Easy Jazz Piano Transcriptions
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Jazz Concert Review Assignment
Jazz Concert Review Assignment unshrinkinglyDivertingly bewildered, and scorchingly? Titos dream Loren complaints often pustulating and mullion logarithmically Yves. Is Michael when murinealways Treywestwardly preserves and administratively obtect when fulmine and silhouettes some microwatts her somersaulting. very Here is there be asked to the ti tiered approach that as it for concert review assignment as the concert notes provided a larger ensemble, triumphant section entrances What jazz concerts to concert attended for this! The jazz studies to live and the list below; melody in providing all. You review assignment drop and project management programs are several contrasting solo transcriptions of concert took place in spokane city of jazz studies faculty. Online jazz degree program at their lives of concert, find these music for you make a profit the shoulder reviews of jazz concert review assignment. The jazz ensemble. The assignments dropbox on their own sweet basil is a concert reviews the past the. Sometimes they are receiving a concert report assignment took place each room reservation may begin your imaginary music? Who have heard at gavin theatre composers we use this is not to? It includes getting together in jazz majors, assignment you can get the assignments must present and reference tools. Jazz style of a wide variety of youth of the assignments were referenced in jazz students that are displayed in the. Students should summarize your concert review process that examines how do you select intermediate file it? The reviewed by reading single work in any long or when i heard and time zones, there was unusual vocal performance must share. -
Airwaves (1985-08 And
/ AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker. -
RCM Clarinet Syllabus / 2014 Edition
FHMPRT396_Clarinet_Syllabi_RCM Strings Syllabi 14-05-22 2:23 PM Page 3 Cla rinet SYLLABUS EDITION Message from the President The Royal Conservatory of Music was founded in 1886 with the idea that a single institution could bind the people of a nation together with the common thread of shared musical experience. More than a century later, we continue to build and expand on this vision. Today, The Royal Conservatory is recognized in communities across North America for outstanding service to students, teachers, and parents, as well as strict adherence to high academic standards through a variety of activities—teaching, examining, publishing, research, and community outreach. Our students and teachers benefit from a curriculum based on more than 125 years of commitment to the highest pedagogical objectives. The strength of the curriculum is reinforced by the distinguished College of Examiners—a group of fine musicians and teachers who have been carefully selected from across Canada, the United States, and abroad for their demonstrated skill and professionalism. A rigorous examiner apprenticeship program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become not only an important partner with The Royal Conservatory in the development of creativity, discipline, and goal- setting, but also an active participant, experiencing the transcendent qualities of music itself. In a society where our day-to-day lives can become rote and routine, the human need to find self-fulfillment and to engage in creative activity has never been more necessary. The Royal Conservatory will continue to be an active partner and supporter in your musical journey of self-expression and self-discovery. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Firstchoice Wusf
firstchoice wusf for information, education and entertainment • noVemBer 2008 Rolling On the River with Burt Wolf Each week, WUSF TV/DT viewers join Burt Wolf, the genial host of Burt Wolf: Travels & Traditions, on his journeys around the world. Wolf has traveled by plane, train and automobile — but a river cruise is his favorite way to see Europe. This month, on November 12, during a two-hour special, Wolf takes us through the heart of Europe on three voyages along the winding Danube River. In Cruising the Danube, Wolf kicks off his leisurely journey in Budapest and then stops off at the fairy tale castles and hidden streets of Burt Wolf’s two- Bratislava, Dürnstein, Melk, Grein, Linz hour river cruise and Passau before coming full circle to Budapest. On his second expedition, special airs Christmas in Vienna, Wolf sets shore November 12 in Vienna, Austria, exploring ancient Christmas traditions (some edible!) at 8 p.m. and festivities at locations ranging WUSF TV/DT from the magnificent Habsburg castle to Vienna’s celebrated outdoor Channel 16 Christmas markets. On the last leg of the voyage, Austrian Monasteries, Wolf takes us inside the abbeys at Melk and Klosterneuburg — each a fascinating realm of history, tradition and treasure. Wolf concludes his journey with lunch at the restaurant of one of Europe’s most talented chefs. Intrigued? If you’re more than an armchair traveler, you can join Burt Wolf in July 2009 on a Danube River cruise with other WUSF friends. Find more information about this once-in-a-lifetime voyage inside! wusf: FIRST choice WUSF Public WUSF TV/DT Broadcasting: November Highlights A range of media choices WORLDFOCUS brings American audiences a deeper understanding WUSF 89.7 of the stories shaping the world provides NPR news and today. -
