The 2010 Shakespeare Festival Company

— 1935 - 2010 — Welcome to

THE GLOBE AT A GLANCE Dear Friends, In 1935, as part of San The sixth-largest regional Diego’s second California theatre in the country, Pacific International The Old Globe offers more Exposition, a seed was programming and a greater planted that has certainly repertoire than any theatre taken hold. San Diego’s of its size. Globe began as a “replica” • • • of Shakespeare’s own with a As a not-for-profit theatre troupe of actors performing with a budget of $20 million, a summer festival of the Globe earns $10 million 50-minute versions of in ticket sales and must raise his plays. Today we are an additional $10 million from the sixth largest regional individual and institutional tax- theatre in the United States with a year-round season of fifteen deductable donations. productions in three theaters and 250,000 admissions annually – not bad for an idea that began as a World’s Fair attraction! • • • The Globe provides more than The Globe has flourished, in no small part, because of the 20 different community and commitment of countless community leaders, volunteers, staff, and education programs to nearly of course our artists. No one gave more than our Founding Director 50,000 people annually. Craig Noel, who led the Shakespeare Festival to national prominence. • • • At Craig’s urging, we returned to performing in repertory seven The Old Globe has sent 20 years ago. Today we give 86 performances over three months, and productions to Broadway in any given three day period, one can see three entirely different since 1987. productions performed by an accomplished company of 25 actors.

• • • This year, Adrian Noble, the former head of the Royal Shakespeare For the fifth consecutive Company, joins us as head of the Festival. His unique talent and year, Charity Navigator, the experience brings an added measure of excitement to this year’s premier charity evaluator, proceedings. has awarded the Globe the coveted 4-star rating for sound One of the slogans of the 1935 California Pacific International fiscal management, placing Exposition was Built Upon a Glorious Past, Dedicated to a Glorious the Globe in the top 4% of all Future. These words still fit us well. As we celebrate our 75th year not-for-profit organizations (and the 25th of the Lowell Davies Festival Theater!), I welcome you evaluated in the United States. to a “glorious” season of great plays, sumptuous productions and memorable performances.

Louis G. Spisto Executive Producer

PERFORMANCES MAGAZINE 2 CAST OF CHARACTERS PRESENTS KING LEAR, King of Britain...... Robert Foxworth❉ ✚ GONERIL, his eldest daughter...... Emily Swallow❉ REGAN, his second daughter...... Aubrey Saverino° CORDELIA, his youngest daughter...... Catherine Gowl° DUKE OF ALBANY, Goneril’s husband...... Donald Carrier❉ DUKE OF CORNWALL, Regan’s husband...... Michael Stewart Allen❉ KING LEAR KING OF FRANCE, Suitor to Cordelia...... Ben Diskant° DUKE OF BURGUNDY, Suitor to Cordelia...... Christian Durso° EARL OF GLOUCESTER...... Charles Janasz❉ ✚ EDGAR, his elder son...... Jay Whittaker❉ by WILLIAM SHAKESPEARE EDMUND, his younger bastard son...... Jonno Roberts❉ EARL OF KENT...... Joseph Marcell❉ FOOL...... Bruce Turk❉ OSWALD, Goneril’s steward...... Andrew Dahl° CURAN, HERALD, a follower of Gloucester...... Steven Marzolf° OLD MAN, Gloucester’s tenant...... Adrian Sparks❉ SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ❉ DOCTOR...... Craig Dudley ✚ Ralph Funicello Deirdre Clancy Alan Burrett Christopher R. Walker KNIGHTS/SERVANTS/SOLDIERS/ENSEMBLE...... Shirine Babb°, Andrew Dahl°, Grayson DeJesus°, Ben Diskant°, Craig Dudley❉, Christian Durso°, Kevin Hoffmann°, Andrew Hutcheson°, Steven Marzolf°, Jordan McArthur°, ❉ ORIGINAL MUSIC FIGHT DIRECTOR VOCAL AND DIALECT COACH STAGE MANAGER Brooke Novak°, Ryman Sneed°, Adrian Sparks , Bree Welch°

✚ ❉ Shaun Davey Steve Rankin Claudia Hill-Sparks James Latus ❉ Stage Manager...... James Latus Assistant Stage Managers...... Erin Gioia Albrecht❉, Moira Gleason❉, Annette Yé❉

There will be one 15-minute intermission. DIRECTED BY ADRIAN NOBLE PRODUCTION STAFF Assistant Director...... Gina Rattan Assistant Scenic Design...... Sean Fanning Resident Costume Design Associate...... Charlotte Devaux Assistant Costume Design...... Michele Hunt Assistant Lighting Design...... Sarah Cogan Casting by Samantha Barrie, CSA Production Assistant...... Deirdre Holland Stage Management Interns...... Lauren Garcia, Kelsey Linehan, Michelle Scalpone, Evangeline Whitlock Associate Fight Director...... Wayne Kohanek

—————————————————— Lowell Davies Festival Theatre

❉ June 12 - September 23, 2010 Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. ✚ Associate Artist of The Old Globe. °Student in The Old Globe/University of San Diego Master of Fine Arts Program.

3 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 4 CAST OF CHARACTERS PRESENTS BAPTISTA MINOLA, a rich merchant...... Adrian Sparks❉ KATHERINE, his eldest daughter...... Emily Swallow❉ BIANCA, his youngest daughter...... Bree Welch° LUCENTIO, a rich young man...... Jay Whittaker❉ TRANIO, his servant...... Michael Stewart Allen❉ THE TAMING BIONDELLO, another of his servants...... Jordan McArthur° VINCENTIO, his father...... Craig Dudley❉ PETRUCHIO, another rich young man...... Jonno Roberts❉ GRUMIO, his servant...... Bruce Turk❉ OF THE SHREW ❉ GREMIO, another rich merchant...... Joseph Marcell HORTENSIO, an impoverished young man...... Donald Carrier❉ A PEDANT, who is very poor...... Charles Janasz❉ ✚ by WILLIAM SHAKESPEARE A WIDOW, who is very rich...... Shirine Babb° CURTIS...... Charles Janasz❉ ✚ A TAILOR...... Craig Dudley❉ A HABERDASHER...... Steven Marzolf° SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN AND A GROUP OF SERVANT LADS...... Andrew Dahl°, Grayson DeJesus°, Ben Diskant°, Ralph Funicello✚ Deirdre Clancy Alan Burrett ORIGINAL MUSIC Christian Durso°, Kevin Hoffmann°, Andrew Hutcheson°, Steven Marzolf° Christopher R. Walker Stage Manager...... James Latus❉ Assistant Stage Managers...... Erin Gioia Albrecht❉, Moira Gleason❉, Annette Yé❉ FIGHT DIRECTOR MOVEMENT SEQUENCES VOCAL AND DIALECT COACH STAGE MANAGER Steve Rankin✚ Tony Caligagan Claudia Hill-Sparks James Latus❉ There will be one 15-minute intermission.

PRODUCTION STAFF DIRECTED BY Assistant Directors...... C.J. Keith, Krysti Litt Assistant Scenic Design...... Sean Fanning RON DANIELS Resident Costume Design Associate...... Charlotte Devaux Assistant Costume Design...... Fay Koplovitz Assistant Lighting Design...... Sarah Cogan Production Assistant...... Deirdre Holland Stage Management Interns...... Lauren Garcia, Kelsey Linehan, Michelle Scalpone, Evangeline Whitlock Casting by Samantha Barrie, CSA Associate Fight Director...... Wayne Kohanek

—————————————————— Lowell Davies Festival Theatre

❉ June 16 - September 26, 2010 Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. ✚ Associate Artist of The Old Globe. °Student in The Old Globe/University of San Diego Master of Fine Arts Program.

5 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 6 CAST OF CHARACTERS ❉ GEORGE III...... Miles Anderson ❉ QUEEN CHARLOTTE...... Emily Swallow PRINCE OF WALES...... Andrew Dahl° PRESENTS DUKE OF YORK, King’s second son...... Kevin Hoffmann° LADY PEMBROKE, Lady of the Bedchamber...... Shirine Babb° ❉ WILLIAM PITT, Prime Minister...... Jay Whittaker ❉ HENRY DUNDAS, a Scottish Tory...... Craig Dudley ❉ ✚ EDWARD THURLOW, The Lord Chancellor...... Charles Janasz ❉ CHARLES JAMES FOX, a Whig leader...... Michael Stewart Allen ❉ RICHARD BRINDSLEY SHERIDAN, a Whig...... Donald Carrier ❉ SIR BOOTHBY SKRYMSHIR...... Adrian Sparks RAMSDEN...... Grayson DeJesus° THE MADNESS ❉ SIR GEORGE BAKER, President of the Royal College of Physicians...... Joseph Marcell ❉ DR. RICHARD WARREN, Prince's personal physician...... Bruce Turk ❉ SIR LUCAS PEPYS...... Adrian Sparks ❉ ✚ DR. FRANCIS WILLIS, Doctor from Lincolnshire...... Robert Foxworth CAPTAIN FITZROY, the King’s chief equerry...... Steven Marzolf° OF GEORGE III GREVILLE, King's equerry...... Ben Diskant° BRAUN, a page...... Christian Durso° FORTNUM, a page...... Andrew Hutcheson° PAPANDIEK, a page...... Jordan McArthur° MARGARET NICHOLSON...... Brooke Novak° by ALAN BENNETT MAIDS...... Catherine Gowl°, Aubrey Saverino°, Ryman Sneed°, Bree Welch° ❉ Stage Manager...... James Latus ❉ ❉ ❉ Assistant Stage Managers...... Erin Gioia Albrecht , Moira Gleason , Annette Yé

There will be one 15-minute intermission. SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SETTING Ralph Funicello✚ Deirdre Clancy Alan Burrett Christopher R. Walker Great Britain, 1780s. LOCATIONS Windsor Castle: The Royal Residence, Windsor Westminster Palace: The Houses of Parliament, London FIGHT DIRECTOR VOCAL AND DIALECT COACH STAGE MANAGER Carlton House: The Prince Of Wales’ mansion, London

✚ ❉ Kew Palace: The summer palace, six miles west of London Steve Rankin Claudia Hill-Sparks James Latus St. Paul’s Cathedral: London

ACT ONE ACT TWO Scene 1: Windsor Castle Scene 1: Windsor Castle Scene 2: Westminster Palace Scene 2: Carlton House DIRECTED BY Scene 3: Carlton House Scene 3: Kew Palace Scene 4: Windsor Castle Scene 4: Westminster Palace Scene 5: Westminster Palace Scene 5: Windsor Castle ADRIAN NOBLE Scene 6: Windsor Castle Scene 6: Carlton House Scene 7: Carlton House Scene 7: Windsor Castle Scene 8: Westminster Palace Scene 8: St Paul’s Cathedral Scene 9: Windsor Castle Scene 10: Westminster Palace Scene 11: Windsor Castle

Casting by Samantha Barrie, CSA PRODUCTION STAFF Assistant Director...... Gina Rattan The Madness of George III is presented by special arrangement with Samuel French, Inc. Assistant Scenic Design...... Sean Fanning Resident Costume Design Associate...... Charlotte Devaux Assistant Costume Design...... Shelly Williams —————————————————— Assistant Lighting Design...... Sarah Cogan Lowell Davies Festival Theatre Production Assistant...... Deirdre Holland Stage Management Interns...... Lauren Garcia, Kelsey Linehan, Michelle Scalpone, Evangeline Whitlock June 19 - September 24, 2010 Associate Fight Director...... Wayne Kohanek

❉ Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. ✚ Associate Artist of The Old Globe. °Student in The Old Globe/University of San Diego Master of Fine Arts Program.

7 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 8 The 2010 Shakespeare Festival Company

THE TAMING OF THE MADNESS OF ACTOR/ACTRESS KING LEAR THE SHREW GEORGE III

Michael Stewart Allen❉ DUKE OF CORNWALL TRANIO FOX

Miles Anderson❉ GEORGE III

Shirine Babb° ENSEMBLE A WIDOW LADY PEMBROKE

Donald Carrier❉ DUKE OF ALBANY HORTENSIO SHERIDAN ❉ ❉ ❉ Michael Stewart Allen Miles Anderson Shirine Babb° Donald Carrier Andrew Dahl° Grayson DeJesus° Andrew Dahl° OSWALD/ ENSEMBLE SERVANT LAD PRINCE OF WALES

Grayson DeJesus° ENSEMBLE SERVANT LAD RAMSDEN

KING OF FRANCE, Ben Diskant° SERVANT LAD GREVILLE ENSEMBLE

Craig Dudley❉ DOCTOR, ENSEMBLE A TAILOR, VINCENTIO DUNDAS

DUKE OF BURGUNDY, Christian Durso° SERVANT LAD BRAUN ENSEMBLE

❉ ❉ ✚ ❉ Ben Diskant° Craig Dudley Christian Durso° Robert Foxworth Catherine Gowl° Kevin Hoffmann° Robert Foxworth ✚ KING LEAR DR. WILLIS

Catherine Gowl° CORDELIA A MAID

Kevin Hoffmann° ENSEMBLE SERVANT LAD DUKE OF YORK

Andrew Hutcheson° ENSEMBLE SERVANT LAD FORTNUM

Charles Janasz❉ ✚ EARL OF GLOUCESTER A PEDANT, CURTIS THURLOW

Joseph Marcell❉ EARL OF KENT GREMIO SIR GEORGE BAKER ❉ ✚ ❉ Andrew Hutcheson° Charles Janasz Joseph Marcell Steven Marzolf° Jordan McArthur° Brooke Novak° A HABERDASHER, Steven Marzolf° CURAN, HERALD, ENSEMBLE CAPTAIN FITZROY SERVANT LAD

Jordan McArthur° ENSEMBLE BIONDELLO PAPANDIEK

Brooke Novak° ENSEMBLE MARGARET NICHOLSON

Jonno Roberts❉ EDMUND PETRUCHIO

Aubrey Saverino° REGAN A MAID

❉ ❉ ❉ ❉ Jonno Roberts Aubrey Saverino° Ryman Sneed° Adrian Sparks Emily Swallow Bruce Turk Ryman Sneed° ENSEMBLE A MAID

❉ SIR LUCAS PEPYS, Adrian Sparks OLD MAN, ENSEMBLE BAPTISTA MINOLA SIR BOOTHBY SKRYMSHIR

Emily Swallow❉ GONERIL KATHERINE QUEEN CHARLOTTE

❉ Member of Actors’ Equity Association, the union of Professional Actors Bruce Turk❉ FOOL GRUMIO DR. RICHARD WARREN and Stage Managers in the United States. ✚ Associate Artist of The Old Globe. Bree Welch° ENSEMBLE BIANCA A MAID °Student in The Old Globe/University of San Diego Master of Fine Arts Program. ❉ ❉ Bree Welch° Jay Whittaker Jay Whittaker EDGAR LUCENTIO WILLIAM PITT

