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Adopted Budget 2009-2010
City of Wilsonville Oregon Adopted Budget FY 2009/10 CITY OF WILSONVILLE, OREGON FY 2009-10 QUICK FACTS AND LOCATOR PAGES City Operating Capital Urban Renewal More information & Other Projects Agency on these pages WhereȱTheȱMoneyȱComesȱFrom: Propertyȱtaxes $ȱȱȱȱȱȱȱȱ5,226,000 $ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ $ȱȱȱȱȱȱȱȱ7,050,000 69,ȱ274Ȭ276 Otherȱgovernments ȱȱȱȱȱȱȱȱȱȱ3,010,347 ȱȱȱȱȱȱȱȱ5,539,470 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 70Ȭ77,ȱ202 Chargesȱforȱservices ȱȱȱȱȱȱȱȱ14,763,346 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 70Ȭ77 Bondȱsales ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱ7,000,000 ȱȱȱȱȱȱȱȱȱ8,000,000 202,ȱ279 SystemȱDevelopmentȱCharges ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱ8,224,984 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 79 Allȱotherȱrevenues ȱȱȱȱȱȱȱȱȱȱ9,378,068 ȱȱȱȱȱȱȱȱ2,066,230 ȱȱȱȱȱȱȱȱȱȱȱȱ193,453 70Ȭ77,ȱ279 Carryover/beginningȱbalance ȱȱȱȱȱȱȱȱ26,370,848 ȱȱȱȱȱȱ16,878,180 ȱȱȱȱȱȱȱ13,453,766 28Ȭ29,ȱ279 TotalȱResources $ȱȱȱȱȱȱ58,748,609 $ȱȱȱȱȱ39,708,864 $ȱȱȱȱȱȱ28,697,219 WhereȱTheȱMoneyȱGoes: Personalȱservices $ȱȱȱȱȱȱ13,595,127 $ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ $ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 84Ȭ200 Materialsȱandȱservices ȱȱȱȱȱȱȱȱ14,893,008 ȱȱȱȱȱȱȱȱȱȱȱȱȱ37,300 ȱȱȱȱȱȱȱȱȱ1,068,492 89Ȭ200,ȱ279 CapitalȱȬȱequipment ȱȱȱȱȱȱȱȱȱȱȱȱ982,000 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ 89Ȭ200 CapitalȱȬȱprojects ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱ25,284,609 ȱȱȱȱȱȱȱȱȱ3,223,500 201,ȱ286,ȱ293 Debtȱservice ȱȱȱȱȱȱȱȱȱȱ3,024,933 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱ11,853,652 255Ȭ262,ȱ283,ȱ291 Contingency/reserves ȱȱȱȱȱȱȱȱ26,251,916 ȱȱȱȱȱȱ12,808,449 ȱȱȱȱȱȱȱȱȱ7,426,025 261Ȭ264,ȱ279 Unappropriatedȱendingȱbalance ȱȱȱȱȱȱȱȱȱȱ1,580,131 ȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȱȬ ȱȱȱȱȱȱȱȱȱ5,125,550 -
Nutcracker Dec 19 - Dec 28 / 2015
NUTCRACKER DEC 19 - DEC 28 / 2015 Choreography Galina Yordanova & Nina Menon | Music Pyotr Ilyich Tchaikovsky Centennial Concert Hall with the Winnipeg Symphony Orchestra 1 VAL CANIPAROLI’S A CINDERELLA STORY FEB 17 - 21 / 2016 At the Centennial Concert Hall PHOTO: David PHOTO: A Cinderella Story A Cinderella Former Principal Dancers Vanessa Lawson (1997 – 2013) and Jaime Vargas (2004 - 2010) in the 2009 Production of (2004 - 2010) in the 2009 Production Lawson (1997 – 2013) and Jaime Vargas Vanessa Principal Dancers Former TICKETS FROM $29!* *plus applicable taxes & fees RWB.ORG 204.956.2792 TABLEAU Under the distinguished Patronage of His Excellency The Right Honourable David Johnston, C.C., C.M.M., C.O.M., C.D. Governor General of Canada founders: GWENETH LLOYD & BETTY FARRALLY artistic director emeritus: ARNOLD SPOHR, C.C., O.M. founding director, school professional division: DAVID MORONI, C.M. founding director, school recreational division: JEAN MACKENZIE artistic director executive director ANDRÉ LEWIS JEFF HERD Jo- Ann Sundermeier, Dmitri Dovgosolets artists PHOTO: Réjean Brandt Photography AMANDA GREEN SOPHIA LEE JO-ANN SUNDERMEIER DMITRI DOVGOSELETS LIANG XING ISSUE NO. 197 YAYOI BAN YOSUKE MINO To advertise in future issues of this program, call Larah Luna 204.957.3471 SARAH DAVEY ELIZABETH LAMONT ALANNA MCADIE TRISTAN DOBROWNEY KOSTYANTYN KESHYSHEV JOSH REYNOLDS COVER: EGOR ZDOR Jo-Ann Sundermier, Dmitri Dovgoselets PHOTO: Réjean Brandt Photography KATIE BONNELL JAIMI DELEAU YOSHIKO KAMIKUSA CHENXIN LIU ANNA O’CALLAGHAN MANAMI TSUBAI DESIGN: Aleli Estrada SARAH PO TING YEUNG LIAM CAINES TYLER CARVER STEPHAN POSSIN PRINTING: Dave’s Quick Print THIAGO DOS SANTOS LUZEMBERG SANTANA RYAN VETTER EDITOR: Larah Luna JESSE PETRIE SAEKA SHIRAI AMY YOUNG PHILIPPE LAROUCHE YUE SHI Royal Winnipeg Ballet is a chartered non-profit corporation operated by a voluntary Board of senior ballet master music director & conductor Directors, David Reid, Chair. -
