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New York Painting Begins: Eighteenth-Century Portraits at the New-York Historical Society the New-York Historical Society Holds
New York Painting Begins: Eighteenth-Century Portraits at the New-York Historical Society The New-York Historical Society holds one of the nation’s premiere collections of eighteenth-century American portraits. During this formative century a small group of native-born painters and European émigrés created images that represent a broad swath of elite colonial New York society -- landowners and tradesmen, and later Revolutionaries and Loyalists -- while reflecting the area’s Dutch roots and its strong ties with England. In the past these paintings were valued for their insights into the lives of the sitters, and they include distinguished New Yorkers who played leading roles in its history. However, the focus here is placed on the paintings themselves and their own histories as domestic objects, often passed through generations of family members. They are encoded with social signals, conveyed through dress, pose, and background devices. Eighteenth-century viewers would have easily understood their meanings, but they are often unfamiliar to twenty-first century eyes. These works raise many questions, and given the sparse documentation from the period, not all of them can be definitively answered: why were these paintings made, and who were the artists who made them? How did they learn their craft? How were the paintings displayed? How has their appearance changed over time, and why? And how did they make their way to the Historical Society? The state of knowledge about these paintings has evolved over time, and continues to do so as new discoveries are made. This exhibition does not provide final answers, but presents what is currently known, and invites the viewer to share the sense of mystery and discovery that accompanies the study of these fascinating works. -
Maryland Historical Magazine, 1980, Volume 75, Issue No. 4
Maryland •listorical Magazine ublished Quarterly by The Museum and Library of Maryland History The Maryland Historical Society Winter 1980 THE MARYLAND HISTORICAL SOCIETY OFFICERS J. Fife Symington, Jr., Chairman* Robert G. Merrick, Sr., Honorary Chairman* Leonard C. Crewe, Jr., Vice Chairman* Frank H. Weller, Jr., President* J. Dorsey Brown, III, Vice President* Stuart S. Janney, III, Secretary* Mrs. Charles W. Cole, Jr., Vice President* John G. Evans, Treasurer* E. Phillips Hathaway, Vice President* J. Frederick Motz, Counsel* William C. Whitridge, Vice President* Samuel Hopkins, Past President* 'The officers listed above constitute the Society's Executive Committee. BOARD OF TRUSTEES H. Furlong Baldwin Richard R. Kline Frederick Co. Mrs. Emory J. Barber St. Mary's Co. Mrs. Frederick W. Lafferty Gary Black, Jr. John S. Lalley James R. Herbert Boone {Honorary) Charles D. Lyon Washington Co. Thomas W. Burdette Calvert C. McCabe, Jr. Philip Carroll Howard Co. Robert G. Merrick, Jr. Mrs. James Frederick Colwill Michael Middleton Charles Co. Owen Daly, II J. Jefferson Miller, II Donald L. DeVries W. Griffin Morrel Emory Dobson Caroline Co. Richard P. Moran Montgomery Co. Deborah B. English Thomas S. Nichols Charles O. Fisher Carroll Co. Addison V. Pinkney Mrs. Jacob France {Honorary) J. Hurst Purnell, Jr. Kent Co. Louis L. Goldstein Culvert Co. George M. Radcliffe Anne L. Gormer Allegany Co. Adrian P. Reed Queen Anne's Co. Kingdon Gould, Jr. Howard Co. Richard C. Riggs, Jr. William Grant Garrett Co. David Rogers Wicomico Co. Benjamin H. Griswold, III Terry M. Rubenstein R. Patrick Hayman Somerset Co. John D. Schapiro Louis G. Hecht Jacques T. -
The Role of Family Portraiture at the Carlyle
Carlyle House February 2008 D OCENT D ISPATCH Northern Virginia Regional Park Authority Status Preserved and Defined: The Role of Family Portraiture at the Carlyle House by Philippe Halbert Among the most tangible links to the eighteenth century in the Carlyle House collection today are the “3 family pictures” listed between a collection of looking glasses and prints on John Carlyle’s 1780 inventory. Although they were never guests of their American family in Alexandria, William, Rachel, and George Carlyle nonetheless play an important role in our understanding of the life of John Carlyle. In addition to simply providing “faces” to go with the names, their portraits also serve to illustrate the role of family portraiture among