Biographical Description for the Historymakers® Video Oral History with Jean Carne

Total Page:16

File Type:pdf, Size:1020Kb

Biographical Description for the Historymakers® Video Oral History with Jean Carne Biographical Description for The HistoryMakers® Video Oral History with Jean Carne PERSON Carne, Jean Alternative Names: Jean Carne; Sarah Jean Parker; ; Jean Carn Life Dates: March 15, 1947- Place of Birth: Columbus, Georgia, USA Residence: Stone Mountain, GA Occupations: Singer Biographical Note Born Sarah Jean Parker in Columbus, Georgia, on March 15, 1947, Jean Carne's remarkable voice was first heard in the 1970s. While attending Booker T. Washington High School in Atlanta, Carne learned to speak Russian fluently. After graduating in 1965, Carne attended Morris Brown College and was planning on attending Juilliard School of Music when she met and married Doug Carne. Carne's first exposure to the public was as a teenager in Atlanta, singing Misty on a morning radio show. After meeting her husband, Carne joined his jazz fusion band as a vocalist, and they went on to record three albums. This work attracted the attention of the group Earth, Wind & Fire, which Carne joined as a back-up vocalist on its first two albums. After leaving Earth, Wind & Fire, Carne toured with Duke Ellington, and then went on to join Buddah Records. In 1975, Carne hit the top-ten charts with Norman Connors on the single Valentine Love. Throughout the rest of the 1970s, Carne continued to record and tour, releasing such popular singles as Was That All It Was, Free Love, and Don't Let It Go To Your Head, through Philadelphia International Records, and in 1982, she signed with industry giant Motown Records. In 1986, Carne joined Omni Records, which produced her first number-one hit, Closer Than Close. Carne continued to record throughout the 1990s, including the release of a greatest hits album; she also continued to tour frequently. In addition to her successful singing career, Carne raised three children. Related Entries Hope-Hill Elementary School [STUDENTOF] [from ? to ?] Frank L. Stanton Elementary School [STUDENTOF] [from ? to ?] Edmund Asa Ware Elementary School [STUDENTOF] [from ? to ?] Booker T. Washington High School [STUDENTOF] [from ? to ?] diploma Morris Brown College [STUDENTOF] [from ? to ?] didn't graduate [EMPLOYEEOF] [from 1968 to ?] Recording Artist.
Recommended publications
  • The Hilltop 1-21-1977
    Howard University Digital Howard @ Howard University The iH lltop: 1970-80 The iH lltop Digital Archive 1-21-1977 The iH lltop 1-21-1977 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_197080 Recommended Citation Staff, Hilltop, "The iH lltop 1-21-1977" (1977). The Hilltop: 1970-80. 175. http://dh.howard.edu/hilltop_197080/175 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1970-80 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ' i • •• • • ' • ' Hilltop Highlights : "Pb1 ver roncf'de, New; From Black Schools ... .. p2 nothing HUSA's N!w Office ......".. .... :, p2 ' \\'ithout a demand" Third World Ne"5 Foe ........ p3 law School Troubled .. ·........ p4 · Fredcrirk Douglas, Roots On TV ......................... p6 ' ''THE VOICE OF THF HOWARD COMMUNITY'' WHUR's Q;iet Storm ......... .. .. p7 Howard University, Washington D.C., 20059 ., I Vol'.. 59, No. 14 21 January 1977 ' ' SBA Questions Lack College of Medicine of Quality Education Acceptance of HU ' At HU Law School Grads ·oecreas~pg • • By Arlene Wailer i[ 8'1,'. Leila Brown dent body concerning the and Fred Hines ~ ' G rld Sc hool· Editor organization of the protest. there nevertheless seemed Hilltop Staffwriters $ to be a general consensus ' .. fhe law school is on a that ''something has to be The number of H oward undergraduate students who d ownward trend, and we • are admitted to the College of Medicine ha!\.fdecreased at · done," about the education 0 , ' need to arrest it," said God­ at the school.
