Stephen Ames Resume

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Stephen Ames Curriculum Vitae Name: Stephen Ames Work Address: NW College, 1010 W. Sam Houston Pkwy. North w Houston, TX 77043 w PAC Bldg, Office Telephone Number: 713-718-5616 College Email Address: [email protected] Teaching Experience • Houston Community College, NW Houston, TX 2012- Present Audio Recording Program Coordinator Fulltime Faculty – Audio Recording Instructor Classes taught: Audio I, Audio IV, Audio/Radio, Audio Post, Commercial Music Software, CRT, Mixing & Mastering in Pro Tools • Lee College, Main Campus Baytown, TX 2008- 2012 Fulltime Audio Recording Instructor Classes: Audio I, Audio III, Audio IV, MIDI I, Commercial Music Software, TV Field, Music Business, Comm Music Project, Sound System Tech • Media Tech Institute, Houston Campus Houston, TX 2006- 2008 Adjunct Audio Recording Instructor Classes: Audio 101, Audio 201 Interim Campus Director Houston, TX 2006 • Houston Community College, NW, Stafford Houston, TX 1997- 2012 Adjunct Audio Recording Instructor Classes: Audio I, Audio II, Audio VI, CRT, Co-Op Audio/Radio I, Audio/Radio II, Survey of Music Business Professional Work-related Experience and Skills • Freelance Audio Engineer, Sound Consultant Houston, TX 2004- Present Sound Engineer and Producer for commercial music productions Sound Consultant for large venues, specializing in houses of worship • Sound Engineer and Producer Nashville, TN 2000- 2004 Independent Engineer and Producer for commercial music productions Live Sound Engineer for various Nashville venues and US tours Tour Manager for national tours throughout the United States & Canada • Rampart Recording Productions Houston, TX 1992- 2000 Independent Engineer / Producer for commercial music productions Worked in various major markets including Houston, Austin, Nashville, Hollywood, San Francisco, Atlanta and Canada • Rampart Recording Studio Houston, TX 1975- 1992 Owner & Chief Audio Engineer for major Houston-based recording studio Professional Achievements and Publications 2020 Grammy Nomination- ZZ Top documentary, “That Little Ol' Band From Texas" (Banger Films) Soundtrack: Song; Reclipse (Billy Gibbons-Steve Ames) 1997 Grammy Nominations (2)- Category: Gospel / Rock Album/Single of the Year CD: Conspiracy No. 5; Artist: Third Day (Reunion Records) Recording Engineer: Steve Ames 1997 Dove Award Winner- Category: Rock Album of the Year CD: Conspiracy No. 5; Artist: Third Day (Reunion Records) Recording Engineer: Steve Ames 1997 Dove Award Winner- Category: Rock Recorded Song of the Year Title: Alien; CD: Conspiracy No. 5; Artist: Third Day (Reunion Records) Recording Engineer: Steve Ames 1997 Juno Award- Category: Best Solo Folk Artist: CD: Drive In Movie; Artist: Fred Eaglesmith (Vertical Records) Co-Producer: Steve Ames 1989 CD Magazine Album of the Year – CD: Out of the Silent Planet; Artist: king’s X (Megaforce/Atlantic Records) Engineer/Mixer: Steve Ames Selected Discography * signifies National Chart ZZ Top – Chrome, Smoke & BBQ* Bill & Ted’s Bogus Journey - Soundtrack* Third Day - Conspiracy No. 5* Married to the Mob - Soundtrack king’s X – Out of the Silent Planet* Something Wild - Soundtrack king’s X – Gretchen Goes to Nebraska* The Judy’s – Washarama king’s X – Faith, Hope, Love* The Judy’s – Wonderful World of Appliances king’s X – king’s X* Helstar – Nosferatu Fred Eaglesmith – Drive In Movie The Awful Truth – The Awful Truth The Hunger – Leave Me Alone* Dune, TX. – Machowagon The Geto Boys – Car Freak* Dune, TX. – Golden Arm Galactic Cowboys – Space in Your Face The LA’s – There She Goes (Remix) * Galactic Cowboys – Galactic Cowboys Sonnier Brothers – Redefined Atomic Opera – For Madmen Only Metal Massacre Volume 8-9 Moving Sidewalks – The Complete Moving Sidewalks Hamilton Loomis w Bo Diddley Moving Sidewalks – Flash – Ain’t Just Temporary Education • Robert E. Lee Houston, TX 3 .