the provincial elite. As can be imagined, the ordinary Virginian of the colonial period could not afford to commission a portrait. The collection of three displayed in his fine Mr. and Mrs. Atherton by Arthur Devis, oil on canvas, ca. 1743 high Georgian-Palladian home, in addition to his painted in the colonies and sent to Great Britain, whitewashing interior spaces. Because of their demonstrate Carlyle’s aspirations towards gentility “illuminating” work, they were often referred to and a means by which he meant to convey his status as limners. Although they did not usually sign in the New World as well as the Old. their work, many examples of the limner’s trade survive, such as a series of portraits of the émigré The tradition of portrait-painting in the Huguenot Jacquelin-Ambler family of Jamestown American colonies had its origins in British practice painted ca. -
Revolutionary Mail Bag Governor Thomas Sim Lee's Correspondence 1779 -1782 from Original Pencil Drawing Hy Robert S
REVOLUTIONARY MAIL BAG GOVERNOR THOMAS SIM LEE'S CORRESPONDENCE 1779 -1782 FROM ORIGINAL PENCIL DRAWING HY ROBERT S. PEABODY, IN POSSESSION OE AUTHOR. REVOLUTIONARY MAIL BAG: GOVERNOR THOMAS SIM LEE'S CORRESPONDENCE, 1779-1782 Edited by HELEN LEE PEABODY HE contents of a chest of several hundred unpublished letters T and papers, belonging to Thomas Sim Lee, Governor of Maryland during the American Revolution, form the basis of the following pages.1 The chest, containing these letters and private papers, together with the rest of his personal possessions, was inherited by his youngest son, John Lee, the only unmarried child still living with his father at the time of his death. John Lee, my grandfather, left his inheritance, the old family mansion, " Needwood," in Frederick County, and all it contained, to my father, Charles Carroll Lee. In this manner the chest of letters descended to the present generation. 1 There is no life of Lee. Standard accounts are to be found in the Dictionary of American Biography, XI, 132, and H.E. Buchholz, Governors of Maryland (Baltimore, 1908), pp. 9-13. 1 2 MARYLAND HISTORICAL MAGAZINE The papers—designated hereafter as the T. S. Lee Collection— when found, comprised over a thousand items. The papers were arranged in packages, tied with tape, and tabulated, which facili tated the onerous task of sorting and reading. Many had to be laid aside, as totally unsuited to a compilation of this kind. These comprised invoices, bills of lading, acknowledgements by London firms of hogsheads of tobacco received, orders for furniture, clothing, household utensils—all, in short, that made up the inter change of life between our Colonial ancestors and British mer chants. -
Look Inside Women’S History Month with a Luncheon at Newton White Mansion
THE MARYLAND-NATIONAL CAPITAL PARK AND PLANNING COMMISSION EMPLOYEE NEWS A UpdateBI-COUNTY COMMISSION SERVING MONTGOMERY AND PRINCE GEORGE’S COUNTIES VOLUME XXIV • ISSUE 4 WWW.MNCPPC.ORG APRIL 2015 M-NCPPC Celebrates National Look Inside Women’s History Month with a Luncheon at Newton White Mansion Staff and guests gathered at Newton White Man- Prince George's Planning Updates sion on Monday, March 16 to celebrate Women's History Citizens' Handbook Month. The event began with Executive Director Patricia .............................................................page 3 Colihan Barney's opening remarks and a welcome by M-NCPPC Vice-Chair Casey Anderson. Commissioner Year-End Purchasing Reminders Marye Wells-Harley performed Mistress of Ceremonies .............................................................page 3 duties. Attendees were treated to lunch and, in keep- ing with the national theme of "Weaving the Stories of Montgomery Parks In-Service Training Women's Lives," guests got to enjoy a weaving demon- stration and interactive weaving activities. Presentations .............................................................page 4 were given by A. Shuanise Washington, Prince George’s County Commissioner, Natali Fani-Gonzalez, Montgom- Health and Benefits Update ery County Commissioner and Maureen Dougherty, Ph.D., ........................................................pages 6-7 Visiting Professor and Program Coordinator, Community College of Baltimore County (Catonsville). ERS LifeTimes The committee provided interactive displays for at- ...........................................................page 10 tendees to experience various types of weaving looms. Participants were invited to write their names on strips of fabric, which were then woven into a shawl on a giant community loom. The shawl was presented to Commis- See Women's History, page 2 The deadline for submissions to the next issue of Update is close of business Friday, May 1. -