9 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE0 1 Board of Directors Leadership Gifts The County of San Diego at the recommendation of Chairwoman Pam Slater-Price The Old Globe recognizes and SHAKESPEARE FESTIVAL SPONSOR Welcome to the 2010 Shakespeare Festival and the celebration of The Old thanks the following generous Globe’s milestone 75th Anniversary season. This is indeed a momentous occasion Thanks to support from the County of San Diego’s and we are proud of the Globe’s 75 years of esteemed accomplishments. Today, as individuals who have made Neighborhood Reinvestment Program, The Old Globe’s Shakespeare Festival ranks among the leading the nation’s sixth-largest regional theatre, we continue to present our audiences extraordinary gifts of $1 million or Shakespeare Festivals in North America and draws with a Shakespeare Festival in repertory that has become an international more. These major contributions have been designated for theatregoers to Balboa Park from throughout San Di- phenomenon. ego County, all 50 states and abroad. The Old Globe artistic, endowment and facilities is grateful to Chairwoman Pam Slater-Price and the Along with the exciting work on the stage of the Lowell Davies Festival Theatre projects, and help The Old Globe County of San Diego Board of Supervisors for allocat- this summer, the Globe offers an abundance of education and community programs remain one of our country’s great for theatre-goers of all ages. The Shakespeare Initiatives are designed to enhance ing Neighborhood Reinvestment Program funds to theatre institutions. the 2010 Shakespeare Festival, which offers 86 performances of three plays audience understanding and enjoyment of the plays presented. From Insight performed in repertory. This funding also supports associated education and Seminars and Garden Lectures to Post-show Forums and the Summer Shakespeare Intensive for high school $20,000,000 or greater community programs, including the Shakespeare Intensive for high school students, our programs are attended by thousands each summer. students, Shakespeare Production Guides, Shakespeare in the Garden and Donald and Darlene Shiley As we celebrate the Globe’s 75th Anniversary, your Annual Fund contributions are more important than the Teacher Appreciation Series. ever in keeping San Diego’s cultural icon fiscally healthy and thriving artistically. On behalf of the Board of $10,000,000 or greater Directors, I wish to express our gratitude to the many generous Production and Season Sponsors, Circle Karen and Donald Cohn Patrons, Globe Ambassadors, ticket buyers, subscribers and donors of all levels for their committed and Conrad Prebys 75TH ANNIVERSARY SPONSORS / THE TAMING OF THE SHREW ongoing support. $5,000,000 or greater Karen and Donald Cohn have served in leadership And now, sit back, relax and enjoy the performance. roles at the Globe for more than 18 years. As the Sheryl and Harvey White founder and former CEO of Dataquick Information Systems Inc., Don continues his career as an investor Sincerely, Kathryn Hattox and in thoroughbred racing as owner of Ballena Vista Farms in Ramona. Don currently serves as Board Chair. Karen and Donald Cohn Karen, a graduate of the University of San Diego School Donald L. Cohn, Chair of Law, joined the Globe Board in 1992, served two BOARD OF DIRECTORS $2,000,000 or greater terms as Chair and is Co-Chair of the 75th Anniversary Viterbi Family Foundation Gala. The Cohns have supported many productions including Othello, Macbeth, Blue/Orange, A Midsummer Night’s Dream, The Doctor is Out $1,000,000 or greater and Cyrano de Bergerac. Karen and Don helped launch the Globe's Capital Campaign in 2006 with a significant gift and, in recognition, the education BOARD OF DIRECTORS California Cultural and center is named in their honor. Donald L. Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* Historical Endowment Chair Immediate Vice Chair, Finance Vice Chair, Vice Chair, Secretary Past Chair & Treasurer Nominating Development Estate of Dorothy S. Prough Joan and Irwin Jacobs 75TH ANNIVERSARY SPONSORS / KING LEAR DIRECTORS Nanci Hull Evelyn Mack Truitt Mrs. John H. Fox (1908–2003) The Rivkin Family Joan and Irwin Jacobs have been loyal Globe Mary Beth Adderley Viviana Ibañez Debra Turner Audrey Geisel Estate of Beatrice Lynds supporters and subscribers for more than 20 Elizabeth Altman Deni Jacobs Stacey LeVasseur Vasquez Paul Harter years, during which time the theatre and San Diego Joseph Benoit Daphne Jameson Crystal Watkins Gordon Luce (1925-2006) Pamela Cesak Jo Ann Kilty James A. Wening Dolly Poet (1921-2007) Audrey S. Geisel/ community have benefited greatly from their Marsha Chandler Mitzi Yates Lizarraga Brian E. Wineke Deborah Szekely San Diego Foundation generosity. Previous Globe productions sponsored Peter J. Cooper Joyce Nash June Yoder Hon. Pete Wilson Dr. Seuss Fund by Joan and Irwin include George Gershwin Alone, Valerie S. Cooper Rafael Pastor* Carolyn Yorston-Wellcome Macbeth, Resurrection Blues, Smash, Julius Caesar, Stephen M. Cusato Conrad Prebys* Deborah Young EMERITUS DIRECTORS Mr. and Mrs. Victor H. Avenue Q, The Merry Wives of Windsor and, most Elaine Bennett Darwin Sara Rosenthal, M.D. Garet B. Clark Ottenstein Bea Epsten Jeri Rovsek *Executive Committee Member J. Dallas Clark (1913–2005) recently, Golda’s Balcony. The couple has been Pamela A. Farr Reneé Schatz Sally Furay, R.S.C.J. Mrs. Helen Edison active philanthropically throughout the San Diego community, supporting Harold W. Fuson, Jr.* Jean Shekhter HONORARY DIRECTORS Bernard Lipinsky (1914-2001) numerous organizations, including University of California, San Diego (most Victor P. Gálvez Louis G. Spisto* Mr s. Richard C. Adams Delza Martin (1915–2005) The Stephen & recently with a $75 million gift to build the new Jacobs’ Medical Center), Robert H. Gleason Daniel L. Sullivan, Ph.D. (1912–2005) Patsy Shumway Museum of Contemporary Art, San Diego Opera, La Jolla Playhouse, Timothy P. Haidinger Julie H. Sullivan, Ph.D. Clair Burgener (1921-2006) Mary Birch Foundation Museum of Photographic Arts, San Diego Repertory Theatre and the San The Kresge Foundation Diego Symphony.

11 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE2 1 John A. Berol fabric selection and donating his one-of-a-kind pieces, most recently for Sammy, The Taming of the Shrew and SEASON SPONSOR / THE TAMING OF THE SHREW the upcoming world premiere of Robin and the 7 Hoods. Having previously enjoyed Shakespeare at school and on stage, John Berol was delighted to discover San Diego’s enthusiasm for Shakespeare in Balboa Park upon moving Kathryn Hattox to the city in 1977. Aware of the fragile dependence of PRODUCTION SPONSOR / KING LEAR artistically driven theatre upon charitable support from In 1997 Kathryn joined the Globe Board and currently individuals, John joined in with contributions including serves as Immediate Past Chair and on the Executive, sponsorship of Dancing at Lughnasa, Voir Dire, Labor Finance and Endowment Committees. In recognition Day, Twelfth Night (2001), Pericles, Much Ado About of her Capital Campaign gift, the multi-purpose Nothing, The Two Noble Kinsmen, The Winter’s Tale, performance and event room in the new education Titus Andronicus, Measure for Measure, Merry Wives of center carries her name. Kathryn has supported Windsor and Twelfth Night (2009). the Globe each year as a Production Sponsor for A Midsummer Night’s Dream, The Comedy of Errors, Las Patronas Lucky Duck, Rough Crossing, All My Sons, As You Like It, Thunder Knocking on the Door, Measure for Measure and SEASON SPONSOR / THE MADNESS OF GEORGE III Cyrano de Bergerac. The Old Globe gratefully acknowledges the generous support of Las Patronas, a philanthropic organization founded in 1946 that has since donated more than $14 Barbara Kjos million to nearly a thousand charitable organizations PRODUCTION SPONSOR / THE MADNESS OF GEORGE III throughout San Diego County. Las Patronas has selected Barbara and Neil Kjos (Neil passed away in November The Old Globe as one of the Major Beneficiaries to 2009) have been loyal patrons of the Globe since 1973 receive funds generated through this year’s presentation after moving from Chicago. Their love of Shakespeare of the Jewel Ball, one of San Diego’s most enduring and the classics drew them to the Globe, and providing social, cultural, and philanthropic traditions. Thanks support for the Festival was a natural fit for the couple. to Las Patronas’ support, over 600 new seats will be Together, they have been long-time arts advocates in installed in the Lowell Davies Festival Theatre, home the San Diego community, and Barbara continues to of The Old Globe’s internationally-renowned Summer support San Diego Opera, San Diego Symphony, Mainly Shakespeare Festival. The 64th Annual Jewel Ball Mozart and the San Diego Repertory Theatre. Neil “Heart + Soul” will take place Saturday, August 7, and for owned and operated the Neil A. Kjos Music Company, more information, contact Lise Wilson at (619) 980-4789. which continues to set the standard in all areas of the educational music publishing industry. Theatre Tots Lonnie Gettman, Designer Fabric Creative Dramatics for your 4, 5 and 6 year old SEASON SPONSOR / THE TAMING OF THE SHREW Sempra Energy Union Bank Theatre Tots takes A native New Yorker, Lonnie Gettman has owned and PRODUCTION SPONSOR / KING LEAR PRODUCTION SPONSOR / THE MADNESS OF GEORGE III children from storybook operated San Diego-based Designer Fabric since 1983, As part of an ongoing commitment to supporting arts As part of its pledge to reinvest in the communities it to performance while and has been involved with The Old Globe for more than and cultural programs that enhance the quality of life in serves, Union Bank supports The Old Globe in many they learn how to use twenty years. Lonnie started his career in the clothing their voices, bodies and San Diego, Sempra Energy has been a long-time partner ways. Bank employees volunteer at Seussabration, an imaginations to bring a business during college in New York, and relocated to of the Globe and its artistic endeavors. In addition to education event as part of Dr. Seuss’ How the Grinch story to life. San Diego to establish the first off-price women’s fabric dedicated support of educational programs for nearly Stole Christmas!; Business Banking Group Executive June 5 & 19, and clothing store in the region. Designer Fabric collects two decades, Sempra Energy has helped launch two Vice President Joseph Benoit serves on the Board of July 10 & 24, exclusive fabric samples from the biggest names in the Globe Broadway-Bound musicals: The Full Monty and Directors; and Union Bank has supported numerous pro- August 7 & 21 and clothing and manufacturing industry, specializing in Damn Yankees. The Old Globe salutes Sempra Energy ductions, including The Glass Menagerie, Othello, The September 4 & 18 fine silks and brocades, French laces and beading for 10:00 – 11:30 am and shares the belief that strong, thriving cultural Comedy of Errors, A Midsummer Night’s Dream, Rough $25 per class wedding and evening wear. For the Globe’s costume programs contribute to the economic growth and vitality Crossing, Imaginary Friends and As You Like It. The Old shop, Lonnie has been actively involved in consulting on of San Diego. Globe salutes Union Bank for its long-time support. To sign up, contact [email protected] or call (619) 231-1941 x2144

13 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE4 1 PHOTOPLAY The Old Globe 1935 — 2010 1

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1. The original 1935 acting company at the California Pacific International Exposition. 2. The original Old Globe Theatre built for the Exposition. 3. Founding Director Craig 14. Joanna Gleason, Chip Zien and Ellen Foley in the world premiere of Stephen Sondheim's Into The Woods (1986). 15. Lawrence Fishburne and Ella Joyce in August Wilson's Noel (center) in John Van Druten's The Distaff Side, the 1937 premiere production of the San Diego Community Theatre (to be later named the Old Globe Theatre). 4. Two Trains Running (1991). 16. Dr. Seuss' How the Grinch Stole Christmas! premiered at The Old Globe in 1997 and has become a beloved San Diego holiday tradition. Pictured Shakespeare's Twelfth Night (1949). 5. Lee Hyde, Bob Roberts, Jack Little, Zelda Schumann-Heink in the 1947 production of The Time of Your Life, the first show performed at are Shea Starrs Siben as Cindy-Lou Who and Jeff Skowron as the Grinch in the 2009 production.* 17. The 2000 world premiere of The Full Monty played to sold-out audiences the Globe after WWII. 6. Mr. Roberts, directed by Craig Noel, performed to capacity audiences totaling 25,000 during thirteen continuous weeks in the summer of 1953 and at The Old Globe and moved to Broadway, London's West End and received a national tour. 18. Executive Producer Lou Spisto with Founding Director Craig Noel receiving the provided the Globe with substantial financial resources for the first time. 7. Dennis Hopper as Lorenzo and Roxanne Haug as Jessica in the 1954 production of The Merchant of National Medal of Arts at a ceremony at the White House in 2007. 19. Obba Babatundé astounded audiences with his award-winning portrayal of Sammy Davis, Jr. in the 2009 Venice, directed by Allen Fletcher. 8. Globe Associate Artist Jonathon McMurtry (center) and Kelsey Grammer (right) in Henry V (1978). 9. Valeda Turner, as Queen Elizabeth, world premiere of Sammy, with Jenelle Engleson and Sarah Strimel.* 20. The Conrad Prebys Theatre Center opens in December 2009 and is comprised of the flagship Old bids a ghostly adieu to the Old Globe amid the ashes of the devastating fire of 1978. 10. Craig Noel and Artistic Director Jack O'Brien rebuild the Old Globe Theatre. 11. Debo- Globe Theatre and a new facility housing the Sheryl and Harvey White Theatre, the Karen and Donald Cohn Education Center, Hattox Hall and the Donald and Darlene Shiley rah May as Rosalind and George Deloy as Orlando in As You Like It, the inaugural production of the newly rebuilt Old Globe Theatre, directed by Craig Noel (1982). 12. Queen Terrace. 21. Neil Patrick Harris stars in Romeo and Juliet, in the 1998 Shakespeare Festival. 22. Neil Simon's Pulitzer Prize winning play Lost in Yonkers inaugurates the Sheryl and Elizabeth visits The Old Globe in 1983. 13. Jack O'Brien accepts the Tony Award for achievement in theatre presented to The Old Globe, with Managing Director Thomas Hall.+ Harvey White Theatre starring Tony Award winner Judy Kaye, with Steven Kaplan and Austyn Myers (2010).* (+Photo by Richard Drew. *Photo by Craig Schwartz.) Education

TWO NEW PROGRAMS FOR CHILDREN

I want to start this letter by saying “Thank you.”

Thank you to Lou Spisto and the Board for offering me the opportunity to lead this 75th Anniversary Festival season;

Thank you to the wonderful staff and crew who have supported my every wish and helped fashion my every dream;

Thank you to the outstanding cast of actors who have embraced The Middle School Summer Intensive is a two-week program for this exciting and powerful learning experience. The Middle School me and my vision of the season; and students in grades 6, 7 and 8. Led by the Globe’s Teaching Artists, Summer Intensive will take place on weekdays, July 26 – 30 & students will explore the many facets of theatre. Participants will August 2 – 6 from 10:00 a.m. to 3:00 p.m. $550 per student. Thank you to the many San Diegans who have simply made learn performance techniques from the professional actors of the me welcome.

Theatre Tots is a fun introduction to acting for children ages 4, Howard Photo by Ken summer Shakespeare Festival repertory company. They will also 5 and 6. Participants in this program use their voices, bodies and visit all three of the Globe’s theatres and take a behind-the-scenes imaginations to create characters and act out a story. These 90-min- I have led many companies in England over the years, and my model always look at the Globe’s technical departments, meeting the artisans ute, Saturday morning sessions are packed with both learning and who light the shows, and build the sets and costumes. The program remains the same. It is Shakespeare’s original company at our namesake Globe fun, and parents will delight to see their children’s performances Theatre, immortalized in the frontispiece to the 1623 Folio. With one striking culminates with a 45-minute student performance of scenes and at the end of each class. Each Saturday morning session is unique. demonstrations of acting exercises giving the students a chance to Attend one, or attend them all! Theatre Tots will be held on July 10 difference — he had no women actors! But he gathered together highly skilled demonstrate what they learned over the two-week summer pro- & 24, August 7 & 21 and September 4 & 18. $25 per class. leading actors, like our Bob Foxworth and Miles Anderson, and he mixed them with gram. Students who just can’t get enough theatre are just right for experienced character players and startling young talent, like our MFA students.

Although I have traveled thousands of miles to work here, in many ways the LEARNING THROUGH THE POWER OF THE ARTS experience is familiar. We endeavor to make the stories vital and contemporary, The Karen and Donald Cohn Education Center has been bustling instruction in voice and diction, movement without pandering to fashionable “relevance.” We struggle to make the beautiful with activity with programs for schools and the public this summer. and theatre vocabulary. On the final day of language fall readily upon your ear. We hope to lead our audiences into new and Most recently, The Old Globe hosted the renowned School in the the program, the children performed the enriching experiences. Park program. A partnership of the San Diego Unified School Dis- shipwreck scene from Shakespeare’s trict and Price Charities, School in the Park is a quality off-campus The Tempest. The center of our work on both Shakespeare and Bennett is language. Hamlet tells learning program for students from two City Heights elementary This challenging week was a marvelous the Player: “We’ll hear a play tomorrow.” We won’t see it, we’ll hear it. I find this schools. example of how teachers can use the arts such an exciting challenge, of immense importance in our contemporary visual The children enrolled in the to enliven learning and to enhance world: to help foster, especially in our children, a love of language. program spend five days each at literacy. By the end of the program, the many of Balboa Park’s museums students poured over books and drew and other institutions and learn pictures of their favorite characters, of And coming from England to the West Coast, this is the real buzz — working on from experts in their fields. At ships and storms at sea, and were eager Shakespeare in a vigorous, language-based method, but embracing the American the Air and Space Museum, they to read more about Shakespeare’s life and accent and cadence of speech. learn about aeronautics. At the his plays. Museum of Man, they practice The School in the Park program is an innovative example of I believe we are building something special here. I hope you think so, too. anthropology. And at The engaged learning through the power of the arts. Eight additional Old Globe – they learn about classes will experience the program before the end of the school Shakespeare! year and, hopefully, for years to come as the Globe continues to The fifth grade students, most of them English Language add to its educational programming in the Karen and Donald Cohn Learners, tried their hands at such well-known Shakespeare Education Center. speeches as “All the world’s a stage, and all the men and women For more information about the Globe’s educational programs or merely players.” They learned how to work together as an en- to enroll your child in the Theatre Tots or Middle School Summer Adrian Noble, Artistic Director, semble to give the best performance possible while receiving Intensive programs, contact [email protected]. 2010 Shakespeare Festival

17 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE8 1 A FOOLISH FOND OLD MAN... EVERY INCH A KING

by MICHAEL CHEMERS

In his book The Ibsen Cycle, scholar Brian Johnston And when I have stol’n upon these son-in-laws, discusses the phenomenon of “Peer Gynt’s Onion,” Then, kill, kill, kill, kill, kill, kill! (IV, v) a way of talking about the lines of conflict that can appear in a play. Protagonists can struggle against Not for nothing is this called “the Everest of a variety of enemies; not only other people, but also Shakespeare,” and considered an obligatory benchmark against their societies, their histories, nature and the of greatness for a mature classical actor. Ian McKellen supernatural, themselves, and even the existential said this about his embodiment of the role in 2007: absurdity of being. King Lear is one of the few plays that hit every mark. Lear is considered by some to I think an audience should, if they want to understand be not only Shakespeare’s most far-reaching and Lear’s progression, look out for the relationship that magnificent play, but his most powerful philosophical he has with the gods, because by the end of the story and spiritual work as well. Lear’s suffering is not I think it’s pretty clear that he’s lost his faith. He goes merely psychological; it is inextricably located in his on a torturous and terrifying emotional journey but physical body, as critic Marvin Rosenberg observes in by the end he has achieved some reconciliation to King Lear Weeping over the Death of Cordelia by James Barry (1786-87) his Masks of King Lear: his own position in the real world, and that includes love for family and respect and regard for friends and Shakespeare made the tissue and function of the supporters; that has nothing to do, as far as Lear’s physical body omnipresent in Lear, in name and concerned, with the gods. age, and wishes to divest himself of the responsibilities The Empty Space, Peter Brook writes that “King Lear is action: arm, leg, hand, skin, hair, face, eyes, nose, of stewardship while holding on to the power and a vast, complex, coherent poem designed to study the cheeks, tears, blood; the body suffering, or being Indeed, the consolations of spirituality seem to be lost on glory. This he cannot do, and the realization renders power and the emptiness of nothing—the positive and made to suffer, by blinding, tripping, striking, biting, everyone in the play: him in a war against himself: “King Lear” on the one negative aspects latent in the zero.” The word “nothing” bleeding, wounding – itself or another – and killing. side, and a half-senile ancient old man tormented by appears all over the script; the play seems determined to GL OUCESTER: I’th’last night’s storm I such regrets, with only a Fool as a friend and a mirror: examine the concept from every angle: So thoroughly grounded in the body, the play can a fellow saw, represent and confront the darkest internal and Which made me think a man a worm. My son LEAR: Rumble thy bellyful; spit, fire; spout, rain! LEAR: Nothing will come of nothing, speak again. (I, i) external perils a human can face: time; darkness; Came then into my mind, and yet my mind Nor rain, wind, thunder, fire, are my daughters. GL OUCESTER: The quality of nothing hath not such pain; penury; abandonment by friends, family and Wa s then scarce friends with him. I have heard I tax not you, you elements, with unkindness; need to hide itself. (I,ii) the gods; madness; and death. Lear’s own severed more since. I never gave you kingdom, called you children. FOOL: Can you make no use of nothing, nuncle? (I, iv) consciousness whiplashes from the cradle to the As flies to wanton boys, are we to th’gods; You owe me no subscription. Then let fall FOOL: I am a fool, thou art nothing. (I, iv) grave even as it careens from reason to insanity, They kill us for their sport. (IV, i) Your horrible pleasure. Here I stand your slave, encompassing the totality of human experience, as in A poor, infirm, weak, and despised old man (III, ii) Ultimately, Lear does gain the necessary insight to calm this speech: But perhaps the play’s most terrifying revelation is that his seething brain and understand himself as neither of the impermanence of one’s own sense of self. Regan He complains: “How sharper than a serpent’s tooth it “King” nor “Lear,” but both, and at the same time, LEAR: When we are born, we cry that we are come remarks of him that “he hath ever but slenderly known is To have a thankless child” (I, iv) But his daughters, nothing at all. To this great stage of fools. This’ a good block. himself.” Lear does know himself, but as King: ordained Regan and Goneril, are what Lear has modeled for It were a delicate stratagem to shoe and beloved of the gods, worshipped by his family, them; their sycophancy a product of his narcissism, Michael M. Chemers, PhD, MFA, is Dramaturgy Program Director A troop of horse with felt. I’ll put‘t in proof, idolized by his court. And yet, he feels the weight of his their violent abusiveness a reflection of his own. In at Carnegie Mellon University’s School of Drama.

