Integración De Peercast En Mythtv
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I Want My Mythtv
I want my MythTV Tim Fenn [email protected] What are DVRs? ● Digital Video Recorders - digital devices used to schedule/record television programs ● typically include features like fast forward, rewind, pause recorded and ªliveº TV ● standalone service - e.g. TiVo, Replay TV ● integrated service ± e.g. Comcast How does MythTV compare? ● Free and open source ● for users, by users ● Runs under Linux and (frontend only) MacOSX ● SQL backbone ● client/server architecture (think: one box for inputs/recording, any other number of boxes for viewing) ● nobody cares what you do with it or how you use it (10 capture cards? Sure! Can I control my lights and ceiling fans using the same box? OK! Watch/burn/rip DVDs? DeCSS, hah!) ● Con: requires know-how of hardware and (primarily Linux) software So what is MythTV capable of? Example screenshots... Example screenshots... Example screenshots... Example screenshots... Example screenshots... Example screenshots... Required Hardware (backend) ● TV capture card: – Hauppauge PVR cards (150/250/350/500) are very popular (encoding done in hardware) ($70-200)1 ● well supported in linux (Chris Kennedy, Tyler Trafford, John Harvey et al. and some actual vendor support on register settings)2 – older bttv (bt848/bt878) chipsets (WinTV-Go, etc, etc...) – Plextor ConvertX PX-TV402U (USB 2.0 device) ● fully open sourced SDK (and gave free stuff to Isaac Richards)3 1. http://www.hauppauge.com 2. http://www.ivtv.tv 3. http://www.plextor.com/english/support/LinuxSDK.htm Required Hardware (backend) ● currently supported HDTV cards require encoding in software (computationally demanding, requires a P4 and ~9gig/hr of media) – very tricky for several reasons: OTA/QAM/resolution/DVB vs. -
I Know What You Streamed Last Night: on the Security and Privacy of Streaming
Digital Investigation xxx (2018) 1e12 Contents lists available at ScienceDirect Digital Investigation journal homepage: www.elsevier.com/locate/diin DFRWS 2018 Europe d Proceedings of the Fifth Annual DFRWS Europe I know what you streamed last night: On the security and privacy of streaming * Alexios Nikas a, Efthimios Alepis b, Constantinos Patsakis b, a University College London, Gower Street, WC1E 6BT, London, UK b Department of Informatics, University of Piraeus, 80 Karaoli & Dimitriou Str, 18534 Piraeus, Greece article info abstract Article history: Streaming media are currently conquering traditional multimedia by means of services like Netflix, Received 3 January 2018 Amazon Prime and Hulu which provide to millions of users worldwide with paid subscriptions in order Received in revised form to watch the desired content on-demand. Simultaneously, numerous applications and services infringing 15 February 2018 this content by sharing it for free have emerged. The latter has given ground to a new market based on Accepted 12 March 2018 illegal downloads which monetizes from ads and custom hardware, often aggregating peers to maximize Available online xxx multimedia content sharing. Regardless of the ethical and legal issues involved, the users of such streaming services are millions and they are severely exposed to various threats, mainly due to poor Keywords: fi Security hardware and software con gurations. Recent attacks have also shown that they may, in turn, endanger Privacy others as well. This work details these threats and presents new attacks on these systems as well as Streaming forensic evidence that can be collected in specific cases. Malware © 2018 Elsevier Ltd. All rights reserved. -
NETFLIX SOCIAL **Fictional Project
