Salsa2bills 1..1

Total Page：16

File Type：pdf, Size：1020Kb

SENATE RESOLUTION NO. 293 WHEREAS, The Senate of the State of Texas is pleased to pay tribute to musician Butch Miles, an Austin resident whose accomplishments as a drummer continue to attract worldwide attention; and WHEREAS, Butch was born in Ironton, Ohio, on July 4, 1944; he grew up in West Virginia and earned a bachelor 's degree from West Virginia State College; he started playing the snare drum in his school band at the age of nine and became interested in playing the drumset at 14; he was soon playing with dance bands, and his first big break came in 1971 when he started playing with Mel Torme 's band; and WHEREAS, Currently touring with the legendary Count Basie Orchestra, Butch has played at every major jazz festival around the world, including the Newport Jazz Festival in New York, the Grande Parade du Jazz in Nice, and the Bern Jazz Festival; he has recorded over 100 albums and has played on three Grammy Award winning albums; and WHEREAS, Butch has performed with many prominent jazz artists and luminaries, such as Frank Sinatra, Dave Brubeck, Ella Fitzgerald, and Benny Goodman; he has appeared on "The Tonight Show," "The Merv Griffin Show," and the Jerry Lewis Muscular Dystrophy Telethon and in a number of films; and WHEREAS, Butch honed his skills listening to his first drum idol, Gene Krupa; he cites Count Basie drummer Sonny Payne as a major influence on his style, which combines technical mastery with creative finesse and blends the maturity of experience with youthful imagination and limitless energy; now, therefore, be it RESOLVED, That the Senate of the State of Texas, 79th Legislature, hereby commend Butch Miles for his accomplishments as a drummer and extend to him best wishes for continued success; and, be it further RESOLVED, That a copy of this Resolution be prepared for him as an expression of esteem from the Texas Senate. Deuell ________________________________ AAAAAPresident of the Senate AAAAAI hereby certify that the above Resolution was adopted by the Senate on March 3, 2005. ________________________________ AAAAASecretary of the Senate ________________________________ AAAAAAMember, Texas Senate.