19 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE0 2 ELIZABETHAN RULES OF ENGAGEMENT

One of Shakespeare’s most popular comedies, The Taming of the Shrew contains all the intrigues and charged banter ROYAL FAMILY DOCTORS of the “mismatched-marriage plot” that was so popular George III (1738 – 1820), King of the United Sir George Baker. President of the Royal College of Physi- among Elizabethans as to constitute a genre unto itself. Kingdom of Great Britain and Ireland. He was cians and personal physician to George III and served This play, however, appears to be directed at the absur- the third British monarch of the House of Hanover during his illness. dities of what was then known as “courtly love.” Count but, unlike his two predecessors, he was born in Baldassare Castiglione’s 1528 The Book of the Courtier Britain and spoke English as his first language. Dr. Richard Warren. Personal doctor to The Prince of Wales appeared in London in 1561, in an English translation Known for his court of stifling formality, George and a doctor attending George III. by Sir Thomas Hoby, and became all the rage for the III was most famous for his loss of the American Dr. Francis Willis. A former clergyman turned physician, Wil- haute couture set. The book became an indispensable Colonies. part of the education of any noble, or noble wanna-be, lis established an asylum in Lincolnshire. He was famous for in Europe. The Book of the Courtier lays out volumi- Queen Charlotte of Mecklenberg Strelitz. A Ger- his treatment of George III which included strict adherence nous guidelines for courtly behavior for both men and man princess who married King George III in to discipline. 1761 and Queen of the United Kingdom. women, and Shrew seems dead-set to poke holes in Sir Lucas Pepys was called into at- most of them. tendance on George III. As an ac- The Prince Of Wales. George IV was the eldest son of George III. George IV was famous for his knowledgment of his services he was Silly as they may have been to Shakespeare, the ideals of courtly love had a very appointed physician in ordinary to the real influence on European culture, and Katherine’s “taming” is ultimately an edu- over-spending, extravagant tastes and fixation on the throne. King, and later physician-general to cation in how to be courtly. Katherine must, at the very least, learn to “seem” courtly the army. while hiding her true opinions, as her belligerent husband does. The Duke Of York. Frederick, the second eldest child and second son of King George III. OTHER Lady Pembroke Elizabeth Her- TORIES - SUPPORT THE KING bert. The Countess of Pembroke ELIZABETHANS GONE WILD William Pitt The Younger. Succeeding his father and Montgomery was the Lady skimmington ride is a custom that dates back to Medieval times. It was a as Prime Minister, Pitt became the youngest of the Bedchamber to Queen Araucous and sometimes violent kind of parade involving a lot of noise and Prime Minister at the ripe age of 24. Pitt served Charlotte. She was greatly what was known as “rough music” — loud clanging of tools or cookware. The as Prime Minister for twenty years. admired by George III. ride was a form of public ridicule and punishment of men and women who Henry Dundas. Pitt’s confidant, Dundas was the were caught in some sort of incorrect behavior. Offenses might have included FIZROY and GREVILLE first Scottish Member of the Privy Council and are EQUERRIES: wifely adultery, cohabitation without the blessing of marriage — or henpeck- served as Home Secretary and War Secretary ing. Sometimes puppets or effigies represented the offenders — at other times, under the reign of King George III. An officer of the British royal they were forced to participate…and the “rides” could easily become riots. household in personal at- Edward Thurlow. The Lord Chancellor under tendance on the sovereign or he rough music of skimmingtons symbolized the disharmony of a house- George III, Thurlow was a political opportunist. a member of the royal family at Thold in which the woman dominated, either by her physical conduct (adul- one time charged with supervi- tery or husband-beating) or her verbal conduct (cursing or abusing her hus- WHIGS sion of the horses. band or other men). The music was made with everyday objects rather than instruments, and pots and pans were universally present. Through the use of Charles James Fox. A proprietor of big government and lover of extravagance, Fox was the FORTUM, PAPANDIEK, skimmingtons, men attempted to restore norms of sexual conduct and gender and BRAUN are PAGES: relations that were increasingly under attack. As one English poet put it: leader of opposition to Pitt for 22 years. Household servants to Ill fares the hapless family that shows Richard Brindsley Sheridan. A prolific playwright members of the royal family. (most notably School for Scandal), Sheridan A cock that’s silent, and a Hen that crows. was also a Member of Parliament and I know not which live more unnatural lives, confidant of Fox. Obedient husbaneds, or commanding wives. King George III costume rendering by Deirdre Clancy [M.C.] COSTUMES FOR KINGS, READY, SET, GO! LOVERS AND FOOLS An interview with Costume Designer Deirdre Clancy Set Designer Ralph Funicello on the Festival Stage

For this 75th Anniversary I met with Adrian both here and in England and we What are the design What was the most difficult season, we wanted the Shake- began by pushing around small pieces of cardboard and challenges in creating show to design? speare Festival set to be new wood on a scale model of the basic Festival stage. One costumes for all three and different. The previous set thing Adrian was very interested in from the start was to Shakespeare Festival plays? It doesn’t really work like had been in place for three allow the set to create a sense of excitement and anticipa- that. Once you’ve had years and so there was an tion when first viewed by the audience. The challenge was to create a the big idea, bought the opportunity to do something distinct aesthetic or visual style right paper, talked to the different. One difference we have taken in our approach this year for each play — most simply director and re-read is that the set is more neutral. Each play in the Festival will described as the point of view. the texts, you just get When Adrian Noble was use its own individual scenic elements. This approach will on with it — deadlines selected as the Artistic Director of the 2010 Shakespeare provide for greater variety from play to play, and enable The Madness of George III has a single focus. Most of tend to be looming. I’m Festival, it was appropriate for him to decide in which the set to be more adaptable in future seasons. the people are known historical characters, and quite fortunate in that I can direction to take the design of the stage. My first task was unusually these days, the costumes are what could be draw quite quickly! to get to know him and learn what kind of sets he prefers At its most basic, I have tried to create an interesting termed museum piece designs. They are more the to work on. How does he begin to envision the produc- space that can provide a variety of ways for the actors to production of a creative synthesis between the actor and As a technical tion of a play generally, and specifically the three plays of make their entrances on to the stage. his or her portrait. exercise, Lear was tricky the Festival? What kind of a space does he need to bring because of the dual period, these plays to life? King Lear and The Taming of the Shrew are also rooted which can be quite hard to in historical periods. There is just more than one time- control and make logical. Shrew, too, frame. Lear begins in the George lll period, only a for the same reason. It was exhausting A scale model of Ralph Funicello’s set design for the Shakespeare Festival. simpler, tougher version, stripped of — 80 drawings and counting — but it was a lot of fun. all decoration. As we leave the court, and to echo Lear’s disintegration/ Shrew has the added difficulty becuase half of the redemption, the costumes morph into characters are continually disguising themselves as each a more modern world — somewhere other, or someone else. It has far and away the most between World War I and Samuel references to clothes in all of Shakespeare — which is an Beckett. extremely good reason for at least nominally designing it in the correct period. Shrew has three points of reference: the early Jacobean Which costumes were the most challenging to design? period, the date of the play’s composition, 1610 or so, with The simple ones, which have to be both perfect and an ironic nod to a romantic completely self-effacing. Showing off with over-the-top Wild West and the extravagant wedding dresses is fairly easy. Creating something to fabrics of “Dynasty” and the serve both the text and the actor’s performance, that 1980s. an audience will possibly not even notice is much of a costume, is far harder. The Fool in Lear and the King’s “small-clothes” in George III fall into this category.

Fool and Katherine costume renderings by Deirdre Clancy.

23 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE4 2 Profiles

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY MICHAEL STEWART ALLEN (Duke of SHIRINE BABB (Ensemble, King Lear; A Wife, The Passion Of Ayn Rand, Earth: JUNE 12 King Lear 8pm Cornwall, King Lear; Tranio, The Taming of Widow, The Taming of the Shrew; Lady Final Conflict, Dead by Monday and 54. the Shrew; Fox, The Madness of George Pembroke, The Madness of George III) His writing credits include the musical 13 14 INSIGHTS 15 16 17 18 19 King Lear 8pm King Lear 7pm Shrew 8pm Shrew 8pm George III 8pm III) has been seen in several Off Broadway was recently seen in The Old Globe/ Evangeline, written with Anaya Farrell. productions including Starbuck in Moby USD Professional Actor Training Program 20 FATHER’S DAY 21 INSIGHTS 22 23 24 25 26 ANDREW DAHL (Oswald, Ensemble, King George III 8pm Shrew 7pm King Lear 8pm King Lear 8pm King Lear 8pm Dick Rehearsed, Caliban in The Tempest, productions of The Country Wife and The Speed in The Two Gentlemen of Verona Two Gentlemen of Verona. Her London Lear; Servant Lad, The Taming of the Shrew; 27 28 INSIGHTS 29 30 JULY 1 2 3 Prince of Wales, The Madness of George Shrew 8pm George III 7pm Shrew 8pm Shrew 8pm George III 8pm George III 8pm George III 8pm and Orlando in Love Shakespeare (The credits include Widows and her New Acting Company) and the title role in Don York credits include A Midsummer Night’s III) previously appeared at The Old Globe 4 INDEPENDENCE 5 6 7 8 9 10 in Six Degrees of Separation, Cyrano De DAY King Lear 8pm Shrew 8pm Shrew 8pm George III 8pm King Lear 8pm Carlos (Prospect Theatre Company). Dream (Pulse Ensemble Theatre), Trickle His recent credits include Hamlet (Ensemble Studio Theatre), Single Black Bergerac, Twelfth Night and Coriolanus. 11 12 13 14 15 16 17 He recently appeared in The Old Globe/ Shrew 8pm George III 8pm King Lear 8pm George III 8pm King Lear 8pm Shrew 8pm (Shakespeare Theater of New Jersey), A Female (The Duke on 42nd St), Aliens With Tale of Two Cities (People’s Light & Theatre Extraordinary Skills (Women’s Project), A USD Professional Actor Training Program 18 19 20 21 22 23 24 Company), King Lear, Much Ado About Role Once Played (29th Repertory Theatre, productions of The Country Wife, The King Lear 8pm Shrew 8pm George III 8pm King Lear 8pm Shrew 8pm King Lear 8pm Nothing (North Carolina Shakespeare 2004 AUDELCO Nominee) and American Two Gentlemen of Verona as well as A Midsummer Night’s Dream and The Water 25 26 27 28 29 30 31 Festival), Doubt (The Hippodrome State Girls Revue (American Girl Place). Ms. Shrew 8pm Shrew 8pm George III 8pm King Lear 8pm King Lear 8pm Theater), The Tempest (Folger Theatre in Babb’s regional credits include Twelfth Engine. Mr. Dahl’s New York credits include Washington, DC), Of Mice and Men and Night, Measure for Measure, Antony & The Winter’s Tale, A Flea in Her Ear and AUGUST 1 2 3 4 5 6 TGIF 7 The Twelfth Labor. His other credits George III 8pm King Lear 8pm Shrew 8pm George III 8pm Shrew 8pm Shrew 8pm The Grapes of Wrath (Arkansas Repertory Cleopatra, She Stoops to Conquer, A Theater). He has performed at theatres Christmas Carol, Omnium Gatherum, Play include If This is a Man in Moscow, The 8 9 10 11 12 OUT 13 TGIF 14 Complete Works of William Shakespeare King Lear 8pm King Lear 8pm King Lear 8pm Shrew 8pm George III 8pm Shrew 8pm all over the country, including Arkansas To Win: The Jackie Robinson Story, Almost Repertory Theatre, The Pennsylvania Heaven: The John Denver Story and Bessie: (abridged), The Comedy of Errors, As You Like It, Dear Brutus, A View from the Bridge, 15 16 17 18 19 20 21 Shakespeare Festival, The North Carolina Life & Music of Bessie Smith. Her television King Lear 8pm Shrew 8pm George III 8pm King Lear 8pm Shrew 8pm George III 8pm Shakespeare Festival, PlayMakers and film credits include “All My Children” Time Remembered and Boy Gets Girl Repertory Company, Contemporary and Picture Perfect. Her commercial work (Dartmouth College). Mr. Dahl holds a BA in 22 23 24 25 26 27 28 American Theater Festival, 12 Miles West includes WE Network, Optimum Light Path Theater from Dartmouth College. Shrew 8pm George III 8pm King Lear 8pm George III 8pm Shrew 8pm King Lear 8pm Theater Company, and he has spent 11 and Fair Housing Act. Ms. Babb holds an seasons as a company member at The MA from East 15 Acting School, UK and GRAYSON DEJESUS (Ensemble, King 29 30 31 SEPTEMBER 1 2 3 4 Shakespeare Theater of New Jersey. His BFA from SUNY Fredonia. Lear; Servant Lad, The Taming of the King Lear 8pm George III 8pm Shrew 8pm Shrew 8pm King Lear 8pm George III 8pm film and television credits include “Law Shrew; Ramsden, The Madness of George SHAKESPEARE CALENDAR FESTIVAL III) was last seen in The Old Globe/USD 5 6 LABOR DAY 7 8 9 10 11 & Order: SVU” and voice work on Cold DONALD CARRIER (Duke of Albany, King Lear 8pm George III 7pm King Lear 7pm Shrew 8pm Shrew 8pm King Lear 8pm Mountain. He is a member of AEA and King Lear; Hortensio, The Taming of the Professional Actor Training Program productions of The Country Wife and The 12 13 14 15 16 17 18 SAG. Shrew; Sheridan, The Madness of George George III 7pm King Lear 7pm Shrew 7pm George III 8pm King Lear 8pm Shrew 8pm III) is making his Old Globe debut with the Two Gentleman of Verona. His regional credits include Romeo and Juliet, All’s 19 20 21 22 23 24 25 MILES ANDERSON (King George, The 2010 Shakespeare Festival. His regional 2010 Shrew 7pm Shrew 7pm George III 7pm King Lear 8pm George III 8pm Shrew 8pm Madness of George III) has been acting credits include Joseph Surface in The Well That Ends Well and The Antiquarian’s for stage and screen for many years. School For Scandal (Chicago Shakespeare Family (Shakespeare Santa Cruz). His 26 national tours include Winnemucca, Shrew 8pm The Madness of George III reunites Mr. Theater), Ferdinand in The Duchess of Anderson with Adrian Noble after their Malfi (Shakespeare Theatre Company, Three Days In The Belly (San Jose Stage work at the Royal Shakespeare Company, Helen Hayes Award nomination), Frederick Company, Fringe NYC, Minnesota Fringe Post-Show Forums: Discuss the play with members of the cast following the performance. including Macbeth and The Comedy of in Noises Off and Francis in Lincolnesque Festival) and West Coast credits include Shakespeare in the Garden: Free presentations. (see below) Errors. Other appearances include the (Cleveland PlayHouse), Ian in Shining City FILM (Theater of Note), New Playwrights INSIGHTS Insight Seminars: A free seminar series featuring a panel selected from the artistic company of the current show. Reception at 6:30 p.m.; Olivier-nominated Sigismund in Life’s a (The Studio Theatre), Malvolio in Twelfth Project (TheatreWorks). His New York Seminar at 7:00 p.m. Dream, Twelfth Night and Volpone and the Night (Notre Dame Shakespeare Festival) credits include Here I Go Boys, A Diner A OUT OUT at the Globe: A pre-show event for gay and lesbian theatre lovers and friends with food and cocktails. $20/person. (Show sold separately.)

