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1 CONTENTS Conference Steering Committee_03 Conference Overview_04 GEOcritical Fringe_05 AAANZ Book, Journal & Thesis Prizes_06 Keynote Abstracts_07 Keynote Biographies_08 DAAO Workshop_09 Sessions & Venues_10 ABSTRACTS_11 Speakers & Convenors_56 Supported by 2 CONFERENCE STEERING COMMITTEE Helene Weeding Conference Chair Tasmanian Representative, AAANZ Executive Artist; Lecturer in Painting/ Drawing and PhD candidate TCotA, Inveresk (Launceston) Sawtooth ARI Board member Marisa Molin Contemporary jeweller/ artist; Director, Sawtooth ARI, Launceston Damien Quilliam Curator of Contemporary Australian Art, QVMAG, Launceston Dr Stuart King Lecturer, School of Architecture and Design, University of Tasmania; Co-editor, Fabrications, the refereed journal of SAHANZ Dr Deb Malor University Associate, TCotA, Inveresk (Launceston) Dr Karen Hall Lecturer, Theory, TCotA, Inveresk (Launceston) Tamas Oszvald Artist; Art Education Officer, QVMAG; PhD candidate, TCotA, Inveresk (Launceston) Dr Malcom Bywaters Director of Academy and NEW Galleries, Senior Lecturer, TCotA Inveresk (Launceston) Fernando do Campo Artist, curator, writer; University Associate, TCotA, Launceston; John Monash Cultural Scholar, New York Dr Llewellyn Negrin Coordinator and Senior Lecturer, History and Theory, TCotA Hunter Street (Hobart) Maria Kunda Director of Plimsoll Gallery; Lecturer, History and Theory , TCotA Hunter Street (Hobart) MAKING IT HAPPEN BUDGET/COORDINATION/SPONSORSHIP Jess Sattler, Elk Events, Launceston WINIFRED BOOTH TRUST DAY COORDINATOR/ GEOcritical SUPPORT Gillian Marsden Artist. musician, writer; Sawtooth Board Member ROOM VOLUNTEERS Georgie Parker and Academy Gallery Volunteers; QVMAG Guides and Friends Students of TCotA and Architecture & Design, University of Tasmania, Inveresk COMPILATION OF PRESENTATIONS AND ABSTRACTS Wendy Roberts 3 CONFERENCE OVERVIEW The 2014 AAANZ Annual Conference takes place at the Inveresk Cultural Precinct, Launceston, Tasmania, 5-7 December. The first conference day is dedicated to postgraduate workshops convened by Conference Keynotes Prof. Jeff Malpas and Marian Pastor Roces, followed by two days of presentations. An optional day in Hobart at the end of the conference, on 8 December, includes a visit to MONA and a final keynote address by Dr Amanda Ravetz at TCotA, Hunter Street. The conference is hosted by the Tasmanian College of the Arts (TCotA: Launceston and Hobart) University of Tasmania, in association with the University's School of Architecture and Design, sharing the Inveresk site with TCotA; and the Queen Victoria Museum and Art Gallery (QVMAG) whose Museum shares the Stone Building with TCotA, Academy of the Arts. The theme for the 2014 AAANZ Conference was chosen not for as a specific reference to the growing field of 'geocriticism' but for the potential embodied in the conjunction of its two elements, signified in the conference logo designed by Sawtooth ARI director, Marisa Molin. GEOcritical is a concoction that both delimits and opens up creative speculation. Taking the GEO prefix sits us firmly on earth, world, ground, and by extension, in specific places and conditions of being. Importantly for this conference, it can be the place from which to speak or create. Together with GEO, 'critical' can work in at least two ways: for example, referencing critique (in speaking, writing, process, action) in both its contemporary and historical frames; or in reference to the current state of the world or earth in which artists, designers and architects must inevitably intervene. In combination, GEOcritical can drive discussion on anything from intercultural critique to biennale culture, and beyond; expose the driving issues for contemporary artists, writers, researchers, designers, curators, makers, architects and administrators coming from differently grounded and located practices; while encouraging reflection on past practices and critical turns. LOCATION, LOCATION... The Inveresk Precinct is a short walk from Launceston city centre. The Academy Gallery, Venue 9 on the Arts Tasmania ARTBIKES map of Launceston (http://www.arts.tas.gov.au/artsatwork/artbikes) is the conference hub; Venue 7, Sawtooth ARI is the host of the Friday night conference launch; Venue 1, Design Tasmania, hosts the Saturday night AAANZ Book Prizes. A hardcopy of this map and a map of the Inveresk Precinct is included in the conference pack. 4 GEOcritical FRINGE The 2014 AAANZ Conference has supported a small "fringe" of events and exhibitions to add variety to the delegate experience. All Launceston galleries are listed on the Arts Tasmania ART BIKE map of Launceston (see <http://www.arts.tas.gov.au/artsatwork/artbikes>) DO/THINK GEOCRITICALLY: WORKSHOPS FOR TASMANIANS Supported by the Winifred Booth Trust Coordinated