NETFLIX SOCIAL **fictional project The Client The Task Netflix is looking to significantly increase • Understand how people find & share social activity and share on their mobile movies & TV shows apps between users. They would like to • Determine key features to be start with an MVP that can implement these implemented features, and integrate with their current • Design key screens using the look & feel app. of the current Netflix app. NETFLIX SOCIAL TV and Movies Survey - Google Drive Notebook: General Assembly Created: January 9, 2014 at 3:20:48 PM Ideation Updated: January 9, 2014 at 3:20:48 PM Tags: project 3 URL: https://docs.google.com/forms/d/11gDCvWTR0YFQxbwUHG82dPZxWiQlIsFCOWmeFU52v2c/viewanalyticsSurvey Summary Do you watch TV or movies online? Yes 92 99% No 1 1% Survey Which services do you use to watch movies and TV shows online? User Interviews Netflix 81 24% Hulu 47 14% Youtube 47 14% Amazon Prime Instant Video 33 10% Slingbox 5 1% Google Play 4 1% Network websites or apps (ABC, CBS, NBC, Fox) 29 9% HBO Go 39 12% SideReel 10 3% Online on-demand service via cable TV provider (AT&T U-Verse, Cox, Dish, Optimum, Verizon FiOS, etc) 20 6% Other 22 7% Which devices do you use to watch TV and movies online? Laptop 79 34% Desktop 23 10% Phone 22 9% Tablet 42 18% Game console (XBox, Playstation, etc.) 34 14% Apple TV / Roku / Boxee / Chromecast / Other set top box 29 12% Other 6 3% Where are you when you watch TV and movies online? At home 92 76% At work 9 7% In public 6 5% In transit 9 7% Other 5 4% How many hours a week do you -
Private Enterprise in American Education
Private Enterprise in American Education A MERICAN E NTERPRISE I NSTITUTE Special Report 7 Focus on For-Profits in K–12 Education Misses the Real Divide Alex Hernandez | November 2012 Special Report 7 Private Enterprise in American Education Foreword For decades, for-profit educational provision has been merely tolerated, often grudgingly. In the world of charter schooling, for-profit providers are lambasted and sometimes prohibited. In higher education, for- profit institutions have grown rapidly, enrolling millions of nontraditional students and earning enmity, suspicion, and now investigative and regulatory actions from the federal government. When it comes to student lending, teacher quality, and school turnarounds, there is a profound preference for nonprofit or public alternatives. All of this is so familiar as to be unremarkable. The problem is that K–12 and higher education are desperately in need of the innovative thinking and nimble adaptation that for-profits can provide in a landscape characterized by healthy markets and well-designed incentives. As critics have noted, for-profits do indeed have incentives to cut corners, aggres- sively pursue customers, and seek profits. But these traits are the flip side of valuable characteristics: the inclination to grow rapidly, readily tap capital and talent, maximize cost effectiveness, and accommodate customer needs. Alongside nonprofit and public providers, for-profits have a crucial role to play in meeting America’s 21st-century educational challenges cost-effectively and at scale. However, we rarely address for-profit provision in this fashion. Most statutory and regulatory discus- sion focuses on how to rein in for-profit providers, largely ignoring what it would take to harness the potential of such providers while establishing the incentives and accountability measures to ensure a level, dynamic, and performance-oriented playing field. -
1.3 Energy Consumption
JAIST Repository https://dspace.jaist.ac.jp/ Comparative analysis of overall energy Title consumption of storage architectures in home media players Author(s) ウィ, クリスティアント Citation Issue Date 2011-09 Type Thesis or Dissertation Text version author URL http://hdl.handle.net/10119/9928 Rights Supervisor: Associate Professor Xavier Defago, 情 Description 報科学研究科, 修士 Japan Advanced Institute of Science and Technology Comparative analysis of overall energy consumption of storage architectures in home media players By Christianto Oeij A thesis submitted to School of Information Science, Japan Advanced Institute of Science and Technology, in partial fulfillment of the requirements for the degree of Master of Information Science Graduate Program in Information Science Written under the direction of Associate Professor Xavier D´efago September, 2011 Comparative analysis of overall energy consumption of storage architectures in home media players By Christianto Oeij (9210202) A thesis submitted to School of Information Science, Japan Advanced Institute of Science and Technology, in partial fulfillment of the requirements for the degree of Master of Information Science Graduate Program in Information Science Written under the direction of Associate Professor Xavier D´efago and approved by Associate Professor Xavier D´efago Professor Mizuhito Ogawa Associate Professor Kiyofumi Tanaka August, 2011 (Submitted) Copyright c 2011 by Christianto Oeij Abstract In home entertainment, reducing energy is highly desirable. Our motivations stem from the important factors like the running cost, noise, heat, and energy consumption from the storage as the main component of it. Home theater PC is a good choice of home entertainment since it can provide high quality video output and be affordable in term of cost. -