The Arnold Palmer Links the Man Who Unequivocally Made Woodmore “Happen”
&NOW THENQUARTERLY PUBLICATION OF THE PRINCE GEORGE’S COUNTY HISTORICAL SOCIETY VOLUME XLVI NO.1 JANUARY - MARCH 2017 The Arnold Palmer Links The man who unequivocally made Woodmore “happen” mongst the remembrances of Arnold Palmer’s passing, little has been said, reported or even known of the special role he played in the development, and inA the social, political and economic transitions, that make up, and continue to make up, today’s Prince George’s County. Taking a drive along Route 50, from the Beltway towards Bowie and Annapolis, we soon see Freeway airport ahead. What we don’t see behind the highway sound barriers is the region of Prince George’s known as Mitchellville, MD. Should there be an exit onto Enterprise Road, we could proceed south along Enterprise Road to the intersection of Enterprise and Woodmore Road. Enter through the security gates, and arrive inside of the beautiful and prestigious Woodmore Community and Country Club. In the generation, some 35 years since Woodmore opened, there is now a Woodmore South, and developments and communities emblazoned with the Woodmore name throughout Photo Contributed by: Paul Zanecki the center county extending North, East and West. Even a new mixed use commercial center, the Woodmore Town Centre, bears the name. In ranges. The County’s assessable base has soared, 1980, Woodmore was the name of a country road in and it has famously become the wealthiest African- Mitchellville, dotted with farms. American community in the United States. In 1980, there were no Prince George’s County home Was this dynamic change a natural demographic sales over the half million dollar mark, certainly evolution, or did some catalytic or transformative none over one million. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W. -
Dissertation FINALLY.Pdf
Copyright by Rowena Houghton Dasch 2012 The Dissertation Committee for Rowena Houghton Dasch Certifies that this is the approved version of the following dissertation: “Now Exhibiting:” Charles Bird King’s Picture Gallery, Fashioning American Taste and Nation 1824-1861 Committee: Susan Rather, Supervisor Michael Charlesworth Neil Kamil Emily Ballew Neff Jeffrey Smith “Now Exhibiting:” Charles Bird King’s Picture Gallery, Fashioning American Taste and Nation 1824-1861 by Rowena Houghton Dasch, AB, MA Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2012 Dedication For my family, each member of which has carried me through a portion of this journey. Dorothy Knox and Tom Houghton Kevin, Caroline, and Litty Dasch Acknowledgements When one embarks on a journey destined to take up a third of her lifetime, it becomes impossible adequately to acknowledge all who have joined in on the adventure. My first and greatest acknowledgment must be to my parents, Tom and Dorothy Knox Houghton. Their commitment to education and to the arts underpins all that I have accomplished academically in my own life. My mother has supported me at each step of the way, to the point of decamping for a summer to Alexandria, Virginia to provide childcare while I was in residence at the National Portrait Gallery. My father was taken from us too soon. He saw me finish my MA, and the strength of his conviction that I would finish my Ph.D. -
Maryland Historical Magazine, 1941, Volume 36, Issue No. 4
mpi sc szn-i-iHi MARYLAND HISTORICAL MAGAZINE VOL. XXXVI DECEMBER, 1941 No. 4 JOSHUA BARNEY AND THE FRENCH REVOLUTION By BERNARD MAYO When William Wirt was writing his biography of Patrick Henry and having difficulty in finding material on his subject, St. George Tucker commiserated with him on the indifference of Virginians to their great men. It seemed to Tucker that even Socrates would have been soon forgotten in the Ancient Dominion.1 This same sort of indifference has obscured the merits of a num- ber of Maryland's distinguished sons, and among them until recently has been Joshua Barney of Baltimore. To most Americans his name, if it meant anything at all, vaguely recalled the gallant defense of Washington in 1814 made by Barney's marines and flotilla-men at William Wirt's home town of Bladensburg. Yet this was