Between Hospitality and Asylum
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Poison King: the Life and Legend of Mithradates the Great, Rome's
Copyrighted Material Kill em All, and Let the Gods Sort em Out IN SPRING of 88 BC, in dozens of cities across Anatolia (Asia Minor, modern Turkey), sworn enemies of Rome joined a secret plot. On an appointed day in one month’s time, they vowed to kill every Roman man, woman, and child in their territories. e conspiracy was masterminded by King Mithradates the Great, who communicated secretly with numerous local leaders in Rome’s new Province of Asia. (“Asia” at this time referred to lands from the eastern Aegean to India; Rome’s Province of Asia encompassed western Turkey.) How Mithradates kept the plot secret remains one of the great intelli- gence mysteries of antiquity. e conspirators promised to round up and slay all the Romans and Italians living in their towns, including women and children and slaves of Italian descent. ey agreed to confiscate the Romans’ property and throw the bodies out to the dogs and crows. Any- one who tried to warn or protect Romans or bury their bodies was to be harshly punished. Slaves who spoke languages other than Latin would be spared, and those who joined in the killing of their masters would be rewarded. People who murdered Roman moneylenders would have their debts canceled. Bounties were offered to informers and killers of Romans in hiding.1 e deadly plot worked perfectly. According to several ancient histo- rians, at least 80,000—perhaps as many as 150,000—Roman and Italian residents of Anatolia and Aegean islands were massacred on that day. e figures are shocking—perhaps exaggerated—but not unrealistic. -
I Don't See Anyborders. Do You?
TEAM SLOVENIA YOUTH EXCHANGE: „I DON‘T ASYLUM SEE ANYBORDERS. DO YOU?“ HISTORY • In ancient Greece and Rome, an asylum referred to a place where people facing persecution could seek refuge. These locations were largely religious in nature, such as temples and other religious sites. ANCIENT GREECE • In ancient Greece the temples, altars, sacred groves, and statues of the gods generally possessed the privileges of protecting slaves, debtors, and criminals, who fled to them for refuge. The laws, however, do not appear to have recognised the right of all such sacred places to afford the protection which was claimed, but to have confined it to a certain number of temples, or altars, which were considered in a more especial manner to have the asylia (Servius ad Virg. Aen. ii. 761.). • There were several places in Athens which possessed this privilege, of which the best known was the Theseum, or temple of Theseus, in the city, which was chiefly intended for the protection of the ill-treated slaves, who could take refuge in this place, and compel their masters to sell them to some other person (Plut. Theseus, 36; Schol. ad Aristoph. Equit. 1309; Hesych. and Suidas, s.v.). • The other places in Athens which possessed the jus asyli were: the Altar of Pity, in the Agora, the altar of Zeus Ayopcuos, the Altar of the Twelve Gods, the altar of the Eumenides on the Areopagus, the Theseum in the Piraeus, and the altar of Artemis, at Munichia (Meier, Alt. Proc. p. 404). Among the most celebrated places of asylum in other parts of Greece, we may mention the temple of Poseidon in Laconia, on Mount Taenarus (Time. -
THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus”
“THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus” Carla Ionescu A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HUMANITIES YORK UNIVERSITY TORONTO, ONTARIO May 2016 © Carla Ionescu, 2016 ii Abstract: Tradition states that the most popular Olympian deities are Apollo, Athena, Zeus and Dionysius. These divinities played key roles in the communal, political and ritual development of the Greco-Roman world. This work suggests that this deeply entrenched scholarly tradition is fissured with misunderstandings of Greek and Ephesian popular culture, and provides evidence that clearly suggests Artemis is the most prevalent and influential goddess of the Mediterranean, with roots embedded in the community and culture of this area that can be traced further back in time than even the arrival of the Greeks. In fact, Artemis’ reign is so fundamental to the cultural identity of her worshippers that even when facing the onslaught of early Christianity, she could not be deposed. Instead, she survived the conquering of this new religion under the guise of Mary, Mother of Jesus. Using methods of narrative analysis, as well as review of archeological findings, this work demonstrates that the customs devoted to the worship of Artemis were fundamental to the civic identity of her followers, particularly in the city of Ephesus in which Artemis reigned not only as Queen of Heaven, but also as Mother, Healer and Saviour. Reverence for her was as so deeply entrenched in the community of this city, that after her temple was destroyed, and Christian churches were built on top of her sacred places, her citizens brought forward the only female character in the new ruling religion of Christianity, the Virgin Mary, and re-named her Theotokos, Mother of God, within its city walls. -