LEGEND Shiner and New Beulah (Shelby Company). TGIF Thank Globe It’s Friday: A Friday pre-show bash with food, wine and live music. $20/person. (Show sold separately.) receipt of three British Theatre Awards. and Oscar Wilde in Gross Indecency His West End appearances include The (Huntington Theatre Company). Other Mr. DeJesus received his BA in Theatre Weir, Oliver! and The Rehearsal. His theatres include Maltz Jupiter Theatre, from Occidental College. film work includesCry Freedom! and Wilma Theater, Intiman Theatre and The Shepherd. Mr. Anderson’s television TheatreWorks. He spent nine seasons BEN DISKANT (King of France, Ensemble, appearances include “Criminal Minds” at the Stratford Shakespeare Festival King Lear; Servant Lad, The Taming of the SHAKESPEARE IN THE GARDEN and UK credits including Dempsey in appearing in As You Like It (Orlando), The Shrew; Greville, The Madness of George III) ITV’s “Ultimate Force”, Roger O’Neill in School for Scandal (Charles Surface), most recently appeared in The Old Globe/ Shakespeare in the Garden is a series of informal presentations of ideas and insights BBC’s award-winning "House of Cards" A Midsummer Night’s Dream (Peter USD Professional Actor Training Program that enhance the theatre-going experience. The seminars feature members of the and Dan Fortune in the hit series “Soldier, Quince), The Importance of Being Earnest productions of The Country Wife and The Soldier.” His work with directors, including (John Worthing), Coriolanus (Sicinius), Two Gentlemen of Verona. His regional Shakespeare Festival creative team and take place in the Craig Noel Garden. credits include Speech and Debate Presentations begin at 7:00 p.m. Admission is free and reservations are not required. Richard Attenborough, Trevor Nunn, Max The Merchant of Venice (Bassanio) and Stafford-Clark, and Sam Mendes, has Measure for Measure (Lucio). He also (TheaterWorks Hartford), The History Boys (The Studio Theatre), Anything KING LEAR established Mr. Anderson internationally as spent two seasons at the Shaw Festival. Mr. July 19, Aug. 10 & 25, Sept. 17 an actor of immense versatility, notability Carrier most recently assistant directed Goes (Williamstown Theatre Festival) and Freedom Train (Theaterworks/USA). THE TAMING OF THE SHREW July 8, Aug. 4 & 14, Sept. 9 and popularity. Mr. Anderson lives in Los Cyrano de Bergerac at the Stratford Angeles. Shakespeare Festival and performed in Mr. Diskant holds a Bachelor’s of Music THE MADNESS OF GEORGE III July 13, Aug. 18, Sept. 4 & 24 Tom Stoppard’s Rock 'n' Roll. His television and a BA in Sociology from Northwestern and film credits includeThe Time Traveler’s University.

25 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE6 2 Profiles

CRAIG DUDLEY (Doctor, Ensemble, King television credits include “One Life to Live” Years Later (La Jolla Playhouse), The in 20 Old Globe productions including About Nothing and The Merry Wives of Nothing, Twelfth Night, Henry V and Lear; A Tailor, Vincentio, The Taming of the and “Guiding Light.” Mr. Durso holds a BFA Taming of the Shrew and Othello (Virginia Pericles and the Summer Festivals of 1985 Windsor (Chicago Shakespeare Theater), Hamlet (Commonwealth Shakespeare Shrew; Dundas, The Madness of George from NYU’s Tisch School of the Arts. Shakespeare Festival) and Proof. Her other and 2004-2009. He was seen on Broadway As You Like It (Writers’ Theatre), Twilight Company). Mr. Roberts’ international III) has appeared in several shows in New credits include Julius Caesar, Richard III, in Amadeus (’99-2000 revival) and has been of the Golds (Apple Tree Theatre), A credits include Wozzeck (Toronto), York including Macbeth and Othello ROBERT FOXWORTH (King Lear, King Memory of Water, Simpatico, Camino Real a leading company member and returning Christmas Carol (Provision Theater), The Villeggiatura Trilogy and The Spiritualists (Roundabout Theatre Company), The Lear; Dr. Willis, The Madness of George III) and many new works in New York, Boston artist of both Minneapolis’ Guthrie Theater Laramie Project: Ten Years Later (La Jolla (Russia and Europe) and medeamaterial, Miser (Bank Street Theatre), New York is an Associate Artist of The Old Globe and and at the Edinburgh Fringe Festival. Ms. and Washington, DC’s Arena Stage. Mr. Playhouse), Richard III, Mary Stuart, A hamletmachine, States of Shock, Songs to Fringe Festival, War and Peace (Symphony has appeared in Cornelia, Julius Caesar, Gowl holds a BA in History and Literature Janasz’s other credits include Ahmanson Christmas Carol and Napoli Milionaria the Judges, King Lear and Alicef**k (New Space), Ursula’s Permanent (Kraine Private Lives, Below the Belt and Antony from Harvard. Theatre, New York Shakespeare Festival, (Milwaukee Repertory Theater), The Zealand). He has appeared in several Theatre), Misalliance (Equity Library and Cleopatra. He was most recently seen Playwrights Horizons, Williamstown Romeo and Juliet Story (Notre Dame television shows including “Flight of the Theatre) and The Seagull (Guest Artist/ on Broadway in the Tony Award-winning KEVIN HOFFMANN (Ensemble, King Theatre Festival, Geffen Playhouse, Seattle Summer Shakespeare), Twelfth Night and Conchords,” “Lie to Me,” “Medium,” Columbia University). His regional credits production of August: Osage County. He Lear; Servant Lad, The Taming of the Repertory Theatre, La Jolla Playhouse, The Tempest (Riverside Theatre) and Two “Without A Trace,” “CSI: NY,” “NCIS,” include Richard II and the North American has also recently starred as Claudius in Shrew; Duke of York, The Madness of CENTERSTAGE, Empty Space Theatre, Rooms (In Tandem Theatre). “Numb3rs,” “The Unit,” “Brotherhood,” Premiere of The Woman (Stratford Hamlet (South Coast Repertory, directed George III) recently appeared at The Old Huntington Theatre Company, Walker Art “Love Monkey,” “Shark,” “Law & Order,” Shakespeare Festival of Canada), Hamlet by Daniel Sullivan) and on Broadway in the Globe in Whisper House (Lt. Rando) as Center and Loring Playhouse. He has also JORDAN MCARTHUR (Ensemble, King “Law & Order: Criminal Intent,” “Jericho,” (Coconut Grove Playhouse), A Tale of award-winning production of Twelve Angry well as Twelfth Night (Sebastian), Cyrano done television and radio. He trained at The Lear; Biondello, The Taming of the Shrew; “As the World Turns,” “Xena,” “Hercules,” Two Cities (Repertory Theatre Of St. Men (Roundabout Theatre Company). In de Bergerac (Musketeer), Coriolanus University of Washington and The Juilliard Papandiek, The Madness of George III) “Kukli,” “Shortland Street,” “A Bit of a Louis), The French Lieutenant’s Woman the 2001/2002 season he played Robert (Senator) and Six Degrees of Separation School. Mr. Janasz is a proud member of previously appeared in Six Degrees of Hoot” and “In Search of the Kiwi Male.” Mr. (Fulton Opera House), An Inspector Calls in the national Broadway tour of Proof. (Ben). He also played Speed in The Two Actors’ Equity since 1980. Separation, Cyrano de Bergerac, Twelfth Roberts’ film credits includeThe Elephant (Florida Studio Theatre), The Hasty Heart Mr. Foxworth made his Broadway debut Gentlemen of Verona with The Old Globe/ Night and Coriolanus at The Old Globe. King, Downstream, Footsteps and BTK. He (Kennedy Center), Mary Stuart (Ahmanson in The American Shakespeare Festival’s USD Professional Actor Training Program JOSEPH MARCELL (Earl of Kent, King His other credits include The Country received his MFA from Harvard University/ Theatre), Cyrano de Bergerac (American production of Henry V. He won the where he was also seen in The Country Lear; Gremio, The Taming of the Shrew; Wife, The Two Gentlemen of Verona and Moscow Arts Theatre School. Stage Festival), Racing Demon (Merrimack Theatre World Award for his portrayal Wife, A Midsummer Night’s Dream and Sir George Baker, The Madness of George A Midsummer Night’s Dream (The Old Theatre), Amadeus (Wayside Theatre), of John Proctor in The Crucible (Lincoln The Greeks: The Murders. Regionally, Mr. III) has worked extensively in both the UK Globe/USD Professional Actor Training AUBREY SAVERINO (Regan, King Lear; Dial M For Murder (Long Island Stage), Center Theater). His television series Hoffmann has performed inAntony and and the US. Of the 200 productions that Program), What the Butler Saw, Romeo and A Maid, The Madness of George III) has The Mystery of Irma Vep (Mill Mountain include “Storefront Lawyers,” “Falcon Cleopatra and The Merry Wives of Windsor he has been involved in, he has worked Juliet and Macbeth (Virginia Shakespeare been seen in The Old Globe’s productions Theatre), Crown of Kings (Byrdcliffe Crest” and “Late Line” with Al Franken. (The Theater at Monmouth), as well as with many premier theatre companies. In Festival), Of Mice and Men, Arcadia and of Twelfth Night as Maria and Coriolanus. Theatre Festival), Miracle (White Barn He has guest starred on countless series Proof (Barksdale Theatre). His TV credits the UK, he has performed with the Royal The Scarlet Letter. Mr. McArthur holds a She also appeared in The Two Gentlemen Theatre), Noises Off (New Harmony episodes over the years, the most recent include “As the World Turns” and “All My Shakespeare Company, Royal National BA in Acting from Christopher Newport of Verona as Julia, as well as The Country Theatre, Boston Herald Repertory being a two-year stint on “Six Feet Under” Children.” His many commercials include Theatre, Royal Court and Shakespeare’s University in Virginia. Wife, The Greeks: The Murders and A Company) and Twelfth Night (Tri-state and episodes of “Law & Order,” “Law Sony, Callaway Golf, and Fidelity Financial. Globe where he has been on the Artistic www.jordanmcarthur.com Midsummer Night’s Dream (The Old Actor’s Theatre). Mr. Dudley has appeared & Order: SVU” and “Gilmore Girls.” His Mr. Hoffmann holds a BFA in Acting from Directorate & Council for 25 years. In the Globe/USD Professional Actor Training in several stock productions of Camelot stage work has included Cyrano (Great Elon University. www.kevinhoffmann.com US, he has worked on Broadway, Kennedy BROOKE NOVAK (Ensemble, King Lear; Program). Her other credits include Viola playing King Arthur. His television credits Lakes Theatre Festival), Iago in Macbeth Center, Arena Stage, Folger Shakespeare Margaret Nicholson, The Madness of in Twelfth Night and Lady Percy in Henry IV include “Love Is a Many Splendored Thing,” (Guthrie Theater), George in Who’s Afraid ANDREW HUTCHESON (Ensemble, Theatre, Lincoln Center Theater, George III) has appeared at The Old Globe Part I & II (The Independent Shakespeare “One Life to Live,” “Gimme a Break” and of Virginia Woolf? (Hartford Stage), Galileo King Lear; Servant Lad, The Taming of the Shakespeare Theatre Company, Hudson in Coriolanus and Cyrano de Bergerac. She Company), Desdemona in Othello, Juliet “Exiled.” He co-produced a theatrical (CENTERSTAGE), Uncle Vanya (Geffen Shrew; Fortnum, The Madness of George Theater and Shakespeare & Company. has also appeared in several productions in Romeo and Juliet (El Portal Theatre), An documentary about Sir Derek Jacobi, Playhouse). On Broadway, he was Count III) was last seen in The Old Globe/USD He has also performed in Africa and on with The Old Globe/USD Professional Impending Rupture of the Belly (Furious was mentored for over 20 years by Philip Shebyelski in Ivanov (Lincoln Center Professional Actor Training Program a British Council Tour of India with the Actor Training Program including The Theatre Company), Climbing Everest Burton, father to Richard Burton, received Theater), starred with Jane Alexander productions of The Country Wife and The director John Dexter. His film and television Country Wife, The Two Gentleman of (The Colony Theater), Wit and Nicholas a scholarship to the American Theatre in Honour (Belasco Theater) and played Two Gentleman of Verona. His New York work includes Cry Freedom, Sioux City, Verona, A Midsummer Night’s Dream and Nickleby (The Production Company), Wing and graduated from the American Colonel Parker in Judgment at Nuremberg credits include Elizabeth Rex, Kosher Harry, Rough Crossings, Fever, “The Bold and The Greeks: The Murders. Ms. Novak’s Inventing Van Gogh, The Imaginary Academy of Dramatic Arts. (Longacre Theater). Mr. Foxworth was seen Richard III (Nicu’s Spoon Theater), Romeo the Beautiful,” “Sesame Street,” ”Jericho,” regional credits include The Antiquarian’s Cuckhold and Creep (The Chance Theater) in Syriana and is the voice of Ratchet in and Juliet (Staten Island Shakespeare) “Rumpole of the Bailey,” “A Touch of Frost,” Family and All’s Well That Ends Well Ms. Saverino holds a BA in Theater from CHRISTIAN DURSO (Duke of Burgundy, Transformers I and II. and Titus Andronicus (Rising Phoenix). “Holby City,” “EastEnders,” “Brothers and (Shakespeare Santa Cruz). Her other Occidental College, has studied abroad at Ensemble, King Lear; Servant Lad, The National Tours include Julius Caesar and A Sisters,” “Empire Road” and “The Fresh credits include Macbeth, As You Like It, The London Dramatic Academy and is a Taming of the Shrew; Braun, The Madness CATHERINE GOWL (Cordelia, King Midsummer Night’s Dream (Shakespeare Prince Of Bel-Air.” Sexual Perversity in Chicago, Little Eyolf native San Diegan. of George III) was last seen in The Old Lear; A Maid, The Madness of George Theatre of New Jersey) and Beauty and and Trip to Bountiful. She received her BA www.aubreysaverino.com Globe/USD Professional Actor Training III) has been seen at The Old Globe in the Beast (American Family Theatre). His STEVEN MARZOLF (Curan, Herald, in Theater from Occidental College. Program productions of The Country Wife The Women, Six Degrees of Separation, regional credits include The Taming of Ensemble, King Lear; A Haberdasher, RYMAN SNEED (Ensemble, King Lear; A and The Two Gentleman of Verona. His Coriolanus, Cyrano de Bergerac and the Shrew, Much Ado about Nothing, The Servant Lad, The Taming of the Shrew; JONNO ROBERTS (Edmund, King Lear; Maid, The Madness of George III) was re- New York credits include Nocturne (Under Twelfth Night. She recently appeared in Crucible, A Lion in Winter, As You Like It Captain Fitzroy, The Madness of George Petruchio, The Taming of the Shrew) was cently seen in The Old Globe/USD Profes- St. Marks), Cinephilia (Theatre Row), Spring The Old Globe/USD Professional Actor and Jungalbook (Austin Theatre) as well as III) has been seen in several productions seen on Broadway in Take Me Out and sional Actor Training Program productions Awakening (Blue Heron Arts Theatre), Training Program productions of The Julius Caesar, Twelfth Night, 1776, Tartuffe, at The Old Globe including Six Degrees of Off Broadway inBug, Monster and Uncle of The Country Wife and The Two Gentle- A Midsummer Night’s Dream (Ensemble Country Wife and The Two Gentlemen of Romeo and Juliet and Love’s Labour’s Separation, Cyrano de Bergerac, Twelfth Vanya. His regional credits include King men of Verona. Ms. Sneed’s Off Broadway Studio Theatre), Julius Caesar (Theatre Verona as well as A Midsummer Night’s Lost (Texas Shakespeare Festival). Mr. Night and Coriolanus. He also appeared in Lear (Shakespeare Theatre Company and credits include None of the Above (The Lion For A New City), Shoe Polish (13th Street Dream and The Water Engine. Her New Hutcheson received his BA in Acting from The Country Wife, A Midsummer Night’s Goodman Theatre), Mother Courage, Theater, Theater Row). Her New York cred- Repertory Company) and Crazy Gary’s York credits include ‘Twas, The Director, The University of Texas at Austin. Dream and The Greeks: The Murders Richard II and Antigone (American its include The Tempest, Seven Short and Mobile Disco (The Tank). Mr. Durso’s Oh, The Humanity and Other Exclamations (The Old Globe/USD Professional Actor Repertory Theater), Betty’s Summer Very Short Plays by Jean-Claude Van Itallie, regional credits include Macbeth and A (The Flea Theater), Hamlet, The Great CHARLES JANASZ (Earl of Gloucester, Training Program). His regional credits Vacation (Huntington Theatre Company), Pied a Terre and The Crucible. She recently Midsummer Night’s Dream (Shakespeare God Brown, Don Juan, A Piece of My Heart King Lear; A Pedant, Curtis, The Taming of include Fair Use and August: Osage County The Taming of the Shrew (Dallas Theater appeared in the “Buzzed” PSA on the Starz Santa Cruz), Macbeth (RADA) and and Clash By Night. Ms. Gowl’s regional the Shrew; Thurlow, Madness of George III) (Steppenwolf Theatre Company), The Center), A Streetcar Named Desire Movie Network. Ms. Sneed holds a BFA in Minnesota Moon (Boulder Fringe). His credits include The Laramie Project: Ten is an Associate Artist and has been seen Comedy of Errors, Hamlet, Much Ado (Intiman Theatre), Much Ado About Acting from Marymount Manhattan College.

