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Credentials Criteria 2018-19 Division I Men's Basketball
CREDENTIALS CRITERIA 2018-19 DIVISION I MEN’S BASKETBALL CHAMPIONSHIP The NCAA Division I Men’s Basketball Committee has reiterated its opposition to all forms of sports wagering and encourages the media to assist in the education of the public with regard to the hazards of sports wagering. Agencies shall direct requests for working media credentials for the First Four, first/second rounds and regionals to the host media coordinator, while requests for the Final Four shall be directed to the NCAA national office. If space is limited at preliminary-round sites, preference will be given to applications received before March 1. The deadline for submitting Final Four credential applications will be March 1. A “media agency” for purposes of these criteria shall mean a daily or weekly publication, cable system, radio station, television station or television network, or online entity requiring immediate news coverage. “Immediate news coverage” for purposes of these criteria shall mean that the editorial, audio and/or visual deadline for the tournament action being documented occurs not later than 48 hours after the competition at the site has been completed. Any agency that has been certified for a Final Four credential shall receive a First Four, first/second round and/or regional credential upon request. Agencies that do not meet the criteria for circulation (for print media) or designated market area (for electronic media), but represent the geographic area of a participating institution, must staff each of the participant’s previous tournament games in order to receive credentials to each subsequent game. At the discretion of the media coordinator, a minority media enterprise that does not meet established criteria may receive one media credential, space permitting. -
Nhl Media Directory 2011-12 Table of Contents Page Page Nhl Directory Nhl Media 1+/2I¿Fhv
NHL MEDIA DIRECTORY 2011-12 TABLE OF CONTENTS PAGE PAGE NHL DIRECTORY NHL MEDIA 1+/2I¿FHV ...........................................3 1+/FRP .............................................11 1+/([HFXWLYH .......................................4 1+/1HWZRUN .......................................11 1+/&RPPXQLFDWLRQV ............................4 1+/5DGLR ...........................................12 1+/*UHHQ ............................................6 1+/6WXGLRV ........................................12 NHL MEMBER CLUBS NHL MEDIA RESOURCES .................. 13 $QDKHLP'XFNV ...................................20 HOCKEY ORGANIZATIONS %RVWRQ%UXLQV ......................................27 %XIIDOR6DEUHV .....................................34 +RFNH\&DQDGD .................................260 &DOJDU\)ODPHV ...................................40 +RFNH\+DOORI)DPH .........................261 &DUROLQD+XUULFDQHV .............................46 1+/$OXPQL$VVRFLDWLRQ ........................7 &KLFDJR%ODFNKDZNV ...........................52 1+/%URDGFDVWHUV¶$VVRFLDWLRQ .........264 &RORUDGR$YDODQFKH ............................57 1+/3OD\HUV¶$VVRFLDWLRQ ....................17 &ROXPEXV%OXH-DFNHWV .......................66 3URIHVVLRQDO+RFNH\:ULWHUV¶ 'DOODV6WDUV .........................................72 $VVRFLDWLRQ ...................................263 'HWURLW5HG:LQJV ...............................78 86+RFNH\+DOORI)DPH0XVHXP ..261 (GPRQWRQ2LOHUV ..................................85 86$+RFNH\,QF ...............................262 )ORULGD3DQWKHUV ..................................92 -
Make Music With
Symphony Parnassus STEPHEN PAULSON, MUSIC DIRECTOR SAPLING HILL by KEVIN BROWN ELGAR “Enigma Variations” KORNGOLD Violin Concerto in D Major Alex Zhou, soloist CHABRIER “Joyeuse Marche” 3 P.M. SUNDAY, APRIL 7, 2019 TAUBE ATRIUM THEATER, SAN FRANCISCO 2018-19 SEASON, PROGRAM 3 About Symphony Parnassus “The best of the Bay Area’s community musicians” —Michael Tilson Thomas Longtime San Francisco residents may remember Symphony Parnassus’s ancestor, the Doctors’ Symphony, which began in 1965 when a few doctors’ chamber groups coalesced for the first time into an orchestra. Lyn Giovanniello, a recent member of our string bass section, was drafted by the Doctors’ Symphony to be their first conductor. The group met regularly and presented concerts at what was then UC Hospital through the 1970s. Almost a decade after that organization folded, biophysics graduate student and amateur cellist Jonathan Davis re-established it as the more community-oriented UCSF Orchestra. He obtained funding from UCSF and started giving concerts in the UCSF Gym in 1989. Davis was able to tap an enthusiastic, supportive pool of both amateur and professional musicians from the faculty, staff and student body of UCSF as well as the local community. The UCSF Orchestra quickly grew, attracted large live jazz audiences, and earned a reputation for outstanding performances. craft cocktails After six years at the orchestra’s helm, Jonathan Davis moved to Boston to pursue his career, and Jeremy Swerling was named music director. Two years food til late later, the orchestra elected Stephen Paulson as its third music director. After being cut from UCSF’s budget in 1999, the orchestra was reorganized as a nonprofit entity with the name Symphony Parnassus, to honor its roots in San Francisco’s Parnassus Heights neighborhood. -