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie

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PIVAŘI a FRAJEŘI Průvodce Světem ZZ Top Neil Daniels Beer Drinkers & Hell Raisers: a ZZ Top Guide

Neil Daniels PIVAŘI A FRAJEŘI Průvodce světem ZZ Top Neil Daniels Beer Drinkers & Hell Raisers: A ZZ Top Guide Přeložil Milan Stejskal Translation © Milan Stejskal, 2015 Copyright © Neil Daniels, 2014 ISBN 978-80-7511-121-0 ISBN 978-80-7511-122-7 (epub) ISBN 978-80-7511-123-4 (pdf) Neil Daniels PIVAŘI A FRAJEŘI Průvodce světem ZZ Top PŘEDMLU VA od Stevena Rosena S Billym Gibbonsem a jeho kapelou ZZ Top jsem se poprvé se- známil v roce 1973. Právě vydali album Tres Hombres a já s nimi dělal rozhovor – se všemi třemi – pro nezávislý plátek jménem Los Angeles Free Press. Jakmile jsem vešel do jejich pokoje v ho- telu Continental Hyatt House – nechvalně to proslulém příbyt- ku mnoha rockových hvězd sedmdesátých let, který byl bohužel před mnoha lety zbourán – byl jsem přijat s pravou jižanskou po- hostinností, takže jsem se hned cítil v pohodě a klidu. Billy patřil mezi nejmilejší, nejzábavnější a nejbystřejší lidi, na něž jsem kdy narazil, a také díky tomu jsem si ho od první chvíle zamiloval. Během následujících let jsme se ještě mnohokrát sešli a v této před- mluvě uvedu rozhovor, který se odehrál zhruba šest let po našem prvním setkání. Podle mě právě toto vyprávění nejlépe ilustru- je, jaká kapela byla a je a jací jsou její členové po lidské stránce. Asi vám nemusím říkat, jak důležitou roli ZZ Top sehráli v šíření blues mezi širší vrstvy posluchačů. Billy Gibbons patřil a stále pa- tří mezi nejunikátnější a nejtvořivější kytaristy, kteří kdy drželi šestistrunku v ruce. O tom již napsali mnozí jiní. Ne, já vám nechci vyprávět o Billy Gibbonsovi, Franku Beardovi a Dusty Hillovi z hlediska historie, zvolím spíše osobní pohled.
The Moving Sidewalks at Bayou Music Center, 9/28/2013 | Houston Press

1/30/2017 The Moving Sidewalks at Bayou Music Center, 9/28/2013 | Houston Press SIGN UP LOG IN MENU The Moving Sidewalks at Bayou Music Center, 9/28/2013 BY CHRIS GRAY MONDAY, SEPTEMBER 30, 2013 AT 7 A.M. < L-R: The Moving Sidewalks' Billy Gibbons and Tom Moore Photos by Jim Bricker 0 0 0 0 A A Moving Sidewalks Bayou Music Center September 28, 2013 "We're actually remembering this shit," Billy F. advertisement Gibbons said after the Moving Sidewalks had played two choppy, fuzz-clouded songs Saturday night at Bayou Music Center. By all accounts, it was his pre-ZZ Top engagement's first public performance on a Houston stage since the LBJ administration, not to mention a glimpse of an alternate timeline any Bayou City music-history buff would find irresistible. The occasion was the Deacons of Deadwood's 12th annual charity gala, a fundraiser thrown by the large Houston motorcycle club/nonprofit whose annual donations to Houston-area children's charities number in the six figures. According to current Deacons president Steve Lamb, the Sidewalks got involved because "some friends of the band contacted us." He went on to tell me his non-Deacon position is an assets manager for Morgan Stanley, both Jimi Hendrix's and Sharon Stone's sisters were at the gala, and that http://www.houstonpress.com/music/themovingsidewalksatbayoumusiccenter92820136497257 1/8 1/30/2017 The Moving Sidewalks at Bayou Music Center, 9/28/2013 | Houston Press the Deacons have raised some $1.4 million for some very fortunate local kids in the club's 11-year history.
The Liberty Champion, Volume 14, Issue 7)