CANADA's ROYAL WINNIPEG BALLET Thu, Oct 20, 7:30 Pm Carlson Family Stage
2016 // 17 SEASON Northrop Presents CANADA'S ROYAL WINNIPEG BALLET Thu, Oct 20, 7:30 pm Carlson Family Stage DRACULA Dear Northrop Dance Lovers, Northrop at the University of Minnesota Presents It’s great to welcome Canada’s Royal Winnipeg Ballet back to Northrop! We presented their WONDERLAND at the Orpheum in 2011, but they last appeared on this stage in 2009 with their sensational Moulin Rouge. Northrop was a CANADA'S ROYAL very different venue then, and the dancers are delighting in the transformation of this historic space. The work that Royal Winnipeg brings us tonight boasts WINNIPEG BALLET quite a history as well. When it first came out in 1897, Bram th Stoker’s novel was popular enough, but it was the early 20 Under the distinguished Patronage of His Excellency century film versions that really caused its popularity to The Right Honourable David Johnston, C.C., C.M.M., C.O.M., C.D. skyrocket. The play DRACULA appeared in London in 1924 Governor General of Canada and had a successful three-year tour, and then the American version opened in New York City in 1927 and grossed over $2 Founders, GWENETH LLOYD & BETTY FARRALLY million in its first year (that’s in 1927 dollars, and 1927 ticket Artistic Director Emeritus, ARNOLD SPOHR, C.C., O.M. prices). Founding Director, School Professional Division, DAVID MORONI, C.M. Founding Director, School Recreational Division, JEAN MACKENZIE Christine Tschida. Photo by Tim Rummelhoff. So, what is it about this vampire tale that still evokes dread and horror, but most of all, fascination? That’s a subject Artistic Director currently being explored by our first University Honors Program-coordinated interdisciplinary, outside- ANDRÉ LEWIS the-classroom Honors Experience: Dracula in Multimedia. -
Dance Program and Ephemera Collection, 1909-1987
http://oac.cdlib.org/findaid/ark:/13030/kt1b69p38p No online items Guide to the Dance Program and Ephemera Collection, 1909-1987 Processed by Processed by Linda Akatsu, Emma Kheradyar, William Landis, and Maria Lechuga, 1997-2001. Guide completed by Adrian Turner, 2002. © 2003 The Regents of the University of California. All rights reserved. Guide to the Dance Program and MS-P026 1 Ephemera Collection, 1909-1987 Guide to the Dance Program and Ephemera Collection, 1909-1987 Collection number: MS-P26 Special Collections and Archives The UCI Libraries University of California Irvine, California Processed by: Processed by Linda Akatsu, Emma Kheradyar, William Landis, and Maria Lechuga, 1997-2001. Guide completed by Adrian Turner, 2002. Date Completed: 2002 Encoded by: Andre Ambrus © 2003 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Dance program and ephemera collection, Date (inclusive): 1909-1987 Collection number: MS-P026 Extent: 10.3 linear feet (25 boxes and 5 oversize folders) Repository: University of California, Irvine. Library. Special Collections and Archives. Irvine, California 92623-9557 Abstract: This collection comprises printed materials, primarily dance programs, documenting significant international dancers, dance companies, festivals, performances, and events. The bulk of this collection comprises materials on 20th century American and European ballet performers and companies, such as the American Ballet Theatre, Ballet Russes and related companies. The collection also contains dance programs documenting world and folk genres, and international dance styles, primarily Indian, Japanese, and Spanish. A small group of printed ephemera documents various dance festivals, dance companies, and individuals such as Isadora Duncan, George Balanchine, Mary Wigman, and others. -