27 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE8 2 Profiles

ADRIAN SPARKS (Old Man, Ensemble, and television credits include The Lucky Pitt, The Madness of George III) has been Measure for Measure, King Lear, Antony White Rose, Hamlet, Our Town, Driving Germany, Australia and Japan and the King Lear; Baptista Minola, The Taming of Ones, “Southland,” “The Odds,” “NCIS,” seen Off Broadway inFrank’s Home at and Cleopatra, The Winter’s Tale, Henry Miss Daisy and Measure for Measure. complete works of Beckett for the Gate the Shrew; Sir Lucas Pepys, Sir Boothby “Medium,” “Flight of the Conchords,” Playwrights Horizons and Rose Rage at V with Kenneth Branaugh, As You Like It, Elsewhere, Mr. Funicello has designed Theatre in Dublin, New York and London. Skrymshir, The Madness of George III) “Journeyman,” “Jericho” and “Guiding The Duke on 42nd St. His other credits Macbeth, Kiss Me Kate, The Art of Success, scenery on and off Broadway and for many At the 1992 World’s Fair in Seville he was has played leading roles in a wide variety Light.” She received her MFA from NYU include Awake and Sing (Northlight The Plantagenets and The Master Builder. theatres across the country, including part of the design team for the Spanish of theatre classics at such theatres as Tisch School of the Arts. Theatre, directed by Amy Morton), Shining Mr. Noble’s opera credits include Macbeth Lincoln Center Theater, Manhattan Pavilion project and later created the Guthrie Theater in Minneapolis, Seattle City (Huntington Theatre Company), at the Metropolitan Opera, New York, Theatre Club, American Conservatory lighting for the US tour of Duran Duran. Mr. Repertory Theatre, The Old Globe, Long BRUCE TURK (Fool, King Lear; Grumio, Tamburlaine and Edward II (Shakespeare Carmen in Paris and Mozart/ Da Ponts Theatre, A Contemporary Theatre, Mark Burrett is Professor of Design at UCSD. Wharf Theatre, Stage West Theatre, The Taming of the Shrew; Dr. Richard Theatre Company), Shining City and Trioligy in Lyon. His film ofA Midsummer Taper Forum, Arizona Theatre Company, CENTERSTAGE, Indiana Repertory Warren, The Madness of George III) has Frank’s Home (Goodman Theatre), Night’s Dream was released in 1995, and Seattle Repertory Theatre, Berkeley CHRISTOPHER R. WALKER (Sound Theatre, Laguna Playhouse and Cincinnati performed at The Old Globe in produc- Mother Courage and David Copperfield his book, How to do Shakespeare, was Repertory Theatre, Milwaukee Repertory Design; Original Music, The Taming of Playhouse in the Park. His extensive tions of Twelfth Night, Cyrano De Bergerac, (Steppenwolf Theatre Company), The published in 2010. Theatre, Denver Center Theatre Company, the Shrew and The Madness of George Shakespearean credits include acting All’s Well That Ends Well, The Merry Wives Merchant of Venice, All’s Well That The Shakespeare Theatre, Guthrie III) has designed numerous productions or directing assignments in Romeo and of Windsor, Hamlet, Measure for Measure, Ends Well, A Midsummer Night’s Dream, RON DANIELS (Director) was a founding Theatre, South Coast Repertory, Oregon for the Globe including the 2004 - 2009 Juliet, A Midsummer’s Night Dream, The Winter’s Tale (Craig Noel Award), The Measure for Measure, Julius Caesar, Love’s member of the Teatro Oficina, in São Shakespeare Festival, Williamstown Summer Shakespeare Festivals, Don Macbeth, Troilus and Cressida, Love’s Comedy of Errors, Macbeth, Antony and Labour’s Lost and The Tempest (Chicago Paulo. He is a former Artistic Director of Theatre Festival, Huntington Theatre Juan, The Trojan Women, The Woman in Labour’s Lost, Much Ado About Nothing, Cleopatra, As You Like It and Don Juan. His Shakespeare Theater) and Henry IV (Royal the RSC’s experimental theatre The Other Company, Intiman Theatre, Stratford Black, Twelfth Night and The Taming of King Lear, Othello, The Two Gentlemen of Broadway credits include the title role in Shakespeare Company). Mr. Whittaker’s Place at Stratford-upon-Avon, England. Festival in Ontario, The Royal Shakespeare the Shrew. Mr. Walker’s regional credits Verona, Twelfth Night, Julius Caesar, The The Green Bird and Juan Darien (Lincoln film and television credits include After 15 years with the company, directing Company, New York City Opera, LA Opera include over 30 productions with American Tempest, As You Like It, The Merry Wives Center Theater). His Off Broadway credits Dustclouds, Let’s Go To Prison, Death of many Shakespeare plays, including two and San Diego Opera. He currently holds Repertory Theatre, Dante’s Inferno of Windsor, Richard II, Henry IV (Parts I and include Pericles (Brooklyn Academy of a President, “Prison Break” and “Early productions of Hamlet (one with Roger the position of Powell Chair in Set Design (Huntington Theatre), Having Our Say II), Henry V, Henry VI (Parts I, II and III) and Music), King John, Titus Andronicus and Edition.” Rees and the second with Mark Rylance, at SDSU. (Trinity Repertory Company), Shlemiel the Richard III. His 2009 portrayal of Sharky The Green Bird. Mr. Turk’s regional credits the “pajama Hamlet”) as well as works by First (Geffen Playhouse),The Beard of Avon in The Seafarer for Ensemble Theatre include seasons at The Denver Center for ALAN BENNETT (Playwright) has been contemporary British writers. Mr. Daniels DEIRDRE CLANCY (Costume Design) and Romeo and Juliet (Seattle Repertory of Cincinnati led to Best Actor Awards the Performing Arts, Cincinnati Playhouse, one of England’s leading dramatists since was appointed an Honorary Associate has designed 18 productions at The Royal Theatre), In Real Life (Mark Taper Forum), from both the Acclaim and Cincinnati Goodman Theatre, The Shakespeare the success of Beyond the Fringe in the Director of the Royal Shakespeare National Theatre, including the inaugural Art (Alley Theatre), Don Juan (McCarter Entertainment Awards. In 2005, Mr. Sparks Theatre of New Jersey and Shakespeare 1960s. His work includes the “Talking Company. He is a former Associate Artistic production of the present building in Theatre Center), Triumph of Love (Long was honored by the highly respected Santa Cruz as well as productions at the Heads” television series, and the stage Director of the American Repertory the presence of HM Queen Elizabeth. Wharf Theatre), Ain’t Nothin’ But the Blues Ovation Awards Committee with a Best Shakespeare Theatre in DC, McCarter plays Forty Years On, The Lady in the Van Theatre and is now a freelance director. Among Ms. Clancy’s many successes are (Arizona Theatre Company) and When Actor nomination for his portrayal of Ernest Theatre Center, Seattle Repertory Theatre, and Question of Attribution. The History He has worked in many theatres and costumes for Kiri Te Kanawa in Cosí Fan Grace Comes In (La Jolla Playhouse). Hemingway in the one man show Papa La Jolla Playhouse, Prince Music Theatre Boys won six Tony Awards, including best opera houses across the US, in Japan and Tutte at the Metropolitan Opera New His other credits include The Woman in by Pulitzer Prize-winning author John and many others. His television and film play, in 2006 and was made into a major in Brazil, where he staged King Lear in his York, Ian McKellen in Wild Honey at the Black (Minetta Lane Theatre), In Real Life deGroot. He has since performed this credits include “Numb3rs,” “ER,” “Law & motion picture. In the same year, his own translation into Portuguese. Last year National Theatre and Glenda Jackson in (Manhattan Theatre Club), Dante’s Inferno solo show at numerous venues across the Order: SVU,” “Third Watch” and Garmento. memoir, Untold Stories, was a number-one he directed the hip hop musical Kingdom, Strange Interlude in the West End and on (92nd Street Y), A Midsummer Night’s United States, and across the world with Mr. Turk has also been a resident company bestseller in the United Kingdom. which was performed at the Lincoln High Broadway. She won a BAFTA Best Film Dream (Commonwealth Shakespeare an extended tour of major theatres and member of Tadashi Suzuki’s Acting Compa- School Center for the Arts and at The Old Costume Award for Mrs. Brown featuring Company of Boston) and Long Day’s universities throughout Turkey. ny in Tokyo, Mito and Togamura, Japan. He ADRIAN NOBLE (Director) led the Royal Globe. His upcoming projects include Il Dame Judi Dench and Billy Connolly and Journey into Night (Stamford Center is a graduate of Northwestern University. Shakespeare Company (RSC) as Artistic Postino for the LA Opera, which opens in an Olivier Award for her work on Love’s for the Arts). Mr. Walker was also sound EMILY SWALLOW (Goneril, King Lear; Director and Chief Executive from 1990- Los Angeles in September starring Plácido Labour’s Lost. She returned to the RSC designer for productions in Singapore, Katherine, The Taming of the Shrew; BREE WELCH (Ensemble, King Lear; 2003 where he produced nearly 300 Domingo. The production will then be seen with costume designs for All’s Well That Moscow and Taiwan. He is currently Queen Charlotte, The Madness of George Bianca, The Taming of the Shrew; A Maid, productions. Mr. Noble’s most recent in Paris and Vienna. His first feature film Ends Well with Dame Judi Dench, for which Resident Sound Designer at the Seattle III) appeared on Broadway as Charlie The Madness of George III) most recently theatre productions include Hamlet for The War Boys is being distributed by Maya she received another Olivier nomination, Children’s Theatre, and prior to that served and Marie LaSalle in High Fidelity. Her appeared in The Old Globe/USD Profes- the Stratford Festival of Canada, Hedda Entertainment. and a new production of Romeo and Juliet as Resident Sound Designer at American Off Broadway credits include Connie in sional Actor Training Program productions Gabler, Kean, Summer and Smoke and directed by Peter Gill. In 2009 Ms. Clancy Repertory Theatre for seven years. He John Patrick Shanley and Henry Krieger’s of The Country Wife and The Two Gentle- A Woman Of No Importance, The Home RALPH FUNICELLO (Scenic Design) completed the trilogy of Mozart Operas also spent four years as Sound Engineer/ Romantic Poetry (Manhattan Theatre men of Verona. Her regional credits include Place by Brian Friel at the Gate Theatre is an Associate Artist of The Old Globe for Opera Lyon directed by Adrian Noble Resident Designer at Intiman Theatre in Club), Delilah in The Black Eyed (New The Tempest, Hamlet, Titus Andronicus, and the West End, Brand by Ibsen starring and has designed Summer Shakespeare with costumes for Cosí Fan Tutte, Marriage Seattle. York Theatre Workshop), Hermione in Love’s Labor’s Lost, Romeo and Juliet, Julius Ralph Fiennes, Pericles at The Roundhouse Festivals 2004-2009, Lost in Yonkers, of Figaro and Don Giovanni. Ms. Clancy Measure for Pleasure (The Public Theatre/ Caesar, Cymbeline, As You Like It, Measure and Stratford and Chitty Chitty Bang Bang Restoration Comedy, The Constant has written and illustrated Costume Since SHAUN DAVEY (Original Music, King Lear) NYSF), She in Like Love (NY Musical for Measure, The Taming of the Shrew at The London Palladium starring Michael Wife, The Lady with All the Answers, World War Two. is one of Ireland’s leading professional Theatre Festival), Henrietta in Orange (Houston Shakespeare Festival), The Rab- Ball. In 1980 he joined the RSC as Assistant Julius Caesar, Pericles, The Taming of the composers. In recent years he has Lemon Egg Canary (P.S. 122), Regan in bit Hole (Stages Repertory Theatre), An- Director, becoming an Associate Director Shrew, The Trojan Women, Henry V, The ALAN BURRETT (Lighting Design) recently composed and produced scores for the the workshop of King Lear starring Kevin tigone (Classical Theatre Company), One almost immediately. His first production Merry Wives of Windsor, The Hostage, designed The Savannah Disputation at BBC TV series “Ballykissangel” (BAFTA Kline (The Public Theater/NYSF) and the Flea Spare (Mildred’s Umbrella), Enchanted for the RSC was Ostrovsky’s The Forest Paramour, Romeo and Juliet, Othello, The Old Globe. Mr. Burrett’s work has – nominated), won an Ivor Novello award Ensemble in Much Ado About Nothing April, The Odd Couple and The Heiress which transferred first to the Warehouse The Comedy of Errors, Pride’s Crossing, been seen in over 30 countries. His theatre for the music for “The Hanging Gale,” (The Public Theater/NYSF). Ms. Swallow’s (Unity Theatre), Snow White and the Wolf and then to the Aldwych and was named Macbeth, American Buffalo, Private Lives, work has included 15 productions for the composed and produced music for feature regional credits include Viva in Pop! (Yale and the Foolish Little Kids (Children’s Best Revival in the 1981 Drama Awards. In The Gate of Heaven, Mister Roberts, Henry Royal Shakespeare Company as well as at filmsThe Tailor of Panama, Waking Ned, Repertory Theatre), Titania/Hippolyta Theatre Festival). Ms. Welch received her 1988 he was appointed Artistic Director IV, Dancing at Lughnasa, Hedda Gabler, The Royal National Theater, Royal Opera Twelfth Night (Ivor Novello nominated) in A Midsummer Night’s Dream (Guthrie BA in Acting/Directing from The University of the RSC’s Stratford season and in 1989 The Way of the World, Twelfth Night, King Covent Garden, The Paris Opera, Munich and for the Hallmark TV film ofDavid Theater), Caroline Bramble in Enchanted of Houston. went on to be Artistic Director of the RSC Lear, Ghosts, Interior Decoration, From Opera, the Burgtheater Vienna and 25 Copperfield. In UK theatre, he has been April (San Jose Repertory Theatre) and London season. His RSC productions the Mississippi Delta, The Winter’s Tale, productions for the Los Angeles Opera. composer to many Royal Shakespeare Eurydice/Pomona/Iris in Metamorphoses JAY WHITTAKER (Edgar, King Lear; include A Doll’s House, A New Way to Mr. Rickey Takes a Meeting, Bargains, The He lit large-scale arena productions of Company productions, including The (Pioneer Theatre Company). Her film Lucentio, The Taming of the Shrew; William Pay Old Debts, The Comedy of Errors, Tempest, The Merchant of Venice, The the operas Carmen and Tosca in London, Tempest, King Lear, The Winter’s Tale and

