Fashion Victims – a Report on Sandblasted Denim
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She Has Good Jeans: a History of Denim As Womenswear
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 She Has Good Jeans: A History of Denim as Womenswear Marisa S. Bach Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bach, Marisa S., "She Has Good Jeans: A History of Denim as Womenswear" (2018). Senior Projects Spring 2018. 317. https://digitalcommons.bard.edu/senproj_s2018/317 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. She Has Good Jeans: A History of Denim as Womenswear Senior Project Submitted to The Division of Arts of Bard College by Marisa Bach Annandale-on-Hudson, New York May 2018 Acknowledgements To my parents, for always encouraging my curiosity. To my advisor Julia Rosenbaum, for guiding me through this process. You have helped me to become a better reader and writer. Finally, I would like to thank Leandra Medine for being a constant source of inspiration in both writing and personal style. -
Ethical Fashion in the Age of Fast Fashion Sophie Xue Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Art Honors Papers Art Department 2018 Ethical Fashion in the Age of Fast Fashion Sophie Xue Connecticut College, [email protected] Follow this and additional works at: https://digitalcommons.conncoll.edu/arthp Part of the Ethics and Political Philosophy Commons, and the Fashion Design Commons Recommended Citation Xue, Sophie, "Ethical Fashion in the Age of Fast Fashion" (2018). Art Honors Papers. 26. https://digitalcommons.conncoll.edu/arthp/26 This Honors Paper is brought to you for free and open access by the Art Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Art Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Ethical Fashion in the Age of Fast Fashion Sophie Xue Connecticut College Art Honor Thesis, 2017-2018 3 Acknowledgements Thank you Professor Pamela Marks for generously supporting and encouraging me to pursue this topic. I wouldn’t have come this far without your guidance. Thank you Professor Sabrina Notarfrancisco for introducing me to the world of fashion and teaching me how to sew. Thank you Professor Assor, Professor Bailey, Professor Barnard, Professor McDowell, Professor Gilbert, Professor Hendrickson, Professor Pelletier, Professor Shockey, Professor Wollensak for never failing to provide answers to my queries that fell within your broad areas of expertise. Thank you mom and dad for granting me the freedom to chase my wildest dreams and giving me a Connecticut College education. And finally thank you my friends, especially Nicolae Dorlea, you have inspired me and helped me tremendously along this journey. -
How to Dress for Success
HOW TO DRESS FOR SUCCESS Expanding Your Wardrobe Wherever your business takes you, it’s important to look great and make a positive first impression. So whether it’s the boardroom, a golf outing, or a black tie event, you need to be prepared with a well-rounded wardrobe that’s as stylish and professional as you are. That’s where Men’s Wearhouse comes in. For over 35 years, we’ve been helping men look their best, with comfortable, great-fitting clothes for every occasion. You can count on us for quality clothing and expert style tips to help you make great choices that reflect who you are—and where you’re headed next. AT WORK It all starts with the suit In today’s big Since the suit is the foundation for your entire wardrobe, meeting, you’re it’s important to make sure you have a range of looks — not just for around the office, but for power lunches, representing your off-site meetings, and special presentations where all company. Do you eyes are upon you. have what it takes When considering a new suit, remember that your best to make the right look begins with comfort and fit. That’s why we offer Traditional, Athletic, and Modern cuts to work best with statement? your build and give you room to express your own sense of style. Once you know what looks and feels great, we’ll • Classic two-button suit help you choose from a variety of designer brands to with a great fit round out your wardrobe with a mix of solids, pinstripes, and two- or three-button styles. -
January February March April 2021 January 2021
