King Crimson Est Un État D’Esprit
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Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
King Crimson Collectors' Club (1969-1974)
King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 King Crimson 1 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 Collectors' Club (1969-1974) di Gianluca Livi Articolo originariamente apparso in due puntate sui nn. 35 e 37 (rispettivamente Marzo/Aprile e Luglio/Agosto del 2008) di "Musikbox. Rivista di cultura musicale e guida ragionata al collezionismo", qui pubblicato, con alcune varianti, per gentile concessione dell'autore. Premessa (2008) Alla fine degli anni '90, stanco dei bootleg, Robert Fripp decise di commercializzare ufficialmente alcuni live dei King Crimson su cd, muovendo dal presupposto che, se fino a quel momento i fan avevano acquistato materiale del gruppo dal vivo di scarsa qualità, facendo guadagnare esclusivamente biechi 2 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 imprenditori pirata, poteva egli stesso vendere le medesime esibizioni, ufficializzandone l'uscita sul mercato discografico e, congiuntamente, perseguendo anche un (legittimo) fine di lucro. Poiché anche parte delle registrazioni in suo possesso erano qualitativamente scadenti, conscio dell'impossibilità di immetterle nel mercato senza suscitare polemiche, decise di distribuirle solo agli iscritti di un club, il cosiddetto “Collector's Club”. Coloro che vi avessero aderito, previo versamento di una cifra iniziale abbastanza consistente, avrebbero ricevuto i titoli pubblicati di volta in volta, vedendosi scalato il valore di ogni singolo disco dalla quota d'iscrizione. L'iniziativa andò avanti con ottimi risultati fino al 2002, quando - abbandonato definitivamente il metodo dell'iscrizione al Club - i cd furono inseriti nel catalogo della DGM, unitamente ad album ufficiali dei Crimson e di altri artisti della scuderia. -
78071 187 14782.Pdf
03 "Se han convertido en una de esas bandas que están más allá de los géneros" “Tuvo muy buen muy recibimiento, pero casi inmediatamente“Tuvo después se transformó en una rareza, era difícil de pillar. id Smith, colaborador de las presti- ro 30, pensé que sería bueno hacer la versión que ejercen escapa a los confines del rock progresivo y giosas revistas Prog Magazine, MOJO, nueva para esa fecha, veinte años después. Por creo que la razón es que la música creada por la banda Classic Rock y Record Collector —en- fortuna, fui capaz de sacarlo a tiempo”, dice desde los sesenta y setentas, hasta los años ochenta, ha tre otras— mantuvo desde el año 1999 riendo. Esquizoides en el siglo XXI cubierto mucho terreno estilísticamente. No solo han un blog en el sitio oficial de King Crim- tocado un único tipo de música. Los discos que van des- Sson, posteriormente llamado Krimson News y -Imagino que nunca pensaste ver a King Crim- de In the court of the Crimson King hasta Discipline en luego Postcards from the yellow room. En el son activo 50 años después de su creación. Al el 81 -e incluso más allá, como Thrak en 1994-, casi to- año 2001 editó la biografía titulada In the court comienzo el proyecto se disolvió apenas se lan- dos suenan diferentes, en especial los primeros cuatro. of King Crimson, coincidiendo con el aniversa- zó el disco debut, y ha pasado por muchos quie- Incluso así, todos suenan como King Crimson. rio número 30 de la banda. ¿Por qué? “La res- bres en su historia. -
Steve Smith Steve Smith
• SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades. -
SUMMIT ERALD Serving Summit Since 1889
Summit Sales Days, Today, Tomorrow av* Saturday '*r*,. SUMMIT ERALD Serving Summit Since 1889 Entarad • Swond Claa) Mimr at DM POM OffKt at Summit. N J. 07901. Undir ttw Act of March 1.1679 VOL. 88 NO. 11 273-4000 Swond ClaM P«t*a PaM at Summit, N. A THURSDAY, JULY 22,1976 $7 A YEAR 164 Fact Finder Broughf In Chamber Outing Board of Education, Set for Aug. 2 The 35ih annual summer outing of the Chamber of Teachers Still at Odds Commerce of Summit, New Providence and Berkeley Heights, will be held this year on Monday, August 2 with A fact-finder met with If both groups reject the until the matter is decided, golf and dinner at Canoe Brook Country Club and fishing .representatives from the report, we star! all over but they do not lose as any at Atlantic Highlands. teachers and the Board of again at the beginning. The salary raise is made The golf outing will include competition for the Summit Kduc-ation Monday night but hope is that when the report retroactive. iieraia Trophy, on annus! award, and the Summit nothing was resolved. is made public, the weight of Anne Grimes, a parent, Service Club Trophy including players from Kiwanis, "We declared an impasse public opinion will force a isaid at a Board meeting Ifiat Lions and Rotary Hubs. Starting time is 9:30 a.m. Golf in mediation and the next settlement," the Board week "I'd like to see both chairman is Jimmy Piana. stage was fact-finding member said .sides locked in a room with For those who wish to fish, participants should meet at where a third party comes The salary negotiations bread and water until it's Atlantic Highlands with Captain Doc Perlman and Cliff in," Dr, Lemuel C. -
