INFORMATION ISSUED by the Aaooaim of Awmi RBUOBS U OEAT BRITJUN
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The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and Drama Criticism Sheila O'brien Mcguckin University of New Hampshire, Durham
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1996 The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism Sheila O'Brien McGuckin University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation McGuckin, Sheila O'Brien, "The Theater of the Absurd in Europe and America: Sartre, Beckett, Pinter, Albee and drama criticism" (1996). Doctoral Dissertations. 1895. https://scholars.unh.edu/dissertation/1895 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Page 1 of 562 JEK James and Elizabeth Knowlson Collection This Catalogue Is Based on the Listing of the Collection by James
University Museums and Special Collections Service JEK James and Elizabeth Knowlson Collection This catalogue is based on the listing of the collection by James and Elizabeth Knowlson 1906-2010 JEK A Research material created by James and Elizabeth Knowlson JEK A/1 Material relating to Samuel Beckett JEK A/1/1 Beckett family material JEK A/1/1/1 Folder of Birth Certificates, Parish registers and Army records Consists of a copy of the Beckett Family tree from Horner Beckett, a rubbing of the plaque on William Beckett’s Swimming Cup, birth certificates of the Roes and the Becketts, including Samuel Beckett, his brother, mother and father and photograph of the Paris Register Tullow Parish Church and research information gathered by Suzanne Pegley Page 1 of 562 University Museums and Special Collections Service James Knowlson note: Detailed information from Suzanne Pegley who researched for James and Elizabeth Knowlson the families of both the Roes – Beckett’s mother was a Roe - and the Becketts in the records of the Church Body Library, St Peter’s Parish, City of Dublin, St Mary’s Church Leixlip, the Memorial Registry of Deeds, etc. Very detailed results. 2 folders 1800s-1990s JEK A/1/1/2 Folder entitled May Beckett’s appointment as a nurse Consists of correspondence James Knowlson note: Inconclusive actually 1 folder 1990s JEK A/1/1/3 Folder entitled Edward Beckett Consists of correspondence James Knowlson note: Beckett’s nephew with much interesting information. 1 folder 1990s-2000s JEK A/1/1/4 Folder entitled Caroline Beckett Murphy Consists -
Classical Music, Propaganda, and the American Cultural Agenda in West Berlin (1945–1949)
Music among the Ruins: Classical Music, Propaganda, and the American Cultural Agenda in West Berlin (1945–1949) by Abby E. Anderton A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in the University of Michigan 2012 Doctoral Committee: Professor Jane Fair Fulcher, Chair Professor Steven M. Whiting Associate Professor Charles H. Garrett Associate Professor Silke-Maria Weineck To my family ii Acknowledgements While writing this dissertation, I have been so fortunate to have the encouragement of many teachers, friends, and relatives, whose support has been instrumental in this process. My first thanks must go to my wonderful advisor, Dr. Jane Fulcher, and to my committee members, Dr. Charles Garrett, Dean Steven Whiting, and Dr. Silke-Maria Weineck, for their engaging and helpful feedback. Your comments and suggestions were the lifeblood of this dissertation, and I am so grateful for your help. To the life-long friends I made while at Michigan, thank you for making my time in Ann Arbor so enriching, both academically and personally. A thank you to Dennis and to my family, whose constant encouragement has been invaluable. Lastly, I would like to thank my mom and dad, who always encouraged my love of music, even if it meant sitting through eleven community theater productions of The Wizard of Oz. I am more grateful for your help than I could ever express, so I will simply say, “thank you.” iii Table of Contents Dedication ....................................................................................................................... -
Information Issued by the Association of Jewish Refugees in Great Britain 8 Fairfax Mansions