Digital Media: Rise of On-Demand Content 2 Contents
Digital Media: Rise of On-demand Content www.deloitte.com/in 2 Contents Foreword 04 Global Trends: Transition to On-Demand Content 05 Digital Media Landscape in India 08 On-demand Ecosystem in India 13 Prevalent On-Demand Content Monetization Models 15 On-Demand Content: Music Streaming 20 On-Demand Content: Video Streaming 28 Conclusion 34 Acknowledgements 35 References 36 3 Foreword Welcome to the Deloitte’s point of view about the rise key industry trends and developments in key sub-sectors. of On-demand Content consumption through digital In some cases, we seek to identify the drivers behind platforms in India. major inflection points and milestones while in others Deloitte’s aim with this point of view is to catalyze our intent is to explain fundamental challenges and discussions around significant developments that may roadblocks that might need due consideration. We also require companies or governments to respond. Deloitte aim to cover the different monetization methods that provides a view on what may happen, what could likely the players are experimenting with in the evolving Indian occur as a consequence, and the likely implications for digital content market in order to come up with the various types of ecosystem players. most optimal operating model. This publication is inspired by the huge opportunity Arguably, the bigger challenge in identification of the Hemant Joshi presented by on-demand content, especially digital future milestones about this evolving industry and audio and video in India. Our objective with this report ecosystem is not about forecasting what technologies is to analyze the key market trends in past, and expected or services will emerge or be enhanced, but in how they developments in the near to long-term future which will be adopted. -
Betreutes Fernsehen Bitparade
08/2016 Myth-TV, Kodi, Plex, OSMC und DVB-Link im Test Software Betreutes Fernsehen Bitparade 46 Fernsehsendungen sehen und aufzeichnen, HD-Videos streamen, Musik hören, Bilder betrachten und noch einige Tricks mehr versprechen freie und kommerzielle Mediacenter-Programme für Linux-PCs, aber auch für den Raspberry Pi. Die Bitparade holt sich fünf Kandidaten ins heimische Wohnzimmer. Erik Bärwaldt www.linux-magazin.de Auge gefasste Gerät mitbringt. Als erste Anlaufstelle hierbei dient das Wiki des Linux-TV-Projekts [6], das über eine um- fangreiche Hardwaredatenbank verfügt. Die enthält auch wertvolle Installations- hinweise, da der User mancherorts für DVB- und Analog-TV-Komponenten noch proprietäre Firmware in das Mediacenter integrieren muss. Ein weiterer Stolperstein taucht auf, möchte der User auf einem bereits be- stehenden Linux-System manuell Media- center-Applikationen nachinstallieren. Da die Multimedia-Software meist als Client- Server-Applikation arbeitet, zieht Linux häufig noch die üblichen Verdächtigen hinterher, etwa Apaches Webserver, PHP 7 oder das MySQL-Datenbank-Back end. Hierbei treten unter Umständen Probleme auf, die unerfahrene Anwender überfor- © leeavison, 123RF © leeavison, dern und erfahrene nerven. Beiden Gruppen sei geraten, zu dedizier- Computertechnik und Unterhaltungs- stellt sich für den Interessenten erst ein- ten Mediacenter-Distributionen zu grei- elektronik wachsen immer weiter zusam- mal die Frage, welches Mediacenter sich fen. Die stimmen die einzelnen Kom- men. So nimmt es nicht Wunder, dass es für ihn eignet. Um die Qual der Wahl ab- ponenten optimal aufeinander ab und neben den herkömmlichen multimedialen zukürzen, vergleicht das Linux-Magazin konfigurieren sie vor. Speziell angepasste Computerprogrammen inzwischen ganze mit Myth-TV [1], Kodi [2], Plex Media- Installationsroutinen integrieren oft auch Softwaresuiten gibt, die den Computer im server [3], OSMC [4] und DVB-Link [5] gleich die Netzwerkdienste ins System. -