Scholars Crossing 1996 -- 1997 Liberty University School Newspaper 10-8-1996 10-08-96 (The Liberty Champion, Volume 14, Issue 7) Follow this and additional works at: https://digitalcommons.liberty.edu/paper_96_97 Recommended Citation "10-08-96 (The Liberty Champion, Volume 14, Issue 7)" (1996). 1996 -- 1997. 7. https://digitalcommons.liberty.edu/paper_96_97/7 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 1996 -- 1997 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Wed. 60/46 Thur. 62/45 Noise joins the privileged few— II/I/II/MI/I/I iiniiiiWiiii pg-3 \iiiiiiimuii Fri. 60/43 Sat. 60/44 Kissing is illegal in some states — pg4 Liberty University, Lynchburg, Va. Tuesday, October 8,1996 Vol. 14, No. 7 YQ prepares Debate kicks off fright house with successes speaker rankings. By JON SWENSON By MATT SWINEHART part of a powerful ministry." In addition, Lawrence and Snell Champion Reporter News Editor "I really have a burden to share finished the preliminary rounds the gospel with people," freshman The Liberty Debate Team with five wins and three losses, The annual Scaremare recruit Keith Wages, a youth ministries began defending its national allowing them to advance to elim ment rally attracted more than 250 major, said. "I plan on working in championship title during the last ination rounds. They lost to students to DeMoss 160 on the counseling tents." two weeks. Liberty debate com Redlands University in double Wednesday night.
Zz Top Tres Hombres Album

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A – Z Index for Psychedelia by Patrick Lundborg

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CENTER for PUBLIC HISTORY Letter from the Editor Classical Music in Houston

Volume 11 • Number 1 • fall 2013 CENTER FOR PUBLIC HISTORY LETTER FROM THE EDITOR Classical Music In Houston he Houston region has a long musical pop music fans showed their agreement by Ttradition with diverse styles ranging buying his records. From his early twenties from country to zydeco to blues to rock and into his fifties, Jones built a formidable song- roll to gospel—and everything in between. book while also exploring the depths of al- Our current issue captures many parts of cohol and drug addiction. His fans remained this musical heritage, with the important ex- loyal even after he earned the nickname “no ception of classical music. Indeed, it barely show Jones”; they excused frequent binges mentions Hank Williams and has nothing and missed shows as the price paid for the to say about George Jones, one of the most depth of feeling in his voice. One of his best famous of our region’s country singers. ballads, “Choices,” is an apology to those he Hank Williams is the Beethoven of the hurt along the way: “I was tempted; from an southern United States, home to genera- early age I found I liked drinkin’, and I never tions of country boys who ordered store- turned it down. There were loved ones, but bought guitars from the Sears catalogue I turned them all away, livin’ and dyin’ with and picked out tunes while listening to the choices I made.” Country singer Moe the Grand Ole Opry. Williams escaped Bandy’s great song,’ “Hank Williams, You poverty with mournful songs about lov- Wrote My Life,” could have been written for ing and cheating and drinking.
LOOKING BACK in HISTORY Happenings in the Cookeville Area As Recorded in the Pages of the Herald Citizen Newspaper, Cookeville, TN

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Número 123 | Agosto 2021 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1

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Notes on Significance, Uh Holdings and Related Archival Collections, and Associated Acts Or Bands

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Leonardjeff E·

... ~ Vol. 61, Number 1 Baruch College, CUNY October 30, 199.1 Police Arrest Two At 23 St. Building By Rafael A. Olmeda~Jr. believed the officer was refer At this point, according to A Baruch College student ring to drinking out of the witnesses,~the students felt andhisfriend werearrestedin bottle, so they obtained paper they were being harassed and - front ofthe 23 St. building on . cups and were drinlting out of began to talk back to the p0 Oct. 22, after analtereation those. Fuchs, who is white, lice, who had called for back withpoliceofficersbroughtout says the officer then returned up. '"All I know is you've got · over a two dozen angry stu- and told them that they were five copsherefor zeroreason," · dents complaining about ha not allowed to drink at all. James told one ofthe officers. rassment and racism. "He said to move around to Students gathered and asked -Tyrone Greeves, senior, and the otherside ofthebuilding," what was going on,'but the hisfriend Mitchell Fuchs were Fuchs said, adding that the police continued to speak to · arrestedandchargedwithdis- officer did not wanthis super- the first three, who were yell orderly conduct and pro y visortoseethemdrinking. But ing that they should be left released, According to Fuchs and James concur that alone. · hewasinfrontof17Le instead ofmoving where they According to one eyewitness, Ave. with Greeves could drink, the three put the an officer asked Greeves to Baruch stu ay and remained in speak to him away from the es. The he building. growing crowd,. butstudents g cer then app ed him not to go.