Declarations of Faith Zwan
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Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Systematic Innovation E-Zine Is a Monthly, Subscription Only, Publication
Systematic Innovation e-zine Issue 229, April 2021 In this month’s issue: Article – NEPTUNE: The 7 Habits Of Highly Effective (Innovation) Project Managers Article – ICMM – A Decade Down The Road Not So Funny – 1 + 1 < 2 Patent of the Month – Protective Helmet Best of The Month – Business Recoded Wow In Music – Good Morning, Captain Investments – Transparent Electronics Generational Cycles – The Map Of Tiny Perfect Things Biology – Rolling Swarms Short Thort News The Systematic Innovation e-zine is a monthly, subscription only, publication. Each month will feature articles and features aimed at advancing the state of the art in TRIZ and related problem solving methodologies. Our guarantee to the subscriber is that the material featured in the e-zine will not be published elsewhere for a period of at least 6 months after a new issue is released. Readers’ comments and inputs are always welcome. Send them to [email protected] ©2021, DLMann, all rights reserved NEPTUNE: The Seven Habits Of Highly Effective (Innovation) Project Managers NAVIGATOR EMPATH PLATE- ECOLOGIST SPINNER TRANSCENDER NINJA UNITER I spent the first fifteen years of my working life at Rolls-Royce, about three years of which was effectively in a programme management role at the R&D end of the spectrum. In the aerospace world, R&D cycles tend to be long, the technology is highly complicated, and it is incredibly easy to spend enormous amounts of money in a very short amount of time. Although I didn’t know it at the time, looking back, my experience doing the job represented a classic example of ‘think of someone with an extreme version of your problem and they’re highly likely to have found a solution’. -
Alex Harvey and “The Tomahawk Kid”: Mode and Interpretation
Alex Harvey and “The Tomahawk Kid”: Mode and Interpretation David Montgomery Abstract: Alex Harvey and the Sensational Alex Harvey Band achieved only marginal popularity during Harvey’s lifetime. Yet an examination of Harvey’s “The Tomahawk Kid,” based on Robert Louis Stevenson’s Treasure Island, shows an idiosyncratic musical style that combines rock and Scottish Celtic influences, subtle textual interpretation, unique compositional choices, and modal tonalities. Introduction The academic study of popular music oscillates between two preoccupations. On one hand, the dogmas of sub-cultural theory still influence popular music discourse and general cultural theory to a great degree. On the other hand, this discourse cannot escape the parameters of its label— popular. In essence, the two poles may be staked as cultural theory versus popular appreciation; but in a way difficult to describe, the application of critical theory has begun to seem more like an attempt to avoid an aesthetic conundrum— a kind of elevation of the demotic artefact to a height it cannot bear. Ever resourceful, the practitioners of popular music studies have wriggled out of this quandary and into the at least temporarily secure embrace of post feminist studies, world pop, and the ethnography of locale; in other words, into areas where inquiry is either of self-evident importance, exotic, or comfortably esoteric. Even if the locale is no more exotic than Glasgow, Scotland or Montgomery, Alabama, or the object mundane, the conceit of the critical stance has proven sufficient. Things change, canons crumble, time has done its work. The difficult “aesthetics” of popular music studies, the indeterminate nature of its aims, is a nagging problem. -
The Witness Is a Monthly Publication of the First Church of Christ, Congregational, U.C.C
The First Church of Christ, Congregational Non-Profit Org. United Church of Christ U.S. POSTAGE 81 High St. PAID HE ITNESS Suffield, CT 06078 Permit No. 328 T W Over 300 years in the heart of the community Enfield, CT for the heart of the community. Address Correction Requested Worship at First Church All worship services are at 10:00 a.m. unless otherwise noted. In This Issue September/October 2014 Pastor’s Message pg. 2 (Please join us for Coffee Hour immediately Call to Special Congregational Vote pg. 3 following the morning service in the Associate Pastor Search Comm.Update pg. 4 Ebenezer Gay Room for Women’s Fellowship News pg. 5 fellowship and conversation.) Christmas in Suffield pg. 6 Wednesday Morning Bible Study