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Marvel Universe by Hasbro
Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man, Hawkeye Wizard, other villains Vault Breakout stopped, but some escape New Mutants #86 Rusty, Skids Vulture, Tinkerer, Nitro Albany Everyone Arrested Damage Control #1 John, Gene, Bart, (Cap) Wrecking Crew Vault Thunderball and Wrecker escape Avengers #311 Quasar, Peggy Carter, other Avengers employees Doombots Avengers Hydrobase Hydrobase destroyed Captain America #365 Captain America Namor (controlled by Controller) Statue of Liberty Namor defeated Fantastic Four #334 Fantastic Four Constrictor, Beetle, Shocker Baxter Building FF victorious Amazing Spider-Man #326 Spiderman Graviton Daily Bugle Graviton wins Spectacular Spiderman #159 Spiderman Trapster New York Trapster defeated, Spidey gets cosmic powers Wolverine #19 & 20 Wolverine, La Bandera Tiger Shark Tierra Verde Tiger Shark eaten by sharks Cloak & Dagger #9 Cloak, Dagger, Avengers Jester, Fenris, Rock, Hydro-man New York Villains defeated Web of Spiderman #59 Spiderman, Puma Titania Daily Bugle Titania defeated Power Pack #53 Power Pack Typhoid Mary NY apartment Typhoid kills PP's dad, but they save him. Incredible Hulk #363 Hulk Grey Gargoyle Las Vegas Grey Gargoyle defeated, but escapes Moon Knight #8-9 Moon Knight, Midnight, Punisher Flag Smasher, Ultimatum Brooklyn Ultimatum defeated, Flag Smasher killed Doctor Strange #11 Doctor Strange Hobgoblin, NY TV studio Hobgoblin defeated Doctor Strange #12 Doctor Strange, Clea Enchantress, Skurge Empire State Building Enchantress defeated Fantastic Four #335-336 Fantastic -
Wavebid > Buyers Guide
Auction Catalog April25-May 2 Auction 2021 - Date Posted is When Online Auction Date: Sunday, Apr 25 2021 Bidding Starts: 10:00 AM EDT Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 04/26/2021 05:10 PM Lot Title & Description Number 1 1994 Florence Limited Ed. Walt Disney's Ariel Figurine by Giuseppe Armani - made in Italy #1623/1500 (great condition) {in house shipping available} Mixed Metal Los Castillo Taxco Mexico Tipping Inlaid Hard Stone Bird Pitcher - 6 1/4" tall, 4 1/2" wide with handle, maker mark on 2 bottom, {in house shipping available} Franklin Mint Star Trek Starship Enterprise Ship - pewter ships on stands, authorized by Paramount Pictures (one arm of ship has 3 started to pull away from ship and both arms are bent down) {in house shipping available} Spectacular 1998 Vincent Trabucco Art Glass Paperweight - beautiful detailed floral design on white lace - signed on bottom {in house 4 shipping available} Mt Washington Peachblow JIP Tulip and Enameled Blue Glass Victorian Vases - 8" rib optic Victorian blue glass vase with black 5 cartouche enamel decoration surrounding raised gold bird scenic and additional floral decorations, 9" slender tulip lip vase with classic Mt Washington soft white to blush satin body - in house shipping available 6 Lalique Satin Finish Sparrow and Accented Filicaria vase - 4.5" Filicaria with fern like leaf cuttings in original box and 3" x 4.5" sparrow (no box) - in house shipping available Steiff Quality European Construction Vintage Mohair Stuffed 3 Piece Showroom Size Deer Family - 36" high buck with head raised and sewn leather 10 point antler rack, 20" tall momma deer with big eye lashes and head lowered to the side, and 13" fawn with head 7 raised to nuzzle with momma - European construction, they all have beautiful mohair coats over sturdy frame, tan underbellies and air brushed spotted coats, leather hooves and glass eyes. -
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JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
Black Panther: Volume 1: the Complete Collection Pdf, Epub, Ebook