2013 - 2014 Media Guide
2013 - 2014 MEDIA GUIDE www.bcsfootball.org The Coaches’ Trophy Each year the winner of the BCS National Champi- onship Game is presented with The Coaches’ Trophy in an on-field ceremony after the game. The current presenting sponsor of the trophy is Dr Pepper. The Coaches’ Trophy is a trademark and copyright image owned by the American Football Coaches As- sociation. It has been awarded to the top team in the Coaches’ Poll since 1986. The USA Today Coaches’ Poll is one of the elements in the BCS Standings. The Trophy — valued at $30,000 — features a foot- ball made of Waterford® Crystal and an ebony base. The winning institution retains The Trophy for perma- nent display on campus. Any portrayal of The Coaches’ Trophy must be li- censed through the AFCA and must clearly indicate the AFCA’s ownership of The Coaches’ Trophy. Specific licensing information and criteria and a his- tory of The Coaches’ Trophy are available at www.championlicensing.com. TABLE OF CONTENTS AFCA Football Coaches’ Trophy ............................................IFC Table of Contents .........................................................................1 BCS Media Contacts/Governance Groups ...............................2-3 Important Dates ...........................................................................4 The 2013-14 Bowl Championship Series ...............................5-11 The BCS Standings ....................................................................12 College Football Playoff .......................................................13-14 -
Sean Butson Testimony
Before the COPYRIGHT ROYALTY BOAIiD LIBRARY OF CONGRESS Washington, D.C. ) In the Matter of ) ) ADJUSTMENT OF RATES AND TERMS FOR ) Docket No, 2006-1 CRB DSTM PREEXISTING SUBSCRIPTION SERVICES ) AND SATELLITE DIGITAL AUDIO RADIO SERVICES ) 1 TESTIMONY OF SEAN BUTSON, CFA P.O. Box 6995 Dillon, CO 50435 October 2006 Table of Contents I . QUALIFICATIONS ...............................................................................................1 I1. SUMMARY OF TESTIMONY.............................................................................. 2 I11 . DISCUSSION .........................................................................................................4 A. Overview of the SDARS Industry ..........................................................................4 1. Inception of the SDARS Industry .......................................................................4 2 . SDARS Industry Participants .............................................................................5 3 Service Offerings ................................................................................................6 4 . Distribution ...................... .............................................................................. 9 5. Business Model of the SDARS .........................................................................11 B . Duopoly Dynamics of the SDARS Industry .........................................................13 C . Financial Structure of the SDARS Industry......................................................... -
How to Switch Programs on the XDS Pro Using Serial Commands Every
How to switch programs on the XDS Pro using Serial Commands Every Program transmitted via the XDS satellite system is associated with a Program ID that identifies the program to the receiver. Individual programs may be selected to the receiver’s output ports by issuing serial ID commands via the M&C (Console) Port on the back of the receiver, thereby changing the program that the receiver is decoding. If a program is selected for decoding using this method that is NOT part of the station’s list of authorized programming, it will NOT be decoded. Only programs authorized for the station that the receiver is assigned to can be decoded. Whenever possible, always use the XDS Port Scheduler as your main method of taking a program to ensure you receive the proper content. You can command the receiver as follows: 1) Start a terminal session (using HyperTerminal or equivalent) by connecting to the receiver’s M&C (Console) Port. The default settings for this Port are 115200, 8, None, 1. 2) Hit Enter. You should see a “Hudson” prompt. 