Pink Floyd – Live at Knebworth 1990
Pink Floyd – Live At Knebworth 1990 (55:45, CD, LP, Digital, Parlophone/Warner, 1990/2021) Es war zu erwarten, dass die einzelnen Elemente des teuren „The Later Years“-Boxsets nach und nach auch als Standalone- Veröffentlichungen eintrudeln würden. Nachdem schon relativ kurz nach der Box die überarbeitete „Delicate Sound Of Thunder“ in den Regalen stand, gibt’s nun mit „Live At Knebworth 1990“ das nächste Liveschnittchen derGilmour - geführten Pink Floyd. Nun waren Pink Floyd bei besagtem Konzert nur einer von vielen Mega-Acts und spielten deshalb auch nur ein knappes Festivalset-Stündchen – wie Dire Straits, Phil Collins (mit Genesis-Gastauftritt), Paul McCartney, Eric Clapton, Tears For Fears und Status Quo auch. Auf Live-Raritäten oder Experimente muss man hier also verzichten. Neben dem damals noch einigermaßen aktuellen ‚Sorrow‘ gibt’s hier lediglich je zwei Songs von „The Wall“ (‚Run Like Hell‘, ‚Comfortably Numb‘), zwei von „Wish You Were Here“ (‚Shine On…‘ und den Titelsong) sowie unvermeidlicherweise auch zwei von „Dark Side Of The Moon“ – ‚Money‘ und ‚The Great Gig In The Sky‘. Der Grund für die Auswahl des Letzteren dürfte darin zu finden sein, das an diesem Abend mit Clare Torry die Originalsängerin des Stücks mit Floyd auf der Bühne stand. Damit sind wir auch schon bei der Besonderheit dieses Knebworth-Auftritts: die prominenten Gäste. Pink Floyd waren ja nicht unbedingt dafür bekannt, sich Freunde auf die Bühne einzuladen. Da fallen den Meisten wohl nur Billy Corgan 1996 in der Rock And Roll Hall Of Fame, Frank Zappa 1969 auf einem Festival in Belgien und Douglas Adams 1994 im Earls Court ein, und so ist das Auftauchen gleich dreier Nicht-Bandmitglieder schon ein Grund für Sammler, das vorliegende Album in die Sammlung einzureihen. -
PINK FLOYD (2Ème Partie)
Dossier : PINK FLOYD (2ème partie) The Other Side Of PINK FLOYD Un dossier préparé par Hubert Allusson avec la participation de Gilles Masson, Marc Moingeon, Denis Chamignon, Benoît Herr & Hubert Allusson Coordination : Hubert Allusson Photos : Serge Llorente KOID'9 n°59 – Octobre 2006 - P/3 "A guy named Syd...". Lorsque nous vous avons concocté ce méga dossier Floyd, nous ne savions pas que l'actualité nous rattraperait ainsi. Ce sont les hasards de la vie... Au décès de Syd il faut hélas ajouter celui d'Arthur Lee, l'emblématique leader du groupe culte Love. A 60 ans également... Pink Floyd et Love. Deux des principaux représentants du mouvement psychédélique. L'anglais et l'américain qui se sont mutuellement inspirés. Encore une coïncidence... Dans quelques instants, vous allez découvrir la seconde partie du dossier Pink Floyd. Chose promise, chose due c'est de nouveau une interview en face à face (merci Benoît !) -celle de Nick Mason-, illustrée par des photos originales (bravo Serge) qui ouvre le bal. Vous lirez ensuite le compte-rendu du concert événement que Laurent Voulzy... euh, Roger Mason... Waters (j'y perd mon latin) a donné à Magny-Cours le 14 juillet 2006. Si nous avons résisté à la tentation de la rétrospective historique, il nous a quand même semblé intéressant de revenir sur quelques albums "oubliés" du Floyd. Puis, l'équipe du Koid’9 a souhaité rendre hommage au travail solo de Syd Barrett (RIP), David Gilmour, Nick Mason et Rick Wright. Personne avant nous, ne vous avez proposé un travail complet sur la carrière solo des membres de Pink Floyd. -
North Carolina School of the Arts Dance Programs Collection PA Mss 92
