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Downtown Development Plan
Chapter 7 One City, One Plan Downtown Development Plan KEY TOPICS Downtown Vision Hartford 2010 Downtown Goals Front Street Downtown North Market Segments Proposed Developments Commercial Market Entertainment Culture Regional Connectivity Goals & Objectives Adopted June 3, 2010 One City, One Plan– POCD 2020 7- 2 recent additions into the downtown include the Introduction Downtown Plan relocation of Capitol Community College to the Recently many American cities have seen a former G. Fox building, development in the movement of people, particularly young profes- Adriaen’s Landing project area, including the sionals and empty nesters, back into down- Connecticut Convention Center and the towns. Vibrant urban settings with a mix of uses Connecticut Center for Science and Exploration, that afford residents opportunities for employ- Morgan St. Garage, Hartford Marriott Down- ment, residential living, entertainment, culture town Hotel, and the construction of the Public and regional connectivity in a compact pedes- Safety Complex. trian-friendly setting are attractive to residents. Hartford’s Downtown is complex in terms of Downtowns like Hartford offer access to enter- land use, having a mix of uses both horizontally tainment, bars, restaurants, and cultural venues and vertically. The overall land use distribution unlike their suburban counterparts. includes a mix of institutional (24%), commercial The purpose of this chapter is to address the (18%), open space (7%), residential (3%), vacant Downtown’s current conditions and begin to land (7%), and transportation (41%). This mix of frame a comprehensive vision of the Downtown’s different uses has given Downtown Hartford the future. It will also serve to update the existing vibrant character befitting the center of a major Downtown Plan which was adopted in 1998. -
For Immediate Release: THE
For Immediate Release: www.hiketothemic.com THE FRIENDS OF HEUBLEIN TOWER, INC are pleased to announce the dates and confirmed bands for the second annual HIKE TO THE MIC – Music and Arts Happening at the Heublein Tower - AUGUST 27 & 28, 2016 from Noon to Sunset with a special Sunday morning Jazz set from 10 am to 12 pm on Sunday the 28th. This donation suggested event will reward those who journey the trails through Talcott Mountain State Park to the Heublein Tower with great musical entertainment, fantastic food vendors and the “royal view” from one of Connecticut’s premier hiking destinations. Headlining the event Saturday as the sunsets will be CT’s own jam rock heroes McLovins! Also on the bill will be, Will Evans, Atlas Grey, Wise Old Moon, Photosynthesis, Kais & Dollz, The KC Sisters, The Girls from Ruby Falls, Belle of the Fall, Now for Ages, Ragtop Doozey and The Michael Cleary Band. The Sunday morning jazz segment will be curated by Kris Jensen and Chris Casey and will feature local jazz greats. Check in with www.hiketothemic.com to find out all the details. Food Vendors include Ben & Jerry’s Ice Cream, Harry’s Bishop Corner Pizzeria, KC Dubliner Pub & Grill who will be grilling burgers and dogs in the Eisenhower Pavilion, and Collinsville’s Francesca’s Wine Bar and Bistro serving top notch fair. Special brunch menu Sunday morning too. The Heublein Tower in Talcott Mountain State Park is unquestionably one of the most unique settings in New England and will once again provide the perfect back drop the second annual Hike to the Mic on August 27 -28th. -
Cheney Brothers, the New York Connection
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1998 Cheney Brothers, the New York Connection Carol Dean Krute Wadsworth Atheneum Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Dean Krute, Carol, "Cheney Brothers, the New York Connection" (1998). Textile Society of America Symposium Proceedings. 183. https://digitalcommons.unl.edu/tsaconf/183 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Cheney Brothers, the New York Connection Carol Dean Krute Wadsworth Atheneum The Cheney Brothers turned a failed venture in seri-culture into a multi-million dollar silk empire only to see it and the American textile industry decline into near oblivion one hundred years later. Because of time and space limitations this paper is limited to Cheney Brothers' activities in New York City which are, but a fraction, of a much larger story. Brothers and beginnings Like many other enterprising Americans in the 1830s, brothers Charles (1803-1874), Ward (1813-1876), Rush (1815-1882), and Frank (1817-1904), Cheney became engaged in the time consuming, difficul t business of raising silk worms until they discovered that speculation on the morus morticaulis, the white mulberry tree upon which the worms fed, might be far more profitable. As with all high profit operations the tree business was a high-risk venture, throwing many investors including the Cheney brothers, into bankruptcy. -
Coltsville National Historical Park April 2015 Newsletter
