Deficits and Deficient Thinking Democracy In
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Community College Board: Anita Martinez
The Harvey Milk LGBTQ Democratic Club Questionnaire for November 2020 Dear Candidates and Ballot Measure Representatives, Congratulations on declaring your candidacy! The Harvey Milk LGBTQ Democratic Club invites you to get to know us a little better as we plan our endorsements for the November 2020 election. There are a few steps in our endorsement process: 1. Complete and submit your questionnaire by July 23rd 2. Sign up for an endorsement interview 3. Interview with the club on either July 25th or 26th via Zoom From there, our PAC will vote on endorsement recommendations on Tuesday, August 11th, with the final endorsement vote taking place at our general membership meeting on August 18th. Your participation in our Club’s questionnaire and interviews will allow our Membership to better understand who you are, what you stand for, and what you plan to accomplish if you are elected to office. There are three parts to our questionnaire, plus additional questions for individual offices: Part 1 is a series of short-answer questions, with a 150-word limit on answers. Part 2 is a series of Yes or No questions covering a broad set of issues. Part 3 covers whom you have endorsed for office currently and in the past. Please return your completed questionnaire to [email protected] and to [email protected] no later than July 23rd. In addition to this questionnaire, we invite you to participate in a recorded video interview on Zoom with Club leadership on either July 25th or July 26th from 10am to 5pm. This virtual interview replaces the typical in-person presentation to our Membership, and the recording will be shared with our Members ahead of our endorsement recommendation and final vote. -
Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
Grand Jury Investigation of the May 21St Riot
.11» I* r.iiu .iiii\ I n I, ii»«’ t •immimu .im »• 1 T J ^au JFramiiUit ( E r u H a iip r ‘A ÌLiulit nt’ llniirrtìtum'ituu tur All iKii: **The oniy M Y publication that canno't be **bousht**! Ttuth ii our only weapon and iustice our defender.*' ISSUE 84 SEPTEMBER 18. 1979 “Our 8th Year’ Grand Jury Investigation of the HO OPOi M ay 21 st R io t The election of Harry Britt to the Board of Supervisors may hang on statements regarding the May 21st “gay” riots at City Hall, allegedly, to protest the light sentence of former Supervisor Dan White who got only 7 years for two assassinations, (Mayor George Moscone and Supervisor Harvey Milk). The new Grand Jury, as the former Grand Jury, has brought before it various people who were at City Hall the night of the riot and those who had information on the “conspiracy to riot” that May 21st night. Harry Britt, an appointed Member of the Board of Supervisors, defend ed the riots, on numerous occasions, much to the shock of many gays. Britt has repeatedly told people that he “had no regrets” about tfie actions by the rioters that night. He has told people that the anger that gays felt at the verdict had to l>e expressed. He said he would not apol ogize for any statements that he has made about the riots. To which attorney Terence Hallinan. who has “credentials” in the field of radical politics, particularly at ,San Francisco State in 1969 and other areas, has replied; “If Harry Britt is re-elected to the Board of Supervi sors, following his conduct at City Halt (May 21st), it would be like electing Nero to the Roman Senate after Rome burned.” Britt was brought before the Grand Jury this past summer, in fact he was number.two to testify, and he was followed by the Rev. -
Magazin Ausgabe 05