3) Log in by by typing LOGIN(space)TECH(space)(PASSWORD) (Use your Affiliate NMS (myxdsreceiver.westwoodone.com) password OR you can use the receiver’s daily password (Setup > Serial # > PWD). 4) Login confirmation will be displayed (‘You are logged in as TECH’) Once you are logged in, the command to steer a Port on the receiver to a specific program PID is: PORT(space)LIVE,(Port),ID Examples: PORT LIVE,A,99 – This command will set Port A to Program ID 99 (Mark Levin) PORT LIVE,B,1196 – This command will set Port B to Program ID 1196 (CBS Sports - Tiki and Tierney) Please refer to the PID table listed below for the Program ID assignments for each program available on the Westwood One XDS receiver. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
Narrative Change in Professional Wrestling: Audience Address and Creative Authority in the Era of Smart Fans
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 1-6-2017 Narrative Change in Professional Wrestling: Audience Address and Creative Authority in the Era of Smart Fans Christian Norman Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Norman, Christian, "Narrative Change in Professional Wrestling: Audience Address and Creative Authority in the Era of Smart Fans." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/communication_diss/77 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. NARRATIVE CHANGE IN PROFESSIONAL WRESTLING: AUDIENCE ADDRESS AND CREATIVE AUTHORITY IN THE ERA OF SMART FANS by CHRISTIAN NORMAN Under the Direction of Nathan Atkinson, PhD ABSTRACT This dissertation project provides a methodological contribution to the field of critical rhetoric by positioning narrative theory as a powerful yet underutilized tool for examining the power dynamic between producer and consumer in a participatory media context. Drawing on theories of author and audience from rhetorical narratology, this study shows how producers of media texts provide rhetorical cues to audiences that allow them to reassert their power in the form of creative authority vis-à-vis consumers. The genre of professional wrestling serves as an ideal text for examining such power dynamics, as WWE has adapted to changing fan participatory behaviors throughout its sixty-year history. Focusing on pivotal moments in which WWE altered its narrative address to its audience in order to reassert its control over the production process, this study demonstrates the utility of narrative theory for understanding how creative authority shows power at work in media texts. -
Single Channel Per Carrier (SCPC) Services by Robert Smathers, [email protected]
SATELLITE RADIO GUIDE A L Single Channel Per Carrier (SCPC) Services By Robert Smathers, [email protected] An SCPC transmitted signal is transmitted with its own carrier, thus elimi- Anik E2 Transponder 1 -Horizontal (C-bandl nating the need for a video carrier to be present. Dozens of SCPC signals can be transmitted on a single transponder. In addition to a standard 1446.00 (54.0) Canadian Broadcasting Corporation (CBC) Radio -North (Ouebec) service TVRO satellite system, an additional receiver is required to receive SCPC signals. A iik E2 Transponder 5 -Horizontal (C -band) The frequency in the first column is the 1st IF (typical LNB frequency) 1366.00(54.0) Canadian Broadcasting Corporation (CBC) Radio -North (Eastern Arctic) service and the second column frequency (in parentheses) is the 2nd IF(commer- cial receiver readout) for the SCPC listing. Both frequenciesare in MHz. Anik E2 Transponder 7 -Horizontal (C -band) GE -2 Transponder -Vertical 13 (C -band) 1326.00 (66.0) Canadian Broadcasting Corporation (CBC) Radio -North (MacKenzie) service 1325.50 (65.5) Canadian Broadcasting Corporation (CBS) Radio -Occasional feeds/events 1178 70 (81 3) NASA space shuttle audio (missions only) Galaxy 4R Transponder 1 -Horizontal (C -band) Anik E2 Transponder 17 -Horizontal (C -band) 1126.00 (54.0) Conadran Broadcasting Corporation (CBC) Radio -North (Western Arctic) service 1443.80 (56.2) Voice of Free China (International Shortwave Broadcaster) Taipei, Taiwan 1125.50 (54.5) Canadian Broadcasting Corporation (CBC) Radio -North (Newfoundland and -
Credentials Criteria the NCAA Division I Men's Basketball