Magazin Ausgabe 05
2 Oldie Markt 05/04 Plattenbörsen Oldie Markt 05/04 3 Plattenbörsen 2004 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teu- ren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher, Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. Mai Saarbrücken Congresshalle ReRo (02 34) 30 15 60 1. Mai Frankfurt/Main Jahrhunderthalle Wolfgang W. Korte (061 01) 12 86 62 2. Mai Nürnberg Meistersingerhalle First & Last (03 41) 699 56 80 2. Mai Wiesbaden Kurhaus ReRo (02 34) 30 15 60 8. Mai Salzburg/Österreich Kleingmainer Saal Werner Stoschek (085 09) 26 09 9. Mai Dortmund Westfalenhalle-Goldsaal Manfred Peters (02 31) 48 19 39 9. Mai Köln Tanzbrunnen Wolfgang W. Korte (061 01) 12 86 62 9. Mai Innsbruck/Österreich Hüttenberger Saal Werner Stoschek (085 09) 26 09 15. Mai Halle Händelhalle First & Last (03 41) 699 56 80 16. Mai Dortmund Westfalenhalle 2 ReRo (02 34) 30 15 60 16. Mai Berlin Berlin-Arena First & Last (03 41) 699 56 80 16. Mai Linz/Österreich Volkshaus Bindermichl Werner Stoschek (085 09) 26 09 22. Mai München Kolpinghaus Werner Stoschek (085 09) 26 09 22. Mai Amsterdam/Holland Jaap Edenhal ARC (00 31) 229 21 38 91 23. Mai Münster Halle Münsterland ReRo (02 34) 30 15 60 23. -
Adrian Belew Power Trio
This pdf was last updated: Dec/29/2010. Adrian Belew Power Trio King Crimson and Frank Zappa, David Bowie and Paul Simon, Talking Heads and Nine Inch Nails - Adrian Belew is well-known for his diverse travels around the musical map. Line-up Adrian Belew - guitar, vocals Julie Slick - bass Eric Slick - drums Andre Cholmondeley - tour manager/tech Plus one additional sound/tech manager On Stage: 3 Travel Party: 5 Website www.adrianbelew.net Biography Since 2006, Adrian Belew has led his favorite 'Power Trio' lineup, featuring Eric Slick on drums and Julie Slick on bass. They have been devastating audiences all around the USA and globally, from Italy to Canada to Germany to Japan. With the release of their brand- new CD 'Side Four - Live' they return to the road to stretch out the new material and introduce it to new audiences. The show will feature material from the new CD, classics from Adrian's many solo albums (including the recent 'Side One', 'SideTwo', and 'Side Three'), as well as solo moments, spirited improvisation and King Crimson compositions. 'Side One' features special guests Les Claypool of Primus and Danny Carey of Tool, and includes the Grammy-Nominated single - 'Beat Box Guitar'. The recently released 'Side Four (Live)' captures the current trio in a burning performance. Adrian is well-known for his diverse travels around the musical map - he first appeared on guitar-world radar when he joined Frank Zappa's band in 1977 for tours of the USA and Europe. When Frank Zappa hires you as his guitarist, people listen up. -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
Discografia King Crimson
Discografia king crimson Continue 1992 The Great Deceiver -- Live 1973-1974 Registrato dal vivo durante il Tour Heavy Horses in Europe (1978). CD 1 - Things aren't as they seem... Theatre Registry Al Palace, Providence, USA, il 30 giugno 1974. 1 - Walk by ... No Pussyfooting - 0:52 2 - Lark Languages in Aspic, Part 2 - 6:12 3 - Crying - 4:04 4 - Exiles - 7:00 5 - Journey to the Center of Space - 14:4 1 6 - Easy Money - 7:14 7 - Providence - 9:47 8 - Rift - 10:47 9 - Starless - 11:56 CD 2 - Hand sleight of hand Tracce 1-2 registered Al Palace Theatre, Providence, Stati Uniti d'America, il 30 giugno 1974. Tracce 3-11 registrar Al Apollo, Glasgow, GB, il 23 ottobre 1973. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, Stati Uniti d'America, il 29 giugno 1974. 1 - 21st Century Schizoid Man - 7:32 2 - Walk from Providence ... No Pussyfooting - 1:15 3 - Sharks lightweight at Lemsip - 2:38 4 - Lark tongues in Aspic, Part One - 7:25 5 - Saturday Book - 2:49 6 - Easy Money - 6:43 7 - We Let You Know - 4:54 8 - Night's Watch - 4:5 5 4 9 - Tight Scrummy - 8:27 10 - World: Theme - 1:01 11 - Cat Food - 4:14 12 - Easy Money - 2:19 13 - ... It's for you, but not for us - 7:25 CD 3 - ... Acts of Deception Tracce 1-11 Registration Al Stanley Warner Theater, Pittsburgh, USA, il 29 aprile 1974. Tracce 12-13 Registrar al Penn State University, State College, Pennsylvania, USA, il 29 giugno 1974. -
