Dissertation
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
The Haw Lantern Free Ebook
FREETHE HAW LANTERN EBOOK Seamus Heaney | 64 pages | 15 Jun 2006 | FABER & FABER | 9780571232871 | English | London, United Kingdom Books similar to The Haw Lantern I like the poem a whole lot, but can you tell me what a haw lantern is? The The Haw Lantern says haw is the hawthorn berry, and the poem certainly refers to shrubbery, but what is a haw lantern? An alternate definition says a haw is a covering of the eye which fits lantern toobut I'm thinking there really might be a type of lantern called a haw, and are they really "made of pith and stone? I'm pretty sure the lantern is in fact the berry. I see it as a berry left on the bush in winter, a small red lamp The Haw Lantern the gloaming. A long time since I bin to the Dope; good to see that folks are still pounding away at Ezra. Kinda like "the holly bears the crown," huh? Does the hawthorn berry The Haw Lantern a stone? I think lapsed sdmb members can post free for 30 days if they start posting again, but no worries. The thread doesn't really The Haw Lantern much to the one we did before; I just like rehashing stuff because it makes me rethink. Shakespeare spells lantern,lanthorne. Was this a reference to ancient lanterns made from bunches of hawthorn possible burning? The moon in 'A midsummer Nights Dream' also carries a thornbush. A hawthorn? Does anyone out there know? Post a Comment. Follow Mumbling Jack, my new blog. -
HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
Housman Lecture O'donoghue 2018 Final 02.Indd
UCL DEPARTMENT OF GREEK AND LATIN UCL Housman Lecture 2018 ‘Chosen Ancestors’ Aeneid 6 and Seamus Heaney’s Pieties by Bernard O’Donoghue A.E. Housman (1859–1936) Born in Worcestershire in 1859, Alfred Edward Housman was a gifted classical scholar and poet. After studying in Oxford, Housman worked for ten years as a clerk, while publishing and writing scholarly articles on Horace, Propertius, Ovid, Aeschylus, Euripides and Sophocles. He gradually acquired such a high reputation that in 1892 he returned to the academic world as Professor of Classics at University College London (1892–1911) and then as Kennedy Professor of Latin at Trinity College, Cambridge (1911–1936). Housman Lectures at UCL The Department of Greek and Latin at University College London organizes regular Housman Lectures, named after its illustrious former colleague (with support from UCL Alumni). Housman Lectures, delivered by a scholar of international distinction, originally took place every second year and now happen every year, alternating between Greek and Roman topics (Greek lectures being funded by the A.G. Leventis Foundation). This is the tenth Housman Lecture, and it took place on 14 March 2018. Bernard O’Donoghue is a poet and an Emeritus Fellow of Wadham College, Oxford. Cover images: Attic black-figured amphora: Aeneas’ flight from Troy © The Trustees of the British Museum HOUSMAN LECTURE ‘Chosen Ancestors’ Aeneid 6 and Seamus Heaney’s Pieties Bernard O’Donoghue A complete translation by Seamus Heaney of Aeneid 6 had long been rumoured, so its posthumous appearance in 2016 was a major event. Heaney had said that he wanted to produce a ‘poetic remaking of Book VI’, by contrast with his more dutiful translation of Beowulf, which he said to begin with he did ‘not know or love enough’ to remake poetically. -
Journal of Irish and Scottish Studies Cultural Exchange: from Medieval
Journal of Irish and Scottish Studies Volume 1: Issue 1 Cultural Exchange: from Medieval to Modernity AHRC Centre for Irish and Scottish Studies JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 1, Issue 1 Cultural Exchange: Medieval to Modern Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative and The Stout Research Centre Irish-Scottish Studies Programme Victoria University of Wellington ISSN 1753-2396 Journal of Irish and Scottish Studies Issue Editor: Cairns Craig Associate Editors: Stephen Dornan, Michael Gardiner, Rosalyn Trigger Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Michael Brown, University of Aberdeen Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Brad Patterson, Victoria University of Wellington Ian Campbell Ross, Trinity College, Dublin The Journal of Irish and Scottish Studies is a peer reviewed journal, published twice yearly in September and March, by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. An electronic reviews section is available on the AHRC Centre’s website: http://www.abdn.ac.uk/riiss/ahrc- centre.shtml Editorial correspondence, including manuscripts for submission, should be addressed to The Editors,Journal of Irish and Scottish Studies, AHRC Centre for Irish and Scottish Studies, Humanity Manse, 19 College Bounds, University of Aberdeen, AB24 3UG or emailed to [email protected] Subscriptions and business correspondence should be address to The Administrator. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Cambridge University Press 978-1-107-18014-7 — Seamus Heaney in Context Edited by Geraldine Higgins Index More Information
Cambridge University Press 978-1-107-18014-7 — Seamus Heaney in Context Edited by Geraldine Higgins Index More Information Index Abbey Theatre, , Balkans, Adams, Gerry, Bantock, G. H., Aeschylus, Barańczak, Stanislaw, , , Agamemnon, Batten, Guinn, – afterlife, , , , , , BBC Northern Ireland, , aisling (dream-vision poem), , , , – Heaney archive, , Allen, Donald, New American Poetry –, BBC Schools Service, Explorations, , , Allen, Michael, Beckett, Samuel, , alliteration, , , , Beecroft, Alexander, Alvarez generation, Belfast, , , , , Alvarez, Al, , –, Belfast Group, , , –, , gentility principle, Bell, Sam Hanna, New Poetry, The, –, Benjamin, Walter, ‘Critique of Violence’, – ‘Beyond the Gentility Principle’, Berkeley, University of California, –, Amis, Kingsley, –, –, Amnesty International, , , Bancroft Library archive, , Republic of Conscience Award, Bishop, Elizabeth, , , , , , Anahorish School, Blake, William, , Anglo-Irish Revival, Blandiana, Ana, Aristotle, Poetics, Bloody Friday, Armitage, Simon, Bloody Sunday, , Sir Gawain and the Green Knight, – Bloom, Harold, , Armstrong, Sean, Modern Critical Views: Seamus Heaney, Arnold, Matthew, , , , , Bly, Robert, –, ‘Dover Beach’, Silence in the Snowy Fields, Attic Press, ‘Teeth-Mother Naked at Last, The’, Auden, W. H., , , , , , , Bockhampton, , ‘In Memory of W. B. Yeats’, , , bog bodies, , , , , , , ‘Shield of Achilles, The’, bog poems, , , , , , , , , ‘Spain ’, –, , – auditory imagination, , –, –, –, bogland, – , Bogside, battle of, -
Echi Classici Nell'opera Di Seamus Heaney
UNIVERSITA’ DEGLI STUDI DI PARMA Dottorato di ricerca in Filologia Greca e Latina (e fortuna dei classici) Ciclo XXVIII L’Orfeo d’Irlanda: echi classici nell’opera di Seamus Heaney Coordinatore: Chiar.mo Prof. Giuseppe Gilberto Biondi Tutor: Chiar.ma Prof. ssa Mariella Bonvicini Dottoranda: Lidia Sessi Indice Introduzione p. 2 Capitolo I: La tradizione classica in Irlanda p. 7 Capitolo II: In difesa della poesia p. 56 Capitolo III: L'Orestea d'Irlanda p. 97 Capitolo IV: Il rito della sepoltura tra Grecia classica e Irlanda moderna p. 146 Capitolo V: Vergilius redivivus p. 190 Appendice p. 253 1 Introduzione In considerazione del notevole numero di studi sull'opera di Heaney, pare opportuno che ogni nuovo lavoro dichiari la propria raison d'être. In altre parole, sembra necessario precisare quale contributo si presuma di offrire alla comprensione del percorso poetico di Heaney, anche in rapporto alle monografie e ai saggi esistenti. È il poeta stesso a indicare la chiave di lettura che meglio consente di cogliere il senso profondo della sua ricerca estetica ed etica. Nel componimento “Out of the Bag” il narratore richiama l'attenzione su “the cure / By poetry that cannot be coerced”1. Riassumendo in questo verso le qualità fondamentali dell'arte poetica, Heaney mette in luce i tratti distintivi della sua produzione, sempre alla ricerca, fin dalle prime prestazioni, di una mediazione fra le pressioni socio-politiche del mondo esterno e la volontà di mantenere intatto il potere terapeutico del medium poetico. Lo scopo di questa ricerca è quello di affrontare la lettura, o rilettura, delle poesie di Heaney, come egli stesso suggerisce in “Squarings XXXVII”: “Talking about it isn't good enough / But quoting from it at least demonstrates / The virtue of an art that knows its mind”2. -
151 the Multiple Roles of Heaney's
