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Issue Date: August 17Th 2020
Issue Date: August 17th 2020 # lw bp woc tfo artist single 1 1 1 11 11 LADY GAGA & ARIANA GRANDE RAIN ON ME twitter.com/ladygaga ***9 weeks at #1*** album: Chromatica (Interscope - Universal Music) 2 4 2 16 15 BENEE FEAT. GUS DAPPERTON SUPALONELY beneemusic.com single (Republic - universal Music) 3 9 4 24 21 TOPIC FEAT. A7S BREAKING ME soundcloud.com/topicmusic single (Virgin - Universal Music) 4 2 2 6 4 JASON DERULO & JAWSH 685 SAVAGE LOVE jasonderulo.com single (Columbia - Menart) 5 3 1 36 34 THE WEEKND BLINDING LIGHTS theweeknd.com album: After Hours (Republic - Universal Music) 6 6 6 3 3 KYGO & TINA TURNER WHAT'S LOVE GOT TO DO kygomusic.com single (RCA - Menart) 7 5 2 19 19 DUA LIPA BREAK MY HEART www.dualipa.com album: Future Nostalgia (Warner - Dancing Bear) 8 10 8 4 3 JOEL CORRY FEAT. MNEK HEAD & HEART www.joelcorry.com single (Atlantic - Dancing Bear) 9 8 8 10 7 HARRY STYLES WATERMELON SUGAR hstyles.co.uk album: Fine Line (Columbia - Menart) 10 7 3 21 19 DOJA CAT FEAT. NICKI MINAJ SAY SO www.dojacat.com album: Hot Pink (Kemosabe - Menart) 11 11 6 21 20 AVA MAX KINGS & QUEENS avamax.com single (Atlantic - Dancing Bear) 12 18 9 21 20 KYGO FEAT. ZARA LARSSON & TYGA LIKE IT IS kygomusic.com single (RCA - Menart) 13 19 13 4 3 DUA LIPA HALLUCINATE www.dualipa.com album: Future Nostalgia (Warner - Dancing Bear) 14 23 14 2 2 JASON DERULO TAKE YOU DANCING jasonderulo.com single (Columbia - Menart) 15 13 11 18 15 THE WEEKND FEAT. -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Soho Songlist
SOHO SONGLIST BALLADS Afterglow - Ed Sheeran All I Want Is You - U2 All Of Me - John Legend Beautiful Boy - John Lennon Because You Loved Me - Celine Dion Better Together - Jack Johnson Book Of Dreams - Bruce Springsteen Can You Feel The Love Tonight - Elton John Chasing Pavements - Adele Could Not Ask For More - Edwin McCain Crazy Love - Van Morrison Everything I Do, I Do It For You - Bryan Adams Fallen - Lauren Wood Fallin' - Alicia Keys Follow You, Follow Me - Genesis Forever - Ben Harper Have I Told You Lately - Van Morrison Hello - Adele Here, There and Everywhere - Beatles Hero - Mariah Carey Home - Michael Buble How Deep Is Your Love - Bee Gees I Believe In You And Me - Four Tops/W. Houston I Can't Help Falling In Love - Elvis Presley I Will Always Love You - Whitney Houston I Won't Give Up - Jason Mraz I'll Be - Edwin McCain I'll Be There - Mariah Carey If I Ain't Got You - Alicia Keys If I Should Fall Behind - Bruce Springsteen In Your Eyes - Peter Gabriel Into The Mystic - Van Morrison Just The Way You Are - Billy Joel Landslide - Stevie Nicks Let's Stay Together - Al Green Like I'm Gonna Lose You - Meghan Trainor Ft. John Legend No Woman, No Cry - Bob Marley Over The Rainbow - Eva Cassidy Perfect - Ed Sheeran Perfect Fan - Back Street Boys Photograph - Ed Sheeran Sara Smile - Hall and Oates Save The Last Dance - Michael Buble She's Got A Way - Billy Joel Skyfall - Adele Someone Like You - Van Morrison Someone Like You - Adele Still Crazy - Paul Simon The Closer I Get To You - Roberta Flack The Lady In My Life - Michael Jackson -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
GREG KURSTIN Her
ISSUE #26 MMUSICMAG.COM ISSUE #26 MMUSICMAG.COM PRODUCER How was it producing Kelly Clarkson? they’d be flawless. Other than layering and She can really sing, that’s for sure. She’s adding in harmonies, I don’t think there cool, professional and easy to work with. was any vocal editing. She’ll do a few takes to get warmed up and after that, you’re getting awesome take after How did you produce Tegan and Sara? awesome take. We did some vocal comping, They’ve been making records for a while but nothing extensive. and wanted to expand their sound and try something different. They had heard a lot of What’s the story behind the megahit music that I had worked on and reached out “Stronger (What Doesn’t Kill You)”? to me. A lot of their demos felt very synth- I was both the producer and a songwriter, based, and being a synth nerd, I got excited. but there was a somewhat finished version We ended up doing eight songs together. I of that song that existed before I came into played everything except for drums on the the picture. It was slower, and the chords record. I love their songwriting and I’m proud and feel of the track were different from the of what we did. version that was released. The label wasn’t convinced it would work for her. I had Kelly Clarkson What about producing the Flaming Lips? previously worked with Kelly on “Honestly” I had played with the Lips, and sometime and it went really well, so her A&R played as possible. -