National Park Service (NPS) Coltsville National Historical Park U.S. Department of the Interior April 2015 Newsletter Coltsville National Historical Park - For that must be accomplished before the Secretary almost 15 years, a diverse coalition has of Interior can formally establish the park. championed the establishment of the Coltsville Essentially, there are a series of agreements that National Historical Park. They can finally must be negotiated and signed. celebrate. In December, 2014 Congress passed and the President signed legislation authorizing The three agreements are with: the park. Once established, Coltsville National 1. Owners of the Colt Armory complex Historical Park will join the Weir Farm National to secure the donation of at least 10,000 Historic Site, 2 other National Heritage Areas, 8 square feet of space for a visitor center. National Natural Landmarks, and 61 National 2. City of Hartford to ensure that public Historic Landmarks in Connecticut as part of property, primarily Colt Park, is the National Park Service (NPS). The Coltsville managed for preservation and use as a Historic District is currently a National Historic national park. Landmark District in Hartford, Connecticut. The 3. Episcopal Church of Connecticut to district encompasses the factory, worker secure a preservation easement on both housing, community facilities and owner the Church of the Good Shepherd and residences associated with Samuel Colt, one of the Caldwell Colt Parish House. the nation's early innovators in precision manufacturing and the production of firearms. Development of Partnerships -Initial contacts Armsmear, the Colt’s mansion was originally with our partners in the development of the designated a national landmark in 1966. -
When Visitors to the Wadsworth Atheneum Museum of Art Read A
1 “For Paintings of Fine Quality” The Origins of the Sumner Fund at the Wadsworth Atheneum Museum of Art On August 16, 1927, Frank B. Gay, Director of the Wadsworth Atheneum, wrote to Edward W. Forbes, Director of the Fogg Art Museum at Harvard, that by the death last week of Mrs. Frank Sumner the Frank Sumner estate now comes to us. I learn from the Trust Company, his trustees and executor that the amount will be upwards of $2,000,000 ‘the income to be used in buying choice paintings.’ Of course we are quite excited here over the prospect for our future.1 The actual amount of the gift was closer to $1.1 million, making the Sumner bequest quite possibly the largest paintings purchase fund ever given to an American museum. Yet few know the curious details of its origins. Today, when visitors to the Wadsworth Atheneum Museum of Art read a label alongside a work of art, they will often see “The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund.” These visitors may well visualize two women—perhaps sisters, perhaps mother and daughter—strolling arm in arm through the galleries of the museum in times past, admiring the art and wondering what they might do for the benefit of such a worthy institution. They would be incorrect. The two women were, in fact, sisters-in-law who died fifty-two years apart and never knew each other. Since 1927 the Sumner Fund has provided the Atheneum with the means to acquire an extraordinary number of “choice paintings.” As of July 2012, approximately 1,300 works of art have been purchased using this fund that binds the names of Ella Gallup Sumner and Mary Catlin Sumner together forever. -
Mildred Lane Kemper Art Museum Washington University in St. Louis Sam Fox School of Design & Visual Arts
Mildred Lane Kemper Art Museum Washington University in St. Louis Sam Fox School of Design & Visual Arts Spotlight Essay: Thomas Cole, Aqueduct near Rome, 1832 February 2016 William L. Coleman Postdoctoral Fellow in American Art, Washington University in St. Louis When the Anglo-American landscape painter Thomas Cole made his first visit to Italy in the summer of 1831, he embarked on intensive study not only of paintings and sculptures, as so many visiting artists had before him, but also of ancient and modern Italian architecture. In so doing he launched a new phase of his career in which he entered into dialogue with a transatlantic lineage of “painter-architects” that includes Michelangelo, Raphael, and Rubens— artists whose ambitions were not confined to canvas and who were involved extensively with the design and construction of villas and churches, among other projects. Cole was similarly engaged with building projects in the latter decades of his short career, but a substantial body of surviving writings, drawings, and, indeed, buildings testifying to this fact has been largely overlooked by scholars, Thomas Cole, Aqueduct near Rome, 1832. Oil on canvas, 44 1/2 x 67 5/16". Mildred Lane Kemper Art Museum, Washington University in St. Louis. presumably because it does not fit neatly with University purchase, Bixby Fund, by exchange, 1987. the myth of Cole as “the father of the Hudson River School” of American landscape painting.1 For an artist whose chief contribution, we have been told, is the argument his work offers for landscape painting as an art of the intellect rather than of mere mechanical transcription of outward appearances, his abiding commitment to the science of building and his professional aspirations in that direction are hard to explain. -