29 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE0 3 Profiles

Pericles. In the USA, his music for James trained in Horton, Graham, Ballet and Jazz. and directed by Vanessa Redgrave (The speech. She is the executive producer of Performing Arts Company) Honky Tonk Third Story (La Jolla Playhouse). Her New Joyce’s The Dead was nominated for a He was cast in the Broadway production Public Theater), Chinese Friends, Memory the independent film company Jabronie Angels, Baby and No Way to Treat a Lady York Credits include The Third Story (MCC Tony Award. Other theatre credits include of Jerome Robbins Broadway and worked House (directed by David Esbjornson, Pictures. Her next directing project will be (North Coast Repertory Theatre), and Theatre), Marvin’s Room (T. Schreiber Fair Maid of the West, The Lion, the Witch directly with Jerome Robbins as a principal Playwrights Horizons), nine productions Sarah Ruhl’s Eurydice. Ms. Keith thanks her Forbidden Broadway: SVU (Theatre in Studio), The Great American Desert (78th and the Wardrobe (Royal Shakespeare in both the Broadway cast and the for The New York Shakespeare Festival in husband for his unending patience with her Old Town). St Theatre Lab), The Chekhov Dreams Company), The Steward of Christendom international tour. Mr. Caligagan has won Central Park, Young Playwrights Festival, ridiculous schedule. (Manhattan Theatre Source). Her UC San (Royal Court Theatre) and The Well of the awards for his staging and choreography Theatre for a New Audience and BAM. ERIN GIOIA ALBRECHT (Assistant Stage Diego credits include The Misanthrope, Saints (Abbey Theatre). in the corporate entertainment industry His regional credits include Shakespeare MOIRA GLEASON (Assistant Stage Manager) regional stage management Surf Orpheus, Medea, Red State Blue and was awarded a Tommy" award as Jazz Theatre Company in Washington DC, most Manager) has stage managed several credits include Cyrano de Bergerac, Grass, Twelfth Night and The Labyrinth of STEVE RANKIN (Fight Director) is Dancer of the Year. Recently he is featured recently the rep of Henry V and Richard shows at The Old Globe including Alive Twelfth Night, Coriolanus, Working, Bell, Desire. Ms. Albrecht received her MFA in an Associate Artist of The Old Globe on the PBS broadcast/DVD The American II, New Jersey Shakespeare Festival, Utah and Well, Whisper House, Since Africa, Book & Candle (The Old Globe) and No Stage Management from UC San Diego. as an actor and fight director. This is Musical for his role of Bernardo in West Shakespearian Festival, McCarter Theatre Back Back Back, Sea of Tranquility, The Child, The Weathermen, Creditors, The his 24th season staging fights for the Side Story. He is currently teaching Jazz Center. Mr. Latus’ international credits Sisters Rosensweig, The Constant Wife, Globe, including the 2004-2009 Summer and Dances of the World Latin at UCSD. include Oedipus at the Athens Festival. He Dr. Seuss’ How the Grinch Stole Christmas! Shakespeare Festivals, The First Wives He has been a professional dancer for 22 has had training at the Professional Theatre (‘05), Summer Shakespeare Festivals UNDERSTUDIES Club – A New Musical, The Mystery of years and owner and Executive producer Training Program, now at the University of (2005, ‘07, ‘08 and ‘09), Vincent in Brixton, Irma Vep, Cornelia, In This Corner, Pig of Heatwave Productions a leading Delaware. I Just Stopped By to See the Man, Fiction, KING LEAR Farm, Pentecost, Compleat Female Stage entertainment company in San Diego. The Full Monty, and as Douglas Pagliotti Shirine Babb...... Goneril Beauty, Twelfth Night, Cymbeline, Romeo GINA RATTAN (Assistant Director) is a Stage Management Intern: Old Wicked Andrew Dahl...... Albany and Juliet, As You Like It, The Two Noble CLAUDIA HILL-SPARKS (Vocal and New York City-based director and has Songs. She has also been the Stage Grayson DeJesus...... France/Burgundy Kinsmen, Antony and Cleopatra, Othello, Dialect Coach) has coached over 60 recently worked at The Old Globe as Manager for Adoption Project: Triad Ben Diskant...... Oswald/Old Man/Curan/Cordelia’s Bearer The Taming of the Shrew, King Lear, productions as Voice and Speech Coach Associate Director on The First Wives Club (Mo’olelo Performing Arts Company), Christian Durso...... Cornwall/Doctor Hamlet, White Linen, Julius Caesar, Henry from 1993-2001. Her most recent work and Assistant Director on Dr. Seuss’ How Miss Witherspoon (San Diego Repertory Kevin Hoffmann...... Fool/Herald V and Richard II. His Broadway credits for The Old Globe includes The Whipping the Grinch Stole Christmas! This August, Theatre) and Fathom (Malashock Dance, Andrew Hutcheson...... Gloucester include Henry IV, Parts 1 & 2 (directed by Man, Cornelia, Working, Since Africa and Ms. Rattan will be directing a rockabilly/ ‘06). Ms. Gleason has held many different Steven Marzolf...... Edmund Jack O’Brien), Memphis, Jersey Boys, Guys the 2008 and 2009 Shakespeare Festivals. blues Twelfth Night as part of the Globe’s positions at The Old Globe from House Jordan McArthur...... Edgar and Dolls, Twelfth Night, Getting Away with Her Broadway credits include Dance of Summer Shakespeare Intensive. Ms. Manager to Carpenter, Master Sound Brooke Novak...... Regan Murder, Dracula the Musical, The Who’s the Vampires. Her Off Broadway credits Rattan was bred into the business with Technician to Education Coordinator. Ryman Sneed...... Cordelia Tommy, Anna Christie, The Real Inspector include A Midsummer Night’s Dream (The industry heavyweights such as Francesca She holds a BA from Southern Oregon Adrian Sparks...... King Lear/Kent Hound and Two Shakespearean Actors. Public Theater), Polish Joke (Manhattan Zambello and Thomas Schumacher. She University and is a proud member of Bree Welch...... Ensemble Mr. Rankin’s Off Broadway credits include Theatre Club), Time and the Conways has worked as an Associate Director on Actors’ Equity Association. The Third Story, Pig Farm, The Night (The Epic Theater Company) and Stone several plays and musicals, highlights being THE TAMING OF THE SHREW Hank Williams Died and Richard Dresser’s Cold Dead Serious (The Edge Theater the aforementioned The First Wives Club; ANNETTE YÉ (Assistant Stage Manager) Andrew Dahl...... Gremio Below the Belt. His regional credits include Company). Her regional credits include Little House on The Prairie (National Tour/ recently was the Assistant Stage Manager Grayson DeJesus...... Biondello/Curtis/A Pedant La Jolla Playhouse, Mark Taper Forum, Travesties, Arms and the Man, A Christmas Papermill Playhouse/Guthrie Theatre) and for Boeing-Boeing. Her other Globe credits Ben Diskant...... Lucentio Ahmanson Theatre, Geffen Playhouse, Carol, The Little Foxes and The Way of the Lorca in A Green Dress (Apostrof Theatre include Dr. Seuss’ How The Grinch Stole Christian Durso...... A Tailor/Vincentio CENTERSTAGE, Geva Theatre Center, World (Huntington Theatre Company), Festival: Prague). Most recently, Ms. Rattan Christmas!, The First Wives Club, Opus, Asolo Repertory Theatre, Philadelphia A Christmas Carol (North Shore Music directed a reading of a new musical for 2008 Summer Shakespeare Festival, Kevin Hoffmann...... Tranio Drama Guild, Virginia Stage Company Theatre). Her television credits include NYU’s Graduate Musical Theatre Writing Dancing in the Dark and Hay Fever. Ms. Andrew Hutcheson...... Baptista Minola/Hortensio and Actors Theatre of Louisville. His film Dialect Coach for Richard Easton as Ben Program. In addition to being head of Yé’s regional credits include Peter and Steven Marzolf...... Petruchio credits include Renaissance Man, Human Franklin for PBS. She was on the faculty of creative affairs for the New York-based the Starcatchers, Tobacco Road and Jordan McArthur...... Grumio Error and Tumbleweeds. His international The Old Globe/USD Professional Actor theatre company, Page 121 Productions, Salsalandia (La Jolla Playhouse). Her other Brooke Novak...... Katherine credits include The Stratford Shakespeare Training Program from 1993-2001, Boston Ms. Rattan has a long-standing relationship credits include 9 Parts Of Desire (Mo’olelo Aubrey Saverino...... Bianca Festival. Mr. Rankin’s Opera credits include University BFA Professional Actor Training with Disney Theatrical Productions in her Ryman Sneed...... A Widow Seattle Opera, San Diego Opera and the Program from 1988-1993, The American home city of New York. She is a graduate of SPECIAL THANKS Metropolitan Opera. Academy of Dramatic Arts and The Wilma The University of Michigan. For WR. THE MADNESS OF GEORGE III Theater. She received her MFA in Acting International Silks & Woolens Andrew Dahl...... George TONY CALIGAGAN (Movement from Temple University. C.J. KEITH (Assistant Director) This is Grayson DeJesus...... Fortnum/Braun/Papandiek Sequences) recently choreographed C.J.’s fifth season with the Shakespeare This theatre operates under an agreement Ben Diskant...... William Pitt/Prince of Wales between the League of Resident Theatres Kingdom at The Old Globe. He has JAMES LATUS (Stage Manager) has Festival. Her other assistant director and Actors’ Equity Association, the union of Christian Durso...... Sheridan/Dundas danced with the world's most celebrated Broadway credits that include Dr. Seuss’ credits are Hamlet, Othello, All’s Well That professional actors and stage managers in the Catherine Gowl...... Queen Charlotte dance companies. As a Principal dancer How the Grinch Stole Christmas!, Elaine Ends Well, Coriolanus and Cyrano de United States. Kevin Hoffmann...... Warren/Fitzroy with Jazz Unlimited he won awards from Stritch: At Liberty, Stones In His Pockets, Bergerac. Regional directing credits include Andrew Hutcheson...... Baker/Willis the San Diego Dance Alliance for his Bells Are Ringing and was the Assistant The Clean House, The Laramie Project, The Directors are members of the Society Steven Marzolf...... Fox/Thurlow/Pepys/Sir Boothby Skrymshir performance with Three's Company, a Director- for Paul Simon’s The Capeman. Side Man, The Maids, Present Laughter, of Stage Directors and Choreographers, an Jordan McArthur...... Duke of York/Greville independent national labor union. local modern dance company directed by Mr. Latus’ Off Broadway credits include The Fantasticks, The Unsinkable Molly Brooke Novak...... Lady Pembroke

Jean Isaacs. Tony has also performed as a The Great American Trailer Park Musical, Brown, The Cherry Orchard, The Miracle This Theatre operates under an Agreement with Aubrey Saverino...... Maid principal in numerous musicals on and off They Wrote That?, The Persians (National Worker, What’s Wrong With This Picture? the International Alliance of Theatrical Stage Ryman Sneed...... Papandiek/Fortnum Broadway. Other credits include San Diego Actor’s Theatre), 21 other productions and Eleemosynary. During the year, Ms. Employees Local No. 122. Bree Welch...... Braun/Page Opera, Opera Pacifica, Starlight Theatre, including Stephen Sondheim’s Roadshow, Keith is the undergraduate advisor and Sacramento Music Circus. In New York, King Lear with Kevin Kline, The Skriker, a lecturer at SDSU’s School of Theatre, The Scenic, Costume, Lighting and Sound Shirine Babb, Ben Diskant, Christian Durso, Catherine Gowl, Kevin Hoffmann, Mr. Caligagan danced with Alvin Ailey WASP by Steve Martin, Stuff Happens by Television, and Film where she teaches Designers in LORT Theatres are represented by Andrew Hutcheson, Aubrey Saverino and Ryman Sneed appear in these American Dance Theatre where he was David Hare, Antony and Cleopatra starring acting, script analysis, and voice and United Scenic Artists Local USA-826, IATSE. productions courtesy of Actors’ Equity Association.

31 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE2 3 Profiles

LOUIS G. SPISTO (Executive Producer) The Little Foxes, Hapgood (Lucille combined tribute from the Public Arts The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual directs both the artistic and administrative Lortel Award for Direction, 1995), Damn Advisory Council and the San Diego donation of $50,000 or greater. These gifts are critical to maintaining the Globe’s high quality activities of The Old Globe. During his Yankees (Tony nomination Best Musical County Board of Supervisors. Mr. Noel tenure, Mr. Spisto spearheaded the return Revival), Two Shakespearean Actors was particularly proud of the following of artistic programming and award-winning work in the community. of the Shakespeare Repertory Company, (Tony nominations: Best Director and three honors representing education and revitalized the Globe’s new works Play), Porgy and Bess for Houston Grand theatre: Honorary Doctorate of Humane program, resulting in ten world premiere Opera and Broadway (Tony Award), as Letters, University of San Diego, Honorary plays and nine world premiere musicals, well as Radio City Music Hall, Il Trittico, Doctorate in Fine Arts, San Diego State 75th Anniversary Sponsors and produced more than 100 productions. Metropolitan Opera. RECENT AWARDS: University and the annual Awards for Under Mr. Spisto’s leadership, ticket 2008 Theatre Hall of Fame Inductee, Excellence in Theatre named in his honor sales and contributions have increased 2004 Thomas Degaetani Award (USITT), by the San Diego Theatre Critics Circle. Karen and Donald Cohn substantially, and the fiscal health of the 2002 “Mr. Abbott” Award (SDCF), 2001 In 2007, he received the National Medal organization has been strengthened to Joan Cullman Award for Extraordinary of Arts – the nation’s highest honor for The County of San Diego at the recommendation of support the expanded artistic vision. Creativity, 2001 Joe A. Callaway Award artistic excellence – in a ceremony at the Chairwoman Pam Slater-Price Mr. Spisto has successfully led the (SDCF), the Drama League’s Julia Hansen White House. Craig Noel died on April 3, Globe’s $75 million Capital Campaign Award for Excellence in Directing, 2001. 2010 at the age of 94. Joan and Irwin Jacobs and managed the development of the Honorary Doctorate, University of Conrad Prebys Theatre Center, which Michigan. Honorary Doctor of Humane Donald and Darlene Shiley includes a state-of-the-art arena theatre Letters, University of San Diego. Recipient and education center. An advocate of of ArtServe Michigan’s 2008 International arts education, Mr. Spisto created a Achievement Award. Mr. O’Brien is a number of new programs that serve tens member of the College of Fellows of the of thousands of young San Diegans each American Theatre. year. These programs include a bilingual summer Shakespeare intensive, a major CRAIG NOEL (Founding Director) initiative in southeastern San Diego which was first appointed director in 1939, includes the development of new works directing 15 productions prior to World for younger and more diverse audiences, War II. Since then he directed more than Season Sponsors and free student matinees of the Globe’s 200 plays of all styles and periods and regular productions. Mr. Spisto holds produced an additional 270 productions. a Master’s degree from the University His vision for The Old Globe resulted in The Legler Benbough Foundation Edgerton Foundation the establishment of the Shakespeare of Wisconsin and a Bachelor’s degree John A. Berol Audrey S. Geisel from the University of Notre Dame. He Festival and the San Diego Junior Theatre has served as chief executive for the in the late ‘40s, the expansion to two Mary Ann Blair Lonnie Gettman - Designer Fabric Pacific Symphony, Detroit Symphony and theaters in the ‘50s, Globe Educational American Ballet Theatre. Tours in the ‘70s and Teatro Meta and the Peter Cooper and Globe Guilders Old Globe/University of San Diego MFA Norman Blachford JACK O’BRIEN (Artistic Director program in the ‘80s. During the 1940s, The Lipinsky Family Emeritus) served as the Artistic Director Mr. Noel served as dialogue director for Valerie and Harry Cooper Conrad Prebys and Debra Turner of The Old Globe from 1982 through the 20th Century Fox Studios and was 2007. Recent Globe productions: Dirty the former director of the Ernie Pyle MIDDLE SCHOOL The County of San Diego Mickey Stern Rotten Scoundrels, Imaginary Friends, Theatre in Tokyo. Described by Variety CONSERVATORY at the recommendation of Twelfth Night, The Full Monty, The as the eminence grise of San Diego Vice-Chairman Bill Horn Sheryl and Harvey White Seagull, The Magic Fire, Dr. Seuss’ How theatre, Mr. Noel is one of the few San will help students discover new Anonymous the Grinch Stole Christmas! WEST END: Diegans to have had an entire year (1987) approaches to acting through Gigi and Ed Cramer Love Never Dies (sequel to Andrew Lloyd proclaimed in his honor, and to be named sessions in voice and speech, Webber’s The Phantom of the Opera), one of San Diego’s “Living Treasures.” He movement, stage combat, Hairspray (Olivier Award for Best Musical, was a founder of the California Theatre improvisation and much more. Best Director nomination). BROADWAY: Council and a former vice president of the Impressionism (Creator/ Supervisor), Dr. California Confederation of the Arts. His DATES Seuss’ How the Grinch Stole Christmas!, numerous honors include The San Diego Weekdays, July 26 – 30 & August 2 – 6 The Coast of Utopia (2007 Tony Award Union-Tribune list of 25 persons who for Best Direction of a Play, which won shaped the city’s history; the Governor’s TIME a total of seven Tony Awards, including Award for the Arts; University of Arizona 10:00 am to 3:00 pm Best Play), Dirty Rotten Scoundrels (Tony Alumni Association’s Outstanding Citizen, COST PER STUDENT nominations: Best Director and Musical), for his contribution to their Fine Arts $550 Henry IV (Tony Award), Hairspray (Tony department; San Diego State University’s Award), The Invention of Love (Tony Outstanding Alumnus; Conservator of nominations: Best Director and Play), American Arts Award from American To sign up contact The Full Monty (Tony nominations: Best Conservatory Theater; the San Diego [email protected] Director and Musical), More to Love, Labor Press Club Headliner Award; San Diego To become a Season Sponsor, please contact Day, St. Louis Woman, Pride’s Crossing, Gentleman of Distinction Award; and a or call (619) 231-1941 x2144 Todd R. Schultz, Director of Development, at (619) 231-1941 x2310.