JANUARY FEBRUARY MARCH APRIL 2021 JANUARY 2021 JANUARY LAND OF LITTLE RAIN Cinnamon, sage, and dusky blue. Our palette draws from New Mexico and its mountains, grasses, cacti, and sunset skies. A casual, laid back vibe emerges. Easy silhouettes, soft sustainable fabric, and understated looks. 2 WHOLESALE.WEARETHOUGHT.COM JANUARY 2021 LAND OF LITTLE RAIN BLACK MID BLUE SAGE GREEN VANILLA CREAM CINNAMON BROWN WHOLESALE.WEARETHOUGHT.COM 3 JANUARY 2021 EVERLY WRAP DRESS WSD5380 LOREN CARDIGAN WWT4950 67% VISCOSE DERIVED FROM BAMBOO 28% ORGANIC COTTON 5% ELASTANE JERSEY 100% ORGANIC COTTON KNITWEAR 6 8 10 12 14 16 18 £20212495€20213140 6 8 10 12 14 16 18 20 £20211595€20211990 BLACK AMBER BLACK BIRCH GREY 4 WHOLESALE.WEARETHOUGHT.COM JANUARY 2021 MADELYN JUMPSUIT WSD5373 AURELIA JUMPER WST5382 67% VISCOSE DERIVED FROM BAMBOO 28% ORGANIC COTTON 5% ELASTANE JERSEY 85% ORGANIC COTTON 15% WOOL KNITWEAR 6 8 10 12 14 16 18 £20212295€20212895 6 8 10 12 14 16 18 £20212595€20213250 MID BLUE MID BLUE WHOLESALE.WEARETHOUGHT.COM 5 JANUARY 2021 MADELYN LEGGINGS WSB5377 KATIE TROUSERS WSB4612 67% VISCOSE DERIVED FROM BAMBOO 28% ORGANIC COTTON 5% ELASTANE JERSEY 64% MODAL 36% VISCOSE DERIVED FROM BAMBOO 6 8 10 12 14 16 18 £20211150€20211450 6 8 10 12 14 16 18 £20212115€20212660 MID BLUE BLACK 6 WHOLESALE.WEARETHOUGHT.COM JANUARY 2021 MADELYN TUNIC WST5374 NELL TOP WST5394 67% VISCOSE DERIVED FROM BAMBOO 28% ORGANIC COTTON 5% ELASTANE JERSEY 95% ORGANIC COTTON 5% ELASTANE JERSEY 6 8 10 12 14 16 18 £20211920€20212395 6 8 10 12 14 16 18 £20211535€20211925 MID -
E-Print © BERG PUBLISHERS
Fashion Theory, Volume 14, Issue 1, pp. 83–104 DOI: 10.2752/175174110X12544983515196 Reprints available directly from the Publishers. Photocopying permitted by licence only. © 2010 Berg. Fashion Victims: On the Individualizing and De-individualizingE-Print Powers of Bjørn Schiermer Fashion Bjørn Schiermer holds a PhD Abstract scholarship at the Department of Sociology, University of Copenhagen. He is working This article discusses the popular notion of the “fashion victim.” It con- with fashion in a Simmelian and ceives of the notion of fashion victimization as an integral part of exis- phenomenological perspective. tence in modern individualized society. 1) Through analyzing different [email protected] accounts of fashion victimization, I aim to distil a common phenomeno- © BERGlogical core extant PUBLISHERS in these experiences. As we will see, these experiences tell us a great deal about the individualizing and de- individualizing dy- namics of fashion. 2) This analysis can be used, so I argue, to understand fashion as a sociocultural dynamic on its own terms. In so doing, I mean to isolate the most important elements of the experiences connected 84 Bjørn Schiermer to fashion dynamics, and thus create a phenomenological concept of fashion that captures all manifestations of fashion in society. 3) On the phenomenological level, the deciding factor is the object. It is through the experience of the fashionable object that the individualizing and de- individualizing powers of fashion are mediated. KEYWORDS: fashion, fashion victim, phenomenology of fashion, object of fashion Introduction The term “fashion victim” is a popular term nowadays. It is also a term that emphasizes the social hazards of fashion dynamics as these are per- ceived by the great majority in contemporary Western society. -
168 Comfort in Clothing: Fashion Actors and Victims
168 Comfort in clothing: fashion actors and victims Author Karen Cross Robert Gordon University, Scotland [email protected] Keywords Comfort, clothing, dress, identity, well-being Abstract Fashion psychology is an emerging discipline, recognising the potential of clothing to enhance well-being in an era when mental health issues are increasing in the Western world. Well-being is important to the individual and on a wider societal level, with the Office for National Statistics monitoring the well-being of UK inhabitants and the World Health Organisation stating that depression will be the most common health issue in the world by 2030. As comfort is a key aspect of well- being, this study explores meanings associated with comfort and discomfort in everyday, non-elite clothing. Comfort in clothing can be physical, physiological and psychological, and the psychological comfort gained from clothing is identified in literature as under-researched. Psychological theory was explored, revealing individuals perform multiple identities, dependent on the reaction of others and filtered by previous, lived experience. Fashion was found to be a recognised method of communicating identity in the social space and research suggests the physical response to psychological constructs or meanings associated with certain garments can be used to change or enhance mood. As psychological comfort can only be measured subjectively, this study employed an interpretive paradigm and qualitative methodology. In keeping with fashion’s location within visual culture, participant- produced visuals, described as a form of photo elicitation were collected, accompanied by short narratives. Fashion Management students, as a key informant sample, were briefed to create photographic fashion images styled on a ‘Comfort in Clothing’ or ‘Discomfort: Fashion Victim’ theme, accompanied by 100-word narratives, providing rich data. -
It's Time for a Fashion Revolution White Paper