Vol. XIII No. 7 July. 1958 INFORMATION ISSUED BY THE ASSOCIATION OF JEWISH REFUGEES IN GREAT BRITAIN 8 FAIRFAX MANSIONS. Office and Consulting Hours: FINCHLEY ROAD (Corner Fairfax Road), Monday to Thursdoy 10 a.m.—I p.m. LONDON. N.W.3 Fridor 10 a.m.—I p.m. Telephone: MAIda Vala 9096/7 (General OfTice) MAIda Vale 4+49 (Employment Afency and Social Services Dept.) themselves with the cause. But the help of all our friends was necessary to win over those A YEAR OF PROGRESS who still stood aloof though, directly or indirectly, they too benefited from our work. AJR Activities Under Review Our expanded activities had necessitated the establishment of several new committees, and General meetings may often only be formali and of a flatlet Home was under active con the AJR had been able to enlist the constant ties. They may, however, also be the mani sideration but, so far, no suitable sites could and devoted co-operation of many people, to festation of the substance and strength of an be found. all of whom we were deeply indebted. organisation, and we feel that the AJR's Regarding the AJR's Social Centre, the general meeting this year gave evidence of speaker stated that the premises at 57 Eton Election of Hon. Officers considerable achievements during the period Avenue were regularly frequented in the after under review. noons by elderly persons and in the evenings After the report Mr. W. M. Behr, a member by people who were still able to work. The of the Executive, moved the election of the In his opening address the Chairman, Mr. -
Space and Gender in Post-War German Film
The Misogyny of the Trümmerfilm - Space and Gender in Post-War German film A thesis submitted to the University of Reading For the degree of Doctor of Philosophy Department of Modern Languages and European Studies Richard M. McKenzie January 2017 1 | Page Acknowledgements I would like to express my thanks to my supervisors Dr Ute Wölfel and Prof. John Sandford for their support, guidance and supervision whilst my thesis was developing and being written. It has been a pleasure to discuss the complexities of the Trümmerfilm with you both over multiple coffees during the last few years. I am also grateful for the financial support provided by the Reading University Modern Foreign Languages Department at the beginning of my PhD study. My thanks must also go to Kathryn, Sophie and Isabelle McKenzie, with my parents and sister, for their forbearance whilst I concentrated on my thesis. In addition to my supervisors and family, I would like to record my thanks to my friends; Prof. Paul Francis, Dr Peter Lowman, Dr Daniela La Penna, Dr Simon Mortimer, Dr J.L. Moys and D.M. Pursglove for their vital encouragement at different points over the last few years. Finally, I would like to acknowledge the debt that I owe to two people. Firstly, Herr Wilfred Muscheid of the Frankfurt International School who introduced me to the intricacies of the German language ultimately making my PhD study possible. Secondly, I would like to acknowledge the influence of the late Prof. Lindsey Hughes, lecturer in the former Reading University Russian Department, who, with her departmental colleagues, taught me many of the basic academic tools and determination that I have needed to complete my PhD. -
Leon Levy BAM Digital Archive
AVE AMC, V\-ak '1V (pkE. ue,v56-Lo-CEI overture 10 Ada% sty sir ro. -":".=.1:1%."" 11111P 1 p 'MO er- M, riO 11101i 0 II V Jo( V 743 slot sr... st scrwyc 1.0%100.1 (Ky Kist, tagnAnIt OW/ Cltectl-B 1 Ems 3 Your money grows like magic at the THE DIMEDIME SAVINGS BANK OF NEW YORK MEMBER FDIC MANHATTAN DOWNTOWN BROOKLYN BENSONHURST FLATBUSH CONEY ISLAND KINGS PLAZA VALLEY STREAM MASSAPEQUA' HUNTINGTON STATION Brooklyn Academy of Music r 'yrs, ookt3 Program March 29-April 3, 1977/Lepercq Space The Mai llot Sensation begins with a single Berlin Now Festival sleek suit...then of Goethe House New York every move you make under the sun presents becomes a sensuous Berlin experience. We The Schiller Theater have a maillot for you in our collection. in Samuel Beckett's Waiting For Godot with Horst Bollmann Klaus Herm Curt Raddatz Torsten Sense Klaus Wigger German translation by Elmar Tophoven Set and Costumes by Technical Direction Matias Julian Herrey Iv by ,it- ...drPat Lighting by Make-Up LI% Heinz Hohenwald Wener Siebert Staged by Samuel Beckett c LA '`A A t.,4 4 *k4N, le Oasis Swimwear (383). AT THE A&S NEAREST YOU. a grant from the Federal This presentation has been made possible by Republic of Germany .- Cast for Waiting for Godot Estragon Horst Bollmann Vladimir Stafan Wigger The best, time Lucky Klaus Herm Pozzo Carl Raddatz to buy, a A Boy Torsten Sense . to Intermission after Act I prunepcation before it nbeecomes a Ring Down the Curtain prune location. -
FRENCH and AMERICAN CULTURAL OCCUPATION POLICIES and GERMAN EXPECTATIONS, 1945-1949 a Dissertation