IJHS, e-ISSN 2597-4718, p-ISSN 2597-470X, Vol. 1, No. 2, March 2018, pp. 151-162 International Journal of Humanity Studies http://e-journal.usd.ac.id/index.php/IJHS Sanata Dharma University, Yogyakarta, Indonesia THE MULTIPLE ROLES OF HEANEY’S LANDSCAPES: A MIRROR OF LIFE AND ITS DILEMMA David C. E. Tneh Tunku Abdul Rahman University, Malaysia [email protected] DOI: https://doi.org/10.24071/ijhs.2018.010202 received 25 November 2017; revised 2 Dec 2017; accepted 19 February 2018 Abstract This paper discusses the timeless appeal of the poetry of Seamus Heaney, the poet laureate of Ireland and Nobel Prize winner for literature (1995). This paper traces the early developments of Heaney’s poetry and highlights how the creative genre offers a dialogic platform (even in the 21st century) for national and political issues. Heaney’s poetry transcends geographical boundaries with its evocative imagery and fluidity of time and space that is alluring, enigmatic, and striking. This paper will then discuss how multiple roles of Heaney’s metaphorical landscapes from his five collections of poetry (from 1966 to 1979) namely Death of a Naturalist, Door into the Dark, Wintering Out, North, and Fieldwork are not merely poems about the nature, the environment, and Ireland but are instruments about his socio-economic/political views concerning idyllic Irish rural life, memories, nationalism, sectarian violence, colonial British rule, and his Catholic faith. The discussion of his selected poetry offers a deep intimate insight of Heaney’s earlier poetry that mirrors Irish life and its struggles with nationhood. -
Heaney's 'Impure' Translation in "Ugolino" and Sweeney Astray
"Through the Wall": Heaney's 'Impure' Translation in "Ugolino" and Sweeney Astray Maristella Gatto University of Bari Abstract The purpose of this article is to investigate Heaney's activity as a translator with particular reference to what the poet himself calls 'impure' translation, so as to show to what extent translation represents the first step towards assimilation of translated texts into his works, the first moment of a movement aimed at a fecund intertextual dialogue. As examples of 'impure' translation, Heaney explicitly inentions his version of the Ugolino episode from Dante's Inferno, and "to some extent" also Sweeney Astray, a version of the medieval Irish poem Buile Suihhne: this is the reason why attention is here focused on these two works. There is, however, another fundamental reason for selecting them: these translations are used together as pre-texts-as something existing before the text-in the poet's reworking of the Dantesque journey and the Sweeney legend in Station Island, where the Divine Comedy is literally translatedbansferred to Ireland (Lough Derg, County Donegal), and they thus unequivocally testie to the indeed fertile osmosis between poetry and 'impure' translation in Heaney 'S works. 1 would like to start this brief discussion of Heaney's activity as a translator by referring to that peculiar condition which was very aptly defmed by Claudio Guillén as "latent mdtilingualism": The most evident mdtilingualism is that of writers who actually expressed themselves in more than one language . But there is another multilingualism, latent, characteristic of societies, towns and whole countries, as well as of the poet, dramatist, and narrator, for whom the relationship with more than one language was the humus of his culture . -
Papers of John L. (Jack) Sweeney and Máire Macneill Sweeney LA52
Papers of John L. (Jack) Sweeney and Máire MacNeill Sweeney LA52 Descriptive Catalogue UCD Archives School of History and Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2007 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical history iv Archival history v CONTENT AND STRUCTURE Scope and content v System of arrangement vi CONDITIONS OF ACCESS AND USE Access xiv Language xiv Finding-aid xiv DESCRIPTION CONTROL Archivist’s note xiv ALLIED MATERIALS Allied Collections in UCD Archives xiv Related collections elsewhere xiv iii Biographical History John Lincoln ‘Jack’ Sweeney was a scholar, critic, art collector, and poet. Born in Brooklyn, New York, he attended university at Georgetown and Cambridge, where he studied with I.A. Richards, and Columbia, where he studied law. In 1942 he was appointed curator of Harvard Library’s Poetry Room (established in 1931 and specialising in twentieth century poetry in English); curator of the Farnsworth Room in 1945; and Subject Specialist in English Literature in 1947. Stratis Haviaras writes in The Harvard Librarian that ‘Though five other curators preceded him, Jack Sweeney is considered the Father of the Poetry Room …’. 1 He oversaw the Poetry Room’s move to the Lamont Library, ‘establishing its philosophy and its role within the library system and the University; and he endowed it with an international reputation’.2 He also lectured in General Education and English at Harvard. He was the brother of art critic and museum director, James Johnson Sweeney (Museum of Modern Art, New York; Solomon R. -
