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50 Jaar Belpop (1968-2018)
Themalijst 50 JAAR BELPOP (1968-2018) Ter gelegenheid van het 50-jarige bestaan van de Kortrijkse Discotheek (voor de jongeren = de muziekafdeling van de bibliotheek) brachten we al een lijst met 50 hedendaagse klassieke componisten, 1 per jaar vanaf 1968. Daarna kwam de lijst met Vlaamse schlagers en nu schenken we wat aandacht aan de Belgische rock- en pop. Het is alweer een interactieve lijst geworden met aandacht voor soms zeldzame beeldfragmenten. 1968 The Pebbles Seven horses in the sky Met ‘Get around’ hadden The Pebbles hun succesformule te pakken. Met de opvolger ‘Seven horses in the sky’, deden ze het nog beter. The Pebbles namen hun eerste singles in de studio’s in Parijs op , nadien mochten ze zelfs naar Abbey Road in Londen. ‘Seven horses in the sky’ is een song die Bob Baelemans, Fred Bekky en Luc Smets in hun vast repetitielokaal hadden geschreven. Fred had met Bob al een song uitgewerkt en flarden daarvan werden in ‘Seven horses in the sky’ verwerkt. Luc kwam op de idee van de piano-intro . Voor elk nummer gingen The Pebbles binnen de groep op zoek naar de meest geschikte stem en voor dit nummer bleek dat Luc Smets te zijn. Fred Bekky wou ‘een opvallende’ intro geven en kwam aandraven met de idee van een stel op hol geslagen paarden ! Het succes bleef niet uit. De 25ste januari 1969 bereikte de single de 5de plaats in de BRT top dertig en zou pas na 11 weken uit die hitlijst verdwijnen. Ook internationaal werd het een buitengewone meevaller. The Pebbles zongen zelfs Spanje plat. -
Copyright by Craig Dwight Hillis 2011
Copyright by Craig Dwight Hillis 2011 The Dissertation Committee for Craig Dwight Hillis Certifies that this is the approved version of the following dissertation: The Austin Music Scene in the 1970s: Songs and Songwriters Committee: __________________________________ Mark C. Smith, Supervisor __________________________________ Douglas E. Foley __________________________________ Karl H. Miller __________________________________ Kevin Mooney __________________________________ Jeffery L. Meikle __________________________________ William M. Stott The Austin Music Scene in the 1970s: Songs and Songwriters by Craig Dwight Hillis, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas At Austin August, 2011 Dedication In memory of David Norman Hillis ~ Brother Valerie Ann Hillis ~ Mother Dwight Norman Hillis ~ Father Acknowledgements This project began roughly twenty years ago when I visited the American Studies Department to inquire about their graduate program. I'd been rooting around the History Department where, at age forty-one and only twenty years behind schedule, I'd finished my undergraduate degree. I had the academic bug and I wanted to move on to graduate school. Professor David Montejano was kind enough to let me sit in on one of his graduate courses to allow me to get a feel for what graduate work involved. As the seminar wound down, he suggested that I check out the AMS program on the third floor of Garrison Hall. I looked through the courses the department had been offering over the last few semesters and after noticing subjects like film history, jazz, a large collection of topics in popular culture, and seminars dealing with drugs, alcohol, and the beat generation, I knew I'd found a new home. -
?Efeî Áßaul and C/1Tary Their Very Best, on One Newwarner Bros
MAY 30, 1970 $1.00 SEVENTY -SIXTH YEAR The International Music-Record-Tape Newsweekly COIN MACHINE PAGES 61 TO 64 IMIC Publishers Col, Capitol Labels Busting Seek USSR Talks Top Billboard 'Bogus' Dealers NEW YORK -Georges Mey- tween the Soviet Union and By ELIOT TIEGEL erstein- Maigret, head of the Eastern European countries on ANGELES Warner toward some semblance of na- LOS - publishing division of the the one hand, and western Chart Survey Bros., Atlantic, Capitol and Co- "combat" against the problem. other, with a view Philips- Deutsche Grammophon tions on the lumbia have all entered into One other step which could Group, and Sal Chiantia, MCA towards increased use of each By MIKE GROSS programs of