33 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE4 3 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large FOUNDER CIRCLE Martha & George Gafford Merle Wahl Linda Terramagra ($5,000 to $9,999) Deede Gales Mary R. Warkentin Celeste & Gene Trepte part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us Anonymous Barbara & Albert Garlinghouse Jan Harden Webster & Raul Ortega Stan & Anita Ulrich in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. La wrence G. Alldredge & Bill & Judy Garrett Chris & Pat Weil Rosetta & Michael Volkov Dawn Moore Drs. Thomas H. & Jane D. Gawronski Helene & Allan Ziman Brendan M. & Kaye I. Wynne The Old Globe appreciates the support of those who have stepped into the spotlight. Th e Louis Yager Cantwell Private Wendy Gillespie Christy & Howard Zatkin Foundation Sheila & Tom Gorey ($1,500 to $2,499) Nicole A. Clay Ms. Cheryl Haimsohn Anonymous GOLD Th e Colwell Family Fund at Norm Hapke & Valerie Jacobs Hapke Anita Busquets & William Ladd ($500 to $999) Benefactors ($100,000 and above) The San Diego Foundation Dr s. Patrick Harrison & Lisa & David Casey Anonymous (3) R. Patrick & Sharon Connell Eleanor Lynch Ro n & Devora Eisenberg - George Amerault The Legler Benbough Foundation Au drey S. Geisel/The San Diego The James Irvine Foundation Be rnard J. Eggertsen & Susan & Dr. Ronald Heller Great News! Drs. Michael & Gabriela Antos Florence Nemkov Dr. & Mrs. Peter K. Hellwig Joy & Dr. Fred Frye Alicia Atun Ci ty of San Diego Commission for Foundation Dr. Seuss Fund Donald & Darlene Shiley Carol Spielman-Ewan & Joel Ewan Rhonda Heth & Thomas Mabie Elaine & Murray Galinson John & Carolyn Backman Arts & Culture Globe Guilders The Shubert Foundation Diane & Elliot Feuerstein Dr. & Mrs. Harry F. Hixson, Jr. Gary & Carrie Huckell Richard & Linda Basinger Th e Helen K. and James S. Copley Th e County of San Diego Th e County of San Diego Mary Ann & Arnold Ginnow Dr. David K. Hostetler William & Edythe Kenton Madelyn Bennett Alexa Kirkwood Hirsch Richard & Janet Hunter Sherry & Larry Kline Nicholas B. Binkley Foundation at the recommendation of at the recommendation of Carol & George Lattimer Hu tcheson Family Fund at Christopher & Cheryl Lee Bob & Joyce Blumberg Vice-Chairman Bill Horn Chairwoman Pam Slater-Price Peter & Inge* Manes The San Diego Foundation Robin J. Lipman & Miro Stano Mr. & Mrs. Blaine A. Briggs Paul I. & Margaret W. Meyer Al Isenberg & Regina Kurtz Elizabeth Meyer Nancy Brock Money/Arenz Foundation, Inc. An drew & Sonia Israel Fund of the Ak iko Charlene Morimoto & Dr. & Mrs. Simon C. Brumbaugh, Jr. Harle Garth Montgomery Jewish Community Foundation Hubert Frank Hamilton,Jr. Ruth Mary Campbell Arthur & Marilyn Neumann Al* & Pat JaCoby Nancy & James Mullen Beth & Tim Cann Season Sponsors ($50,000 to $99,999) Th e Kenneth T. & Eileen L. Norris Mary & Russell Johnson Dolly* & Jim Poet Greg & Loretta Cass Foundation Jackie Johnston-Schoell Marie & Don Prisby Luc Cayet & Anne Marie Pleska Brian & Paula Powers William Karatz Marisa SorBello & Peter Czipott Lynne Champagne & Wilfred Kearse Bank of America Pe ter Cooper & Norman Blachford Th e Bernard & Dorris Lipinsky Fund of Jeannie & Arthur Rivkin Marge & Jerry Katleman Pat & Jack Thomas Betsy Dam John A. Berol Advised Fund at the San Diego the Jewish Community Foundation Robert & Julie Sullivan Bob* & Gladys King Pamela J. Wagner Dr. & Mrs. William Davidson Deborah Szekely Ken & Sheryl King Z. J. Waxenberg Fund of the Wes & Elaine Dillon Mary Ann Blair Human Dignity Foundation La s Patronas National Endowment for The Thursday Club Foundation John & Cindy Klinedinst Jewish Community Foundation Dr. Donald & Eilene Dose California Bank & Trust Valerie & Harry Cooper the Arts Dixie & Ken Unruh Jane & Ray Klofkorn James & Ellen Weil Dorothy Dring J. Dallas & Mary H. Clark Fund at Edgerton Foundation Conrad Prebys & Debra Turner Jordine Skoff Von Wantoch Curt & Nancy Koch Shirli Fabbri Weiss Elisabeth K. Ecke Brooke & Dan Koehler Dr. Steve & Lynne Wheeler Patricia Eichelberger The San Diego Foundation HM Electronics, Inc. Qualcomm, Inc. CRAIG NOEL CIRCLE Rosalie Kostanzer & Mike Keefe William Eiffert & Leslie Hodge Designer Fabric Jo an & Irwin Jacobs Fund of the Mickey Stern As of July 2008, the Craig Noel Circle Bob & Laura Kyle DIAMOND Pauline Forman & Jack Burke includes gifts of $2,500 - $4,999. This Dr. Eric Lasley & Judith Bachner ($1,500 to $2,499) Paul & Clare Friedman Karen & Donald Cohn Jewish Community Foundation Wells Fargo change is being phased in as patrons Terry & Mary Lehr Anonymous Dr. & Mrs. Steven Garfin Sheryl & Harvey White Foundation renew their gifts. For donors who con- Ms. Sherrill Leist Mrs. Lazare F. Bernhard Peter & Christine Gault tribute to the Paver Campaign, the James & Pamela Lester Dr. & Mrs. Robert M. Callicott Arthur & Judy Getis phase-in period is up to five years. Jerry Lester, M.D./Rosarito, Mexico Enid & Martin Gleich Norman & Patricia Gillespie ($2,500 to $4,999) Sandy & Arthur Levinson Webster & Helen Kinnaird Louise & Doug Goodman Production Sponsors ($25,000 to $49,999) Dr. & Mrs. Wayne Akeson Barbara & Mathew Loonin Joy & Ronald Mankoff Robert & Edry Goot Ga il Andrade and John & Merriel F. Mandell, Ph.D. Ruth & Jim Mulvaney Drs. Barbara & Leonard Gosink Jennifer Andrade Charlie & Jackie Mann Susan Parker Chris Graham & Michael Albo Ma ry Beth Adderley & Barbara Kjos Sempra Energy Anonymous (3) Elizabeth & Edward McIntyre Peggy Price Carol & Don Green Elizabeth Adderley National Corporate Theatre Fund Sheraton San Diego Hotel & Marina Mr. & Mrs. Richard Baldwin Harold O. McNeil Serenity Grace Foundation Theodore Gryga Diana J. Barliant & Nowell Wisch Rebecca Moores Susan Steele & Mike Conley Alex & Mary Hart Alan Benaroya Th e San Diego Foundation, a grant Gillian & Tony Thornley Me lissa Garfield Bartell & Mr. & Mrs. David Mulliken Mr. & Mrs. Arnold Hess Ar thur & Sophie Brody Fund of the made possible by the Colonel Frank Union Bank Michael Bartell Joyce & Martin Nash PLATINUM Mr . Stephen Hopkins & Jewish Community Foundation C. Wood Memorial Fund; Ariel W. U.S. Bank Joan & Jeremy Berg National Alliance for Musical Theatre ($1,000 to $1,499) Dr. Carey Pratt Charles & Charlotte Bird Eileen & Lawrence Newmark Anonymous (2) Viviana Ibanez Co hn Restaurant Group/ Coggeshall Fund; Kantor-Lebow- Erna & Andrew Viterbi Paul Black Tom & Lisa Pierce Edward Anderson Susan D. Inot Prado Restaurant Stroud Memorial Endowment Fund; Mandell Weiss Charitable Trust Dr. Herman & Irene Boschken Matthew & Judith Pollack Dr. Bob & Jill Andres Edward & Linda Janon Dr. & Mrs. Edgar D. Canada Mo & Bill Popp Jeff & Donna Applestein Dr. & Mrs. Clyde W. Jones Continental Airlines and Mary E. Hield and Robert R. June E. Yoder George & Ellen Casey Dr. & Mrs. Daniel Porte Ga ry & Barbara Blake Family Fund of Kathy & Rob Jones Kathryn & John Hattox Hield Endowment Fund Carol & Rudy Cesena Joanne Powers the Jewish Community Foundation Kenneth & Marilyn Jones Marsha & Bill Chandler Th e Arthur & Jeanette Pratt Sandra & Harry Carter Nancy Jones Carol & Jeff Chang Memorial Fund Roger Cornell, M.D. David & Susan Kabakoff Garet & Wendy Clark Joseph & Jane Rascoff Ken Crouch Patricia & Alexander Kelley Director Circle ($10,000 to $24,999) Jack & Carol Clark Sa rah B. Marsh-Rebelo & Peter & Doris Ellsworth Gerald & Phyllis Kelly Ms . Heidi Conlan/ John G. Rebelo In Memory of John A. Geisel Kaaren H. Kerlin Anonymous Lee & Frank Goldberg Renee Schatz The Sahan Daywi Foundation Mrs. Charlotte Rees Mr. & Mrs. Arthur A. Greenberg Gayle & Jerry Klusky Jane Smisor Bastien Leonard & Elaine Hirsch Jean & Gary Shekhter Richard & Stephanie Coutts Roger & Christine Roberts Leo S. Guthman Fund Bill & Linda Kolb Susan B. Cowell Nancy J. Robertson Richard & Candace Haden Dr. Marvin Kripps Richard & Kathy Binford The Hull Family Patsy & Forrest Shumway Gigi & Ed Cramer Warren & Beverly Sanborn Pat & Rick Harmetz LABS, Inc./Silvia Dreyfuss Barbara Bloom Deni & Jeff Jacobs Ms. Jeanette Stevens Ann & John Davies Gabriela & Charles Sanders Dr. & Mrs. James E. Lasry Sherry & Rick Levin Darlene G. Davies in memory Sa nderson Family Donor Advised Don & Mary Jane Lincoln Ma rshall & Judy Lewis Fund of the Pamela & Jerry Cesak Daphne H. & James D. Jameson Iris & Matthew Strauss of Lowell Davies Fund at the Rancho Santa Dr. Robert & Marcia Malkus Jewish Community Foundation Elaine & Dave Darwin Jo Ann Kilty Anne Taubman & David Boyle Pat & Dan Derbes Fe Foundation Jasna Markovac & Gary Miller Dr. & Mrs. David D. Lynn Mrs. Philip H. Dickinson Jay & Julie Sarno Valorie McClelland Edward & Nancy Lyon Mr. & Mrs. Brian Devine Dr. Ronald & Mrs. Ruth Leonardi Evelyn Mack Truitt Jim & Sally Ditto Drs. Joseph & Gloria Shurman Dr. & Mrs. M. Joseph McGreevy Carl Maguire & Margaret Sheehan Nina & Robert Doede Sue & John Major Brent V. Woods & Laurie C. Mitchell Marion Eggertsen Dee E. Silver, M.D. Judith & Neil Morgan Jeanne Maltese Mr. & Mrs. Ira S. Epstein Herbert $ Elene Solomon Elspeth & Jim Myer Drs. Betty Joan Maly & John Meyers Dr. & Mrs. Robert Epsten Dr. Patricia Montalbano Carolyn Yorston-Wellcome Carol Fink Nancy & Alan Spector and Family Jack & Virginia Oliver Ron & Mercy Mandelbaum Pamela A. Farr Allison & Robert Price Robert & Deborah Young Mary & David Fitz Na ncy Steinhart & Dr. Julie Prazich & Dr. Sara Rosenthal F. Dale & Lois Marriott Danah H. Fayman Price Family Charitable Fund Susanna & Michael Flaster Rebecca Goodpasture Alice & Lewis Silverberg JoAnne D. Marugg Jean & Sid Fox Hannah & Eugene Step Alan & Esther Siman Rev. Stephen J. Mather Hal & Pam Fuson Sa n Diego Tourism Sa muel I. & John Henry Fox Cherie Halladay Tirschwell Faustina F. Solis Ro nald McCaskill & Robert Gleason & Marc Matys Promotion Corporation Foundation at Union Bank Ric Torres Nancy & George Stassinopoulos Robyn Rogers of California Carol Vassiliadis Jack & Louise Strecker Mr. & Mrs. William McKenzie Millicent & Charles Froehlich Doris & Lou Vettese Margery & John Swanson Estelle D. & Jim Milch

35 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE6 3 Annual Fund Donors Globe Ambassadors (continued) Ruth F. Davis Leslie & Judy Reed Abbe Wolfsheimer Stutz Drs. Robert & Melanie Dean Melinda & Ken Riley Mr. & Mrs. Eric Suggs Carole S. Miller Caroline S. DeMar Irl R. Robinson Mrs. J.B. Swedelius Globe Ambassadors are generous supporters Nina and Robert Doede David and Noreen Mulliken Rena Minisi & Rich Paul Bethany Derrough Stuart & Linda Robinson Dr. Blake S. & Mrs. Peggy Jean Talbot of The Old Globe who contribute major gifts Marion Eggertsen Joanne C. Powers Steve & Jill Morris Dutch & Dawn Dershem Mr. & Mrs. Christopher Rohrer Linda Tallian to the Annual Fund, attend special Globe Be rnard J. Eggertsen and Jeannie and Arthur Rivkin Susan & Charles Muha Sa m Dolnick in memory of Laura Roos Dr. Marshall & Leila Taylor meetings and activities, and serve as advocates Florence Nemkov Donald and Darlene Shiley Shirley Mulcahy Edith Dolnick St anley I. & Judith Rosen Fund Janet & Brian Taylor Katherine Newton Mr. & Mrs. Victor Engleman of the Jewish Community Reed & Solange Thompson in the community for the Globe’s mission and Ca rol Speilman Ewan Ms. Jeanette Stevens Mark Niblack Nate & Margaret Englund Foundation Doris Trauner goals. As a group, Ambassadors sponsor one and Joel EwanDanah H. Fayman Evelyn Mack Truitt Barbara B. Oswalt Dr. Susan Dersnah Fee Joy & Richard Rottenstein Barbara C. Ward Globe production each season. Susanna and Michael Flaster Dixie and Ken Unruh Anthony Passante & Esther & Robert Feier Dr. Richard & Marilynn Rowen Kathy & Jim Waring Mary Ann and Arnold Ginnow Doris and Lou Vettese◆ Maureen Hallahan Ri chard & Beverly Fink Family Dr. Norman & Barbara Rozansky Mr. & Mrs. James D. Welterlen La wrence G. Alldredge and Dawn Moore Alexa Kirkwood Hirsch Pamela J. Wagner◆ Julius J. Pearl Fund at Foundation Don & Cynthia Rushing Sandy Wichelecki Paul Black◆ Leonard and Elaine Hirsch◆ Jordine Von Wantoch◆ The San Diego Foundation Randee & Richard Friedman Sa miljan Family Fund of the Jewish Olivia & Marty Winkler In Memory of Margaret Peninger Charles & Jeanne Gahagan Community Foundation Mr. & Mrs. John W. Witt Dr. and Mrs. Edgar D. Canada Pat Jacoby ◆ Lawrence Roy Perrin James & Georgianna Galas Th e Saverino Family in loving memory Dr. Perri L. Wittgrove Carol and Rudy Ceseña Mary and Russell Johnson *In Memoriam Kathleen H. Porter Dana & Brad Gemeinhardt of Fraction Elizabeth Zeigler & Bernard Kuchta Mary H. Clark Bob* and Gladys King◆ ◆Denotes increased giving in 2010 Robert & Doris Reed Terrie Georgi Simon & Ruth Sayre Vicky Zollweg & Michael Dunteman Steven J. Cologne Rosalie Kostanzer and Mike Keefe Rowling Family Charitable Fund Dr. & Mrs. Michael Goldbaum Lillian Schafer R. Patrick and Sharon Connell Bob and Laura Kyle For more information please contact Marilyn of The Jewish Community Ca role & Howard Goldfeder Fund Norman Schiewe & Elli Johns Susan B. Cowell James & Pamela Lester◆ McAvoy, Major Gifts Director Foundation at The San Diego Foundation Carl Schott *In Memoriam ◆ Jack & Carol Sanders Mike Goupill & Ernie Castro RAdm. & Mrs. H. James T. Sears Gigi and Ed Cramer Dr. Jerry Lester at (619) 231-1941 x2309 ◆ Linda J. Seifert Euvoughn L. Greenan Lori Severson & Eric Longstreet Elaine and Dave Darwin Merriel F. Mandell, Ph.D. [email protected]. Mr. & Mrs. Randall Silvia Martin & Deanna Greenberg Glenda Allen Shekell April 11, 2010 to: May 18, 2010 Darlene G. Davies◆ Peter and Inge Manes William Smith & Carol Harter Craig & Catherine Greene Laurel Shupp Mrs. Philip H. Dickinson Paul I. and Margaret W. Meyer Gl oria Penner Snyder & George C. Guerra Sandy & Stella Shvil As announced in July 2008, the Bill Snyder Maggi Hall Eunice M. Simmons, M.D. names of Annual Fund donors at the Edward Stickgold & Helen M. Hammond Anne & Ronald Simon Silver level are published semi-annu- Steven Cande Elizabeth Hansen Mr. & Mrs. Bruce Smith ally, once in the Shakespeare Festival Sharon S. Storey & Jay & Mary Hanson Daryl Smith & Jan Naylor-Smith program and again in a winter Globe Theodore A. Milby George D. Hardy Malcolm E. Smith program. Helga & Sam Strong Betty & Hank Harriman Dave & Phyllis Snyder Ron & Susan Styn Ja mes & Ruth Harris of the Jewish Norman & Judith Solomon To learn more about supporting The Corporate Donors Clifford & Kay Sweet Community Foundation Bill & Barbara Sperling Old Globe’s artistic, education and Eric Leighton Swenson Mark & Corrine Harvey Mr. & Mrs. Fred C. Stalder community programs, please visit our SEASON SPONSORS ($50,000 or more) FOUNDER CIRCLE ($5,000 - $9,999) Dr. Terry & Naomi Tanaka Donald J. Hickey Alan & Eve Stall website at www.TheOldGlobe.org, Dr. Charles & Brita Tesar Christine Hickman & Dennis Ragen Susanne Stanford & Tom Matthews call Josh Martinez-Nelson at M2000 Corporation San Diego Business Journal Lt. & Mrs. Jack E. Timmons Charlotte Hockstein Robert & Ann Steiner (619) 231-1941 x2308 or email Bertrand at Mister A’s Gertrude Trebon John & Peggy Holl Dave & Jan Stormoen [email protected]. Jeffrey & Sheila Truesdell Bill & Nancy Homeyer Herbert & Ruth Strauss Natalie C. Venezia & Robert Hyman CRAIG NOEL CIRCLE ($2,500 - $4,999) Paul A. Sager Joseph & Donna Hynes R. Douglas Wallingford Judge & Mrs. Anthony C. Joseph Break-Away Tours Target Jo & Howard Weiner Dr. James & Sharon Justeson Nordstrom WD-40 Company Mr. & Mrs. David Weinrieb Mr. & Mrs. Henry P. Kagey The Westgate Hotel Judith L. White Dr. & Mrs. Irvin Kaufman Katherine White Gail T. Kendall Dennis & Carol Wilson Robert Kilian & Kathleen Slayton National Corporate Theatre Fund is a not-for-profit corporation created to increase Cass Witkowski Family Kathleen Kim & Zachary Rattner and strengthen support from the business community for ten of this country’s most Bill & Betty Witman Bryna & Jay Kranzler distinguished professional theatres. The following foundations, individuals and corpo- Leona Krevat rations support these theatres through their contributions to NCTF: SILVER Betty J. & Richard E. Kuhn ($250 to $499) Elizabeth Lasley Public Support Addams Family Broadway, LP Ne derlander Producing Company of Charles Halligan Adair Dixon & Pat Lee Bank of America America, Inc. Sybil & B.J. Adelson Fred & Lupe Luevano Bingham McCutchen Ogilvy & Mather Janet Anderson & John Glascock Sally A. Luster Bloomberg Frank Orlowski Robert W. Arnhym Luis Maizel BNY Mellon Wealth Management Ovation TV Anonymous (3) Judge & Mrs. Frederick Mandabach Steven Bunson Pfizer, Inc. John & Elizabeth Bagby Patricia Manning Ch ristopher Campbell/Palace Karen Pritzker & Michael Vlock Beverly Bartlett & Barbara Sailors Marcia Mattson Production Center Thomas Quick Ruth & Jim Batman The Mayflower PRODUCTION SPONSORS ($25,000 - $49,999) Cisco Systems, Inc. RBC Wealth Management Sally & John Berry Richard V. McCune Citi RVM/Vincent Brunetti Sharon & Bill Beamer Oliver McElroy & Karen Delaurier Credit Suisse Samuel French, Inc. Bruce & Patricia Becker Teresa McEuen Dorsey & Whitney Foundation Sharp Electronics Stanley Birstein Steve McIntee Dramatists Play Service, Inc. Skadden, Arps, Slate, Meagher & Flom LLC Robert Blanton & Ann Clark Charles & Billie McKnight Ernst & Young George S. Smith, Jr. Sam Boodman The Michael Family Richard Fitzburgh The McGraw-Hill Companies Gaylyn N. Boone & James Dorcy Dr. & Mrs. Paul E. Michelson Goldman, Sachs & Co. Theatermania.com/Gretchen Shugart Debby Boyd James & Dorothy Mildice JPMorgan Chase Foundation James S. Turley Julia Brown Dr. & Mrs. Robert F. Morrison KPMG Evelyn Mack Truitt David Burns & Diane Lischio Mary Jo Murphy Eugene & Brooke Lee UBS Ms. Mary-Kay Butler Marsha Netzer Marsh & McLennan Companies USA Today Helen M. Caldwell Dr. David & Elizabeth Ostrander McCarter & English LLP Wells Fargo William & Shirley Carrington Susan & Jim Oxford DIRECTOR CIRCLE ($10,000 - $24,999) MetLife Willkie Farr & Gallagher LLP Leslie & Shlomo Caspi Dennis & Nan Pennell Morgan Stanley Richard Clampitt & Rachel Hurst Cl ifford T. Pentrack & Major funding provided by the City of San Diego Commission for Arts and Cul- City National Bank KPMG, LLP NBC/Saturday Night Live Anne C. Coleman Mary E. Giovaniello ture. The Old Globe is funded by the County of San Diego at the recommenda- Cy berknife Centers Neiman Marcus Janet Costic Dr. & Mrs. Richard & Patricia Perlman tion of Chairwoman Pam Slater-Price, Vice-Chairman Bill Horn and the County of San Diego, Inc./ ResMed Foundation Corporate Partners enjoy benefits and recognition, including the opportunity to Gertrude Lee Coyte Abigail Pike of San Diego Board of Supervisors. Radiation Medical Group Torrey Pines Bank entertain clients and employees with exclusive receptions at the Theatre, behind-the- Alicia Cuadros Susan Pollack scenes tours, and preferred seating at our shows. For information, please contact Todd Ronald D. Culbertson Mr. & Mrs. Keder Pyatt Higgs, Fletcher & Mack, LLP Vistage International Schultz at (619) 231-1941 x2310.