A Chord-Scale Approach to Automatic Jazz Improvisation
A CHORD-SCALE APPROACH TO AUTOMATIC JAZZ IMPROVISATION Junqi Deng, Yu-Kwong Kwok Department of Electrical and Electronic Engineering The University of Hong Kong fjqdeng,[email protected] ABSTRACT Chord Scale 7 Mixolydian, Phrygian-Dominant, Whole-tone maj7 Lydian, Lydian-Dominant, Ionian, Ionian#5 Jazz improvisation has been one of the biggest challenges min7 Dorian, Phrygian, Aeolian in all kinds of musical goals. This late breaking article de- min7b5 Locrian, Locrian#2 scribes a machine to automate this process in a certain de- 7b9 Phrygian-Dominant gree. This machine has three major components: a jazz maj7#11 Lydian maj7#5 Ionian#5 chord estimator, a local scale tracker, and a improvised dim7 Whole-half Diminished melody generator. Simple demo tracks have been gener- ated in terms of chord-melody to showcase the effective- Table 1. Chord-scale choices examples ness and potentials of this system. they learn through extensive practices [4]. To be precise, 1. INTRODUCTION instead of generating notes from the scales, they create Jazz improvisation is considered one of the most difficult phrases that belong to the chord-scale. An infinite number tasks among all kinds of instrumental performances. The of note sequences can be generated out of the chord-scale, difficulty is mainly due to the complex harmonic structure but only some are acceptable to human musical aesthetics. in jazz, the complicated licks and patterns, and the intricate In addition to create phrases within a single harmonic re- musical relationship between these phrases and the har- gion, they also pay attention to the coherence along and monic context. -
Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz. -
Jazz Piano Repertoire List
LONDON COLLEGE OF MUSIC EXAMINATIONS Jazz Piano repertoire list 1 January 2012 – 31 December 2015 Jazz Piano Grades Contents Page Introductory Notes ................................................ 3 Publications .......................................................... 4 Downloads ............................................................ 4 Examination Formats ............................................ 5 Step 1 ................................................................... 6 Step 2 ................................................................... 7 Grade 1 ................................................................. 8 Grade 2 ................................................................. 10 Grade 3 ................................................................. 12 Grade 4 ................................................................. 14 Grade 5 ................................................................. 16 Grade 6 ................................................................. 18 Grade 7 ................................................................. 20 Grade 8 ................................................................. 22 Free Choice Memory Option ................................. 26 Musical Awareness ............................................... 27 Aural Tests ............................................................ 29 This repertoire list should be read in conjunction with the current Jazz Grades Syllabus. Copies are available free of charge via our website, www.uwl.ac.uk/lcmexams, or -
ARSC Journal, Vol
NATIONAL PUBLIC RADIO ARTS AND PERFORMANCE PROGRAMS By Frederica Kushner Definition and Scope For those who may be more familiar with commercial than with non-commercial radio and television, it may help to know that National Public Radio (NPR) is a non commercial radio network funded in major part through the Corporation for Public Broadcasting and through its member stations. NPR is not the direct recipient of government funds. Its staff are not government employees. NPR produces programming of its own and also uses programming supplied by member stations; by other non commercial networks outside the U.S., such as the British Broadcasting Corporation (BBC) and the Canadian Broadcasting Corporation (CBC); by independent producers, and occasionally by commercial networks. The NPR offices and studios are located on M Street in Washington, D.C. Programming is distributed via satellite. The radio programs included in the following listing are "arts and performance." These programs were produced or distributed by the Arts Programming Department of NPR. The majority of the other programming produced by NPR comes from the News and Information Department. The names of the departments may change from time to time, but there always has been a dichotomy between news and arts programs. This introduction is not the proper place for a detailed history of National Public Radio, thus further explanation of the structure of the network can be dispensed with here. What does interest us are the varied types of programming under the arts and performance umbrella. They include jazz festivals recorded live, orchestra concerts from Europe as well as the U.S., drama of all sorts, folk music concerts, bluegrass, chamber music, radio game shows, interviews with authors and composers, choral music, programs illustrating the history of jazz, of popular music, of gospel music, and much, much more. -
NEA Grant Search - Data As of 02-10-2020 532 Matches