Music Playlist Auggie: 1
Music Playlist Auggie: 1. Ugly- Sugababes This links to Auggie because throughout the book Auggie gets more comfortable with his face being different and this is linked to the lyrics “ i got real comfortable with my own style”. the lyrics “But there will always be the one who will say something bad to make them feel great” this links to Julian asking if Auggie was in a fire and saying he looks like Darth Sideous. 2. This is me- Keala Settle This song links to Auggie because he works his way to accepting himself for who he is. The lyrics “I won’t let them break me down” Is linked to Auggie not letting people hurt him and he ignores the mean comments people make. The lyrics “I’m not scared to be seen” is linked to Auggie not getting upset or hide away when people stare at him. Via: 1. Ok not to be ok- Demi Lovato and Marshmello This song links to Via because she does not have to act like she is ok when something is wrong just because her parents don’t pay as much attention to her as Auggie. The lyrics “Or give up when you’re closest” is linked to Via because in the book it says if she struggles on something she works it out on her own, so Via doesn’t give up until she has figured it out. 2. History- One Direction This links to Via because her and Miranda were best friends and had a lot of history. The lyrics “Thought we were going strong I thought we were holding on” links to Via because at the start of high school she found out Miranda was ditching her in the summer holidays and their friendship was falling apart. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT. TOPIC & A7S YOUR LOVE 81 JUSTIN BIEBER FT. DANIEL CAESAR PEACHES 81 COLDPLAY HIGHER POWER 80 IMAGINE DRAGONS FOLLOW YOU 80 OLIVIA RODRIGO GOOD 4 YOU 80 REGARD X TROYE SIVAN X TATE MCRAE YOU 79 ALVARO SOLER MAGIA 74 RITON X NIGHTCRAWLERS FRIDAY 74 LOST FREQUENCES RISE 70 JONAS BLUE FT. AVA SOMETHING STUPID 69 THE WEEKND SAVE YOUR TEARS 69 KUNGS NEVER GOING HOME 68 ED SHEERAN BAD HABITS 68 JUSTIN WELLINGTON FEAT. SMALL JAM IKO IKO 67 MAJESTIC X BONEY M. RASPUTIN 67 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 66 RAG'N'BONE MAN ALL YOU EVER WANTED 64 DUA LIPA LOVE AGAIN 63 JOEL CORRY FT. RAYE & DAVID GUETTA BED 63 JASON DERULO & NUKA LOVE NOT WAR 62 MEDUZA FT. DERMOT KENNEDY PARADISE 59 AVA MAX MY HEAD & MY HEART 58 DUA LIPA WE'RE GOOD 57 MARTIN GARRIX FEAT. BONO & THE EDGE WE ARE THE PEOPLE 57 JOEL CORRY HEAD AND HEART 56 CALVIN HARRIS FT. TOM GRENNAN BY YOUR SIDE 56 DOJA CAT FEAT. SZA KISS ME MORE 56 PINK ALL I KNOW SO FAR 54 OFENBACH FT. LAGIQUE WASTED LOVE 53 PINK + WILLOW SAGE HART COVER ME IN SUNSHINE 53 MALARKEY SHACKLES (PRAISE YOU) 50 MASTER KG FT. NOMCEBO JERUSALEMA 49 SIA & DAVID GUETTA FLOATING THROUGH SPACE 48 SUPER-HI & NEEKA FOLLOWING THE SUN 48 ALVARO SOLER FT. CALI Y EL DANDEE MANANA 44 MARCO MENGONI MA STASERA 42 AVA MAX EVERYTIME I CRY 41 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER41 REMIX] MAROON 5 LOST 40 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 38 PS1 FT. -
Art to Commerce: the Trajectory of Popular Music Criticism
Art to Commerce: The Trajectory of Popular Music Criticism Thomas Conner and Steve Jones University of Illinois at Chicago [email protected] / [email protected] Abstract This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business. In part, we believe such a shift to be due likely to increased awareness among journalists and fans of the industrial nature of popular music production, distribution and consumption, and to the disruption of the music industry that began in the late 1990s with the widespread use of the Internet for file sharing. Searching and sorting the Rock’s Backpages database of over 22,000 pieces of music journalism for keywords associated with the business, economics and commercial aspects of popular music, we found several periods during which popular music criticism’s focus on business-related concerns seemed to have increased. The article