pg. 7 Mark These Dates On Your Calendar!! Way of Life & Confirmation News pg. 8 2014 Graduates pg. 9 Sept. 7 - Recovenanting Sunday Painting the Stars pg. 11 (Don’t forget to bring your school Faith Development News pg. 12 & work backpacks to church.) UCC 2014 Annual Meeting pg. 14 Sept. 14 - Church School Begins Celebrating Rick Huleatt’s Ministry pg. 15 Our Fall Kick Off (Traveling Deacons’ Corner pg. 16 with God) will be held after Church School Times pg. 17 morning worship in Vision Statement: Teachers Needed pg. 18 Fellowship Hall With God’s guidance, challenged by the lessons of Jesus’ life, we strive to be a welcoming 2014 Family Kick-Off pg. 19 Sept. 21 - Dedication of the Parsonage faith community, seeking inspiration through the Word of God. From the Music Disk pg. -
Cool Music Scene: Louisville, Kentucky
Print http://www.gibson.com/en%2Dus/Print/?PrintAliasPath=/en-us/Lifestyle... Cool Music Scene: Louisville, Kentucky Jonah Bayer | 02.21.2008 Forget about Seattle or Brooklyn. Over the past few decades Louisville, Kentucky, has quietly constructed one of the strongest music scenes in the country. Check out a few of the city’s most popular acts as well as a couple of newcomers. My Morning Jacket My Morning Jacket are perhaps the biggest band from Louisville, Kentucky, in the past decade—and the only band we know of that can unite jam band fanatics, indie rock purists, and classic rock enthusiasts alike. While all of the band’s albums are stellar, we recommend checking out their breakthrough 2003 album It Still Moves, which features “One Big Holiday,” a song that can be considered the “Free Bird” for the iTunes generation. Oh, and if that doesn’t impress you, Netflix a copy of their live DVD Okonokos, which beautifully showcases the cinematic grandeur of the band’s live performances. 1 of 4 2/25/2008 12:57 PM Print http://www.gibson.com/en%2Dus/Print/?PrintAliasPath=/en-us/Lifestyle... VHS Or Beta Like all great scenes, the Louisville music community is extremely incestuous. In fact, My Morning Jacket’s guitarists Jim James and Carl Broemel both guest star on VHS Or Beta’s latest album Bring On the Comments. That’s not to say that the bands sound the same—VHS Or Beta’s dance-influenced rock jams are more at home in a trance club setting than the Burning Man festival—but both acts have successfully elbowed aside any genre restrictions and helped to unite seemingly disparate scenes with their music. -
The BG News February 7, 2003
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-7-2003 The BG News February 7, 2003 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 7, 2003" (2003). BG News (Student Newspaper). 7071. https://scholarworks.bgsu.edu/bg-news/7071 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Bowling Green State University FRIDAY February 7, 2003 HOROSCOPES: SNOW SHOWERS The Pulse adds weekly HIGH:231 LOWS horoscopes, check out www.bgnews.com the predictions; PAGE 7 A daily independent student press VOLUME 96 ISSUE 18 Violations close bar Uptown- Downtown bar was closing and two stu- dents. University student Adam will close Feb. 12 for Daily and Shawn O'Niel, of the allegedly serving University of Toledo, wouldn't leave. Once the)' agreed to go, underage patrons. Daily went to get his coat from coat check, but when it wasn't By Kara Hanneman there. Daily began to cry. REPORTER After getting his phone num- By noon on Feb. 12, the ber and name in case the jacket Uptown-Downtown Bar on the showed up, the bouncers escort- comer of North Main and Court ed him down the stairs toward Streets will be shutting down for the door facing North Main 20 days due to liquor law viola- Street. -
EMI Case Study
AS media studies THE MUSIC INDUSTRY - Example Case Study EMI is a major British, independent, leading, global music company. It produces and distributes music throughout the world with artists such as Coldplay and The Verve on its books. It is considered one of the big four record companies. It employs around 5,500 people and operates in 50 countries. Financially it is a world player with revenue in 2007 of over £1,751 million and profits of over £62 million. The EMI group comprises over 100 recording labels. It is the second-largest global music publisher (i.e. music scores). There are two main sides to the music business recorded music and music publishing. The recorded music division signs bands, manages bands and makes records – CDs and downloads. The music publishing division (based in New York) collects royalties every