Smash Hits Volume 10

[ JP- w^ FORTL GHTLY Hik^HM|Mi|l April19-May: 1979 Wbrds '.-^H^^^l^^^^r to the TOP / SINGUEfJ ^Squeeze includli '«\^ sm I'iRs^Spex ^^Mr Roxy ^^^^1 PLUS ^ mt Siouxsie tyes ^ 'i^P &The Banshees Ahisk Jb.^ AND SmmC' ^ Silvester IhiitSi nm. incokmr Hhfhw Wm UtfideOull out I it Grows I inside) vvords iiiiitfi (Allt''® - 1 ' \ / Have you ever felt the swef)tear•ss.r^^'^\'''.C'>, And then you kiss and th Found it's only your imadnatioii Oh yes I've sometimes fm!theJiWii^l!Gm;es%. I kiss theitfj-;; ;';//{- And then and V;-\'-^'f -I'S'^^^r, But it's only my imagin^tipKV^-, r'"-^""' l\V_'c-V^7r •'••'.'." I, -{".">; >„,'/}' Repeat chorus /'.^ l'^'' ; is silly ';, -•' Imagination l< .; , rr^'^V;^"^' ' > You go around willynilly; For I aroliqtl' ' - '- example go ;'^-, ^,'„n a\'< . \ Ci Wanting you and yn;yîaCi^p^niii¥/ijai'y^~'C'f' '^ *'.-"'•" -^ ,- y.' vou want me /, C' i\-^'' ' .} ^^j Z;) ^^ that yoiutvt(jfrtfim^' < \ ' - C^ i :JtllJî,|h^.clû«Jyd9ysun^ly.,(^^' V!^^^^ F ccôc;C-,^';^'-;-v;;j•, -;<.v-,, ,j4yrakp^^V^|«esi|wnk,of:hQn6yV,^jir^^^^^ .~^-v-i'-7v-;<iT'~;'^^î^^T'^S^^ /v'':.v;s;;i-.i,V.^r'.,X-S'-'>-; 2 SMASH HITS Ji ne»'^rhfa«Jor -^^^;^^^jfS^?!rfs^« ' ' ,lligence wsag5?Sefour f; boririy' nev\^" ' for '^^- * , pteli'S"; the wou'vf nijest ^ Ve s°'ô%"h Hits so ^-^"^-^^5sS;--'""°laog Be nds[^!%gulars'^^'''^':%'a'^-C";in"^'^''3s'ai>^' .-"•"^r^^Vdoor"^^'^'"^"-"-'^^^'^ word °;;,akeyo",Hut the chair- sh^^l'flfrien^^' aren't sdm't'^ square \A\\\\ev CoO' ^^'^ C\a\\ jvdx* .3sV^;^êet the """-^t •»««' out* ^s?asss»:^??^^ho; rrv>a?!Û<i:r^p;^'^Î"oo9sa', ôdUj^soo ^^lUv- v»st en^ 2-tS. SMASH HITS 3 SILLY Fa • mm •] THING 9f> g«* ...eevou can't C/jort/s Oh you silly thing You really gone and done It now .^ Oh you silly thing You really gone and done It now trouble there Trouble here stop t« «*• 'people i"f f„g time What's the use oJwast^.9,j,^î„d Words and music leave e Just move on by Paul Cook and What you gonna sBYf Steve Jones. YOU flonna do7 Reproduced by What uu» ^^^^^ Now VOU Ve mlSSea permission Warner SSt^thoughtyouknev. Bros Music. Repeat chorus Can you ever depend On someone you call a friend When you see them making eyes You don't even ask 'em why You don't even ask 'em why '. Repeat chorus to fade 4 SMASH HITS '.*IJV ' ! " •. "P. '." " 'A'Bf';' . And now by way of contrast .*'-. * - BRiOHT By Art Garfunfcei on CBS Records Is it a kind of dream Floating out on the tide Following the river of death dovtrnstream Oh is it a dream? There's fog along the horizon A strange glow in the sky And nobody seems to know where you go And what does it mean Oh oh is it a dream? Chorus Bright eyes burning iike fire Bright «yes how can you close and fail How can the light that burned so brightly Suddenly burn so pale? Bright eyes Words and music is it a kind of shadow by Ten Pole Tudor Reaching into the night and Vivienne Wandering over the hills unseen Westwood. Or is it a dream? Reproduced by There's a high wind in the trees permission Warner A cold sound in the air Bros Music. And nobody ever knows when you go And where do you start Oh oh into the dark Repeat chorus to fade Chorus . .„ . _ . ., Words and music by IVIike Batt. Reproduced killed Bambi? Who killed Bambi? Who killed Bambi? Who by permission April Music. killed Bambi? Who killed Bambi? Who killed Bambi? Who Bambi? Who killed Bambi? Who killed Bambi? Who killed Murder murder murder Someone should be angry The crime of the century Who shot little Bambi Never trust a hippie t love punky Bambi I'll kill to find the killer In that rotten roll army All the spikey punkers Believers in the ruins With one big shout They all cry out Who killed Bambi? Repeat chorus to fade '^: SMASH HITS S l^ H fV t o 6 SMASH HITS THEY'VE MADE one of 1979's cleverest and funniest hit singles, and now they've come up with an equally bright and tuneful good album to match. Both are called "Cool For Cats" and the group in question is Squeeze. Squeeze actually had their first hit single a year ago — remember "Take Me I'm Yours"? — but most people still know very little about them. Perhaps that's not so surprising actually, because talented and engaging as they certainly are, I doubt if they'll ever be music paper favourites simply because they're honest enough not to pretend to be artists or heroes. Confirmed jokers that they are, their madcap sense of humour generally reduces