Conflicting Authorities. Asylia Between Secular and Divine Law in the Classical and Hellenistic Poleis
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 9 | 1996 Varia Conflicting Authorities. Asylia between Secular and Divine Law in the Classical and Hellenistic Poleis Angelos Chaniotis Electronic version URL: http://journals.openedition.org/kernos/1157 DOI: 10.4000/kernos.1157 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1996 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, « Conflicting Authorities. Asylia between Secular and Divine Law in the Classical and Hellenistic Poleis », Kernos [Online], 9 | 1996, Online since 21 April 2011, connection on 19 April 2019. URL : http://journals.openedition.org/kernos/1157 ; DOI : 10.4000/kernos.1157 Kernos Kernos, 9 (1996), p. 65-86. Conflicting Authorities. Asylla between Secular and Divine Law in the Classical and Hellenistic Poleis 1. Conflicting authorities: The problem1 As the story goes (Hdt., l, 157-159), in the late 6th century the Lydian Paktyes had taken refuge as a suppliant in Kyme after an unsuccessful revoit against the Persians. Vpon the demand of the Persians to hand him over, Kyme asked the oracle at Didyma how to deal with Paktyes in the way most likely to win the favour of the god. The surprising answer was to deliver him to the Persians. A second embassy was sent to the oracle and its spokesman repeated the question, adding that, in spite of their fear of Persian power, the Kymeans did not dare to follow the initial instructions until they might receive from Apollon clear instructions upon how they should act. Yet, the answer remained the same. -
Roman Slavery: a Study of Roman Society and Its Dependence on Slaves
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 8-2008 Roman Slavery: A Study of Roman Society and Its Dependence on slaves. Andrew Mason Burks East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Social History Commons Recommended Citation Burks, Andrew Mason, "Roman Slavery: A Study of Roman Society and Its Dependence on slaves." (2008). Electronic Theses and Dissertations. Paper 1951. https://dc.etsu.edu/etd/1951 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Roman Slavery: A Study of Roman Society and Its Dependence on Slaves _____________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in History _____________________ by Andrew Mason Burks August 2008 _____________________ William Douglas Burgess Jr, Chair Melvin E. Page Andrew Slap Keywords: Rome, Roman, Slavery, Slave ABSTRACT Roman Slavery: A Study of Roman Society and Its Dependence on Slaves by Andrew Mason Burks Rome’s dependence upon slaves has been well established in terms of economics and general society. This paper, however, seeks to demonstrate this dependence, during the end of the Republic and the beginning of the Empire, through detailed examples of slave use in various areas of Roman life. -
Asylia and Peer Polity Interaction in the Hellenistic Period Kathleen Ann Kirsch San Jose State University
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2015 Asylia and Peer Polity Interaction in the Hellenistic Period Kathleen Ann Kirsch San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Kirsch, Kathleen Ann, "Asylia and Peer Polity Interaction in the Hellenistic Period" (2015). Master's Theses. 4548. DOI: https://doi.org/10.31979/etd.csq9-k6vj https://scholarworks.sjsu.edu/etd_theses/4548 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. ASYLIA AND PEER POLITY INTERACTION IN THE HELLENISTIC PERIOD A Thesis Presented to The Faculty of the Department of History San José State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Kathleen A. Kirsch May 2015 © 2015 Kathleen A. Kirsch ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled ASYLIA AND PEER POLITY INTERACTION IN THE HELLENISTIC PERIOD by Kathleen A. Kirsch APPROVED FOR THE DEPARTMENT OF HISTORY SAN JOSÉ STATE UNIVERSITY May 2015 Dr. Jonathan P. Roth Department of History Dr. John W. Bernhardt Department of History Dr. Ronald Marchese Professor Emeritus-University of Minnesota- History/Classics ABSTRACT ASYLIA AND PEER POLITY INTERACTION IN THE HELLENISTIC PERIOD by Kathleen A. Kirsch This thesis proposes that the Peer Polity Interaction Theory can explain the spread of the civic title of territorial asylia (inviolability) in the Hellenistic period. -
St. Paul's Ephesus