time their songs are played on radio, television, video games, films, ring tones and advertisements. The royalties are small but they all mount up to be a profitable business. EMI has the rights to the published songs by Amy Whitehouse, Arctic Monkeys, Duffy, and Jay-Z as well as perennial favourites like Over the Rainbow. This arm of the business is so successful that it is said to be worth 80% of the value of the company. EMI publishing owns or manages 1.3 million copyrights. EMI is a vertically integrated company because it creates music to sell on CD and as downloads on the internet, and it publishes the songs, lyrics and music of many of its own artists and many more artists. -
The Journal of the Carousel Organ Association of America Carousel Organ, Issue No
Issue #9 October, 2001 The Journal of the Carousel Organ Association of America Carousel Organ, Issue No. 9 — October, 2001 CAROUSEL ORGAN The Official Journal of the Carousel Organ Association of America (COAA) Devoted to enjoying, preserving and sharing knowledge of all outdoor mechanical musical instruments, including band, fair and street organs, calliopes, and hand-cranked organs of all sizes. Carousel Organ Association of America President: Terry Haughawout (419-454-3671) Assistant Editor: Angelo Rulli Vice-President: Larry Kern (915-581-2406) Directory Editor: Gary Stevenson Secretary: Marge Waters (330-334-1344) Reporter: Hope Rider Editor/Publisher: Ron Bopp (918-786-4988) IFMMO Rep.: Tom McAuley Inside this issue: The President Speaks . • Building a 43-note Calliope As I sit on the banks of the Ohio river in Gallipolis playing my Bruder Part II I can’t believe that the rally season is coming to an end. What a rally year Dave Kerr — 4 we had. We played four different states with great response from our members. Thanks to all of you for your support. I wouldn’t trade these rallies for a thousand yesterdays. • Wurlitzer “End Numbers” & Looking ahead to next year we have planned yet another rally. Yes, Roll Identification FIVE rallies in 2002! So, mark your calenders and I will hope to see you Matthew Caulfield — 8 at a rally next year. Thanks to all of you for your support in 2001. Terry • Hurdy-gurdy Society From the Editor’s Loft . Robert Cortes Holliday — 9 Changes, changes, changes! As you leaf through this issue of the (Leslie’s Weekly) Carousel Organ you will note many changes, most as the result of our Contributed by Cynthia Craig hard-working board members and their meetings at the first two COAA ral- lies. -
Music Sampling and Copyright Law
CACPS UNDERGRADUATE THESIS #1, SPRING 1999 MUSIC SAMPLING AND COPYRIGHT LAW by John Lindenbaum April 8, 1999 A Senior Thesis presented to the Faculty of the Woodrow Wilson School of Public and International Affairs in partial fulfillment of the requirements for the degree of Bachelor of Arts. ACKNOWLEDGMENTS My parents and grandparents for their support. My advisor Stan Katz for all the help. My research team: Tyler Doggett, Andy Goldman, Tom Pilla, Arthur Purvis, Abe Crystal, Max Abrams, Saran Chari, Will Jeffrion, Mike Wendschuh, Will DeVries, Mike Akins, Carole Lee, Chuck Monroe, Tommy Carr. Clockwork Orange and my carrelmates for not missing me too much. Don Joyce and Bob Boster for their suggestions. The Woodrow Wilson School Undergraduate Office for everything. All the people I’ve made music with: Yamato Spear, Kesu, CNU, Scott, Russian Smack, Marcus, the Setbacks, Scavacados, Web, Duchamp’s Fountain, and of course, Muffcake. David Lefkowitz and Figurehead Management in San Francisco. Edmund White, Tom Keenan, Bill Little, and Glenn Gass for getting me started. My friends, for being my friends. TABLE OF CONTENTS Introduction.....................................................................................……………………...1 History of Musical Appropriation........................................................…………………6 History of Music Copyright in the United States..................................………………17 Case Studies....................................................................................……………………..32 New Media......................................................................................……………………..50 -
500 Drugstore Feat. Thom Yorke El President 499 Blink