http://oac.cdlib.org/findaid/ark:/13030/c81v5fhf No online items Guide to the North Carolina School of the Arts dance programs collection PA Mss 92 Finding aid prepared by Fran Smith, 2011. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2011 Guide to the North Carolina PA Mss 92 1 School of the Arts dance programs collection PA Mss 92 Title: North Carolina School of the Arts dance programs collection Identifier/Call Number: PA Mss 92 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 8.34 linear feet(20 document boxes) Creator: North Carolina School of the Arts Date (inclusive): 1911-1991 Abstract: Collection of dance programs, playbills, and clippings spanning the twentieth century. Physical Location: The collection is located at the Southern Regional Library Facility (SRLF). Access Restrictions The collection is open for research. The collection is stored offsite. Advance notice is required for retrieval. Use Restrictions Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Preferred Citation [Identification of Item], North Carolina School of the Arts dance programs collection, PA Mss 92. -
The Story So Far
1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band. -
Professional Division Graduates, 1999-2014
Professional Division Graduates, 1999-2014 Name Company/College/University Year Heather Aagard Ballet Arizona; Joffrey Ballet 2001 Chelsea Adomaitis Pacific Northwest Ballet 2009 Tristan Alberda Milwaukee Ballet 2000 Maggie Alden Columbia University 2009 Kirsten Allman Louisville Ballet 2009 Garrett Anderson Hubbard Street Dance; Royal Ballet of Flanders; San Francisco Ballet 2001 Jessika Anspach Pacific Northwest Ballet 2004 Isaac Aoki Grand Rapids Ballet 2013 Emma Appel University of California, Berkeley 2011 Robbie-Jean Arbaczewski Central Pennsylvania Youth Ballet 2009 Jacquelyn Arcati Cherylyn Lavagnino Dance; Nevada Ballet; Columbia Univ. School of Law 2005 Thomas Baltrushunas Pennsylvania Ballet; Temple University 2002 Edward Barnes Pennsylvania Ballet 2008 Eli Barnes Cincinnati Ballet; Alberta Ballet 2011 Andrew Bartee Ballet BC; Pacific Northwest Ballet; Princess Grace Award Recipient 2008 Reid Bartelme Alberta Ballet; BalletMet; Current: Freelance fashion/costume designer 2001 Taisha Barton-Rowledge Ballet du Capitole, Toulouse, France; Carolina Ballet 2009 Alison Basford Boston Ballet; Pacific Northwest Ballet; Suzanne Farrell Ballet 2002 Marlowe Bassett Napoles Ballet Theatre; LINES Ballet; Metamorphosis (San Francisco) 2002 Reilley Bell Alberta Ballet 2007 Ezra Benjamin Cornish College of the Arts 2003 Christiana Bennett Ballet West (Principal Dancer) 1999 Laurel Benson Ballet West II 2014 Ian Bethany Ballet Austin 2008 Kelsey Bevington Nevada Ballet Theatre; Cincinnati Ballet II 2013 Perry Bevington Nevada Ballet Theatre, -
Mise En Page 1 17/04/13 17:45 Page 28
BAT INT Nick Mason.qxd :Mise en page 1 17/04/13 17:45 Page 28 Interview par Christophe Rossi NICK MASON Gardien du temple 1973, ANNÉE CHARNIÈRE DANS LA CARRIÈRE DE PINK FLOYD, AVEC LA SORTIE DE L’ALBUM «THE DARK SIDE « The Dark Side Of The Moon » est un Lors de la sortie du disque en mars 1973, OF THE MOON ». 40 ANS APRÈS, album qui a marqué son époque et reste avez-vous tout de suite pris conscience du NOUS AVONS JOINT NICK MASON toujours aussi frais, quarante ans après sa succès qu’il engendrait ? sortie. Comment expliquer cela ? POUR QU’IL REVIENNE SUR CE DISQUE Nous n’avons pas bien mesuré la chose, nous Cet album correspond à un changement dans la étions en tournée au Etats-Unis à ce moment là. HISTORIQUE. L’OCCASION AUSSI POUR musique rock, mais en réalité il poursuit un pro- Ça nous changeait car les ventes de nos précé- LUI DE NOUS PARLER DE SES PROJETS. cessus entamé avec « Sergent Pepper’s », des dents albums était décevantes. Nous pensions Beatles, qui fut le premier disque à sortir du for- que c’était notre meilleur album, avec la satis- A 69 ANS, LE FLEGMATIQUE BATTEUR mat des singles, ça nous a beaucoup influencé faction d’avoir fait du bon travail, mais nous ne BRITANNIQUE NE COMPTE PAS PRENDRE dans le fait de penser en termes de concept pensions pas à l’époque que le disque connaî- album. Mais l’évolution de la musique de Pink trait un tel succès car notre musique ne concer- SA RETRAITE ET NE SE FERAIT PAS Floyd et de nos concerts ne se limite pas à nait pas encore le grand public. -