NEGOTIATING DIFFERENCE: FRENCH AND AMERICAN CULTURAL OCCUPATION POLICIES AND GERMAN EXPECTATIONS, 1945-1949 A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History By Corey J. Campion, M.A. Washington, DC September 29, 2010 Copyright 2010 by Corey J. Campion All Rights Reserved ii NEGOTIATING DIFFERENCE: FRENCH AND AMERICAN CULTURAL OCCUPATION POLICIES AND GERMAN EXPECTATIONS, 1945-1949 Corey J. Campion, M.A. Thesis Advisor: Roger Chickering, Ph.D. ABSTRACT The dissertation explores the local implementation of French and American cultural occupation policies in Germany from 1945-1949. It focuses on events in French-occupied Freiburg and American-occupied Stuttgart and relies on materials gathered in local and state German archives as well as the French and American national archives. The dissertation argues that postwar German culture developed not through the unilateral implementation of Allied policies, but rather through negotiations between Allied and German visions. In Freiburg and Stuttgart negotiations over the purpose and character of postwar cultural activities reflected a broader debate over what 1945 meant for the future of German society. To varying degrees, French and American officials viewed the Reich’s collapse as an invitation to rebuild Germany along the lines of their own “superior” political and cultural traditions. By contrast, German officials looked to rebuild along native lines and, in the wake of what they described as unwelcome Nazi political and cultural “experiments,” greeted Allied reeducation efforts with a combination of frustration and suspicion. Thus, while the Allies shared with their Germans general democratic, capitalist, and Christian values, they struggled to win support for their specific reforms. -
Verleihkopien
Mitglied der Fédération D FF – Deutsches Filminstitut & Tel.: +49 (0)611 / 97 000 10 www.dff.film Wiesbadener Volksbank Internationale des Archives Filmmuseum e.V. Fax: +49 (0)611 / 97 000 15 E-Mail: wessolow [email protected] IBAN: D E45510900000000891703 du Film (FIAF) Filmarchiv BIC: WIBADE5W XXX Friedrich-Bergius-Stra ß e 5 65203 Wiesbaden 8 / 2019 Verleihkopien Eine Auswahl aus unserem Archiv-Bestand Wir bieten16mm und 35mm Filmkopien, sowie DVDs und DCPs für den nichtkommerziellen Verleih an. Die angegebenen Preise verstehen sich pro Vorführung (zzgl. 7% MwSt. und Transportkosten). * Preis ohne Vorführrechte; Details erfragen Sie bitte im Filmarchiv Darüber hinaus stehen Ihnen noch weitere Filme zur Verfügung. Auskunft über den technischen Zustand der Kopien erhalten Sie im Filmarchiv. Erläuterung viragiert = ganze Szenen des Films sind monochrom eingefärbt koloriert = einzelne Teile des Bildes sind farblich bearbeitet ohne Angabe = schwarz/weiß restauriert = die Kopie ist technisch bearbeitet rekonstruiert = der Film ist inhaltlich der ursprünglichen Fassung weitgehend angeglichen Kurz-Spielfilm = kürzer als 60 Minuten russ./ eUT = russisch mit englischen Untertiteln dtUT = mit deutschen Untertiteln dt.vorh./engl.vorh. = deutsche oder englische Zwischentitel-Liste vorhanden Einige der Stummfilme sind auch mit Musik vorhanden Zwischen- Stummfilm Titel / Land / Jahr Regie / Darsteller Titel / Format Preis € Tonfilm Sprache Abend der Gaukler Regie: Ingmar Bergman GYKLARNAS AFTON Tonfilm Darsteller: Harriet Andersson Hasse Ekman deutsch -
Steglitz-Zehlendorf the Green South-West of Berlin
The green south-west of Berlin Steglitz-Zehlendorf Steglitz-Zehlendorf The green south-west of Berlin Book on Steglitz-Zehlendorf A project by Yopic e.V. All rights reserved. On behalf of the office of the mayor of Berlin Steglitz-Zehlendorf In cooperation with the economic promotion of the district office Final remarks: Matthias Heise, Gernot Mann, Annette Schönherr Sponsored by Jobcenter Steglitz-Zehlendorf in 2010 3. Revised edition, 2017 Typesetting/graphic design/printing: Teltower Stadt-Blatt Verlags- und Presse GmbH Potsdamer Straße 57, 14513 Teltow, Tel.: (0 33 28) 31 64 50, Fax: (0 33 28) 31 64 72, E-Mail: [email protected] Manager: Andreas Gröschl Translation: Advanced Linguistic Institute, Siyabend Haris The green south-west of Berlin Foreword by the mayor of the district Steglitz-Zehlendorf is located in the south-west of Berlin, borders Charlottenburg-Wilmersdorf in the north, Tempelhof-Schöneberg in the east, Brandenburg in the south and Brandenburg and Spandau in the west. The district is now the third-largest district of Berlin, with 10,257 hectares and 303,000 inhabitants. It is located in the seven districts of Wannsee, Nikolassee, Zehlendorf, Dahlem, Lichterfelde, Lankwitz and Steglitz. Steglitz-Zehlendorf has always been a preferred residential area, and its numerous waters, the forest and green areas are recreation areas for all Berliners. Guests from abroad also enjoy the scenic attractions and the attractions of the “green district”. 2,459 hectares of forest and 1,127 hectares of water areas such as the Kleine Wannsee, the Große Wannsee with its generous lido, the Schlachtensee or the Krumme Lanke are characterized by Steglitz-Zehlendorf.