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Biography – Biographie Henri Goetz dans son atelier rue de Grenelle à Paris en 1989 Biography 1909 Birth of Henri Goetz in New York, in an American family of French origins. 1930 After studying at the M.I.T. (Massachusetts Institute of Technology) and at Harvard University in Cambridge, as well as getting a private teaching of drawing and painting, he studies at the Grand Central Art School in New York. He leaves the United States for France. In Paris, he frequents the Julian academy, the Montparnasse Art studios including the Ozenfant studio. He mainly devotes his time to portrait painting, in a quite realistic style. 1934 He meets Victor Bauer who introduces him to surrealistic painting. His work is influenced by expressionism, fauvism and cubism. 1935 Settled in France for good, Goetz marries Christine Boumeester, a painter he met at the Grande Chaumière. He discovers Picasso and Klee's works. He makes the first of his non-figurative pain- tings. He strikes up a friendship with Hans Hartung who introduces him to the circle of avant- garde painters; as a result of this, he meets Léger and Kandinsky. Henri Goetz et son père 1936 He is now a non-figurative artist, but with a surrealistic spirit. He exhibits his works in the Salon des Superindépendants. 1937 His first own exhibition in the Galerie Bonaparte (Van Leer), on the rue Bonaparte in Paris, with Christine Boumeester. He makes friends with Gonzales, Fernandez, Domela, Vulliamy, Veira da Silva, Schneider, Dominguez, Szenes, Arp, Kandinsky, and Van Tongerloo. 1938 He meets André Breton and the surrealists; he paints the "corrected masterpieces" - as Breton will call them - made with tempera and an egg-based painting on photographic reproductions of mas- terpieces, in a kind of posthumous collaboration with the late masters. Goetz and his wife put up Hans Hartung at their place. 1939 Beginning of the war years; they live clandestinely because of his American nationality and his activities in the Resistance. Goetz and Christine meet up with Ubac, Magritte and the other Belgian artists in Carcassonne. Back in Paris, they start "La main à la plume" with Christian Dotremont and Ubac, the first surrealist review to be issued under the Occupation. Henri Goetz avec ses beaux-parents 8 Henri Goetz dans son atelier de la rue Bardinet à Paris en 1934 Biographie 1909 Naissance de Henri Goetz à New York, d'une famille américaine d'origine française. 1930 Après des études au M.I.T. et à l'université de Harvard, à Cambridge, parallèles à un enseigne ment privé de la peinture et du dessin, études à la Grand Central Art School de New York. Il quitte les Etats-Unis pour la France. A Paris, il fréquente l'académie Julian, les ateliers de Montparnasse, dont l'atelier Ozenfant. Il se consacre surtout à la peinture de portrait, dans un style assez réaliste. 1934 Rencontre avec Victor Bauer qui lui fait connaître la peinture surréaliste. Son art est influencé par l'expressionnisme, le fauvisme et le cubisme. 1935 Définitivement établi en France, Goetz épouse Christine Boumeester, peintre qu'il rencontre à la Grande Chaumière. Il découvre la peinture de Picasso, de Klee. Premières peintures non figuratives. Il se lie avec Hans Hartung qui l'introduit dans le cercle des Henri Goetz et sa mère peintres d'avant-garde ; c'est ainsi que Goetz rencontre Léger et Kandinsky. 1936 Désormais non figuratif, mais avec un esprit surréaliste. Expose au Salon des surindépendants. 1937 Première exposition particulière à la galerie Bonaparte (Van Leer), rue Bonaparte à Paris, avec Christine Boumeester. Se lie d'amitié avec Gonzales, Fernandez, Domela, Vulliamy, Vieira da Silva, Schneider, Dominguez, Szenes, Arp, Kandinsky, Van Tongerloo. 1938 Rencontre André Breton et les surréalistes ; Henri Goetz peint les "Chefs d'œuvres corrigés" ainsi nommés par André Breton exécutés à la tempéra et à la peinture à l'œuf sur des reproductions photographiques d'œuvres de maîtres, dans une sorte de collaboration posthume avec ces derniers. Goetz et son épouse hébergent chez eux Hans Hartung. 1939 Années de guerre et de clandestinité à cause de sa nationalité américaine et de ses activités de résistant. Goetz et Christine rejoignent Ubac, Magritte et les autres artistes belges à Carcassonne. Rentrés à Paris, ils fondent avec Christian Dotremont et Ubac "La Main à la Plume", première revue surréaliste sous l'Occupation. Henri Goetz adolescent 9 1940-41 Goetz makes numerous watercolour illustrations (only one copy of each) for Eluard, Hugnet, Fourcade… 1942 Exhibition with Christine Boumeester at the Jeanne Bucher Gallery in Paris; illustration for "La femme facile" by Hugnet for Jeanne Bucher 's publishing house. They become Picasso's friends. Goetz has to take refuge in the South of France, where he meets Arp, Magnelli and de Staël. As a consequence, de Staël makes his first abstract painting, fruit of Goetz, Nicolas and Jeannine de Staël's collaboration. Goetz and Christine meet the Picabias in Cannes, they become close friends. Picasso, Henri Goetz et Pignon en 1953 1943 Goetz starts the lithograph illustrations for Explorations, a book whose text is by Francis Picabia, published in 1945 by the Editions Vrille. He also meets Pierre Bonnard in Le Cannet. 