Emy Coligado

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Emy Coligado TELEVISION Archive 81 Guest Star Netflix Rebecca Thomas/James Wan Run The World Guest Star Starz Millicent Shelton Claws Guest Star TNT Howard Deutch Fresh off the Boat Guest Star ABC Phil Traill Shameless Guest Star Showtime Anthony Hemingway Lady Friends (Unt. Kari Lizer) Series Regular NBC Scott Ellis CTRL Series Regular NBC Webseries Robert Kirbyson Chuck Guest Star NBC Duncan McNeill Reinventing the Wheelers (Pilot) Guest Star ABC Lawrence Trilling Men in Trees Guest Star ABC Rick Wallace Grey's Anatomy Guest Star ABC Julie Anne Robinson True Series Regular WB Gary Halvorson Everybody Loves Raymond Guest Star CBS Jerry Zaks Malcolm in the Middle Recurring FOX Various Crossing Jordan Recurring NBC Various Fillmore! Guest Star ABC Scott M. Gimple ER Guest Star NBC John Wells Strong Medicine Guest Star Lifetime Mike Fash Sabrina, the Teenage Witch Guest Star WB Andrew Tsao The Brothers Garcia Guest Star Nickelodeon Matt Casado FILM First One In Supporting Independent Feature Gina O'Brien Nanay Ko Lead Independent Feature Mallorie Ortega The Catch Supporting Independent Feature Matthew Balzer The Three Stooges Supporting 20th Century Fox Bobby & Peter Farrelly Control Z Lead Short Film Robert Kirbyson Malibu Short Film Festival – Best Comedic Actress Nominee Don't Come Knocking Supporting Indepedent Feature Wim Wenders Miss Congeniality 2 Supporting Warner Brothers John Pasquin Kids In America Supporting Independent Feature Josh Stolberg F-Stop Supporting Independent Feature Christopher Slevin Avenue of the Asian Americans Supporting Independent Feature Greg Pak BROADWAY Miss Saigon Yvette Broadway Theatre Peter Lawrence NATIONAL TOURS Miss Saigon Ensemble 1st National Tour Nicholas Hytner THEATRE Vietgone Huong/Flower Girl/Thu/Other San Diego Repertory Theatre Anon Supporting Lead Echo Theater Company The Land of Fake Believe Lead Caroline's Comedy Club Miss Saigon Kim u/s Stella Productions (Stuttgart) The Fantasticks Luisa Knightsbridge Theatre The King & I Tuptim & Thiang u/s Galveston Outdoor Musicals Evita Mistress u/s Rockwell Productions South Pacific Liat Rockwell Productions Page 1 of 1 .

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Winter Edition VOLUME 6 ISSUE 3
Mise en Scéne Winter Edition VOLUME 6 ISSUE 3 CSUEB Spellers take the stage in Inside this Issue "The 25th Annual Putnam County Spelling Bee" Director, Marc Jacobs, shares his thoughts on this musical comedy Upcoming Shows 2 My first encounter with "The 25th Annual Putnam County Spelling Bee" was with the Post Street Theatre in San Francisco, 10 years ago. This was the first Our Students 3 production after the original Broadway cast, and I had several friends in the show, which was cast locally. One of the cast members was James Monroe Checking In 4 Iglehart (CSUEB Graduate) who had been in previous musicals I had directed in San Jose. James has since gone on to win the Tony Award as the Genie in Disney’s Broadway production of "Aladdin." James was playing 'Comfort Guest Artists 5 Counselor' Mitch Mahoney in "Spelling Bee," and his performance was so perfect that the producers decided to model every subsequent 'Mitch' on James’ performance. Another friend in the show was Aaron Albano, who had Featured Faculty 7 started out as one of the teenagers in my production of The Music Man that I directed in San Jose, and has since gone on to appear on Broadway in The Wiz, Newsies, and currently in Allegiance. The San Francisco company of Information 9 "Spelling Bee" was so successful, that the producers ultimately used those actors to replace the Broadway company once the original actors were ready to leave the show. One of those original actors, Sarah Salzburg ‒ the original “Schwarzy” in ‘Spelling Bee - was the daughter of a good friend of mine.