Copy Link

Recommended publications

Duke Ellington Kyle Etges Signature Recordings Cottontail
Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke Ellington, states that Cottontail “opened a window on the future, predicting elements to come in jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more grandiose pieces with more extended forms.
[Show full text]
Freddie Green Chords
Swinging Strategies for Jazz Ensemble Guitarists Dave Ness, presenter Outline I. Freddie Green A. THE Big Band Swing Style B. Count Basie II. Equipment A. Guitar 1. Full Hollow-body Guitar 2. Amp III. Chords for Swing charts A. Freddie Green Style 1. 4 to the bar 2. Chord Shapes 3. 5th and 6th String 4. Theory 5. Tablature and chord charts B. Bb Blues examples C. Freddie Green listening Example “Hail to the Chief” IV. Reading Notes A. All the Notes in 1st position V. Other styles A. Bossa 1.Girl From Ipanema Dave Ness [email protected] [email protected] Chicago Jazz Magazine said of Dave Ness, “there is no denying his superlative skill on the guitar.” A sought-out educator and clinician for nearly 25 years, Dave has directed jazz ensembles for several colleges and high schools, including Northwestern University and Carthage College. Dave has been studying Freddie Green guitar style since 1990 and in 1999 his article on Freddie Green was published in the Jazz Educators Journal. Currently Dave teaches guitar and jazz ensemble as well as AP Music Theory and Music Production and Sound Engineering at Libertyville High School. Dave has released three albums (with all original compositions) with the Dave Ness Trio: “Sketches,” “Layers,” and his 2018 release “Grooveness.” His website can be found at www.daveness.net Freddie Green: Birth of a Style by David Ness Background Frederick William Greene, born 1911, anchored Count Basie’s rhythm section from 1937 until his death in 1987 with few interruptions. A self-taught guitarist, Green (as he preferred to spell it) was a devoted member of the band.
[Show full text]
Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others.
[Show full text]
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates.
[Show full text]
'Slow Drag' Pavageau
NEWSLETTER OCT-2016 ologyology Alcide ‘Slow Drag’ Pavageau G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Mike Robeson Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Mike Layout & Design: David Stocker Robeson, David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB Jazz Foundation. You will then receive your membership card by return mail or with your order. *Membership continues as long as you order at least one selection per year. You will also be able to buy our products at a special discounted price: CDs for $13.00 DVDs for $20.00 Books for $25.00 NON-MEMBERS For non-members our prices are: CDs for $15.98 DVDs for $25.00 Books for $30.00 DOMESTIC MAILING & POSTAGE CHARGES There is a flat rate of $3.00 regardless of the number of items ordered. OVERSEAS SHIPPING CHARGES 1 CD $13.00; 2-3 CDS $15.00; 4-6 CDS $20.00; 7-10 CDS $26.00 Canadian shipping charges are 50% of overseas charges ALL PAYMENTS FOR FOREIGN ORDERS MUST BE MADE WITH EITHER: • INTERNATIONAL MONEY ORDER • CHECK DRAWN IN U.S. DOLLARS FROM A U.S.
[Show full text]
Feb-March 1980
MODERN DRUMMER VOL. 4 NO. 1 FEATURES: COLLOQUIUM III Horacee Arnold. Billy Hart and Freddie Waits comprise the group Colloquium III. The three musicians are as devoted to each other as they are to the music they play. Each one dis- cusses the foundation of the drummers role today and in the past and their own individual experiences on the music scene. 12 ALAN WHITE As the drummer for the popular British rock group Yes, Alan White has many definite ideas concerning the position of the drummer within a rock band. White talks about the importance of the bass drum, the studios and writing for the drums. 16 DAVE MATTACKS British session drummer Dave Mattacks has recorded with many of today's popular recording artists. Rejecting a techno- flash style, Mattacks is happy complementing the styles of the performers he works with. 28 ROBERTA CRAIN Roberta Crain is a rock drummer, currently employed by the United States Navy. Crain explains the competition she faced entering the Navy's music program and the prejudice encoun- tered because she is a drummer. 22 READERS POLL BALLOT 19 WHAT 10 TOP BANDLEADERS LOOK TRIBUTE TO KEITH MOON 20 FOR IN A DRUMMER 24 Cover photo by Cheech Iero COLUMNS: EDITOR'S OVERVIEW 4 TEACHERS FORUM READERS PLATFORM 6 Dealing with the Older Student by Charley Perry 45 IT'S QUESTIONABLE 8 ASK A PRO 10 CONCEPTS Stanley Spector: Challenging the Rudimental JAZZ DRUMMERS WORKSHOP System 46 Pointers for a Relaxed Set-up by Ed Soph 32 SHOP TALK Different Heads for Different Drummers ROCK PERSPECTIVES by Bob Saydlowski, Jr.
[Show full text]
Bandinfo English 2018.Indd
Jazz, from New Orleans to Swing, presented in an entirely original form by the leading Classic Jazz group in Germany: BARRELHOUSE JAZZBAND www.barrelhouse-jazzband.com Founded in 1953 and active ever since, the BARRELHOUSE JAZZBAND has gai- ned national and international renown and ranks among the top groups of the Euro- pean scene. The BARRELHOUSE JAZZBAND presents a special blend of elements from all phases of traditional jazz, with predominant accents from the early big band style of the twenties, the small band style around 1930 and the New Orleans Renaissance. All numbers are played in new original arrangements. The band also plays many original titles written by members of the band. Some of them became very popular, like „The Barrelhouse Showboat“ and „Take Us To The Mardi Gras“ (by Horst Schwarz). The band has toured more than 50 countries on 4 continents and appeared at all major jazz festivals in Europe, e.g. The Hague, Breda, Nice, Paris, San Sebastian, Ascona, Zurich, Lucerne, Cracow, Cork, Birmingham, Copenhagen, Oslo, Berlin and many more. When the Barrelhouse Jazzband played at the New Orleans Jazz Festival - rits, received the honorary citizenship of the birthplace of jazz. in1968, they were one of the first bands from Europe who, in recognition of their me The band has recorded more than 30 albums and has received - beside other awards - the „German Phono Academy Award“ for the Best Traditional Jazz Record of the year (Quotation: „Highly intelligent old jazz, full of vitality, enlightened music, al- ways with that beautiful black feeling“). Eubie Blake, the famous ragtime pianist and composer, heard the band and commented: „Everything that I write I mean from the bottom of my heart: This is one of the best for a small orchestra that I have ever heard.