NAS 131 Introduction to Boxee
NAS 131 Introduction to Boxee Turn your NAS into a multimedia player with Boxee ASUSTOR COLLEGE NAS 131: Introduction to Boxee COURSE OBJECTIVES Upon completion of this course you should be able to: 1. Install and use Boxee on an ASUSTOR NAS using a USB keyboard, mouse or mobile device. PREREQUISITES Course Prerequisites: None Students are expected to have a working knowledge of: N/A OUTLINE 1. Introduction to Boxee 1.1 Introduction to Boxee 2. Installing and Using Boxee 2.1 Installing Boxee 2.2 Connecting your NAS to an HDMI compatible display 2.3 Using Boxee with a USB mouse or keyboard 2.4 Using Boxee with AiRemote ASUSTOR COLLEGE / 2 NAS 131: Introduction to Boxee 1. Introduction to Boxee 1.1 Introduction to Boxee Boxee is one of the numerous Apps that can be found in App Central and can turn your ASUSTOR NAS into a multimedia player. After installing Boxee and connecting your NAS to an HDMI compatible display or TV you will be able to play all the multimedia content stored on your NAS including video, audio and images. In addition to using a USB mouse or keyboard to operate Boxee, you can also use your mobile device as a remote control for Boxee by installing the AiRemote mobile App. AiRemote is available for both Android and iOS and can be downloaded from Google Play or the Apple App Store. Furthermore, you are also free to use a Boxee or XBMC compatible third party App for remote control as well. Note: In order to use Boxee you must have an HDMI compatible TV or display. -
132093859.Pdf
MediaPortal Mais: LinuxMCE em detalhes O Media Portal é um programa gratuito, desenvolvido WINDOWS MEDIA CENTER como Software Livre, e uma opção para quem quer montar um Media Center sem abandonar o Windows XP. Originalmente uma versão especializada do Windows, o Mais: MediaPortal em detalhes Windows Media Center agora é parte das edições Home Premium e Ultimate do Windows Vista. Não é necessário MythTV instalar ou configurar nada separadamente, o programa é instalado junto com o sistema operacional e pode ser O MythTV é o sistema media center baseado em Linux acessado via ícone no menu Iniciar. mais popular no mercado, e usá-lo como base para seu media center tem algumas vantagens. A principal, e mais O Windows Media Center oferece tudo o que você pode óbvia delas, é o preço. Uma licença do Windows Vista precisar em um media center básico, inclusive opções de Home Premium, que já inclui o Windows Media Center, gravação e reprodução de TV ao vivo. custa perto de R$ 500. Já uma cópia da versão mais recente do Fedora ou Ubuntu mais o MythTV custa zero: Com hardware extra, você pode fazer o computador ambos podem ser baixados gratuitamente da Internet. simular um controle remoto para comandar o decodificador de TV a cabo e agendar gravações sem Mais: MythTV em detalhes falhas mesmo estando fora de casa. A programação deste recurso é meio maçante: a maioria dos decodificadores de LinuxMCE TV a cabo no mercado nacional não consta na lista do Windows Media Center, e você terá de fazer a Este novato no mundo dos Media Centers também roda programação manual, apertando cada botão do controle sobre o Linux, mais especificamente sobre o Kubuntu, remoto várias vezes até o micro aprender os comandos. -
VERTIGO: Find, Enjoy and Share Media Trails Across Physical and Social Contexts
VERTIGO: Find, Enjoy and Share Media Trails across Physical and Social Contexts Luca Galli1, Renata Guarneri1, and Jukka Huhtamaki2 1 CREATE-NET, Trento, Italy 2 Hypermedia Laboratory, Tampere University of Technology, Tampere, Finland [email protected], [email protected], [email protected] Abstract. On the grounds of media sharing in social networks, visualisation mash-ups and early hypertext idea of associative “trails”, the opportunity for a new system to explore and enjoy connections among mainly linear media is de- vised. A novel system called VERTIGO is to be crafted to tackle the current limitations in media consumption across different contexts. On the end-user side, VERTIGO would provide a context-aware, personalised and proactive dashboard with innovative discovery and interaction capabilities; on the enter- prise side, media professionals would gain access to a common platform ena- bling new collaboration models in the value network. Keywords: Multimedia, Media consumption, Video, Television, Music, Con- text-awareness, Home, mobile, Geolocation, Social Network, Mashup, Visuali- sation, Scenarios, Business Model, Value Network. 