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“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
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68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
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Rick Otto New Resume
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The Wire the Complete Guide
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CENTER REPERTORY COMPANY by Mark St. Germain
OUR SPONSORS ABOUT CENTER REPERTORY COMPANY Chevron (Season Sponsor) has been the Center REP is the resident, professional JOIN CENTER REP IN leading corporate sponsor of Center REP theatre company of the Lesher Center for the CENTER REPERTORY COMPANY and the Lesher Center for the Arts for the Arts. Our season consists of six productions DECEMBER FOR Michael Butler, Artistic Director Scott Denison, Managing Director past twelve years. In fact, Chevron has been a year – a variety of musicals, dramas and a partner of the LCA since the beginning, comedies, both classic and contemporary, A CHRISTMAS CAROL providing funding for capital improvements, that continually strive to reach new levels of event sponsorships and more. Chevron artistic excellence and professional standards.. generously supports every Center REP show “THE Christmas Carol to see in the Bay Area.” throughout the season, and is the primary Our mission is to celebrate the power of the -Contra Costa Times sponsor for events including the Chevron human imagination by producing emotionally Family Theatre Festival in July. Chevron engaging, intellectually involving, and visually Dancing has proven itself not just as a generous astonishing live theatre, and through Outreach supporter, but also a valued friend of the arts. and Education programs, to enrich and advance the cultural life of the communities Diablo Regional Arts Association (DRAA) we serve. (Season Partner) is both the primary essons fundraising organization of the Lesher What does it mean to be a producing L Center for the Arts (LCA) and the City of theatre? We hire the finest professional Walnut Creek’s appointed curator for the directors, actors and designers to create our LCA’s audience outreach.
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Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
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WWD-Mainrelease 9-07
For 200 million years the Dinosaurs ruled the earth Now, they’re back to roam the arenas of America in an extraordinary new theatrical production WALKING WITH DINOSAURS The Live Experience Based on the award-winning BBC Television Series WALKING WITH DINOSAURS – The Live Experience comes to North America on a two-year tour September 30, 2007 --- Dinosaurs return to the earth in a live theatrical arena show, WALKING WITH DINOSAURS – The Live Experience , based on the award-winning BBC Television Series. After playing for ten sold-out weeks in five cities in Australia, WALKING WITH DINOSAURS – The Live Experience is now on tour in North America for two years. 350,000 Americans have already seen the production since it opened in July 2007. WALKING WITH DINOSAURS – The Live Experience is brought to North America by Immersion Edutainment , headed by Bruce Mactaggart. Mactaggart said, “The BBC Series was a brilliant blend of special effects, escapism, excitement and information. Our show has that -- and it’s live. In this show, fifteen roaring, snarling “live” dinosaurs mesmerize the audience – and are as awe-inspiring as when they first walked on earth.” Mactaggart continued, “This is a show that could only fit in arenas – as the creatures are so absolutely immense in size. Audiences seated in the lower seats are all but overwhelmed by the dinosaurs, while those seated in higher seats can view the entire spectacle and panorama of the production. It is the closest you’ll ever get to experiencing what it was like when they walked and ruled the earth.” For more information, please visit www.dinosaurlive.com .
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Temple Theatre Staff Temple Theatre Staff
Temple Theatre Staff Temple Theatre Staff Peggy Taphorn, Producing Artistic Director of that time was spent working for the Peggy Taphorn is in her seventh sea- Army Recruiting Command in a myriad son as the Producing Artistic Director of of capacities, including managing two of the Temple Theatre! An award winning the largest recruiting stations in the coun- actress, director, and choreographer, try. Upon his retirement in 2009, he went Peggy spent 22 years based in New York to work selling in real estate in Tupelo, City and has six Broadway shows to her MS. He holds holds a Bachelor’s Degree credit. Over the years, she’s worked with in Marketing and is currently pursuing a theatre luminaries like George Abbott, Master’s Degree in Organizational Lead- who cast her to star on Broadway in the ership. revival of Broadway! Serendipity led Chris to the Temple. In the Other Broadway shows followed, includ- summer of 2012, he moved to Sanford to ing the Tony Award winners Me And My marry the love of his life. With no theatre Girl, directed by Mike Ockrent, Showboat, background and never having set foot directed by Hal Prince and choreo- in the Temple, he responded to a job graphed by Susan Stroman, Smokey listing. Upon entering the house, he was Joe’s Café, directed by Jerry Zaks, and completely gobsmacked. As he surveyed Urinetown, directed by John Rando. the place, his exact words were, “You have to hire me.” And that’s just what Peggy was the dance captain of the first they did.
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