500 DRUGSTORE FEAT. EL PRESIDENT THOM YORKE 499 BLINK 182 ADAMS SONG 498 SCREAMING TREES NEARLY LOST YOU 497 LEFTFIELD OPEN UP 496 SHIHAD BEAUTIFUL MACHINE 495 TEGAN AND SARAH WALKING WITH A GHOST 494 BOMB THE BASS BUG POWDER DUST 493 BAND OF HORSES IS THERE A GHOST 492 BLUR BEETLEBUM 491 DISPOSABLE HEROES TELEVISION THE DRUG OF THE OF... NATION 490 FOO FIGHTERS WALK 489 AIR SEXY BOY 488 IGGY POP CANDY 487 NINE INCH NAILS THE HAND THAT FEEDS 486 PEARL JAM NOT FOR YOU 485 RADIOHEAD EVERYTHING IN ITS RIGHT PLACE 484 RANCID TIME BOMB 483 RED HOT CHILI MY FRIENDS PEPPERS 482 SANTIGOLD LES ARTISTES 481 SMASHING PUMPKINS AVA ADORE 480 THE BIG PINK DOMINOS 479 THE STROKES REPTILIA 478 THE PIXIES VELOURIA 477 BON IVER SKINNY LOVE 476 ANIMAL COLLECTIVE MY GIRLS 475 FILTER HEY MAN NICE SHOT 474 BRAD 20TH CENTURY 473 INTERPOL SLOW HANDS 472 MAD SEASON SLIP AWAY 471 OASIS SOME MIGHT SAY 470 SLEIGH BELLS RILL RILL 469 THE AFGHAN WHIGS 66 468 THE FLAMING LIPS FIGHT TEST 467 ALICE IN CHAINS MAN IN THE BOX 466 FAITH NO MORE A SMALL VICTORY 465 THE THE DOGS OF LUST 464 ARCTIC MONKEYS R U MINE 463 BECK DEADWEIGHT 462 GARBAGE MILK 461 BEN FOLDS FIVE BRICK 460 NIRVANA PENNYROYAL TEA 459 SHIHAD YR HEAD IS A ROCK 458 SNEAKER PIMPS 6 UNDERGROUND 457 SOUNDGARDEN BURDEN IN MY HAND 456 EMINEM LOSE YOURSELF 455 SUPERGRASS RICHARD III 454 UNDERWORLD PUSH UPSTAIRS 453 ARCADE FIRE REBELLION (Lies) 452 RADIOHEAD BLACK STAR 451 BIG DATA DANGEROUS 450 BRAN VAN 3000 DRINKING IN LA 449 FIONA APPLE CRIMINAL 448 KINGS OF LEON USE SOMEBODY 447 PEARL JAM GETAWAY 446 BEASTIE -
Blinking with Fists : Poems Pdf, Epub, Ebook
BLINKING WITH FISTS : POEMS PDF, EPUB, EBOOK Billy Corgan | 83 pages | 27 Nov 2009 | FABER & FABER | 9780571211708 | English | London, United Kingdom Blinking with Fists : Poems PDF Book About Billy Corgan. We always have mother for ordinary truth. A lonely singer, dead, comes back to beg me, swearing in my ears she's mine, rhymes set to music that make her lies seem true. She is in the trees up here, no one sees her. Want to Read saving…. I am as disappointed as everyone else. Popular musicians attempting to cross over into the realm of poetry isn't a new phenomenon. Visit poetry store. The Point. After a short time I read through his online journaling and recognized that same undeveloped voice I had rummaged through in his book. Wordview New Cloth. Another fight ended, sides squared off. Username or Email Address. He's a complete ass but the boy can write. Wordview The Coffin Club. Satisfaction is guaranteed with every order. More By and About This Author. On June 4, singer-songwriter Lucinda Williams will share the stage with her father, Miller, a renowned poet. He studies the poem envelope. This is a very strong first book. Dear Poet Project. All flesh. A great book that touches tons of feelings. Betrayed desires, a Billy Corgan is best known as the frontman of The Smashing Pumpkins , and we have all heard his poetry consciously or un. Rock 'n' roll needs them right where they are. Shiny as wax, the cracked veneer Scotch-taped and brittle. There are poems like 'Yachting? Oct 25, Steve Balfour rated it did not like it. -
Download Zwan
Download zwan LINK TO DOWNLOAD Downloads - Zwan. HOME; Zwan is a prototype made for the Bosch Art Game competition, held by the Jheronimus Bosch Foundation. The mission: develop a game about the art of the great Dutch painter. First of all, we wrote a pitch describing what we were planning to create. Zwan was an American alternative rock supergroup that was formed by Billy Corgan and Jimmy Chamberlin, lead singer/guitarist and drummer of The Smashing Pumpkins respectively, after they disbanded in December Other members included bassist Paz Lenchantin, of A Perfect Circle, and guitarists David Pajo and Matt Sweeney of various prior bands and projects. Download Midi Melodies – Zwan. Here you can download the midi melodies of artist Zwan. Below is a list of midi melodies available for downloading. If your browser is able to play midi files you can listen to the chosen melody from the list without downloading. You are very welcome to leave your comments in the guestbook and send emails. Browse Zwan files to download full releases, installer, sdk, patches, mods, demos, and media. Download Zwan songs, singles and albums on MP3. Over one million legal MP3 tracks available at Juno Download. Zwan. In Zwan you control the swan and explore an environment which decays to a world of pain and madness. As in Bosch's tryptics, you will travel from Eden, through Earth to Hell. How to play: when downloaded, simply unzip the file, launch the renuzap.podarokideal.ru and select the desired resolution. Also because it's a great intro to one of Zwan's incarnations, Djali Zwan which has all to do with acoustics.