Of Virtual Spatiality: Surround Sound Mixing in King Crimson's Back
Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Burlin, T. (2019). The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets. In J.-O. Gullö (Ed.), Pro- ceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 37-53). Stockholm: Royal College of Music (KMH) & Art of Record Produc- tion. ISBN 978-91-983869-9-8 © The editors and authors own the copyright of their respective contrubutions. Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Abstract: The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspec- tives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to be mixed according to the direct/ambient principle, while studio re- cordings are mixed according to the principle of direct-sound all around. Live recordings in surround can also often be understood as examples of documentarism, and studio recordings as examples of hyper realism. The spatial design of the surround mix tends to emphasize aspects of spatiality in the broad sense: where the recording can, for example, be interpreted as a landscape in sound. Introduction This essay discusses some tendencies in the emerging conventions in con- temporary surround mixing of popular music. -
The Crimson Projekct
VENERDì 7 MARZO 2014 Un evento da non perdere per gli amanti del progressive rock: i CRIMSON PROJEKCT in concerto a Roma, nell'ambito del loro tour europeo che da metà marzo 2014 toccherà anche l'Italia. The Crimson Projekct L'opportunità di riascoltare i King Crimson versione "live" diventa realtà Per la prima volta in concerto a Roma il 1 aprile, con The Crimson ProjeKCt. Il supergruppo, che si esibirà il 1 aprile Parco della Musica all'Auditorium Parco della Musica, "Sala Sinopoli", vede al suo interno i tre membri della storica formazione (la line-up di double trio): il chitarrista Adrian Belew, il bassista Tony Levin e Pat Mastelotto, batterista insieme, per l'occasione, a tre musicisti di prim'ordine: Markus LA REDAZIONE Reuter alla touch guitar, il batterista Tobias Ralph e Julie Slick, al basso, con i quali eseguiranno anche il meglio di "In The Court of The Crimson King" e "Red", album di riferimento per tutti gli estimatori. Con i Crimson ProjeKCT, passato, presente e futuro del prog rock tornano ad echeggiare, con la "benedizione" dello storico leader, Robert Fripp: "Tony e io discutemmo la non facile questione di un nome che [email protected] sintetizzasse il concetto di base: Stick Men & Adrian Belew Power Trio SPETTACOLINEWS.IT che suonassero musica dei King Crimson. Lui proponeva ProjeKct Krimson e io, invece, The Crimson ProjeKCt" (dal diario di Robert Fripp, 14 aprile 2012). I King Crimson, fondamentali per l'evoluzione del rock contemporaneo, pubblicano nel 1969 il leggendario "In the Court of the Crimson King", 33 giri di esordio, dando il "la" (è proprio il caso di dirlo) ad un genere nuovo: quando ancora non esisteva il concetto di rock progressivo, loro ne sintetizzavano già l'essenza. -
King Crimson the Collectors' King Crimson (Volume Three) Mp3, Flac, Wma
King Crimson The Collectors' King Crimson (Volume Three) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Collectors' King Crimson (Volume Three) Country: Japan Released: 2000 Style: Prog Rock MP3 version RAR size: 1301 mb FLAC version RAR size: 1877 mb WMA version RAR size: 1887 mb Rating: 4.8 Votes: 273 Other Formats: MP3 DXD ASF MP1 AAC ASF AIFF Tracklist The Roar Of P4 1998 1-1 –ProjeKct Four Ghost 1-2 –ProjeKct Four Heavy Construkction 1-3 –ProjeKct Four Light Construkction 1-4 –ProjeKct Four Deception Of The Thrush 1-5 –ProjeKct Four Seizure 1-6 –ProjeKct Four Ghost 3 1-7 –ProjeKct Four Projekction The VROOOM Session 1994 2-1 –King Crimson Bass Groove 2-2 –King Crimson Fashionable 2-3 –King Crimson Monster Jam 2-4 –King Crimson Slow Mellow 2-5 –King Crimson Krim 3 2-6 –King Crimson Funky Jam 2-7 –King Crimson No Questions Asked 2-8 –King Crimson Adrian's Clouds 2-9 –King Crimson Calliope 2-10 –King Crimson One Time 2-11 –King Crimson Booga Looga Live At Summit Studios 1972 3-1 –King Crimson Picture Of A City 3-2 –King Crimson Cadence And Cascade 3-3 –King Crimson Groon 3-4 –King Crimson 21st Century Schizoid Man 3-5 –King Crimson Improv: Summit Going On 3-6 –King Crimson Sailor's Tale The Creator Has A Master Plan (Including Improv: 3-7 –King Crimson Summit & Something Else) Companies, etc. Manufactured By – Pony Canyon Inc. Credits Bass Guitar, Lead Vocals – Boz Burrell (tracks: 3-1 to 3-7) Bass, Chapman Stick [Stick] – Tony Levin (tracks: 1-1 to 2-11) Chapman Stick [Stick] – Trey Gunn (tracks: 2-1 to 2-11) Drums,