ST. PAUL’S EPHESUS Figure 1 The Roman Province of Asia at the time of Saint Paul ST. PAUL’S EPHESUS Texts and Archaeology JEROME MURPHY -O’CONNOR , O.P. A Michael Glazier Book LITURGICAL PRESS Collegeville, Minnesota www.litpress.org A Michael Glazier Book published by Liturgical Press Cover design by David Manahan, OSB. Photo © Mark Tenniswood and iStockphoto .com. Ruins of the ancient cit of Ephesus in Turkey. The Scripture quotations contained herein are from the Revised Standard Version Bible, Catholic edition, © 1971 by the Division of Christian Education of the National Council of Churches of Christ in the USA. Used by permission. All rights reserved. © 2008 by Order of Saint Benedict, Collegeville, Minnesota. All rights reserved. No part of this book may be reproduced in any form, by print, microfilm, micro fiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous written permission of Liturgical Press, Saint John’s Abbey, P.O. Box 7500, Collegeville, Minnesota 563217500. Printed in the United States of America. 12345678 Library of Congress Cataloging-in-Publication Data MurphyO’Connor, J. (Jerome), 1935– St. Paul’s Ephesus : texts and archaeology / Jerome MurphyO’Connor. p. cm. “A Michael Glazier book.” Includes bibliographical references and index. ISBN 9780814652596 1. Ephesus (Extinct city)—Church history. 2. Ephesus (Extinct city)— Antiquities. 3. Artemis (Greek deity)—Cult—Turkey—Ephesus (Extinct city) 4. Ephesus (Extinct city)—Religion. 5. Bible. N.T. Epistles of Paul—History. I. Title. -
Sanctuary and Asylum Linda Rabben
Sanctuary and Asylum Linda Rabben Published by University of Washington Press Rabben, L.. Sanctuary and Asylum: A Social and Political History. Seattle: University of Washington Press, 2016. Project MUSE., https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/47599 Access provided by University of Washington @ Seattle (5 Jan 2017 18:10 GMT) 2 Sanctuary’s Beginnings I was a stranger, and ye took me in. —Matthew 25:35 Homo sapiens is a migrating species. Scientists have traced our wanderings across continents and oceans through a history that stretches back more than two million years. During this long process, we have adapted to our varied surroundings by developing diverse practices and beliefs, as well as forms of behavior that distinguish us from our primate relatives. And in the hundreds of thousands of years during which we have had language, we have evolved further, from discrete, isolated communities into a worldwide community. According to anthropologist Adam Kuper, “Five hundred years ago, the history of the human population began to come together again into a single process, for the first time since the origin of modern humans. After a history of dispersal and differentiation that lasted perhaps a quarter of a million years, there is once more something approaching a single world economy, culture and political system” (1994: 95). A highly sociable species characterized by sharing, exchange, cooperation, and hospitality, we are also quarrelsome and violent, excluding and rejecting those we define as different from ourselves. Many social commentators have argued that conflict and competition for scarce resources, such as food, status, and mates, characterize human societies. -
Colonisation As Domestic Displacement in the Roman Republic
humanities Article (Re)moving the Masses: Colonisation as Domestic Displacement in the Roman Republic Evan Jewell Classical Studies Graduate Program, 826 Schermerhorn Hall, Columbia University, 1190 Amsterdam Avenue, New York, NY 10027, USA; [email protected] Received: 6 November 2018; Accepted: 20 March 2019; Published: 28 March 2019 Abstract: Metaphors move—and displace—people. This paper starts from this premise, focusing on how elites have deployed metaphors of water and waste to form a rhetorical consensus around the displacement of non-elite citizens in ancient Roman contexts, with reference to similar discourses in the contemporary Global North and Brazil. The notion of ‘domestic displacement’—the forced movement of citizens within their own sovereign territory—elucidates how these metaphors were used by elite citizens, such as Cicero, to mark out non-elite citizens for removal from the city of Rome through colonisation programmes. In the elite discourse of the late Republican and early Augustan periods, physical proximity to and figurative equation with the refuse of the city repeatedly signals the low social and legal status of potential colonists, while a corresponding metaphor of ‘draining’ expresses the elite desire to displace these groups to colonial sites. The material outcome of these metaphors emerges in the non-elite demographic texture of Julius Caesar’s colonists, many of whom were drawn from the plebs urbana and freedmen. An elite rationale, detectable in the writings of Cicero, Livy, Dionysius of Halicarnassus, and others, underpins the notion of Roman colonisation as a mechanism of displacement. On this view, the colony served to alleviate the founding city—Rome—of its surplus population, politically volatile elements, and socially marginalised citizens, and in so doing, populate the margins of its empire too. -