Arnold Spohr, C.C., O.M Dr. Arnold Spohr C.C
Arnold Spohr, C.C., O.M Dr. Arnold Spohr C.C., OM, was born in Rhein, Saskatchewan in 1923. He fell in love with dance after seeing a performance of Les Ballets Russes de Monte Carlo in Winnipeg in 1942. Mr. Spohr began his career as a dancer in 1944 at the Winnipeg Ballet, where he was later promoted to Principal Dancer. Mr. Spohr received acclaim for his performances at the Canadian Ballet Festivals. He was part of the Company when it received its Royal designation in 1953. During Mr. Spohr's career as a dancer, more than 20 new roles were created for him. After serving as Interim Artistic Director of the Royal Winnipeg Ballet after Benjamin Harkarvy’s sudden departure, he became the Artistic Director in 1958. He held this position for 30 years, making him one of the longest-serving Artistic Directors in Canadian Cultural history. Mr. Spohr undertook the reorganization of the Company with energy, leadership, and dedication. He developed the RWB from a small, regional troupe to a world-renowned company. He was instrumental in helping to launch several prestigious dance careers. Mr. Spohr's commitment to the training of dancers led him to establish a professional training programme at the RWB School. Mr. Spohr guided dancers such as Evelyn Hart and David Peregrine through award-winning performances and brought international dancers to Winnipeg. This calibre of talent enabled the RWB Company to successfully stage an increasing number of evening-length classic ballets. Mr. Spohr was integral in developing the style of Company by commissioning works from emerging and established choreographers and creating a distinctive repertoire of contemporary and classical ballets, skillfully blending programmes of short ballets to show off the dancers and appeal to audience tastes. -
Peter Pan Study Guide
Education and Outreach Department’s School Matinee Program STUDY GUIDE For Teachers and Students CONTENTS: Page 2……………………………………………….About Nevada Ballet Theatre Page 3……………………………………………….About Theater Etiquette Page 4……………………………………………….About Peter Pan Page 5……………………………………………….About the Artists Page 7……………………………………………….Discussion Topics and Activity Sheets Page 11……………………………………………...Additional Resources About NEVADA BALLET THEATRE The idea to create a professional ballet and dance company based in Las Vegas was the vision of former dancers and co-founders Vassili Sulich and Nancy Houssels. Though Las Vegas was a city with a widespread community of artists, Sulich and Houssels took note that its performers longed to return to their classical “roots,” where they could dance an eclectic and changing repertoire. In September of 1972, Sulich and his dancers performed their first repertory show in the Judy Bayley Theatre at the University of Nevada, Las Vegas. The response from the community was overwhelming and so with the vision, support and financial backing of Houssels, a volunteer board was established with each of its members giving one thousand dollars to start the state’s first professional ballet company. Nevada Dance Theatre was born. In 1996, the organization received a major grant from the Donald W. Reynolds Foundation, and with a donation of land from The Howard Hughes Corporation, plans for a world-class home for the troupe began. Now, indisputably one of the finest dance facilities in the nation, the company’s Summerlin based studio is home to a full-time professional company of dancers and almost 500 students. In 1997, Nevada Dance Theatre was renamed Nevada Ballet Theatre to more accurately reflect the company’s classical repertoire at the time.