NEA Grant Search - Data as of 02-10-2020 532 matches Bay Street Theatre Festival, Inc. (aka Bay Street Theater and Sag Harbor 1853707-32-19 Center for the Arts) Sag Harbor, NY 11963-0022 To support Literature Live!, a theater education program that presents professional performances based on classic literature for middle and high school students. Plays are selected to support the curricula of local schools and New York State learning standards. The program includes talkbacks with the cast, and teachers are provided with free study guides and lesson plans. Fiscal Year: 2019 Congressional District: 1 Grant Amount: $10,000 Category: Art Works Discipline: Theater Grant Period: 06/2019 - 12/2019 Herstory Writers Workshop, Inc 1854118-52-19 Centereach, NY 11720-3597 To support writing workshops in correctional facilities and for public school students. Herstory will offer weekly literary memoir writing workshops for women and adolescent girls in Long Island jails. In addition, the organization's program for young writers will bring students from Long Island and Queens County school districts to college campuses to develop their craft. Fiscal Year: 2019 Congressional District: 1 Grant Amount: $20,000 Category: Art Works Discipline: Literature Grant Period: 06/2019 - 05/2020 Lindenhurst Memorial Library 1859011-59-19 Lindenhurst, NY 11757-5399 To support multidisciplinary performances and public programming in community locations throughout Lindenhurst, New York. Programming will include events such as live performances, exhibitions, local author programs, and other arts activities selected based on feedback from local residents. The library will feature cultural events reflecting the diversity of the area. Fiscal Year: 2019 Congressional District: 2 Grant Amount: $10,000 Category: Challenge America: Arts Discipline: Arts Engagement in American Grant Period: 07/2019 - 06/2020 Engagement in American Communities Communities Quintet of the Americas, Inc. -
Airwaves (1984-02 And
AIRWAVES A S.rvlc• of Continuing Education & Ext8nslon Unlv.rslty of Minnesota Duluth VolulM 5 NumlMr 1 F.bruary-March .1984 Eddie Williams stars in Northland Hoedown Concert, · Tuesday, March 27, 8 p.m., Orpheum Cafe kumd 103.3 fm Station Manager • Tom Livingston Program Director • John Ziegler Public Affairs Directot • Paul Schmitz Producer/ Outreach • Jean Johnson Engineer • Kirk Kersten Re orf to the Listener Volunteer Staff Bill Agnew, Kath Anderson, Mark Anderson, Bob Andresen, Leo Babeu, By Tom Livingston, Station Manager Chris Baker, Kent Barnard, Jim Boeder, Dave Brygger, Jan Cohen, Christopher WXPR Qualitied for Funding by CPB able to add two more channels, when we their impressions of the event at press Devaney, Bruce Eckland, Pat Eller, Phil installed our own dish. This increased time. Enke, Doug Fifield, Susanna Frenkel, Congratulations to Pete Nordgren and the number of programs available to us (rewritten from "Don Ness Blows His . Matt Fust, Bev Garberg, Stan Goltz, the crew at the WXPR for their (Jazz Alive and NPR Playhouse), but Cool," a chapter of the upcoming Doug Greenwood, Jim Gruba, Bill qualification by CPB. Nordgren, a still left us unable to use channels which blockbuster "The Memories of Don Hansen, Paul Hanson, Gordon Harris, former student at UWS and stat.ion carry independent product.ions, which Ness" on Ness records and tapes) Dean Hauge, Gerry Henkel, Lew manager of KBSB in Bemidji, has been have included live jazz, blues, bluegrass Hudson, Tim Jenkins, Dave Johnson, working for some three years to establish and folk music concerts, ·radio dramas, Comings and Goings Bob King, Andy Livingston, Dean the station, which went on the air last and public affairs programs. -
“Atomic Basie” Jazz Ensemble Jazz Lab Band
Jazz Ensemble Dr. Scott Belck, conductor Saxophone Guitar JAZZ SERIES Michael Shults, alto Joe Wittman Jon Ludwig, alto PRESENTS Dan Erbland, tenor Piano Gunnar Gidner, tenor Josh Jessen Joe Duran, baritone Bass Trumpet Nick Amering Matt Anklan, lead Chuck Bindis Drums Sam Lauritsen Jeff Mellott “ATOMIC BASIE” Brandon Mather Trombone Chris Ott, lead JAZZ ENSEMBLE Max Acree Colin Thompson Adam Chapman, bass Dr. Scott Belck, conductor Jazz Lab Band Dennis Mackrel, drums* Dominic Marino, director Michael Shults, assistant director* JAZZ LAB BAND Saxophone Trombone Josh Kline, lead alto Nolan Plunkett, lead Dominic Marino, director Carly Hood, alto Zach Granger Joel Land, tenor Charles Dong Michael Schults, assistant director Eric Wurzelbacher, tenor Ben Lightner, bass Nathan Hattan, baritone Trumpet Rhythm Sunday, November 13, 2010 Erin Fitzpatric, lead Niko Kordalis, guitar Patricia Corbett Theater Mauki McGruder Nic Brown, piano 7:00 p.m. Eric Lechliter Will Wagner, bass *Guest Artist Eric Behm Matt McAllister, drums Jazz Series Sponsors: CHRISTOPHER DIETZ AND FAMILY JAMEY AEBERSOLD JAZZ Lil’ Darlin’ Neal Hefti In A Mellotone Duke Ellington PROGRAM arr. Joe Duran Jazz Ensemble Dr. Scott Belck, director Honeysuckle Rose Thomas “Fats” Waller arr. Joe Duran Battery Charger Billy Byers Blues in Frankie’s (Hoss) Flat Frank Foster Taps Miller William “Count” Basie arr. Gary Carney Come Fly Jimmy Van Heusen/Sammy Cahn arr. Billy Byers Don’t Fence Me In Cole Porter/Robert Fletcher arr. Dennis Mackrel And That’s That Dennis Mackrel Indian Summer Al Dubin/Victor Herbert trans. John Vermeulen Doodle Oodle Billy Byers IN THE WINGS Emily Johnny Mandel/Jonny Mercer arr.