The Exiled Character in Need of Asylum Is a Recurrent Theme in Ancient Greek Tragedy
Nordic Theatre Studies 1 5 Vol. 28, No. 1, 2016, 15–26 The exiled character in need of asylum is a recurrent theme in ancient Greek tragedy. In many of these plays, we see uprooted and homeless persons seeking sanctuary, and for the ancient Greeks, hospitality was an important issue. Many of these plays have been updated to comment on the current social and political conditions of refugees. In Hamburg a group of 80 asylum seekers who came to Germany via Lampedusa found refuge in St Pauli church, and it was there that Nicholas Stemann presented a first reading of Elfriede Jelinkek’s play Die Schutzbefohlenen in September 2013. Recently right-wing groups have mounted weekly marches through Dresden to call for a halt to immigration, and these have been contested by simultaneous counter-demonstrations in favour of immigrants and refugees. In this paper I will consider several adaptations of Greek tragedy that highlight cultural encounters between the local population and those arriving from abroad who are looking for asylum. In particular I will examine Stemann’s production that has been running at the Thalia Theater in Hamburg since September 2014, and features asylum seekers from Lampedusa on stage who beg the audience for the right to remain in Germany. Keywords: Die Schutzbefohlenen, refugees, Jelinek, Stemann, The Suppliants The exiled character in need of asylum is a to provide her with sanctuary in Athens before recurrent theme in ancient Greek tragedy. For she wreaks vengeance on Jason. In Oedipus at example, Medea, Orestes, the Children of Colonus, Oedipus is a stateless person, having been Herakles, Oedipus in Oedipus at Colonus, and the exiled from Thebes. -
Processions, Propaganda, and Pixels: Reconstructing the Sacred Way Between Miletos and Didyma', American Journal of Archaeology, Vol
Edinburgh Research Explorer Processions, propaganda, and pixels Citation for published version: Slawisch, A & Wilkinson, TC 2018, 'Processions, propaganda, and pixels: Reconstructing the Sacred Way between Miletos and Didyma', American Journal of Archaeology, vol. 122, no. 1, pp. 101-143. https://doi.org/10.3764/aja.122.1.0101 Digital Object Identifier (DOI): 10.3764/aja.122.1.0101 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: American Journal of Archaeology General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Processions, Propaganda, and Pixels: Reconstructing the Sacred Way Between Miletos and Didyma Author(s): Anja Slawisch and Toby Christopher Wilkinson Source: American Journal of Archaeology , Vol. 122, No. 1 (January 2018), pp. 101-143 Published by: Archaeological Institute of America Stable URL: https://www.jstor.org/stable/10.3764/aja.122.1.0101 REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/10.3764/aja.122.1.0101?seq=1&cid=pdf- reference#references_tab_contents You may need to log in to JSTOR to access the linked references. -
Theaters of the Hellenistic Macedonia
Theaters of the Hellenistic Macedonia ZAFEIROPOULOS THEODOROS School of Humanities A thesis submitted for the degree of Master of Arts (MA) in Classical Archaeology and the Ancient History of Macedonia February 2018 Thessaloniki - Greece 1 Student Name: Theodoros Zafeiropoulos SID: 2204160018 Supervisor: Ioannis Akamatis I hereby declare that the work submitted is mine and that where I have made use of another’s work, I have attributed the source(s) according to the Regulations set in the Student’s Handbook. February 2018 Thessaloniki - Greece 2 Abstract This dissertation was written as part of the Msc in Classical Archaeology and the Ancient History of Macedonia at the International Hellenic University. The topic of this specific essay is the theater in the Macedonian Kingdom in the Classical period and its evolution during the Hellenistic period. Firstly, we examine the sources that inform us about the Macedonian theater, such as the written sources, the inscriptions, the figurines. There are many elements regarding the theaters, which derive from the ancient tragedian poets such as Euripides. After examining the architectural differences between the Classical and the Hellenistic theater and having a discussion about the scenery and the mechanical devices of the Macedonian theater we give a more specific and complete description of the theaters, which are located in the region of Macedonia during the Hellenistic period. Consequently, in the 3rd chapter we analyze more extensively the architecture and function of the following theaters; The theater of Vergina- Aegai, the theater of Dion, of Mieza, of Philippi, of Thasos, of Maroneia, of Samothrace. Moreover, we continue with the examination of the existence of theater in ancient Pella, Thessaloniki and Amphipolis regarding the sources.