1944 Goetz goes back to Paris with Christine. 1945 He presents a radio programme on the Radio Diffusion Française, the first weekly programme dedicated to modern and contemporary painting. He frequently sees Picabia, Picasso, Braque, Hartung, Soulages, Schneider, Brancusi and Kandinsky. 1946 "10 ans de peinture" (10 Years of Painting) exhibition at the Breteau Gallery in Paris. 1947 Alain Resnais shoots "Portrait de Henri Goetz" for the Musée d'Art Moderne (Museum of Modern Art) in Paris, a short 16mm film in which, for the first time, an artist is painting before a camera. 1948 The "Nourritures terrestres" publish an album of etchings by Goetz. Goetz founds the "Graphies" group with Christine, Flocon and Ubac. 1949 Goetz illustrates numerous small volumes of poems. His wife and he get the French nationality. 1950 He makes the film set for "Histoire d'Agnès" (The Story of Agnès) by Roger Livet. He starts tea ching painting at the Ranson Academy where he will stay until 1955. 1955-64 He runs painting courses at the Grande chaumière Academy (until 1960), and successively in Notre-Dame des Champs, Raspail, Fréchet and Malebranche academies, as well as in the Fontainebleau Conservatoire. He also runs etching lessons in several Fine Arts schools. He starts his researches on the technique of pastel. Christine Boumeester et Henri Goetz, boulevard du Montparnasse en 1950 1965 He opens his own academy in the premises of the former André Lhote Academy, where he will teach voluntarily until 1984. 1967 Henri Goetz is made Chevalier de l'Ordre des Arts et des Lettres (a French honorific distinction). 1968 La gravure au carborundum (The Carborundum Etching), a treatise about "Goetz's method", the latter having been perfected after long researches on the technique of etching, is published. It is prefaced by Miro and published by the Maeght Gallery, then republished by the same gallery. 1969 Goetz runs painting and etching classes at the Université de Vincennes. 1970 Goetz becomes a member of the "one percent Commission", in favour of the decorating of public buildings. 1971 Christine Boumeester dies in Paris on the 10 th of January. 1979 Goetz makes his first heated pastels on paper. He prepares his own papyrus, which he then uses as a support. 1983 Creation of the Goetz-Boumeester Gallery in Villefranche-sur-Mer. Christine Boumeester et Hans Hartung 1988 Goetz prefaces Christine Boumeester, published by Cercle d'art. en 1936 dans l’atelier de la rue Daguerre 1989 He dies in Nice on the twelfth of August. His works are exhibited in more than a hundred galleries and institutions. 10 1940-41 Goetz exécute de nombreuses illustrations à l'aquarelle (en exemplaires uniques) pour Eluard, Hugnet, Fourcade... 1942 Avec Christine Boumeester, exposition à la galerie Jeanne Bucher à Paris et illustration de La Femme Facile de Hugnet pour les Editions Jeanne Bucher. Ils se lient avec Picasso. Il doit se réfugier dans le Midi, où il retrouve Arp, Magnelli et de Staël. Il en résulte la première toile abstraite de Nicolas de Staël, fruit de la collaboration de Goetz, Nicolas et Jeannine de Staël. Goetz et Christine rencontrent à Cannes les Picabia, avec lesquels ils se lient d'amitié. 1943 Goetz commence les lithographies pour le livre Explorations, textes de Francis Picabia, paru en 1945 aux Editions Vrille. Jacques Villon et Henri Goetz à Fontainebleau Il rencontre Pierre Bonnard au Cannet. Tirage Quentin d’Ajois, 1955 1944 Il rentre à Paris avec Christine. 1945 Goetz présente à la Radio Diffusion Française la première émission hebdomadaire sur la pein- ture moderne et contemporaine. Il fréquente Picabia, Picasso, Braque, Hartung, Soulages, Schneider, Brancusi et Kandinsky. 1946 Exposition 10 ans de peinture à la galerie Breteau à Paris. 1947 Alain Resnais tourne "Portrait de Henri Goetz" pour le Musée d'Art Moderne de Paris, court métrage en 16mm dans lequel, pour la première fois, un peintre exécute une œuvre devant la caméra. 1948 Goetz publie aux Editions Les Nourritures Terrestres un album de gravures. Il fonde avec Christine, Flocon et Ubac le groupe "graphies". 1949 Il illustre de nombreuses plaquettes de poèmes. Goetz et son épouse sont naturalisés français. 1950 Il exécute les décors du film Histoire d'Agnès de Roger Livet. Il commence à enseigner la peinture à l'académie Ranson jusqu'en 1955. 1955-64 Il dirige des cours de peinture successivement aux académies de la Grande Chaumière (juqu'en 1960), Notre-Dame-des-Champs, Raspail, Fréchet et Malebranche, ainsi qu'au Henri Goetz dans son atelier rue Daguerre Conservatoire de Fontainebleau.
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