any attempt to interview them to a giggling shambles — our one included! — and that doesn't Still, here's what help either. By Ian we found out . Cranna AVERAGE age 22, all five of Squeeze come from London. happy with it. Perhaps that's Throe of the band — Chris In their early days. Squeeze were in some ways forerunners just as well, because it wasn't Difford, their clever, observant records or go were till the second try that Squeeze of kids who buy lyricist and rhythm guitarist, of the New Wave. They came up with "Cool For Cats". to see bands have got any sort Glenn Tilbrook, who writes playing short, punchy tunes It was actually written while of deep philosophies either." some of the smartest, catchiest well over a year before it — they were recording. They Unlike a lot of young bands tunes around and plays lead happened. Punks they aren't for already had the tune and Chris today, politics is something guitar, and Julian 'Jools' all are excellent musicians had just one night to produce else in which Squeeze don't Holland, who plays keyboards instance — though they were the lyrics! interest themselves. Glenn says and collects Dinky toys! — met certainly influenced by the he doesn't like being preached up six years ago. spirit of the times. UNLIKE many bands. Squeeze at in lyrics, and that he thinks They've been playing "The New Wave came along aren't particularly worried if music should be orientated together ever since, though and was still an influence on they aren't taken seriously by towards enjoyment. they only really started to take us," Glenn recalls, "even the music press. "I don't think any of us have themselves seriously when though we were already "I don't particularly want to got any strong political views beefy drummer Gitson Lavis playing that sort of material. I be taken seriously by the NME we want to push forward," joined the band three years personally picked up a lot of or anybody like that," Glen Chris says, "I don't remember ago. energy from the New Wave says. the Stones putting any heavy Gilson first met the band bands that I didn't know "No, neither do I," Chris trip across, or The Beatles, or when they were playing in a existed." agrees. "It doesn't worry me The Who — and they happen to pub in Greenwich. The 1977 and the summer of punk personally whether people take be the biggest bands in the drummer they had then got saw the mushrooming of us seriously or not. We'll either world, and that says something involved in a fight and Gilson it independent labels and new get through to people or we for saying nothing." was who picked him up and bands. Squeeze's first release, won't. I don't think there's took him to hospital. He then an EP called "Packet Of Three", much we can do to influence FROM THEIR carefree, informal came back and deputised on was among them. It appeared course of events in so far attitude to everything they drums and so impressed were on manager Miles Copeland's that as releasing records that we meet, you might be excused for the others with Gil — who'd own Deptford Fun City label. think will be taken as serious thinking that Squeeze don't previously been a session (Deptford is the suburb of in artistic statements. I don't interest themselves anything musician in recording studios, London where they all live.) think that's what we want to seriously. Not true . working with people like the Jools also has his own EP of do in the first place. We want to "We are serious when it legendary rock 'n' roller Chuck piano rockers out on the same '78". make good records that please comes to recording and live Berry — that he's been there label, "Boogie Woogie us and if they please other gigs," Glenn says. "Our ever since. What we don't (If you have difficulty obtaining others on people that's fine." approach to a gig is serious, know is if it was Gil who these' records or any Similarly, Chris doesn't fancy even if on stage we're not started the fight in the first independent labels, drop us a followed looking as if we're committed line — with SAE please — at the idea of being place! across a try put around day and night by some to seriously putting The fifth member of the band Smash Hits and we'll to reporter in search of some show. We're very intent on is also the newest, bass you in touch.) great Squeeze philosophy.

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