Fonsie Mealy Auctioneers Rare Books & Collectors' Sale December 9Th & 10Th, 2020
Rare Books & Collectors’ Sale Wednesday & Thursday, December 9th & 10th, 2020 RARE BOOKS & COLLECTORS’ SALE Wednesday & Thursday December 9th & 10th, 2020 Day 1: Lots 1 – 660 Day 2: Lots 661 - 1321 At Chatsworth Auction Rooms, Chatsworth Street, Castlecomer, Co. Kilkenny Commencing at 10.30am sharp Approx. 1300 Lots Collections from: The Library of Professor David Berman, Fellow Emeritus, T.C.D.; The Library of Bernard Nevill, Fonthill; & Select Items from other Collections to include Literature, Manuscripts, Signed Limited Editions, Ephemera, Maps, Folio Society Publications, & Sporting Memorabilia Lot 385 Front Cover Illustration: Lot 1298 Viewing by appointment only: Inside Front Cover Illustration: Lot 785 Friday Dec. 4th 10.00 – 5.00pm Inside Back Cover Illustration: Lot 337 Back Cover Illustration: Lot 763 Sunday Dec. 6th: 1.00 – 5.00 pm Monday Dec. 7th: 10.00 – 5.00 pm Online bidding available: Tuesday Dec. 8th: 10.00 – 5.00 pm via the-saleroom.com (surcharge applies) Bidding & Viewing Appointments: Via easyliveauction.com (surcharge applies) +353 56 4441229 / 353 56 4441413 [email protected] Eircode: R95 XV05 Follow us on Twitter Follow us on Instagram Admittance strictly by catalogue €20 (admits 2) @FonsieMealy @fonsiemealyauctioneers Sale Reference: 0322 PLEASE NOTE: (We request that children do not attend viewing or auction.) Fonsie Mealy Auctioneers are fully Covid compliant. Chatsworth Auction Rooms, Chatsworth St., Castlecomer, Co. Kilkenny, Ireland fm Tel: +353 56 4441229 | Email: [email protected] | Website: www.fonsiemealy.ie PSRA Registration No: 001687 Design & Print: Lion Print, Cashel. 062-61258 fm Fine Art & R are Books PSRA Registration No: 001687 Mr Fonsie Mealy F.R.I.C.S. -
The Griffin Poetry Prize Announces the 2011 International And
THE GRIFFIN TRUST For Excellence In Poetry Trustees: Margaret Atwood Press Release Carolyn Forché Scott Griffin Robert Hass THE GRIFFIN POETRY PRIZE ANNOUNCES Michael Ondaatje THE 2011 INTERNATIONAL AND CANADIAN SHORTLIST Robin Robertson David Young TORONTO – April 5, 2011 – Scott Griffin, founder of The Griffin Trust For Excellence In Poetry and David Young, trustee, announced the International and Canadian shortlist for this year’s prize noting that judges Tim Lilburn (Canada), Colm Toíbín (Ireland) and Chase Twichell (USA) each read 450 books of poetry, including 20 translations, from poets in 37 countries around the globe. The seven finalists – three Canadian and four International – will be invited to read in Toronto at Koerner Hall at The Royal Conservatory in the TELUS Centre for Performance and Learning, 273 Bloor Street West, Toronto on Tuesday, May 31, 2011. The seven finalists will be awarded $10,000 for their participation in the shortlist readings. The winners, announced at the Griffin Poetry Prize Awards evening on Wednesday, June 1, 2011, will be awarded $65,000 each. International Shortlist Human Chain ● Seamus Heaney Farrar, Straus and Giroux Adonis: Selected Poems ● Khaled Mattawa, translated from the Arabic written by Adonis Yale University Press The Book of the Snow ● Philip Mosley, translated from the French written by François Jacqmin Arc Publications Heavenly Questions ● Gjertrud Schnackenberg Farrar, Straus and Giroux Canadian Shortlist Ossuaries ● Dionne Brand McClelland & Stewart The Irrationalist ● Suzanne Buffam House of Anansi Press Lookout ● John Steffler McClelland & Stewart 363 Parkridge Crescent, Oakville, Ontario L6M 1A8, Canada www.griffinpoetryprize.com Tel: 905 618 0420 Email: [email protected] THE GRIFFIN TRUST For Excellence In Poetry Each year, the Griffin Poetry Prize publishes an anthology, a selection of poems from the shortlisted books, published by House of Anansi Press.