THE STATE OF THE INDUSTRY A IT’S TIME FOR A FASHION REVOLUTION WHITE PAPER DECEMBER 2015 FASHION REVOLUTION | IT’S TIME FOR A FASHION REVOLUTION 1 CREDITS CONTENTS Written by Sarah Ditty with special thanks 02 EXECUTIVE SUMMARY for words from Lucy Siegle and research support from Emilie Schultz and 04 WHY DO WE NEED A fashion REvolution? Carry Somers. Acknowledgements: Thanks to Maher Anjum, Sass Brown, 06 MoDEL: THE BUSINESS OF fashion Becky Earley and Mo Tomaney for their invaluable input and feedback. 08 MatERIAL: PEOPLE AND PLANET Designed by Heather Knight 16 MinDSET: SHIFTING THE waY WE THINK ABOUT fashion www.fashionrevolution.org 18 WE ARE THE Fashion REvolution The content of this publication can in no way 20 WHO MADE MY ClothES? THE FOCUS THROUGH 2020 be taken to reflect the views of the European Union, Concord Alliance, C&A Foundation or 21 OUR THEORY OF CHANGE any of the funders of Fashion Revolution. 22 What Fashion REvolution DOES © Fashion Revolution CIC 2015. 24 What MAKES Fashion REvolution UNIQUE All rights reserved. This document is not to be copied or adapted without permission 25 AREas FOR FURTHER RESEARCH & THOUGHT from Fashion Revolution CIC. 26 FINAL woRDS... 27 APPENDIX 28 REFERENCES FASHION REVOLUTION | IT’S TIME FOR A FASHION REVOLUTION 2 EXECUTIVE SUMMARY 3 EXECUTIVE SUMMARY In the two years since this tragedy, tens of thousands of people have taken to social media, to the streets, to their It has been more schools and to halls of government to uncover the stories behind the things we wear. -
Comfort in Clothing: Fashion Actors and Victims. in Miller, M
CROSS, K. 2019. Comfort in clothing: fashion actors and victims. In Miller, M. (ed.). Fashion: ID; proceedings of 21st International Foundation of Fashion Technology Institute (IFFTI) 2019 conference: fashion ID (IFFTI 2019), 8-12 April 2019, Manchester, UK. Manchester: Manchester Metropolitan University [online], pages 284-297. Available from: http://fashioninstitute.mmu.ac.uk/ifftipapers/paper-168/ Comfort in clothing: fashion actors and victims. CROSS, K. 2019 This document was downloaded from https://openair.rgu.ac.uk Comfort in Clothing: Fashion Actors and Victims Karen Cross Robert Gordon University [email protected] Abstract Fashion psychology is an emerging discipline, recognising the potential of clothing to enhance well-being in an era when mental health issues are increasing in the Western world. Well-being is important to the individual and on a wider societal level, with the Office for National Statistics monitoring the well-being of UK inhabitants and the World Health Organisation stating that depression will be the most common health issue in the world by 2030. As comfort is a key aspect of well-being, this study explores meanings associated with comfort and discomfort in everyday, non-elite clothing. Comfort in clothing can by physical, physiological and psychological, and the psychological comfort gained from clothing is identified in literature as under-researched. Psychological theory was explored, revealing individuals perform multiple identities, dependent on the reaction of others and filtered by previous, lived experience. Fashion was found to be a recognized method of communicating identity in the social space and research suggests the physical response to psychological constructs or meanings associated with certain garments can be used to change or enhance mood. -
Denim Casual Wear with Laser Cut Pucuk Rebung Motif
International Journal of INTI ISSN : 01265822 Volume 22, Special Issue, December 2018 Denim Casual Wear with Laser Cut Pucuk Rebung Motif Husna Saaidin1, Rosita Mohd Tajuddin2 1Management and Science University (MSU), 40100 Shah Alam, Malaysia 2Faculty of Art & Design, Universiti Teknologi MARA, 40450 Shah Alam, Malaysia [email protected] Abstract —This study explored the use of laser cutting technology on denim casual wear inspired by the pucuk rebung motif. The objective of this study was to examine the suitability of laser cutting technique application on denim casual wear using pucuk rebung motif. Several experiementations of laser cutting applied on pucuk rebung motifs were conducted on various types of denim fabrics to identify strength, durability while maintaining the aesthetic of pucuk rebung motif on denim casual wear. Four denim casual wears were designed with the placement of the the motifs on different areas of the fabric. Pucuk rebung motifs were simplified to allow the application of the laset cutting on the motif. A post test was performed to verify which design that would preferred most by the target audience. All respondents agreed that the used of laser cutting on pucuk rebung motif applied on denim casual wear was appropriate and able to create an interesting surface design. Results from this study proved that traditional Malay motifs could be applied and enhanced into casual wear using laser cutting as an innovative way uplifting the traditional motif on contemporary design besides enhancing the unique Malaysian culture via fashion. Keywords - Laser cutting, Casual wear, Pucuk Rebung motif 1. Introduction Numerous efforts around the world had attempted to integrate the tradition with modern elements. -
Employee Dress Code Policy