2 Oldie Markt 05/04 Plattenbörsen Oldie Markt 05/04 3 Plattenbörsen 2004 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teu- ren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher, Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. Mai Saarbrücken Congresshalle ReRo (02 34) 30 15 60 1. Mai Frankfurt/Main Jahrhunderthalle Wolfgang W. Korte (061 01) 12 86 62 2. Mai Nürnberg Meistersingerhalle First & Last (03 41) 699 56 80 2. Mai Wiesbaden Kurhaus ReRo (02 34) 30 15 60 8. Mai Salzburg/Österreich Kleingmainer Saal Werner Stoschek (085 09) 26 09 9. Mai Dortmund Westfalenhalle-Goldsaal Manfred Peters (02 31) 48 19 39 9. Mai Köln Tanzbrunnen Wolfgang W. Korte (061 01) 12 86 62 9. Mai Innsbruck/Österreich Hüttenberger Saal Werner Stoschek (085 09) 26 09 15. Mai Halle Händelhalle First & Last (03 41) 699 56 80 16. Mai Dortmund Westfalenhalle 2 ReRo (02 34) 30 15 60 16. Mai Berlin Berlin-Arena First & Last (03 41) 699 56 80 16. Mai Linz/Österreich Volkshaus Bindermichl Werner Stoschek (085 09) 26 09 22. Mai München Kolpinghaus Werner Stoschek (085 09) 26 09 22. Mai Amsterdam/Holland Jaap Edenhal ARC (00 31) 229 21 38 91 23. Mai Münster Halle Münsterland ReRo (02 34) 30 15 60 23. -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
Discografia King Crimson
Discografia king crimson Continue 1992 The Great Deceiver -- Live 1973-1974 Registrato dal vivo durante il Tour Heavy Horses in Europe (1978). CD 1 - Things aren't as they seem... Theatre Registry Al Palace, Providence, USA, il 30 giugno 1974. 1 - Walk by ... No Pussyfooting - 0:52 2 - Lark Languages in Aspic, Part 2 - 6:12 3 - Crying - 4:04 4 - Exiles - 7:00 5 - Journey to the Center of Space - 14:4 1 6 - Easy Money - 7:14 7 - Providence - 9:47 8 - Rift - 10:47 9 - Starless - 11:56 CD 2 - Hand sleight of hand Tracce 1-2 registered Al Palace Theatre, Providence, Stati Uniti d'America, il 30 giugno 1974. Tracce 3-11 registrar Al Apollo, Glasgow, GB, il 23 ottobre 1973. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, Stati Uniti d'America, il 29 giugno 1974. 1 - 21st Century Schizoid Man - 7:32 2 - Walk from Providence ... No Pussyfooting - 1:15 3 - Sharks lightweight at Lemsip - 2:38 4 - Lark tongues in Aspic, Part One - 7:25 5 - Saturday Book - 2:49 6 - Easy Money - 6:43 7 - We Let You Know - 4:54 8 - Night's Watch - 4:5 5 4 9 - Tight Scrummy - 8:27 10 - World: Theme - 1:01 11 - Cat Food - 4:14 12 - Easy Money - 2:19 13 - ... It's for you, but not for us - 7:25 CD 3 - ... Acts of Deception Tracce 1-11 Registration Al Stanley Warner Theater, Pittsburgh, USA, il 29 aprile 1974. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, USA, il 29 giugno 1974. -
Of Virtual Spatiality: Surround Sound Mixing in King Crimson's Back
Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Burlin, T. (2019). The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets. In J.-O. Gullö (Ed.), Pro- ceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 37-53). Stockholm: Royal College of Music (KMH) & Art of Record Produc- tion. ISBN 978-91-983869-9-8 © The editors and authors own the copyright of their respective contrubutions. Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Abstract: The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspec- tives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to be mixed according to the direct/ambient principle, while studio re- cordings are mixed according to the principle of direct-sound all around. Live recordings in surround can also often be understood as examples of documentarism, and studio recordings as examples of hyper realism. The spatial design of the surround mix tends to emphasize aspects of spatiality in the broad sense: where the recording can, for example, be interpreted as a landscape in sound. Introduction This essay discusses some tendencies in the emerging conventions in con- temporary surround mixing of popular music. -
Dissertation Reconsidering Randy Shilts