1 Introduction The wave of social networks and Web 2.0 services is putting the media industries un- der an increasing pressure. Long standing models in broadcasting, movies and music sectors are threatened by the overwhelming success of the Internet. Yet there is lim- ited experience of successful endeavours in bringing the best out of the once clearly separated worlds of mass media and personal technologies. Interactive television ex- periments, for example, have been around for many years, but they have still to de- liver on the promise of a big change [1]. -
Xtreamer Ultra Specification
Xtreamer Ultra Specification Operating System Linux Pre-Compiled, Optimized and Configured for the Ultra is inside the USB Stick ready for booting Microsoft® Windows® 7 / 7 64-bit / Vista™ / Vista™ 64-bit / XP / XP 64-bit compliant - Not Included. Drivers Supplied inside the USB stick. MCE Addons and Community Packages nVidia 3DTV Play Trial Edition (for windows 7) X-Aiwi Software (for windows 7) CamTrax Software (for windows 7) Memory Samsung 4GB DDR3 (SO-DIMM/204pin/DDR3-1333/PC3-10600) *Due to the operating system limitation, the actual memory size may be less than 4GB for the reservation for system usage under Windows® 32-bit OS. For Windows® 64-bit OS with 64-bit CPU, there is no such limitation. Hard Disk Supports 1 x 2.5-inch SATA 3.0 Gb/s HDD/SSD CPU Intel® Atom® D525 (dual-core, 1.8 GHz) GPU NVIDIA® GT218-ION Graphics, NVIDIA® 3DTV Play Capable Chipset IO NM10, NCT5577D Video Memory 512MB DDR3 Display Options HDMI (w/audio), DVI-I, VGA (with included adapter) SATA eSATA 3.0 Gb/s port Gigabit LAN Ethernet 10/100/1000Mbps (RTL8111E) WiFi External USB Antenna 802.11n WiFi (Optional) USB Ports 6 USB 2.0 (4 on back panel, 2 on front panel) Audio Onboard analog stereo high-definition audio (ALC892) 7.1-Channel LPCM digital audio (HDMI) Optical Digital S/PDIF audio output IR port IRDA 1.0 DirectX® Support DirectX® 10.1 with Shader Model 4.1 Other Features OpenCL compliant, OpenGL® 3.2 compatible, NVIDIA® PhysX® ready, NVIDIA® CUDA™ ready, NVIDIA® PureVideo™ HD technology DHCP: Yes Software Features nView® Multi-Display Aiwi (for Win7) nVidia 3DTV Play Trial (for Win) Camtrax Windows Controller App *Due to VGA driver limitation, 3D function only supports Windows® 7 / 7 64-bit / Vista™ / Vista™ 64-bit. -
Streamer QSG Walmart VS.Indd 1-6 06-03-19 12:11 URC7935 R00 RDN-1271118 711941 – UK TV
TV COLOR MATCH PREPARE YOUR REMOTE FOR INSTALLATION SETUP SETUP SETUP SETUP Fully customizable ENGLISH I II III IV The OFA Streamer Remote is pre-programmed to control a TCL brand Roku TV. Just insert To set up your device: batteries and it will work directly. It can also work directly if you have a Roku TV by Element, STREAMER BOX SOUND BAR / AUDIO RECEIVER 1. Turn on your device (not on standby) and point the OFA remote towards it. If you are Philips, Magnavox, JVC, LG or Haier. If you have a Roku TV by Hisense or RCA, this may work too. setting up a Streaming device, make sure a movie or TV show is playing. TV Power ...............................................APPLE Replay ........................................MICROSOFT TV Power .......................................................................... BOSE Replay ..............................................................PANASONIC OFA STREAMER 4 X AAA If not, or you have a Roku TV from the brands Sharp Sanyo or Insignia, see the section “Setting TV Input ................................................BOXEE Options ...................................................ROKU URC 7935 up a Roku TV”. TV Input ...................................................................... DENON Options ....................................................................PIONEER 2. To set up: TV The Streamer can also be programmed to control many brands of Streaming Set Top Boxes as Streamer Power ....................................ASUS Rewind ......................................................KODI