EMPLOYEE DRESS CODE POLICY The following are guidelines regarding acceptable business attire for employees of Centenary University. The impression that we, as employees of the University, present to others is as important as serving as role models of professionalism for our students. The University has adopted a business casual dress code Monday through Thursday, and allows jeans to be worn on Friday for Centenary Spirit Day. Employees who prefer to dress in more formal traditional business attire should feel free to do so. Business casual wear encompasses many looks but it really means casual clothing that is appropriate for a professional office environment. It is clothing that allows you to be comfortable at work yet always look neat and professional. It means clothing that is clean, unwrinkled, and not too tight, revealing, or baggy. We ask that you consider each day’s activities when determining what to wear, as there are situations when traditional business attire may be required and is more appropriate. Your supervisor may exercise reasonable discretion to determine appropriateness in employee dress and appearance. Employees who do not meet a professional standard may be sent home to change. Business Casual Attire (Monday through Thursday) Listed below are examples of acceptable business casual attire: • Shirts: Shirts with collars, business casual crewneck or V-neck shirts, blouses, sweaters/cardigans, polo and golf shirts • Pants/skirts: Casual slacks, trousers, dressy Capri pants, skirts/dresses of appropriate length • Footwear: -
NCS UPPER SCHOOL STANDARDS of DRESS Academic Year 2020-2021
NCS UPPER SCHOOL STANDARDS OF DRESS Academic Year 2020-2021 GUIDELINES FOR ALL STUDENTS: * NCS students should be modest, neat and well-groomed at all times. * Clothing should be wrinkle free, in good repair and completely opaque. Cut-outs, see-through sections, holes, frayed edges on denim and rips are not appropriate at school even over another layer of clothing. This applies to dress-down days as well as regular dress code days. * Dress-code clothing may not have writing, other than official NCS spirit wear. * Official NCS team shirts may be worn with dress code bottoms on game days as approved by the Athletic Director. * NCS students should maintain modesty and appropriateness at school and extracurricular events where typical dress code is not required. Please see the Family Handbook for details on formals and special event dress code requirements. STANDARDS OF DRESS FOR YOUNG MEN Pants/Shorts Solid color chino-style cotton pants/shorts Solid Color nice denim pants (traditional blue jeans may only be worn on dress down days) Solid Color business-style dress trousers Chino material shorts, no more than 3” above kneecap DON'T WEAR: Cargo, baggy or athletic-style pants/shorts Blue jeans (Except on Jeans days) White pants Athletic or team pants even on game days Shirts nd Collared polo or full button-up shirts unbuttoned no lower than 2 b utton from top Henley-neck shirts without writing or large logos (round collar with three buttons) Shirts may be solid or have a small pattern such as polos with small whales Any official NCS -
Denim – Construction and Common Terminology
Denim – Construction and Common Terminology Denim Construction Denim is made from rugged tightly woven twill, in which the weft passes under two or more warp threads. Lengthwise, yarns are dyed with indigo or blue dye; horizontal yarns remain white. The yarns have a very strong twist to make them more durable, but this also affects the denim’s color. The yarns are twisted so tightly that the indigo dye usually colors only the surface, leaving the yarns center white. The blue strands become the threads that show on the outside of your denim, and the white are the ones that make the inside of your denim look white. This produces the familiar diagonal ribbing identifiable on the reverse of the fabric. Through wear, the indigo yarn surface gives way, exposing the white yarn underneath which causes denim to fade. Jeans are basic 5 pockets pants, or trousers, made from denim. The word comes from the name of a sturdy fabric called serge, originally made in Nimes, France. Originally called serge de Nimes (fabric of Nimes), the name was soon shortened to denim (de Nimes). Denim was traditionally colored blue with natural indigo dye to Black denim make blue Jeans, though “jean” then denoted a different, lighter cotton textile; the contemporary use of jean comes from the French word for Genoa, Italy, where the first denim trousers were made. Jeans transcend age, economic and style barriers. Washes, embellishments, leg openings and labels fluctuate with fashion whims, but jeans themselves have reached iconic status. Cross hatch denim Common terminology used in Denim fabric construction and processing ANTI-TWIST is a step in the finishing process, before sanforization, that corrects denim’s natural tendency to twist in the direction of the diagonal twill weaves.