    [Show full text]
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • With Honors at Ceremony Mrs
    M'lark College hP VOL. XXXVH NO. 5 ANTHER®CLARK COLLEGE FEBRUARY 1974 Henderson 'Roasted' With Honors At Ceremony Mrs. Vivian Henderson, individual,” Brantley said. gretted it and sometimes the president’s wife, was “He is a man deeply and I’ve been thankful.” present for the ceremony profoundly interested in the There was a surprise vi­ also. individual, ’ ’ Brantley said. sit by Henderson’s eldest Dr. Albert Manley, presi­ brother, J. J. Henderson, “1 thought the program dent of Spelman College, was who reminisced over some was nice and very well also on hand for the cere­ of their past experiences. done,” Mrs. Henderson said. monies. There was also a letter of “He looks like the big tough “Dr. Henderson has al­ congratulations from Mayor guy, but he’s really a sof­ ways excelled in what he Maynard Jackson presented ty,” she said speaking on tried to do,” Manly said. by the mayor’s press secre­ Henderson’s tears at theend Manly was Dean of Aca­ tary, Pearl Lomax. of the p^ogr0*’* demic Affairs at North Caro­ After the “roast,” Hen­ “I tnink for the first time lina College when Hender­ derson was presented with the student body is aware son was a student there. a gift and two plaques. of the many qualities of the “Vivian was not the ea­ Henderson was overcome president and there was a siest student to get along by tears as he stood be­ sincere exchange of appre­ with at North Carolina Col­ fore the audience to give him ciation between the student lege,” Manly said.
    [Show full text]
  • Downbeat.Com April 2011 U.K. £3.50
    £3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz,
    [Show full text]
  • João Gilberto
    SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Alumni Giving Lags by Shirley Singer Give to Drexel Has Risen Over the Could Influence the Percentages
    VOLUME Lll, NUMBER 25 DREX£L UNIVERSITY, PHILADELPHIA, PA. FRIDAY, MAY 14, 1976 Election Results Alumni Giving Lags by Shirley Singer give to Drexel has risen over the could influence the percentages. M iller Wins Only ten percent of Drexel's last two years. There still exists a However, one senior interviewed alumni gave to the annual alumni “big potential for improvement,” said that he would not give to by Dennis Myers fund last year. Of approximately according to William Davis, Vice Drexel as an alumnus because 17,000 graduates (50% of total President of University Relations. ‘‘We’ve paid for what we’ve gotten. Don Miller defeated his opponent alumni) solicited for funds. 3772 Davis hopes to invite alumni back We’re not getting any bargains as Jill Beinstein for student body responded with gifts. The year to the campus to show them the students. Everything they do they president in a heavier than usual before, only 2975 alumni con­ improvements and pr(^ess Drexel attempt to make profit. I>ook at the voter turnout, the TRIANGLE tributed to Drexel. has made over the years in both parking garage and cafeteria. 1 am learned Wednesday night. Also, the Drexel’s percentage of alumni buildings and educational methods. contributing to the class en­ new student government con­ who give to the university falls He feels that by giving alumni a dowment fund because the class stitution was ratified by a 272 to 59 below national averages. Lehigh sense of pride in the University, says what happens to the money. I vote.
    [Show full text]
  • Impact at Franklin Music
    Boston Gets Platinum Copyright Renewal Date A&M ‘Nadia’s Theme’ Makes NEW YORK — "Boston,” the first album by Looms As Crucial Issue the group of the same name, has been cer- by Rebecca Moore tified platinum by the RIAA. The album, on WASHINGTON, D.C. — The Copyright Of- Impact At Franklin Music Epic Records, attained the million unit sales fice is seeking comments on a proposed by Ken Terry manager, declared, “it was at least 80 or 90 plateau in eleven weeks. date current copyright holders may first (units) over anything else we sold lastweek. give notice of their intentions to renew or ATLANTA, GA. — “Only once in a blue It’s a monster down here.” terminate contracts with publishers. Com- moon does an album come along that you Special Sale ments are due by December 15. can really blow out like this,” remarked Lee FRONT COVER I All three managers agreed that a con- The new copyright law gives an extra 19 Durham, manager of Franklin Music’s tributing factor to the current sales spurt on years to copyrights in their second 28-year Perimeter Mall store, in a recent phone “Nadia’s Theme” a special sale term. When a copyright has expired, the interview. was 10-day which began on Nov. 17. As of that date, owner has five years to give a two-year He wasn’t talking about the new album by Franklin Music lowered its selling price on notice of his or her intention to reclaim ex- Stevie Wonder. Nor was he referring to the $5.98 list LP from $3.99 to $2.79/$3.79 ploitation rights, but the new law also says Elton John’s “Blue Moves” or to Led Zeppe- tape.