[Show full text]
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk;
[Show full text]
Eddie Durham Jazz Celebration 2013 the Eddie Durham Tribute Big Band Featuring Doug Lawrence Count Basie Orchestra·Saxophonist and NEA Jazz Master Dan Morgenstern
Eddie Durham Jazz Celebration 2013 The Eddie Durham Tribute Big Band featuring Doug Lawrence Count Basie Orchestra·saxophonist and NEA Jazz Master Dan Morgenstern Friday, February 8, 2013 7:30 PM-Evans Auditorium Big Band Personnel Saxes Vincent Herring -Alto Kris Kimura-Alto* Russell Haight -Tenor# John Mills - Tenor * James Warth-Baritone Trombones Freddie Mendoza * # Armin Armolejo * Kyle Johnson + Martin McCain # Trumpets Steve Hawk Andy Cheetham Adrian Ruiz * Keith Winking * # Karlos Elizondo + Rhythm Butch Miles -Drums # Russell Scanlon -Guitar * # Morris Nelms -Piano * # Hank Hehmsoth -Piano# Utah Hamrick – Bass * Denotes Texas State Alumni # Denotes Texas State Faculty + Denotes Texas State Student Sponsors include the San Marcos Arts Association, the Texas State School of Music, and Texas State Student Services. Thanks to Deirdre Lannon for her help. Sincere thanks to Marsha Durham for her ongoing support. PROGRAM Opening Comments Dr. Gene Bourgeois Dan Morgenstern “Eddie Durham’s Early Years: Becoming a Jazz Musician in the 1920’s” Eddie Durham Tribute Big Band Featuring Doug Lawrence Program to be selected from the following Body & Soul – Johnny Green Cheesecake – Dexter Gordon Gingerbread Boy – Jimmy Heath Moten Swing – Eddie Durham Salt Peanuts – Dizzy Gillespie Speak Low – Kurt Weill Swinging the Blues – Eddie Durham Topsy – Eddie Durham Saxophonist Doug Lawrence is one of the premier saxophonists in the work jazz world. As a featured soloist with the Grammy winning Count Basie Orchestra, he has toured the world. He has appeared on over 100 recordings including four recordings of his own. Two of which topped the US jazz charts. He has performed/recorded with Benny Goodman, Aretha Franklin, Tony Bennett, Ella Fitzgerald, and Ray Charles.
[Show full text]
Butch Miles Butch Miles
Master Clinics and Master Performances Butch Miles Butch Miles The accomplishments of drummer Butch Miles continue “Miles will probably be the to attract worldwide attention. next Buddy Rich, the future Playing with such luminaries as Krupa.” (Review of Count Basie, Frank Sinatra, Monterrey Jazz Festival) Sammy Davis, Jr., Dave Santa Cruz Sentinel Brubeck, Mel Torme, Lena Horne, Joe Williams, Ella “Drummer Butch Miles was Fitzgerald, Woody Herman, flamboyant and flashy but Clark Terry, Gerry Mulligan, impeccably precise and Billy Eckstein, Eddie “Lockjaw” brilliantly swinging.” Davis, Harry “Sweets” Edison, Washington Post Benny Goodman, Tony Bennett, Rosemary Clooney, “I have never seen (and I Wild Bill Davison, Zubin Mehta, probably never will again) Itzak Pearlman, Michele Leeb, anyone like the drummer, Dick Hyman and others, Butch Butch Miles. He was beyond displays the maturity of his description and his solo experience with youthful performance brought the first imagination and unending standing ovation of the energy. evening.” Townsville Daily Bulletin (Australia) As the drummer for the world-famous Count Basie Orchestra (1975-1979 and 1997-2007), Butch quickly became renowned for his swinging big band “Miles enhances every lick. style and techniques. He has performed at every major jazz festival in the He can bring out the best in world including: the Montreal Jazz Festival; North Sea Jazz Festival at the any band and it’s Hague, the Netherlands; the Montreux and Bern Jazz Festivals in sensational to have him Switzerland; the Berlin, Munich, Cologne and Stuttgart Jazz Festivals in back where he belongs.” Germany along with many tours throughout Europe, Australia, the Far East, New York Post the Americas and the Caribbean.
[Show full text]
Count Basie and His Bands
NEW YORKJAZZ MUSEUM , . (:OU~T 13A,I~ and 171,13A~u, _.......-- · ' - . -~•,.,. - (:OU~T 13Ail~ and I-iii 13A~l)i Edited by Dan Morgenstern and Jack Bradley Biographies by Bill Esposito Dan Morgenstern Arnold J. Smith © Copyright 1975 by New York Jazz Museum Cover photo/Phil Stern Cover design/ Fran Greenberg WILLIAM "COUNT" BASIE A PROFILE OF HIS LI FE & MUSIC 1904 Born , August 21, at Red Bank, N.J. 1917 Starts as a drummer, switches to piano. 1919-20 Plays in local bands and stage shows in N. Y. and N.J. Takes lessons from Fats Waller. 1925-27 Tours theaters accompanying variety acts: Kate Crippen and Her Kids, Sonny Thompson Band, Gonzelle White. Vaudevillians ; first hears Kansas City style music in Tulsa, Walter Page Blue Devils; Gonzelle White Show folds in Kansas City; Accompanies Whitman Sisters in Kansas City . 1928 Join s Blue Devils in Dallas, Texas in July. 1929 Plays briefly with Elmer Payne and his Ten Royal Americans (summer). 1930 Basie and members of the Blue Devils join Benny Mote.n's band. 1934 Leaves Moten early in year to lead own band (under Mote.n's auspices) in Little Rock, Arkansas, then rejoins Moten. 1935 Death of Moten breaks up the famous Kansas City unit, after working a short time under Mote.n's brother Buster's leadership; returning to Kansas City, · works as a single, then with own trio before jointly leading "Barons of Rhythm" with altoist, Buster Smith. 1936 Broadcasts over Station WIXBY and is heard by John Hammond, famed jazz buff and sponsor, who initiates the band's first national tour; plays at Grand Terrace in Chicago - not a rousing success - then the Vendome Hotel in Buffalo, N.Y.
[Show full text]
Extra Special Supplement to the Great R&B Files Includes Updated
The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years.
[Show full text]