discusses possible reasons for the increases as well as methods for analyzing a large corpus of popular music criticism texts. Keywords: music journalism, popular music criticism, rock criticism, Rock’s Backpages Though scant scholarship directly addresses this subject, music journalists and bloggers have identified a trend in recent years toward commerce-specific framing when writing about artists, recording and performance. Most music journalists, according to Willoughby (2011), “are writing quasi shareholder reports that chart the movements of artists’ commercial careers” instead of artistic criticism. While there may be many reasons for such a trend, such as the Internet’s rise to prominence not only as a medium for distribution of music but also as a medium for distribution of information about music, might it be possible to discern such a trend? Our goal with the research reported here was an attempt to empirically determine whether such a trend exists and, if so, the extent to which it does. -
September Is Suicide Prevention and Awareness Month N March, I Received an Email from Long in a Bad Relationship
Director of Safety and Health September is Suicide Prevention and Awareness Month n March, I received an email from long in a bad relationship. Too often I still battled my own Christopher Pascale of Branch 822, thoughts about how negatively I felt about myself. IAppleton, WI. Christopher and I I had to push myself to talk to others, to stop believing the lies I first met when he was going through was told about myself. I have gotten a lot better, but am not yet the NALC Leadership Academy while where I should be. Shutting down easily is something I do if I feel a carrier for Green Bay, WI Branch 619. unwanted, along with just blocking people out. When I read his email, it was clear that It’s become a natural defense for me. I don’t tell them why, even he wanted to share what his heart when they ask what’s wrong. I just pretend nothing is wrong. That had experienced in an effort to help has recently strained and ended some relationships. Opening up his NALC brothers and sisters. What to people is really hard unless I have known them for a long time. he shared moved me, and I wanted It’s not easy, but I’m getting better. Even though it hasn’t been to share this with you. He has given easy, I am trying to repair my broken relationship with my father. me his blessings to share the follow- So much that I want to talk about what makes me sad and de- ing, so this is from Christopher: pressed now. -
Sorted by ARTIST * * * * Please Note That The
* * * * Sorted by ARTIST * * * * Please note that the artist could be listed by FIRST NAME, or preceded by 'THE' or 'A' Title Artist YEAR ----------------------------------------- ------------------------ ----- 7764 BURN BREAK CRASH 'ANYSA X SNAKEHIPS 2017 2410 VOICES CARRY 'TIL TUESDAY 1985 2802 GET READY 4 THIS 2 UNLIMITED 1995 9144 MOOD 24KGOLDN 2021 8180 WORRY ABOUT YOU 2AM CLUB 2010 2219 BE LIKE THAT 3 DOORS DOWN 2001 6620 HERE WITHOUT YOU 3 DOORS DOWN 2003 1517 KRYPTONITE 3 DOORS DOWN 2000 5216 LET ME GO 3 DOORS DOWN 2005 0914 HOLD ON LOOSELY 38 SPECIAL 1981 8115 DON'T TRUST ME 3OH!3 2009 8214 MY FIRST KISS 3OH!3/ KE$HA 2010 7336 AMNESIA 5 SECONDS OF SUMMER 2014 8710 EASIER 5 SECONDS OF SUMMER 2019 7312 SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER 2014 8581 WANT YOU BACK 5 SECONDS OF SUMMER 2018 8611 YOUNGBLOOD 5 SECONDS OF SUMMER 2018 7413 IN DA CLUB 50 CENT 2004 8758 ALL MY FRIENDS ARE FAKE 58TE McRAE 2020 2805 TOOTSIE ROLL 69 BOYZ 1995 8776 SAY SO 71JA CAT 2020 7318 ALREADY HOME A GREAT BIG WORLD 2014 7117 THIS IS THE NEW YEAR A GREAT BIG WORLD 2013 3109 BACK AND FORTH AALIYAH 1994 4809 MORE THAN A WOMAN AALIYAH 2002 1410 TRY AGAIN AALIYAH 2000 7744 FOOL'S GOLD AARON CARTER 2016 2112 I MISS YOU AARON HALL 1994 2903 DANCING QUEEN ABBA 1977 6157 THE LOOK OF LOVE (PART ONE) ABC 1982 8542 ODYSSEY ACCIDENTALS 2017 8154 WHATAYA WANT FROM ME ADAM LAMBERT 2010 8274 ROLLING IN THE DEEP ADELE 2011 8369 SOMEONE LIKE YOU ADELE 2012 5964 BACK IN THE SADDLE AEROSMITH 1977 5961 DREAM ON AEROSMITH 1973 5417 JADED AEROSMITH 2001 5962 SWEET EMOTION AEROSMITH 1975 5963 WALK THIS WAY AEROSMITH 1976 8162 RELEASE ME AGNES 2010 9132 BANG! AJR 2020 6906 I WANNA LOVE YOU AKON FEAT SNOOP DOGG 2007 7810 LOCKED UP AKON feat STYLES P.