Credentials Criteria The NCAA Division I Men’s Basketball Committee has reiterated its opposition to all forms of sports wagering, and encourages the media to assist in the education of the public with regard to the hazards of sports wagering. Agencies shall direct requests for working media credentials for second/third rounds and region- als to the host media coordinator, while requests for the Final Four shall be directed to the NCAA national office. If space is limited at preliminary-round sites, preference will be given to applica- tions received before March 1, 2013. The deadline for submitting 2013 Final Four credential ap- plications will be March 1, 2013. A “media agency” for purposes of these criteria shall mean a daily or weekly publication, cable system, radio station, television station or television network, or online entity requiring imme- diate news coverage. “Immediate news coverage” for purposes of these criteria shall mean that the editorial, audio and/or visual deadline for the tournament action being documented occurs not later than 48 hours after the competition at the site has been completed. Any agency that has been certified for a Final Four credential shall receive a second-/third-round and/or regional credential upon request. Agencies that do not meet the criteria for circulation (for print media) or designated market area (for electronic media), but represent the geographic area of a participating institution, must staff each of the participant’s previous tournament games in order to receive credentials to each sub- sequent game. At the discretion of the media coordinator, a minority media enterprise that does not meet es- tablished criteria may receive one media credential, space permitting. -
“The Smartest Man in Football” Explains the Game
[FALL 2014] “THE SMARTEST MAN IN FOOTBALL” EXPLAINS THE GAME The Game Plan The Art of Building a Winning Football Team BILL POLIAN WITH VIC CARUCCI FOREWORD BY PEYTON MANNING As one of the most successful general managers and team presidents in NFL history, few people understand how to create a winning football team like Bill Polian, and in The Game Plan he shares that blueprint with readers. After building the Buffalo Bills team that went to four consecutive Super Bowls and taking the expansion Carolina Panthers to the NFC Championship Game just two years after the team’s creation, he was responsible for the Indianapolis Colts drafting Peyton Manning with the first overall pick in 1998, and oversaw the team’s victory in Super Bowl XLI. Now, Polian shares the lessons he’s learned in his almost 40 years in professional football. In The Game Plan, Polian details both the decisions a team needs to make in the regular season and the off-season to bring teams to the postseason, as well as the NFL’s ultimate test of a well-built team: the Super Bowl. Bill Polian and Vic Carucci take readers inside the front offices of the NFL with in-depth explorations of what a GM looks for in a coach, how teams address the draft and free agency, as well as the way philosophy, teaching, and perseverance come together to form a championship game plan. • Features in publications such as ESPN SPORTS/FOOTBALL the Magazine 6 5 9 • 256 pages • $25.95 (CAN $28.95) • cloth • Radio interviews on nationally Archival photos throughout syndicated ESPN Radio Network programs as well as NFL market ESPN ISBN: 978-1-60078-981-6 • epub: 978-1-62368-895-0 Radio affiliates kindle: 978-1-62368-896-7 • PDF: 978-1-62368-897-4 • Excerpt and features on ESPN.com Available October 2014 2 [FALL 2014] THE MEMOIR OF AMERICA’S GREATEST HOCKEY PLAYER Made in America CHRIS CHELIOS WITH KEVIN ALLEN Regarded by most as the greatest American hockey player of all time, few men have ever been as beloved by fans as Chris Chelios. -
TABLE of CONTENTS Page Page NHL DIRECTORY NHL MEDIA NHL Offices
NHL MEDIA DIRECTORY 2013-2014 TABLE OF CONTENTS PAGE PAGE NHL DIRECTORY NHL MEDIA NHL Offices ...........................................3 NHL.com ...............................................7 NHL Executive .......................................4 NHL Network .........................................8 NHL Communications ............................4 NHL Studios ..........................................9 NHL Green ............................................6 NHL MEDIA RESOURCES ...................10 NHL MEMBER CLUBS Anaheim Ducks ...................................22 ADDITIONAL NHL INFORMATION Boston Bruins ......................................28 Critical Dates, 2013-2014 ....................12 Buffalo Sabres .....................................35 NHL Officials ........................................20 Calgary Flames ...................................42 Realignment ........................................15 Carolina Hurricanes .............................48 Playoff Format .....................................17 Chicago Blackhawks ...........................54 Schedule Format .................................16 Colorado Avalanche ............................59 HOCKEY ORGANIZATIONS Columbus Blue Jackets .......................67 Dallas Stars .........................................73 Hockey Canada .................................253 Detroit Red Wings ...............................79 Hockey Hall of Fame .........................254 Edmonton Oilers ..................................86 NHL Alumni Association ......................19