but one of the Marylander's many exploits and public services. Happily he has now been rescued from an undeserved obscurity by Mr. Hulbert Footner's robust and stirring biography. Sailor of Fortune: The Life and Adventures of Commodore Barney, U. S. N.2 It is not the purpose here to recount what Mr. Footner has already told, but rather to throw a little additional light on one phase of Joshua Barney's career. In editing for the American Historical Association a volume comprising the instructions sent by the British foreign secretaries to Britain's envoys in America from 1791 to 1812, several items have been discovered which are pertinent to the man. The Foreign Office archives reveal that 1St. -
John Wollaston, Port
INFORMATION TO USERS This material was produced from a microfilm copy o f the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of die original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.Tha sign or "?c.,§€t" for pages apparently lacking from the document photographed is "Mining Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. Youa will find good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. I t is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
The Spectacle
National Park Service Arlington House U.S. Department of the Interior The Robert E. Lee Memorial The Spectacle From the Office Down the Hall Retiring from the Field When Robert E. Lee resigned from the army in 1861, he left a 32-year career behind. A lot has been made of the reasons he resigned, the political impacts of his decision and most of all, the role he played in the South after his retirement. In fact, these things have so captured the stage of his life that the work and contributions of his previous three decades have faded almost wholly into the shadowed, flat background. But when Lee retired, who do you think knew the most about the foundations of Fortress Monroe? If not for Lee, Saint Louis might not be a river city today. And what about Chapultepec where, according to General Winfield Scott, Lee “performed the greatest feat of physical and moral courage performed by any individual in my knowledge…”? There is a good reason Lee was being offered Arlington House command of the army before he resigned. In many ways he was at the peak of his career like jewels on black velvet. Fireflies wove a to the chagrin of her division chiefs—to gain not as he watched opposing friends square glittering pattern on the warm summer air friends for the park and protect Parkway off on the hills around Gettysburg, but rather and she said, “it is really beautiful—I had to resources. But it is her successes at Arlington on April 12, 1861 as he met with Scott in see it one last time.” Like Lee, Audrey fears House that really stand out for us. -
AA-169 Primrose Hill, (Primrose Farm, Young's Inn)
AA-169 Primrose Hill, (Primrose Farm, Young's Inn) Architectural Survey File This is the architectural survey file for this MIHP record. The survey file is organized reverse- chronological (that is, with the latest material on top). It contains all MIHP inventory forms, National Register nomination forms, determinations of eligibility (DOE) forms, and accompanying documentation such as photographs and maps. Users should be aware that additional undigitized material about this property may be found in on-site architectural reports, copies of HABS/HAER or other documentation, drawings, and the “vertical files” at the MHT Library in Crownsville. The vertical files may include newspaper clippings, field notes, draft versions of forms and architectural reports, photographs, maps, and drawings. Researchers who need a thorough understanding of this property should plan to visit the MHT Library as part of their research project; look at the MHT web site (mht.maryland.gov) for details about how to make an appointment. All material is property of the Maryland Historical Trust. Last Updated: 06-11-2004 f_J NPS Form 1MDO OMS No. 1002.wio11 toct- 1llO) United States Department of the Interior r-N-tlonal Park S.Mc:e Tbil fora aa:r also be use\5 for aterin9 properties into the Mar:rlanc5 lnventor:r of "ational Register of Historic Places Historic Properties ~ the ll&rJlanc5 Reqister Registration Form of Historic PropertJ.ea. 'nlil fDrm 11 IDr ... In nominating or r9questing determinations for Individual properties and cliatrictl. lee inltNCtionl In How a:i Ccn!pllfll ._ '*fionW ~ tJ/ Htstcric Pr.ces ~Ciot'l Fotm (National ~ister Bulletin 16A).