by Gillian Marsden TCotA Inveresk/ Thursday 4 December Ross Gibson (ACT), Denise Ava Robinson (TAS), Amanda Ravetz (UK), Julie Brooke (ACT) SAWTOOTH ARI Level 1, 160 Cimitiere Street GEOcritical Conference Reception, Friday 5 December 6.00pm Opening hours: Wednesday-Friday 12.00-5.00; Saturday 10.00-2.00 December Program: Birds of a feather, Ashley Bird (TAS); New game, Nancy Mauro-Flude (TAS); Sentimental blokes, Shannon Field (TAS) In addition to the December program, and with the support of the Winifred Booth Trust, Natalie Holtsbaum (Hobart) has curated the AAANZ GEOcritical exhibition in the Front Gallery: Geocritical: don't just agitate - decorate, Sue Henderson (TAS); The appearance of colours, Anne Mestitz (TAS); Unstable objects Antonia Sellbach (TAS) THE MILL GALLERY (Above Stillwater Restaurant, 2 Bridge Street, at the Gorge end of Paterson Street) Opening night Thursday 4 December, 5.30pm Opening hours: 10.00-5.00, 7 days NEO:GEOcritical is an exhibition curated by Amanda James (Josh Foley) that playfully explores allusions to geometry, geology and all the intersections occurring between these subjects. A wilfully eclectic show, James's intention has been to present artwork that may not only examine the criticality of our human situation upon the globe but has also aimed to display and arrange the work so that the conjunctions and juxtapositions between the works within the Mill Gallery serve to enhance, disturb or exemplify the theme of GEOcritical. Tasmanian artists: Joel Crosswell, Leon Cooper, Sue Henderson, Courtney Foote, Michelle Knowles, Matt Cottrell, Adam Foster, Nathan Clark, Edna Broad, Josh Foley, Marisa Molin, Colin Langridge, Peter Sly, Erin Linhart, Irena Grant- Koch, Gillian Marsden, Penny Mason, Nathan Stent, Sean Morris Supported by the gallery, curator and artists. QVMAG - MUSEUM Inveresk, 10.00-4.00, 7 days Mark Tribe (New York), The Dystopia Files (2010-11), multi-channel video For further information see: http://www.marktribe.net/dystopia-files/ Extended viewing, Friday 5 December, to 5.00pm for conference delegates. Courtesy of the artist; supported by QVMAG Anish Kapoor: The Making of 'Dismemberment Site 1': Infinity on Trial (2011) Directed by Bridget Sutherland Previously shown 2012-13. MCA, Sydney Screening in the Auditorium, Inveresk 3, 4, 5, 8 December, during Museum hours. Courtesy of the director; supported by QVMAG 5 BOOK, JOURNAL AND THESIS PRIZES The annual Book and Journal prizes are awarded at the conference and are keenly awaited by delegates and the publishing sector. This year the awards will be made on Saturday 6 December, commencing at 5.30pm in the Claudio Alcorso Courtyard of Design Tasmania, the home of the Design Tasmania Wood Collection of contemporary wood design as well as a retail outlet for exemplary Tasmanian craft. The building itself, edging into historic City Park, is a combination of the 1896 Price Memorial Hall and the 1998- 2001 extensions by David Travalia and Rick Leplastrier. The AAANZ is the only body in Australasia to focus on art-historical studies, including museum catalogues and monographs. Prizes are awarded in the following categories: 1. Best book ($500 supported by The University of Sydney) 2. Best anthology ($500 supported by The University of Sydney) 3. Best large exhibition catalogue ($500 supported by The University of Melbourne) 4. Best small exhibition catalogue ($100 supported by The University of Western Australia) 5. Best scholarly article in AAANZ Journal ($500 supported by The University of Sydney) 6. Best essay/catalogue/book by an Indigenous Australian or New Zealand Mâori (NZ$500 supported by Christchurch Art Museum) 7. Best artist-lead publication, essay/catalogue/book (NZ$500 supported by Massey University) 8. PhD prize ($1000 supported by Taylor and Francis) Introduced in 2013, the prize is sponsored by the publishers of the ANZJA. Entrants present a brief version of their thesis to judges and audience members on Friday 5 December, before the official conference launch. 6 KEYNOTES ABSTRACTS Jeff Malpas From GEOcritical to Topo-Poeitic: Art and Design from the Perspective of Place 9.00 am, Saturday 6 December 2014, Tramsheds Theatre, Inveresk, Launceston What does it mean to be GEO-Critical, and what is the significance of the terms strangely capitalised prefix? Is GEO-critical to be understood as a relative of geo-criticism? In what way does it genuinely address the earth (which is what is named in the prefix GEO-) and how might the earth be addressed 'critically? The framework for my discussion will derive from my own notion of the topographic - the GEO-critical being taken as indicating a possible mode of topographic inquiry . I will explore the nature of topography, and of topos, in relation to notions of
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