DISSERTATION RECONSIDERING RANDY SHILTS: EXAMINING THE REPORTAGE OF AMERICA’S AIDS CHRONICLER Submitted by Andrew E. Stoner Department of Journalism and Technical Communication In partial fulfillment of the requirements For the Degree of Doctor of Philosophy Colorado State University Fort Collins, Colorado Fall 2013 Doctoral Committee: Advisor: James C. Landers Joseph E. Champ Patrick D. Plaisance Michael J. Hogan Richard Breaux Copyright by Andrew E. Stoner 2013 All Rights Reserved ABSTRACT RECONSIDERING RANDY SHILTS: EXAMINING THE REPORTAGE OF AMERICA’S AIDS CHRONICLER The role of openly-gay reporter and author Randy Shilts (1951-1994) is examined related to his use of journalistic practices and places him on a continuum of traditional reporting roles as considered in the context of twentieth century philosophers Walter Lippmann and John Dewey. Reporter functions demonstrated by Shilts are examined, including those dictated by expectations of either strong journalistic influence over society and media consumers, or those more aligned with democratic practices where education and participation emphasize strong roles for society and media consumers. Using a biographical approach including 17 primary source interviews of former colleagues, critics, sources and family/friends, the examination of Shilts’s work as both a reporter and noted author is presented as being heavily influenced by his forthcoming attitudes about disclosure of his sexual orientation from the start of his career and his desire to explain or unpack aspects of gay culture, and ultimately the AIDS crisis, to heterosexual audiences. Careful examination of the posthumous critique of Shilts’s work – including his construction of Patient Zero – is undertaken. The study concludes that Shilts fully engaged a Lippmann-esque approach embodied in an authoritarian role for journalism that sought to change the world in which it was offered, and did so perhaps most influentially during the earliest days of the HIV/AIDS pandemic in America. -
Harry Britt Papers
http://oac.cdlib.org/findaid/ark:/13030/c81r6xbb No online items Harry Britt Papers Finding aid created by James C. Hormel LGBTQIA Center staff using RecordEXPRESS San Francisco Public Library. James C. Hormel LGBTQIA Center San Francisco Public Library 100 Larkin Street San Francisco, California 94102 (415) 557-4567 [email protected] http://sfpl.org/gaylesbian 2019 Harry Britt Papers GLC 154 1 Descriptive Summary Title: Harry Britt Papers Dates: 1979-1994 (bulk 1979-1989) Collection Number: GLC 154 Creator/Collector: Britt, Harry, 1938- . Extent: 23 cubic feet (23 boxes), 2 oversized flat boxes Repository: San Francisco Public Library. James C. Hormel LGBTQIA Center San Francisco, California 94102 Abstract: The papers contain correspondence, subject / issue files, press coverage and clippings, budgets, campaign materials, photographs, and other ephemera of Harry Britt, a political activist and a member of the San Francisco Board of Supervisors (1979-1993). Language of Material: English Access The collection is available for use during San Francisco History Center hours. It is unprocessed; please consult inventory to request boxes. Publication Rights Copyright retained by Harry Britt. Preferred Citation Harry Britt Papers. San Francisco Public Library. James C. Hormel LGBTQIA Center Acquisition Information Donated by Harry Britt, 1995. Biography/Administrative History Harry Britt (born June 8, 1938) is a political activist and former member of the San Francisco Board of Supervisors. Openly gay, he was appointed to complete the term of slain supervisor Harvey Milk, and ran for a seat on the board for many years after. Britt served from January 1979 until January 1993. He introduced domestic partnership legislation in 1982 which was passed by the Board but vetoed by Mayor Feinstein. -
Iii ~Ii~I~Ii~ Iii E 2 a E ;