BLACK PANTHER: VOLUME 1: THE COMPLETE COLLECTION PDF, EPUB, EBOOK Mark Texeira,Joe Jusko,Christopher Priest | 416 pages | 25 Aug 2015 | Marvel Comics | 9780785192671 | English | New York, United States Black Panther: Volume 1: The Complete Collection PDF Book Rhodey shows up and hates everybody because his sister died. The library didn't have it though, so then took a while to get my hands on my own copy and now they do have the entire series sigh but then I was sort of moving away from superhero comics for a bit Similarly, I'm not sure if disability vs ability is ever confronted. Ayla Pendragon rated it really liked it Jan 13, Be the first to ask a question about Black Panther by Christopher Priest. About Christopher J. May 31, Joe Lunday rated it really liked it Shelves: comics-graphic-novels. Aug 11, Scott rated it really liked it. Trevor Hairsine Illustrations ,. View Product. Who is the Black Panther - and what is the secret history of Wakanda? His story is just amazingly epic! Home 1 Books 2. Priest is also a baptist minister. If you're interested in t With the film on the way, I wanted to be caught up on some of the histories of the character, as the cinematic version will pull some inspiration from this series. There's even a scene where thousands of black people come to the city to see a glimpse of the black panther. Science Fiction. Jere Pilapil rated it really liked it Oct 03, Books by Christopher J. He stands featureless and masked up in a generic, light-swallowing Panther costume. -
ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI. -
Abomination Voices Cry out As Figures Leap from the Treeline to Ambush a Traveling Elf in the Fading Twilight
Abomination Voices cry out as figures leap from the treeline to ambush a traveling elf in the fading twilight. Only seconds pass before The Abomination their cries of battle turn to cries of fear as the elf howls and becomes a whirlwind of teeth and claws, embracing the beast Proficiency within. Level Bonus Features Mutations A halfling lurks beneath the tranquil surface of the river, 1st +2 Abominable Form, — waiting for the bandit encampment to draw near. As soon as Abominable Influence one of them gets within reach, she explodes out of the water 2nd +2 Mutations 2 as a slimy mass of tentacles and aberrant eyes. A hulking creature with crimson skin makes quick work of 3rd +2 Frightful Gaze, 2 the orcs, slamming them to the side with every combination Uncanny Speed of claws, teeth, and curling black horns. When the bloodshed 4th +2 Ability Score Improvement 3 is done, the creature approaches the captives at the center of 5th +3 Extra Attack 3 the camp. A prisoner looks up with fear in his eyes, but he suddenly knows that the creature is more human than it 6th +3 Eldritch Strikes, 4 seems. Influence Feature No two abominations are ever the same, endowed (or 7th +3 Bestial Strength (+2) 4 cursed, as some would say) with great power and defined by 8th +3 Ability Score Improvement 4 their abominable form. Though each appears as a normal humanoid, each possesses the ability to shapeshift into what 9th +4 — 5 can only be described as a horrific monster, an abomination 10th +4 Influence Feature 5 that is to be feared and served. -
Hulk Smash! September, 2020, Vol
Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Copyright © 2020 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN: 1070-8286 Hulk Smash! Violence in The Incredible Hulk Comics Shelly Clevenger Sam Houston State University & Brittany L. Acquaviva Sam Houston State University 28 Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Abstract “Hulk smash!” is one of the most iconic phrases uttered in the pages of comic books. The Incredible Hulk is one of comics’ most violent characters as the Hulk smashes first and asks questions later. The popularity of the comic book genre has exploded within past decades and the interest in comics has increased. But exactly how violent is The Incredible Hulk and what does that mean for readers? This research examines the occurrence of violence in the Incredible Hulk comics through a thematic content analysis of 248 issues. Specifically, such themes as violence against men and women, unpunished violence, formal punishments of violence, interventions to stop violence and the justification provided for violence were assessed. The goal of the research was to determine the amount and level of violence within the comic and in what context it occurred. Results indicate that there is a large amount of violence occurring within the pages of the Incredible Hulk, but that this violence is often justified and committed by the Hulk to protect himself and others. A discussion is provided regarding the potential impact this may have on a reader and their view of violence, crime and justice. -
