from novice to veteran) to join Ruth Somewhere That's Alan Menken & Howard Ashman Songshop, our weekly song interpretation workshop at the DePaul University School Green (from Little Shop of Horrors ) of Music where she has been on faculty for the Community Music Division since 2003. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
PINOCCHIO! by Dan Neidermyer
PINOCCHIO! By Dan Neidermyer Copyright © MCMXCIV by Dan Neidermyer, All Rights Reserved ISBN: 978-1-61588-124-6 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Heuer Publishing. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Heuer Publishing. Questions concerning other rights should be addressed to Heuer Publishing. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Heuer Publishing. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
Read an Excerpt
Excerpt Terms & Conditions This excerpt is available to assist you in the play selection process. You may view, print and download any of our excerpts for perusal purposes. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest reading the whole play before planning a production or ordering a cast quantity of scripts. Family Plays Pinocchio Book and lyrics by Patty Carver Music by Patty Carver and Leo P. Carusone Based on the story by Carlo Collodi © Family Plays Pinocchio Interactive musical. Book and lyrics by Patty Carver. Music by Patty Carver and Leo P. Carusone. Based on the story by Carlo Collodi. Cast: 4 to 6m., 1 to 2w. (2 to 4+ either gender optional). Meet the Blue Fairy as she leads us on a magical journey through this retelling of the classic story. One day, Geppetto, the poor, old toymaker, finds an extraordinary piece of talking wood. He brings it home and decides to make it into a puppet named Pinocchio. Disagreeable Pinocchio immediately gets into trouble and learns important lessons. When he bullies a little cricket, he’s reminded to respect others. When he runs away, gets lost and tries to find his way home, he’s reminded of the wonderful life he had with Geppetto. When Pinocchio decides he no longer wants to be a puppet but a real boy, the Blue Fairy steps in and reminds him that if he wants to be real, he has to be good. -
Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind. -
News L Etter
THE NINETY-NINES, Inc. INTERNATIONAL ORGANIZATION OF WOMEN PILOTS N ew s L etter International Headquarters — P. 0. Box 1444 — Oklahoma City, Oklahoma AIR TERMINAL BUILDING — WILL ROGERS FIELD ---------------- NOVEMBER, 1958 President's Column 29 YEARS YOUNG Novem ber 1, 1958 Everyone who participated in the S.M.A.L.L. Race saw Michigan in its full Autumn dress—a beautiful riot of color! All activities were so very well planned, there was wonderful coopera tion from the contestants and all per sons who assisted in any way. It was a successful and enjoyable event, with which to finish our Ninety-Nine racing activities for the season. In attending the Michigan Chapter meeting after the finish of the race, I learned of their aim for this year. It was so inspirational that I feel sure all of you should know about it, so here it is: “ To expand through the addition of valuable new members. To make tangible contribution to avia tion and to the community around us. To be a genuine asset to the Ninety- Nines, Inc. To be worthy of recogni tion by qualifying our existance as an organized group.” Haven’t they put into words, so nicely, the actual aim of every Chapter? The Amelia Earhart Scholarship ap plication forms will be sent to your Chapter Chairman soon, and they must be in by January 15. This $350 MELBA BEARD, JIMMYE LOU SHELTON AND RUTH REINHOLD stand- scholarship is worth competing for, so ing under the wing of M elba’s Kinner Bird, w7hich is a Bird biplane powered do get those applications in before the with a 160 hp Kinner R-55 engine, converted from the original OX-5 engine deadline date. -
Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942
DRAFTING DISNEY FOR VICTORY: ANIMATION, PROPAGANDA, AND POLITICAL RESISTANCE, 1941-1942 by John Michael Gregory A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2019 Approved by: ______________________________ Dr. Mark Wilson, Thesis Director ______________________________ Dr. Peter Thorsheim ______________________________ Dr. David Johnson ©2019 John Michael Gregory ALL RIGHTS RESERVED ABSTRACT JOHN MICHAEL GREGORY. Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942. (Under the direction of DR. MARK WILSON) History has forgotten animation, and film companies are often complicit in failing to acknowledge its influence on our social and cultural history. Walt Disney came of age in the film industry during the Golden Age of Hollywood, an era that coincided with a world stage set for war and conflict. The threat of Nazi Germany was felt both home and abroad, and the United States struggled with indecision on whether or not to support its European allies or remain isolationist. When the Second World War began, the American response was lukewarm with Lend-Lease being the only acceptable political means of interference in the European conflict. Walt Disney, struggling over lack of profits due to war-related distribution overseas, sought US Government contracts for morale and instructional films to keep his company afloat and his artists paid. Though Disney’s popularity and success in Hollywood in the late 1930s should have made him an easy sell to politicians, he was largely met with distrust over questions of cost and the future viability of animation in government use. -
Teacher Guide Is Designed to Provide Both Teachers and Students with a More Comprehensive Understanding of Theater and Live Performance
Pinocchio This teacher guide is designed to provide both teachers and students with a more comprehensive understanding of theater and live performance. Teacher Show Synopsis Curriculum Guide Connections Program Objectives Vocabulary Internet Resources Reading Recommendations Grade Level Ideas & Activities Live Performance Etiquette Styles of Puppetry Performance Specifics Show Length: 45 minute show, includes behind the scenes demonstration Audience: Pre-K thru 5th grade and families for audiences of up to 300 Technical Support: Lighting and sound support provided by the puppeteer Staging Requirements: Requires indoor space at least 15ft square and close proximity to an electrical outlet. www.puppetguy.com (404) 315-1363 Teacher Guide developed by Brainability! Show Synopsis Lee Bryan’s adaptation of Pinocchio is a clever retell- ing of the classic Italian fairy tale brought to life through the magic of found object puppetry. Rather than handcrafting re- alistic-looking puppets based on an artist’s sketches, Bryan used his imagination to construct the characters from things you might find around the house, such as mops, colanders, pots, pans, baskets, sheets, a plunger, curtains, neckties, hangers, wooden spoons, belts and a coat rack. The shape, texture and movement of the objects suggest certain human (and sometimes non-human) attributes of the characters in the play. After you’ve seen this show, you won’t look at everyday objects the same way again! This production is made possible in part by a generous grant from the Jim Henson Foundation. Curriculum *Students will gain an understanding of connections live performance and puppetry arts. Pinocchio includes content from these *Students will learn about found-object Common Core and Georgia Performance puppetry, as demonstrated through rod and Learning Standards.