Date Printed: 06/16/2009 JTS Box Number: lFES 75 Tab Number: 51 Document Title: San Francisco Voter Information Pamphlet & Sample Ballot Document Date: Nov-91 Document Country: United States California Document Language: Spanish lFES ID: CE02079 III ~II~I~II~ III E 2 A E ; . m~Ilj]~Jii Ij{$62~$79 1¥r J!mm HIU9H±[jli ~1JnmQ.t~~~il, 4~H7\~.mAilcZWJ~Hl, fi~LlJ~+{§IJ)t~. ~~ttfllt11r¥Jc{!E{t~ .' ~~~~*-WJ¥. ~trt~Jb{t:t£ 1991 $11 A 5 s~.S~1JnIfp, 1t-~WJ~~. 1f~f\I'~1fflg:tY{E~. S ( 4ij:$+-A ~-1IM'-M::.&4ij:I%-$IY-J/\A ) ~1JnIfFlY-J A, "ilW liP $"ilW • WJ~~ f{~~.iflY-J, ~ffli¥ml~jlz~[jlij{#IY-J, Ij{ $79. WJ~~ f{~ 1l • if IY-J, Ij{$62.IfF~~~L~/\~~~*~r~n~~+~~.~M~:t£-~IfF, ~ r~-tr~~IH#~. ~~--I1~&~lY-Jf~l¥r~~lY-Jmmm~, 1PJ~)z.Tm~IY-J-0~~ ••. mi&Jff:E].:t£~~$"ilW, U~r~:t££M-~£M.li, L~/\.~~~rlpgg~~~r~ ~*mi&Jff."ilW.~$"ilW~~{tIY-J~[jli. REGISTRAR OF VOTERS - POLl WORKER APPLICATION I am a Resident of San Francisco and a REGISTERED VOTER of San Francisco. I hereby request to work during the Municipal Election to be held on Tuesday, November 5, 1991. Date of Birth IMo I o. I V,) Your Signature [IJ IT] IT] Print Your First Name MI Print Your Last Name 1 1 1 1 1 1 1 I. 1, liD ,.---rI---r"I-r-1--'--1 ~I ~I~I 1---r"1-r-1 -'--1 -'-1 -'--1 ~II Print Your Resi~ence Address . -
King Crimson Alla Corte Del Re Cremisi
King Crimson Alla Corte del Re Cremisi in memoria di Brian Jones, con varie formazioni (Battered Ornaments, Third Ear Band, Family, Alexis Korner e Screw), ma sono proprio Fripp & Co. a lasciare il segno più tangibile nella serata davanti a 600.000 spettatori entusiasti. Il 10 ottobre è una data da circoletto rosso, viene, infatti, pubblicato uno dei dischi più affascinanti e innovativi della storia del rock: In The Court Of Crimson King (sottotitolato An Observation By King Crimson). E’ quasi impossibile trovare nel panorama musicale un'opera d'esordio così complessa e perfetta, illuminata dai testi di Pete Sinfield, reale quinto uomo in campo. Le sue liriche - essenziali, epigrammatiche, fantastiche e paranoiche - attingono dalla letteratura favolistica medioevale britannica e dall'elegia sepolcrale inglese del Settecento. Si passa dai riff graffianti e penetranti di 21st Century Schizoid Man, all'intensa magia di I Talk To The Wind, al respiro epico di Epitaph fino al sontuoso finale di The Court Of The [Le catene arrugginite delle prigioni- In assoluto tra i gruppi più amati e Crimson King dove viene presentata apprezzati dall'esigente popolo al gran completo la folle e bizzarra luna sono infrante dal sole/Cammino progressivo, i King Crimson si Corte del Re Cremisi. Greg Lake, per una strada, gli orizzonti cambiano formano ufficialmente il 13 gennaio spettacolare al basso, mette in viva l'inizio del torneo/Il pifferaio viola del 1969 quando quattro giovani e luce la duttilità del proprio canto, valenti musicisti (Robert Fripp, Ian mentre Ian McDonald recita a inizia il suo pezzo, il coro canta McDonald, Greg Lake e Mike Giles) meraviglia la parte del tastierista in dolcemente tre cantilene in una si ritrovano per la prima volta a tempesta con pizzicate agili e vecchia lingua per la Corte del Re suonare al Fulham Palace Cafe di nevrotiche. -
Ophelia S Shadow
OPHELIA ’S SHADOW t oyah OPHELIA ’S SHADOW 1 OPHELIA’S SHADOW 2 Gunn/Willcox/Geballe/Beavis THE SHAMAN SAYS 3 Geballe/Willcox BRILLIANT DAY 4 Willcox/Fripp/Gunn/Beavis PROSPECT 5 Geballe/Willcox TURNING TIDE 6 Geballe/Willcox TAKE WHAT YOU WILL 7 Gunn/Willcox/Geballe/Beavis GHOST LIGHT 8 Gunn/Willcox/Geballe/Beavis THE WOMAN WHO HAD AN AFFAIR WITH HERSELF 9 Geballe/Willcox HOMEWARD 10 Geballe/Willcox LORDS OF THE NEVER KNOWN Willcox/Fripp/Gunn/Beavis IF I WERE TO BE ASKED WHICH OF MY ALBUMS WERE MY FAVOURITES, MY ANSWER WOULD BE SHEEP FARMING IN BARNET because of its youthful naivety, Love Is The Law because it has a freedom about it’s style of writing, but above those I would rate Ophelia’s Shadow as the one album I made that truly represents me. It was planned as part two of a trilogy, Prostitute being number one, and was made during a more settled period in my life. Prostitute had proved itself a small critical hit which gave me a lot of freedom as a solo artist and producer to call the shots on a larger album using a full band. It was recorded at the same time as I was writing and performing for the band that I had with my husband Robert Fripp, Sunday All Over The World. Creatively I felt I had escaped the tag of being an Eighties pop star and was dawning on a new future as a true musician/songwriter. At the same time I was appearing in the Christmas show Whale at the National Theatre, so life felt good and on track.