The Magazine of the Victorian Society in America Volume 40 Number 1 Editorial
Nineteenth Ce ntury The Magazine of the Victorian Society in America Volume 40 Number 1 Editorial The Artist’s Shadow The Winter Show at the Park Avenue Armory in New York City is always a feast for the eyes. Dazzling works of art, decorative arts, and sculpture appear that we might never see again. During a tour of this pop-up museum in January I paused at the booth of the Alexander Gallery where a painting caught my eye. It was an 1812 portrait of two endearing native-New Yorkers Schuyler Ogden and his sister, the grand-nephew and grand-niece of General Stephen Van Rensselaer. I am always sure that exhibitors at such shows can distinguish the buyers from the voyeurs in a few seconds but that did not prevent the gallery owner from engaging with me in a lively conversation about Fresh Raspberries . It was clear he had considerable affection for the piece. Were I a buyer, I would have very happily bought this little confection then and there. The boy, with his plate of fresh picked berries, reminds me of myself at that very age. These are not something purchased at a market. These are berries he and his sister have freshly picked just as they were when my sisters and I used to bring bowls of raspberries back to our grandmother from her berry patch, which she would then make into jam. I have no doubt Master Ogden and his beribboned sister are on their way to present their harvest to welcoming hands. As I walked away, I turned one last time to bid them adieu and that is when I saw its painter, George Harvey. -
Connecticut Project Helper
Connecticut Project Helper Resources for Creating a Great Connecticut Project From the Connecticut Colonial Robin and ConneCT Kids! Connecticut State Symbols Famous Connecticut People Connecticut Information and Facts Famous Connecticut Places Connecticut Outline Map Do-it-Yourself Connecticut Flag Six Connecticut Project Ideas Connecticut Postcard and more…. www.kids.ct.gov What Makes a Great Connecticut Project? You! You and your ability to show how much you have learned about Connecticut. So, the most important part of your project will not be found in this booklet. But, we can help to give you ideas, resources, facts, and information that would be hard for you to find. Some students are good at drawing and art, some students are good at writing reports, and some students are good at crafts and other skills. But that part of the project will be only the beginning. A great Connecticut Project will be the one where you have become a Connecticut expert to the best of your abilities. Every State in the United States has a special character that comes from a unique blend of land, people, climate, location, history, industry, government, economy and culture. A great Connecticut Project will be the one where you can answer the question: "What makes Connecticut special?" In addition to this booklet, you should look for Connecticut information in your school library or town library. There are many online resources that can be found by doing internet searches. The more you find, the easier it will be to put together that Great Connecticut Project! The Connecticut Project Helper is produced and distributed by The ConneCT Kids Committee, and is intended for educational purposes only. -
Coltsville National Park Visitor Experience Study
Coltsville National Park Visitor Experience Study museumINSIGHTS in association with objectIDEA Roberts Consulting Economic Stewardship November 2008 Coltsville National Park Visitor Experience Study! The proposed Coltsville National Park will help reassert Coltsville’s identity as one of Hartford’s most important historic neighborhoods. That clear and vibrant identity will help create a compelling destination for visitors and a more vibrant community for the people of Hartford and Connecticut. Developed for the Connecticut Trust for Historic Preservation by: museumINSIGHTS In association with Roberts Consulting objectIdea Economic Stewardship November 2008 The Connecticut Trust for Historic Preservation received support for this historic preservation project from the Commission on Culture & Tourism with funds from the Community Investment Act of the State of Connecticut. Contents Executive Summary ....................................................................! 1 A. Introduction ..............................................................................! 4 • Background • History of Colt and Coltsville • Goals of the Coltsville Ad Hoc Committee • Opportunities and Challenges • Coltsville Ad Hoc Committee Partners B. The Place, People, and Partners ..................................! 8 • The Place: Coltsville Resources • The People: Potential Audiences • The Partners in the Coltsville Project C. Planning Scenarios ............................................................! 14 • Overview • Audiences & Potential Visitation • Scenario -