Graphic Novels Plan
Automatically Yours™ from Baker & Taylor Automatically Yours™ Graphic Novels Plan utomatically YoursTM from Baker & Taylor is a Specialized Collection Program that delivers the latest publications from popular authors right to Ayour door, automatically. Automatically Yours offers a variety of plans to meet your library’s needs including: Popular Adult Fiction Authors, B&T Kids, Spokenword Audio, Popular Book Clubs and Graphic Novels. Our Graphic Novels Plan delivers the latest publications to your library, automatically. Choose the novels that are right for your library and we’ll do the rest. No more placing separate orders, no worrying about title availability - they’ll arrive on time at your library. A new feature of the Automatically Yours program is updated lists of forthcoming titles available on our website, www.btol.com. Click on the Public Tab, then choose Automatic Shipments and Automatically Yours to view the current lists. Sign-up today! Simply fill out the enclosed listing by indicating the number of copies you require, complete the Account Information Form and return them both to Baker & Taylor. It’s that simple! Questions? Call us at 800.775.1200 x2315 or visit www.btol.com Automatically Yours™ from Baker & Taylor Sign up by Vendor/Character, Author or Illustrator. Fill in the quantity you need for each selection, fill out the Account Information Form and we’ll do the rest. It’s that simple! * Vendor/Character Listing: AIT-Planet Lar: ____ Hellboy - Adult Fantagraphics: ____ ALL Titles - Teen ____ Lone Wolf and Cub - Adult ____ ALL Hardcover Titles - Adult ____ O My Goddess - All Ages ____ ALL Paperback Titles - Adult Alternative Comics: ____ Predator - Teen ____ ALL Titles - Adult G.T. -
Change Notice No. 4 Contract No. 071B9200294 the State Of
Form No. DTMB-3521 (Rev. 4/2012) AUTHORITY: Act 431 of 1984 COMPLETION: Required PENALTY: Contract change will not be executed unless form is filed STATE OF MICHIGAN DEPARTMENT OF TECHNOLOGY, MANAGEMENT AND BUDGET PROCUREMENT P.O. BOX 30026, LANSING, MI 48909 OR 525 W. ALLEGAN, LANSING, MI 48933 CHANGE NOTICE NO. 4 to CONTRACT NO. 071B9200294 between THE STATE OF MICHIGAN and NAME & ADDRESS OF CONTRACTOR: PRIMARY CONTACT EMAIL Rotary Multiforms, Inc. Bill Condon [email protected] 2104 E. Eleven Mile Road, Suite 400 TELEPHONE CONTRACTOR #, MAIL CODE Warren, MI 48091 (586) 558-7960 STATE CONTACTS AGENCY NAME PHONE EMAIL CONTRACT COMPLIANCE INSPECTOR Treasury Darron Birchmeier (517) 241-3548 [email protected] BUYER DTMB Sue Cieciwa (517) 284-7007 [email protected] CONTRACT SUMMARY: DESCRIPTION: Tax Form Production & Personalization - Treasury INITIAL EXPIRATION INITIAL AVAILABLE EXPIRATION DATE BEFORE CHANGE(S) INITIAL EFFECTIVE DATE DATE OPTIONS NOTED BELOW September 5, 2009 September 4, 2012 2, one year September 4, 2014 PAYMENT TERMS F.O.B SHIPPED SHIPPED FROM Net 30 Days Delivered Per Specifications N/A ALTERNATE PAYMENT OPTIONS: AVAILABLE TO MiDEAL PARTICIPANTS P-card Direct Voucher (DV) Other Yes No MINIMUM DELIVERY REQUIREMENTS: Per Specifications DESCRIPTION OF CHANGE NOTICE: EXTEND CONTRACT EXERCISE CONTRACT EXTENSION BEYOND LENGTH OF EXPIRATION DATE EXPIRATION DATE OPTION YEAR(S) CONTRACT OPTION YEARS OPTION/EXTENSION AFTER CHANGE No Yes 5 months, 24 days February 28, 2015 VALUE/COST OF CHANGE NOTICE: ESTIMATED REVISED AGGREGATE CONTRACT VALUE: $125,000.00 $694,703.55 Effective September 5, 2014, this Contract is hereby EXTENDED from September 4, 2014 to February 28, 2015.