37 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE8 3 Supporting The Old Globe Forever Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great Members of the Craig Noel League are ensuring a successful future for The Old Globe by pride and pleasure in acknowledging as Associate Artists, the following who have repeatedly demonstrated by their contributing to the Endowment Fund or including the Globe in their Estate Plans. We thank active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of our members for their legacy gifts and urge others to join them in the Craig Noel League. the Globe.

William Anton Tovah Feldshuh Charles Janasz Robert Morgan David F. Segal James Winker Earnings generated from the Endowment Fund support the Theatre’s artistic and Jacqueline Brooks Monique Fowler Peggy Kellner* Ellis Rabb* Richard Seger Robert Wojewodski education programming, helping sustain the Globe’s high level of artistic excellence. As future Lewis Brown Robert Foxworth Tom Lacy Steve Rankin Diane Sinor G Wood* generations discover great theatre at the Globe, they will have our Craig Noel League donors Victor Buono* Ralph Funicello Diana Maddox William Roesch Don Sparks to thank. Globe staff can advise how to leave a lasting gift to the Globe whether it is a cash Wayland Capwell * Lillian Garrett-Groag Dakin Matthews Robin Pearson Rose David Ogden Stiers * in memoriam contribution, a charitable bequest in your will or living trust, a Charitable Remainder Trust, Kandis Chappell Harry Groener Deborah May Marion Ross Conrad Susa Lead Trusts, Gift Annuities, Life Estates or a number of other available options. Eric Christmas* A.R. Gurney Katherine McGrath Steven Rubin Deborah Taylor Craig Noel in 1957 George Deloy Joseph Hardy John McLain Ken Ruta Irene Tedrow * Tim Donoghue Mark Harelik Jonathan McMurtry Douglas W. Schmidt Sada Thompson As we celebrate the Globe’s 75th Anniversary as a local cultural landmark and national icon, it is time to build for Richard Easton Bob James Stephen Metcalfe Seret Scott Paxton Whitehead the future. Join those listed below who have chosen to support our Theatre forever and help secure the future of The Old Globe — for the next 75 years — and beyond!

For more information on how you may join the Planned Giving Society, please contact Bridget Cantu Wear, Associate Director of Development, Planned Giving, Patron Information at (619) 231-1941 x2312 or via email to [email protected]. TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday - Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Craig Noel League Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Planned Giving Society of The Old Globe Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am – 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Anonymous (14) Marilyn Kneeland B. Sy & Ruth Ann Silver Website www.TheOldGlobe.org phones prior to entering the theatre. Robert S. Albritton* Jean & David Laing Stephen M. Silverman Address The Old Globe Diana Barliant Jerry Lester Foundation Roberta Simpson P.O. Box 122171 ASSISTED LISTENING SYSTEM Nancine Belfiore Dr. Bernard Lipinsky* Dolores & Rod Smith San Diego, CA 92112-2171 For the convenience of the hearing impaired, the assisted Alan Benaroya Heather Manion Marisa SorBello & Peter Czipott listening system is available in the Old Globe Theatre and Do rothy Brown Endowment Fund Calvin Manning* John & Cindy Sorensen ORDERING TICKETS/CHANGE OF ADDRESS the White Theatre. Lightweight headsets may be obtained Dr. & Mrs. Edgar D. Canada Chris & Jill Metcalf Marje Spear* The Old Globe accepts Visa, Discover, MasterCard, or from the house manager prior to performances, free of American Express. Phone orders for non-subscribers charge. Garet & Wendy Clark Paul I. & Margaret W. Meyer Na ncy A. Spector & Alan R. Spector are subject to a $3.50 per ticket service charge. Ticket J. Dallas* & Mary H. Clark Judy* & George Miller Jeanette Stevens exchanges are subject to a service charge for non- PUBLIC TOURS R. Patrick & Sharon Connell Steve Miller Eric Leighton Swenson subscribers. If you have moved, please notify the Ticket Go behind the scenes at The Old Globe to learn about the Pa tricia W. Crigler, Ph.D., Dr. Robert W. Miner Anne C. Taubman Services Office to update our records. Call (619) 234-5623 history, three stages, shop and craft areas. Open tours: most CAPT/USN/Ret. Shirley Mulcahy Cherie Halladay Tirschwell during Ticket Services hours, mail your change of address Saturdays and Sundays at 10:30am. Groups by reservation. Carlos & Patricia Cuellar Laurie Dale Munday Ma rian Trevor (Mrs. Walter M.)* to the Ticket Services Office, or email us at Tickets@ $5 adults; $3 seniors and students. Phone (619) 231-1941 Patricia* & Donn DeMarce St anley Nadel & Cecilia Carrick Evelyn Mack Truitt TheOldGlobe.org. x2142 for information/reservations. Mrs. Philip H. Dickinson Alice B. Nesnow Ginny Unanue Dr. & Mrs. Robert Epsten Arthur & Marilyn Neumann Carol & Lawrence Veit UNABLE TO ATTEND? LOST AND FOUND Frank A. Frye, III Craig Noel* Ha rvey* & Jordine Von Wantoch If you find you are unable to use your tickets, please give If you have misplaced a personal item while at the theatre, them to a friend, or turn them in to the Ticket Services please contact the Ticket Services Office or Security as Ro bert Gleason & Marc Matys Greg & Polly Noel Merle & Phil* Wahl Office and receive a tax receipt for your donation. Tickets soon as possible. If we are unable to locate your item, Marcy Goldstone PA CEM (Pacific Academy of Holly J. B. Ward must be received by show time. we’ll happily take down your contact information and a Carol & Don Green Ecclesiastical Music) Sheryl & Harvey P. White description of the item and contact you if it is found. The Kathryn Hattox Mrs. Margaret F. Peninger* Mrs. Jack Galen Whitney RESTROOMS Old Globe does not assume liability for items left behind on David & Debbie Hawkins Velda Pirtle* Stanley E. Willis II* Restrooms are located in the lower lobby of the Old Globe the premises. Craig & Mary Hunter Florence Borgeson Plunkert* Julie Meier Wright Theatre, the lobby of the White Theatre and adjacent to Barbara Iredale* Dolly* & Jim Poet Carolyn Yorston-Wellcome the Festival Theatre. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., Bob Jacobs Dorothy Shorb Prough* are available upon request. Please ask an usher. Joseph E. Jessop* Sa rah B. Marsh-Rebelo & John Rebelo *In Memoriam SEATING OF LATECOMERS Grace Johnston Donald & Darlene Shiley Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers J. Robert* & Gladys H. King Patsy & Forrest Shumway

39 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE0 4 Staff

Louis G. Spisto...... Executive Producer Anna Mac Donald...... Crew Chief White FINANCE Michael G. Murphy...... General Manager Kristin Bongiovanni, Bryce Davis, Chelsea Dechaine, Paula Nickodemus...... Senior Accountant Dave Henson...... Director of Marketing and Communications Sunny Haines, Suzanne A. Noll, A. Rae Simmons, Trish Guidi...... Accounts Payable/Accounting Assistant Todd Schultz...... Director of Development Noelle Van Wyk...... Wardrobe Crew Adam Latham...... Payroll Coordinator/Accounting Assistant Mark Somers...... Director of Finance Marie Jezbera...... Rental Agent Tim Cole...... Receptionist Richard Seer...... Director of Professional Training Isis Manrique...... Intern Robert Drake...... Director of Production DEVELOPMENT Roberta Wells-Famula...... Director of Education Properties Marilyn McAvoy...... Major Gifts Director Neil A. Holmes...... Properties Director Annamarie Maricle...... Associate Director, Institutional Grants ARTISTIC Kristin Steva Campbell...... Assistant to the Director Bridget Cantu Wear...... Associate Director, Planned Giving Jack DePalma...... Play Development Director Kristi Hummel-Rosen...... Assistant Eileen Prisby...... Events Manager Samantha Barrie...... Casting Director M.H. Schrenkeisen...... Shop Foreman Josh Martinez-Nelson...... Development Manager, Bernadette Hanson...... Artistic Associate Rory Murphy...... Lead Craftsman Individual Annual Giving Lindsey Steinert...... Artistic Intern Dwaine Best, Jennifer Blazek, Diane Addis...... Membership Administrator Josh Camp, Andy Estep...... Craftsperson Rachel Plummer...... Development Assistant David Medina...... Properties Buyer PRODUCTION Diana Steffen...... VIP Donor Ticketing Pat Cain...... Property Master, Globe Debra Pratt Ballard...... Associate Director of Production David Buess...... Property Master, White Ron Cooling...... Company Manager Donor Services Trevor Hay...... Property Master, Festival Carol Donahue...... Production Coordinator Lee Conavay, Monica Jorgensen, Barbara Lekes, Desiree Williams...... Company Management Assistant Pamela Malone, Richard Navarro, Stephanie Reed, Lighting Judy Zimmerman...... Suite Concierges Nate Parde...... Lighting Director Stage Management Shawna Cadence...... Lighting Assistant MARKETING Leila Knox...... Production Stage Manager Tonnie Ficken...... Master Electrician, Globe Jeffrey Weiser...... Public Relations Director Jim Dodd...... Master Electrician, White Mia Fiorella...... Audience Development Manager Technical Kevin Liddell...... Master Electrician, Festival Kelly Barry...... Publications Coordinator Benjamin Thoron...... Technical Director Jason Bieber, Meghan Bourdeau, Grayson Breen, Carolyn Stephens...... Public Relations Assistant Wendy Berzansky...... Associate Technical Director Katie Brost, Mark Dewey, Kristen Flores, Noah Gehr, Marissa Haywood...... Marketing Assistant Sean Fanning...... Resident Design Assistant Chris Givens, Areta MacKelvie, Luke Olson, Monica Jorgensen, Eric Kessler...... Assistant Technical Director Elizabeth Robson, Evan Ruwe, Steve Schmitz, Susie Virgilio...... Marketing/Events Assistants Rafael Vallejo, Ramon Wenn, Amanda Zieve...... Electricians Eliza Korshin...... Technical Assistant/Buyer Craig Schwartz...... Production Photographer Christian Thorsen...... Stage Carpenter/Flyman, Globe Kristen Flores, Steve Schmitz...... Followspot Operators Carole Payette...... Charge Scenic Artist Subscription Sales Sound Adam Bernard, Victoria Erbe, David Garcia...... Scenic Artists Scott Cooke...... Subscription Sales Manager Paul Peterson...... Sound Director Gillian Kelleher...... Master Carpenter Anna Bowen-Davies, Arthur Faro, Andy Fink, Robert Dougherty...... Master Carpenter, Festival Erik Carstensen...... Master Sound Technician, Globe Pamela Malone, Yolanda Moore, Jessica Morrow, Andrew Young...... Charge Carpenter, White Jeremy Siebert...... Master Sound Technician, White Ken Seper, Cassandra Shepard, Jerome Tullmann, Matt Clark, Chris Chauvet, Jason Chohon, Aaron Garcia, Jeremy Nelson...... Master Sound Technician, Festival Grant Walpole...... Subscription Sales Representatives Mark Henderson, Jack Hernandez, Eszter Julian, Dana Pickop...... Mic Runner, Festival Bill Kalman, Daniel Klebingat, Josh Letton, Ticket Services Laura McEntyre, Mason Petersen, Andrew Recker, ADMINISTRATION Bob Coddington...... Ticket Services Manager Brandon Resenbeck, Tom Resenbeck, Stan Stauffer, Adam Torpey...... Carpenters Brian Franko...... Assistant General Manager Marsi Fisher...... Ticket Operations Manager Eszter Julian, Jeremy Luce...... Run Crew Bryan Scott...... Executive Assistant Dani Meister...... Group Sales Manager Rebecca Johnson, Amanda Gardner...... Painters Tony Dixon, Rob Novak Information Technology ...... Lead Ticket Services Representatives Brian Abraham, Kari Archer, John Boaz, Sarah Ditges, Costumes Dean Yager...... Information Technology Manager Thad Steffen...... Information Technology Assitant Manager Katie Dupont, Stephen Greenhalgh, Merri Fitzpatrick, Stacy Sutton...... Costume Director Claire Kennelly, Cassie Lopez, Caryn Morgan, Charlotte Devaux Shields...... Resident Design Associate John Ralston...... Information Technology Assistant Carlos Quezada...... Ticket Services Representatives Maureen Mac Niallais...... Assistant to the Director Shelly Williams...... Design Assistant/Shopper Human Resources PATRON SERVICES Michelle Souza, Fay Koplovitz...... Design Assistants Sandra Parde...... Human Resources Director Mike Callaway...... Theatre Manager Erin Cass, Wendy Miller, Louise Powers, David Carson, Brian Davis...... House Managers Randal Sumabat, Marsha Kuligowski...... Drapers Maintenance A. Samantha Beckhart...... Front of House Assistant Su-Lin Chen...... Draper/Tailor Randy McWilliams...... Facilities Manager Elaine Gingery...... Food and Beverage Manager Swantje Tuohino...... Tailor Violanda Corona, Ismael Delgado, Miguel Gaspar, Haydee Aldas...... Food and Beverage Assistant Manager Roberto Gonzalez, Reyna Huerta, Jose Morales, Babs Behling, Keith Bonar, Gloria Bradford, Michael Collins, Samantha Harper, Israel Mejia, Gwen Dunham, Anne Glidden Grace, AnaMarie Nelson, Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, Leonardo Rodriguez ...... Building Staff Valerie Rhodes, Anne-Marie Shafer, Somsi Norfolk, Susan Sachs...... Assistant Cutters Ben Salazar-Dunbar...... Pub Staff Mary Miller...... Costume Assistant Rose Espiritu, Stephanie Rakowski, Maria De La Mora, Rebecca Fabares, Tracy Graham, PROFESSIONAL TRAINING Stephanie Reed...... Gift Shop Supervisors Kelly Jones, Noel Laws, Dana Linskill, Rosie Masula, Llance Bower...... Program Coordinator Michelle McCullough-Sanden, Heather Premo, Maria Carrera, Cynthia Caywood, Ray Chambers, Security/Parking Services Jordan Smiley, Joanna Stypulkowska, Gerhard Gessner, Jan Gist, Fred Robinson, Veronica von Borstel...... Stitchers Liz Shipman...... MFA Faculty Rachel “Beahr” Garcia...... Security Supervisor Erin Carignan...... Craft Supervisor Jeannie Marie Galioto, Ben Seibert, Irene Herrig...... Associate Security Supervisor Valerie Henderson, Sharon King, Stephanie Parker, George Yé...... MFA Production Staff Dallas Chang, Sherisa Eselin, Bernardo Holloway, Nicole Pullaro, Megan Schmidt...... Craft Artisans Janet Larson, Jeffrey Neitzel...... Security Officers Teri Tavares...... Dyer/Painter EDUCATION Patricia Ceja, Lee Conavay, Stephanie Eberl, Nicole Hagemeyer...... Parking Lot Attendants Molly O’Connor...... Wig and Makeup Supervisor Kim Montelibano Heil...... Education Associate Andrew Ashton, Andrew Kenz...... V.I.P. Valet Attendant Kim Parker...... Assistant to Wig and Makeup Supervisor Carol Green...... Speakers Bureau Coordinator Kristin Bongiovanni, Danielle Griffith...... Wig Assistants James Cota, Marisela De la Parra, Jo Anne Glover, Brian Hammond, Jason Maddy, Sarah Price-Keating, Beverly Boyd...... Wardrobe Supervisor Globe/White Jack O’Brien...... Artistic Director Emeritus Craig Rovere, Jennifer Barclay Newsham. .... Teaching Artists Lindsay Hall...... Wardrobe Supervisor Festival Craig Noel...... Founding Director Beth Merriman...... Crew Chief Globe

41 PERFORMANCES MAGAZINE