Collins & Townley Streets District
NPS Form 10-900 a OMB *Pprov»l No. 1024-0018 (8-86) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Section number ___ Page SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 79002676 Date Listed: 11/29/79 Collins and Townlev Streets Historic District____ Hartford CT Property Name County State Asylum Hill MRA Multiple Name This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstandinojthe National Park Service certification included in the nomination documentation. Signature of the Keeper Date pf Action Amended Items in Nomination: 8. Period of Significance &___3. Classification: Number of Resources within Property The Collins and Townley Streets Historic District represents a significant concentration of high style residential architecture that developed in response to the growth of the city's downtown in the late nineteenth century. As growth progressed in the early twentieth century through the Depression, the increased demand for affordable modes of housing resulted in the construction of several apartment buildings and the conversion of many single-family houses into multiple unit residences. Thus, the period of significance for the Collins and Townley Streets Historic District is extended through 1928 to reflect the significant social and historical changes in the district that resulted in the construction of apartment buildings and in the conversion of single-family houses into multiple unit residences. Further, the clause in the original nomination documentation that states "...free of apartment buildings that detract from the historic character of the area..." is retracted. -
Nscda-Ct Newsletter
NSCDA-CT NEWSLETTER VOLUME 6, NUMBER 2 SEPTEMBER 2011 Message from the President Message from the Director Nancy MacColl Charles T. Lyle Dear Connecticut Dames, The summer has been busy with the exterior th I am privileged and honored to be the 39 President restoration of the Deane House in progress, which of the NSCDA in Connecticut. Torrey Cooke did an we expect to be finished in September. There are outstanding job as President for the last three years. also two or three weddings scheduled almost every She will continue as third Vice-President. weekend, bringing in over 100 people for each event. Katie Sullivan has booked sixty-nine A brief biography weddings and other rentals for this year and over for those of you who thirty are already booked for next year. do not know me. I was born in Boston, Work on the exterior of the Deane house started on MA, educated in June 17. The painters spent the bulk of the summer Washington, D.C. stripping paint and preparing the surfaces. At the (Holton-Arms School) same time, the carpenters have replaced rotted or and New York broken clapboards and made numerous woodwork (Bennett Junior repairs. All of the window sashes have been College). reglazed and broken window panes have been Torrey and Nancy in the Garden of Webb House replaced with old style wavy glass, a painstaking I married N. Alexander job that has taken most of the summer. Soon the MacColl (Alex), whose mother, Mary Kimbark masons will arrive to make repairs to the MacColl was a R.I. -
Colt Collectors Association Past Articles March 2003 – 2015
COLT COLLECTORS ASSOCIATION PAST ARTICLES MARCH 2003 – 2015 SPRING 2003 TO SPRING 2014 CCA PAST ARTICLE Spring 2003 On the Cover: The three primary Colt revolvers produced by the Patent Arms Manufacturing Co. of Paterson, NJ. From top to bottom: the Number 5 Holster pistol, #448; the Number 3 Belt pistol, #95, the Number 2 Pocket Pistol, #417 and the Improved Model 1844/1845 Pocket Pistol marketed by John Ehlers of New York City. From the CCA Cody Display. CCA 2003 Display at Buffalo Bill Historical Center Introduction of Colt and Its Collectors, the book on the CCA’s Cody display revolvers Tom Selleck is the “voice” for the CCA Cody Display A Gentleman’s Colt Pocket Hammerless Model, The First Gold Inlaid Model M, by Sam Lisker Two Barrels With The Same Serial Number … Their Story, by John Kopec The Cedar Chest Chopper, by J. Paul McFadden Colt Model 1871 – 72 Open Top Frontier, by Bud Goebel 1893 Colt Single Action Army with Non-Eagle Grips, by Robert Viegas Colt Single Action Cylinder Throat Dimensions Effect On Accuracy, by Ray Meibaum Summer 2003 On the Cover: Colt 1884 Single Action Army Revolver shipped to J. P. Lower for E. S. Keith Detective Agency, Denver, CO. Shown with a pair of handcuffs bearing the same marks as the revolver and with a facsimile of the original letter written by E. S. Keith. CCA Past Publication Chairman Horace Greeley IV passed away May 11, 2003 Colt Extravaganza at the BBHC The Edward S. Keith Colt, by Dave Lanara Restoring the Colt Pocket Auto, by Bill Farley Tom Selleck Attends Grand Opening of “All Colt Exposition” in Cody, WY, by Les Quick Bass Reeves, Deputy U.S.