cutting off prod- be of great value to the vice president and chief of other's music and the recogni- which sell "cause" would be for some tion of rights therein. NEW YORK -Columbia Rec- uct to accounts Leeds Music, have been named tapes. agency of the industry to pub- co- chairmen of the Council for The creation of CIRMR was ords and Capitol Records led the bogus LP and singles field, respectively, These individual moves by licize arrests or civil actions International Recognition of a natural and spontaneous out- with taken by companies against pi- Music Rights (CIRMR), a body growth of IMIC II, which in the first quarter of 1970 ac- manufacturers, coupled cording to Billboard's Label stands taken by the Recording rates, believes Warner Bros. organized at the second annual brought together music execu- marketing vice president Joel International Music Industry tives from all parts of the world Share of Chart Report. -
The New Yorker-17-08-28.Pdf
AUGUST 28, 2017 5 GOINGS ON ABOUT TOWN 27 THE TALK OF THE TOWN David Remnick on Trump and the far right; eclipse addicts; the arrests of James Cromwell; the Patreon wars; the comedians’ table. PERSONAL HISTORY Ian Frazier 34 Drive Time The unexpected joys of New York by car. SHOUTS & MURMURS Jen Spyra 41 Family-Vacation Breakdown MODERN TIMES Elizabeth Kolbert 42 The Content of No Content Are the tech giants eroding democracy? A REPORTER AT LARGE Patrick Radden Keefe 46 Trump’s Favorite Tycoon Carl Icahn’s influence with the President. PROFILES Nick Paumgarten 60 Singer of Secrets What St. Vincent reveals and what she hides. FICTION Lauren Groff 68 “Dogs Go Wolf ” THE CRITICS A CRITIC AT LARGE Louis Menand 75 A new salvo from Freud’s most implacable critic. BOOKS James Wood 83 The stories of Gunnhild Øyehaug. 85 Briefly Noted THE CURRENT CINEMA Anthony Lane 86 “Logan Lucky,” “Marjorie Prime.” POEMS Craig Morgan Teicher 56 “Son” Rae Armantrout 72 “Project” COVER David Plunkert “Blowhard” DRAWINGS David Borchart, Will McPhail, Roz Chast, Liam Francis Walsh, Edward Steed, Maddie Dai, Julia Suits, David Sipress, P. C. Vey, Harry Bliss, Barbara Smaller, Carolita Johnson, Joe Dator SPOTS Anthony Russo CONTRIBUTORS Patrick Radden Keefe (“Trump’s Favor- Elizabeth Kolbert (“The Content of No ite Tycoon,” p. 46), a staff writer, is an Content,” p. 42) is a staff writer and the Eric and Wendy Schmidt Fellow at author of “The Sixth Extinction: An New America and the author of “Chat- Unnatural History,” which won a Pu- ter” and “The Snakehead.” litzer Prize for nonfiction in 2015. -
Cultural Music Perspectives
Cultural Music Perspectives: Native American, African American, and Latin American Music in the United States ©Dr. John C. Webb Professor of Music The University of Texas at Tyler Music of the Americas Fall 2014 Cultural Music Perspectives © Fall 2014 i Table of Contents Topic Page INTRODUCTION 1 Why This Book Exists 1 A Definition of Culture 1 Uncertainty 4 NATIVE AMERICAN MUSIC IN THE UNITED STATES 6 “More Than an Afterthought” 6 A Growing and Diverse Ethnic Group 6 Native American Origin “Theories” 7 Origins According to Native American Oral Tradition 8 Mound Builders – The Unknown Civilization 8 Cultural Diffences and the “Noble Savage” 11 Early Colonization to Wounded Knee 13 Scalping 14 Traditional Warfare Style 16 1763-1889 16 The Ghost Dance 23 The Wounded Knee Massacre 26 The Dark Ages after 1890 28 Indian Blood Policy, Cultural Genocide 28 Indian “Offenses” 28 Attempt to End the Reservation System (1953) 30 Summing up the Genocide 30 Education for Native Americans 31 Cultural Traditions 31 Three Definitions of Spirit 32 The Medicine Wheel 33 The Sacred Circle 35 The Four Directions 35 The Pipe 35 A Typical Pipe Ceremony 37 The Natural World 40 Native American Herbs 40 Gender Roles 44 Respect for Elders 45 Leadership Roles 45 The Sweat Ceremony 45 The Naming Ceremony 47 The Vision Quest 48 Cultural Music Perspectives © Fall 2014 ii Clans (Totems) 48 The Sun Dance 52 Masks and Paint 52 The Dream Catcher 54 Indian Time 55 Native American Spirituality 57 Musical Terms 60 Traditional Native American Musical Purpose and “Composition”