    [Show full text]
  • We Offer Thanks to the Artists Who've Played the Nighttown Stage
    www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with James Phillips
    Finding Aid to The HistoryMakers ® Video Oral History with James Phillips Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Phillips, James Henry, 1945- Title: The HistoryMakers® Video Oral History Interview with James Phillips, Dates: August 5, 2013 Bulk Dates: 2013 Physical 9 uncompressed MOV digital video files (4:05:11). Description: Abstract: Visual artist James Phillips (1945 - ) a member of the Weusi and AfriCobra artist groups, has participated in over seventy art exhibitions around the world. His work is included in several well-known collections. Phillips was interviewed by The HistoryMakers® on August 5, 2013, in Washington, District of Columbia. This collection is comprised of the original video footage of the interview. Identification: A2013_210 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Visual artist James Phillips was born in 1945 in Brooklyn, New York. Phillips attended the Fleisher Art Memorial School in Philadelphia in the 1960s. He then went on to study at the Philadelphia College of Art (University of the Arts for Philadelphia) from 1964 to 1965, followed by a brief affiliation with the Lee Cultural Center in 1968. Phillips then attended the Printing Trade School in New York City. From there, he became a member of the Harlem-founded Weusi Artist Collective, a group of young artists who made African iconic imagery and symbols a central part of their work, from 1969 to 1973. In 1970, Phillips met the founding members of AfriCobra (African Commune of Bad Relevant Artists), a group that was committed to incorporating African aesthetics, iconography and positive political imagery into African American art.
    [Show full text]
  • Review of Sunny Murray/Bob Dickie/Robert Andreano
    Pinciotti (drums), Marcus Printup (trumpet), Tom unique to Murray’s discography and manage to find Beckham (vibraphone) and Marc Ciprut (guitar). the right distance. Guitar carries echoes of Hendrix, Silver began her singing career in 1998, honing her often with beautifully nuanced attack. craft studying with singers Sheila Jordan and Mark Murray notoriously disliked recording alone and Murphy; the latter described her voice as having the appearance of the nearly-20-minute solo “Why You “that rare quality of light infectious swing that lights Need a Lawyer When Your Pants on Fire” is another up her tall willowy persona.” Her alto is pure and big surprise. It is a remarkable opportunity to listen to persuading, her clarity, enunciation and breath control elements of the drummer’s classic style, as he goes into astonishing. She has been compared to Karen Carpenter a fascinating interiorized dancing, anchored by his left Emanation and Jo Stafford and credits Bill Evans, Annie Lennox foot hi-hat work. Sam Rivers Trio (NoBusiness) and Arnold Schoenberg as influences. Murray was never in a position to organize his by Phil Freeman The album opens with one of her originals, “When discography as a hall of mirrors in which to gaze at his I Look into Your Eyes”, a sweet, languorous love song. own reflection. Homework documents a brief moment Sam Rivers’ Impulse! debut, 1973’s Streams, featured As in most tracks that follow, bass and drums lay the in his musical life, whose richness made it possible for a 49-minute performance from that year’s Montreux foundation for piano and trumpet to take their it to be unique.
    [Show full text]
  • AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got
    AC/DC AEROSMITH BONFIRE PANDORA’S BOX DISC II 01 Toys in the Attic 01 Jailbreak 02 Round and Round 02 It’s a Long Way to the Top 03 Krawhitham 03 She’s Got the Jack 04 You See Me Crying 04 Live Wire 05 Sweet Emotion 05 T.N.T. 06 No More No More 07 Walk This Way 06 Let There Be Rock 08 I Wanna Know Why 07 Problem Child 09 Big 10” Record 08 Rocker 10 Rats in the Cellar 09 Whole Lotta Rosie 11 Last Child 10 What’s Next to the Moon? 12 All Your Love 13 Soul Saver 11 Highway to Hell 14 Nobody’s Fault 12 Girls Got Rhythm 15 Lick and a Promise 13 Walk All Over You 16 Adam’s Apple 14 Shot Down in Flames 17 Draw the Line 15 Dirty Deeds Done Dirt Cheap 18 Critical Mass 16 Ride On AEROSMITH PANDORA’S BOX DISC III AC/DC 01 Kings and Queens BACK IN BLACK 02 Milk Cow Blues 01 Hells Bells 03 I Live in Connecticut 02 Shoot to Thrill 04 Three Mile Smile 05 Let It Slide 03 What Do You Do For Money Honey? 06 Cheesecake 04 Given the Dog a Bone 07 Bone to Bone (Coney Island White Fish) 05 Let Me Put My Love Into You 08 No Surprize 06 Back in Black 09 Come Together 07 You Shook Me All Night Long 10 Downtown Charlie 11 Sharpshooter 08 Have a Drink On Me 12 Shithouse Shuffle 09 Shake a Leg 13 South Station Blues 10 Rock and Roll Ain’t Noise Pollution 14 Riff and Roll 15 Jailbait AEROSMITH 16 Major Barbara 17 Chip Away the Stone PANDORA’S BOX DISC I 18 Helter Skelter 01 When I Needed You 19 Back in the Saddle 02 Make It 03 Movin’ Out AEROSMITH 04 One Way Street PANDORA’S BOX BONUS CD 05 On the Road Again 01 Woman of the World 06 Mama Kin 02 Lord of the Thighs 07 Same Old Song and Dance 03 Sick As a Dog 08 Train ‘Kept a Rollin’ 04 Big Ten Inch 09 Seasons of Wither 05 Kings and Queens 10 Write Me a Letter 06 Remember (Walking in the Sand) 11 Dream On 07 Lightning Strikes 12 Pandora’s Box 08 Let the Music Do the Talking 13 Rattlesnake Shake 09 My Face Your Face 14 Walkin’ the Dog 10 Sheila 15 Lord of the Thighs 11 St.
    [Show full text]
  • Jukebox Oldies
    JUKEBOX OLDIES – MOTOWN ANTHEMS Disc One - Title Artist Disc Two - Title Artist 01 Baby Love The Supremes 01 I Heard It Through the Grapevine Marvin Gaye 02 Dancing In The Street Martha Reeves & The Vandellas 02 Jimmy Mack Martha Reeves & The Vandellas 03 Reach Out, I’ll Be There Four Tops 03 You Keep Me Hangin’ On The Supremes 04 Uptight (Everything’s Alright) Stevie Wonder 04 The Onion Song Marvin Gaye & Tammi Terrell 05 Do You Love Me The Contours 05 Got To Be There Michael Jackson 06 Please Mr Postman The Marvelettes 06 What Becomes Of The Jimmy Ruffin 07 You Really Got A Hold On Me The Miracles 07 Reach Out And Touch Diana Ross 08 My Girl The Temptations 08 You’re All I Need To Get By Marvin Gaye & Tammi Terrell 09 Where Did Our Love Go The Supremes 09 Reflections Diana Ross & The Supremes 10 I Can’t Help Myself Four Tops 10 My Cherie Amour Stevie Wonder 11 The Tracks Of My Tears Smokey Robinson & The Miracles 11 There’s A Ghost In My House R. Dean Taylor 12 My Guy Mary Wells 12 Too Busy Thinking About My Marvin Gaye 13 (Love Is Like A) Heatwave Martha Reeves & The Vandellas 13 The Happening The Supremes 14 Needle In A Haystack The Velvelettes 14 It’s A Shame The Spinners 15 It’s The Same Old Song Four Tops 15 Ain’t No Mountain High Enough Diana Ross 16 Get Ready The Temptations 16 Ben Michael Jackson 17 Stop! (in the name of love) The Supremes 17 Someday We’ll Be Together Diana Ross & The Supremes 18 How Sweet It Is Marvin Gaye 18 Ain’t Too Proud To Beg The Temptations 19 Take Me In Your Arms Kim Weston 19 I’m Still Waiting Diana Ross 20 Nowhere To Run Martha Reeves & The Vandellas 20 I’ll Be There The Jackson 5 21 Shotgun Junior Walker & The All Stars 21 What’s Going On Marvin Gaye 22 It Takes Two Marvin Gaye & Kim Weston 22 For Once In My Life Stevie Wonder 23 This Old Heart Of Mine The Isley Brothers 23 Stoned Love The Supremes 24 You Can’t Hurry Love The Supremes 24 ABC The Jackson 5 25 (I’m a) Road Runner JR.
    [Show full text]