DOCSLIB.ORG

Petit Trianon

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Petit Trianon Petit Trianon Terminé en 1768, le Petit Trianon est un bâtiment de plan carré. Les 4 façades du bâtiment sont différentes, avec 2 ou 3 niveaux identifiables, celui-ci étant construit sur un terrain ayant des variations de niveaux. Dessinée par Ange-Jacques Gabriel, la façade donnant sur le jardin français* reprend des principes architecturaux de l’Italie du XVI ème siècle, avec une harmonie des proportions et une décoration finement sculptée. Vue de la façade côté cour , © C. Milet - Château de Versailles Chaque époque peut être qualifiée par un ou plusieurs styles. Sous le règne de Louis XV, le style rocaille* se développe avant de faire place à un style plus sage, comme ici au Petit Trianon , qualifié de « néo-classique ». Gabriel construit un château très novateur de plan carré, au volume simple et épuré. Chaque façade comporte trois niveaux percés de cinq ouvertures, plus haute à l’étage noble (le 1 er étage). Une balustrade dissimule le toit plat. Le centre des trois façades principales présente une légère avancée, accentuée par un décor de colonnes ou de pilastres d’ordre colossal* qui leur donne de l’unité et confère un aspect monumental à cet édifice de petites dimensions. Entouré de jardins, le Petit Trianon est visible de tous côtés, forme qui connaîtra un grand engouement à la fin du XVIIIème siècle. Les quatre façades sont différentes. Face au Jardin Français, s’élève la plus riche, ornée de colonnes, inspirées des temples antiques. La simplicité de celle située au Nord rappelle qu’elle correspond à l’arrière du château qui donnait à l’origine sur les serres du Jardin botanique, remplacées sous Louis XVI par le Jardin anglais. Gabriel choisit de travailler sur la stéréotomie* du bâtiment. Le décor sculpté se compose uniquement d’ornements géométriques encadrant les différentes ouvertures. Gabriel innove aussi à l’intérieur du château. La cage d’escalier qui donne accès au premier étage évoque l’architecture d’une cour intérieure : de plan carré, elle présente des fenêtres à ses différents niveaux. * Lexique Rocaille (style) : Nom d’un style décoratif fantaisiste, fait de dissymétries et de courbes, évoquant l’univers minéral et marin. Le rocaille est une variante française plus atténuée du « rococo », style qui se développe en Europe au XVIII ème siècle. Jardin français : Jardin ordonné selon des principes rigoureux, avec des parterres, allées, arbustes sculptés, etc. Ordre colossal : caractérisé par l’emploi de colonnes ou de pilastres sur toute la hauteur de plusieurs étages d’un bâtiment, ce qui lui confère plus d’unité et de monumentalité. Très employé dans l’architecture antique de l’époque impériale puis dans l’architecture néo-classique sous l’influence de Palladio, architecte vénitien de la Renaissance. Gabriel l’emploie dans le décor des façades, pour la première fois à Paris à l’Ecole militaire (1751-73) et place de la Concorde (1757-70), puis au Petit Trianon (1762-63) et au château de Versailles (aile Gabriel, 1771). Stéréotomie : La stéréotomie est le nom savant du « trait » (dessin) en taille de pierre et aussi en menuiserie (terme moins souvent utilisé pour ce métier). C'est l'ancêtre du dessin technique qu'on apprend encore à l'école (vue de face, vue de dessus, etc.). DDC/BPS/MO/08.20.
Load more

Recommended publications
  • Spring Break in Paris
    Spring Break in Paris Friday, March 21st to Sunday, March 30th, 2014 What you’ll do . Friday, March 21st – You’ll depart from Huntsville or Nashville International Airport bound for Europe. Usually there is a stop in one of the major cities of the east coast in order to catch your trans-Atlantic flight to Paris. Saturday, March 22nd – After flying through the night, you’ll land at Charles de Gaulle International Airport. After collecting your luggage and passing through customs, you’ll transfer into the city, usually by train. On evening one, there’s a short time for resting and refreshing at the hotel before heading out into the city for dinner and some sightseeing. You will ascend the 58-story Tour Montparnasse for the best views of Paris as the sun goes down and the lights come on in the city. Sunday, March 23rd– You’ll visit the Royal Palace of Versailles, just outside of Paris. In addition to touring the palace itself, you’ll want to visit the gardens, since Sunday is the only day the world-famous fountains are turned on. You will also have the opportunity to visit the Grand and Petit Trianon, small palaces built by the king on the grounds of Versailles in order to escape the pressures of palace life. Also not to be missed is the village-like hameau of Marie Antoinette. Later, you’ll head back to Paris for dinner and a visit to the Sacré-Coeur Basilica in Montmartre, the bohemian quarter of Paris. In Montmartre, you’ll also visit the Place du Tertre, where an artist will paint your portrait for a price.
    [Show full text]
  • Admirable Trees of Through Two World Wars and Witnessed the Nation’S Greatest Dramas Versailles
    Admirable trees estate of versailles estate With Patronage of maison rémy martin The history of France from tree to tree Established in 1724 and granted Royal Approval in 1738 by Louis XV, Trees have so many stories to tell, hidden away in their shadows. At Maison Rémy Martin shares with the Palace of Versailles an absolute Versailles, these stories combine into a veritable epic, considering respect of time, a spirit of openness and innovation, a willingness to that some of its trees have, from the tips of their leafy crowns, seen pass on its exceptional knowledge and respect for the environment the kings of France come and go, observed the Revolution, lived – all of which are values that connect it to the Admirable Trees of through two World Wars and witnessed the nation’s greatest dramas Versailles. and most joyous celebrations. Strolling from tree to tree is like walking through part of the history of France, encompassing the influence of Louis XIV, the experi- ments of Louis XV, the passion for hunting of Louis XVI, as well as the great maritime expeditions and the antics of Marie-Antoinette. It also calls to mind the unending renewal of these fragile giants, which can be toppled by a strong gust and need many years to grow back again. Pedunculate oak, Trianon forecourts; planted during the reign of Louis XIV, in 1668, this oak is the doyen of the trees on the Estate of Versailles 1 2 From the French-style gardens in front of the Palace to the English garden at Trianon, the Estate of Versailles is dotted with extraordi- nary trees.
    [Show full text]
  • Dp Mobilier Anglais.Indd
    1 PrESS rELEASE THE 18TH AUX SOUrCES DU DESIGN FUrNITUrE MASTErPIECES FrOM 1650 TO 1790 28 OCTOBEr 2014 – 22 FEBrUArY 2015, SALLE D’AFrIqUE AND SALLE DE CrIMÉE THE PALACE OF VErSAILLES IS PrOUD TO PrESENT ITS EXHIBITION OF FUrNITUrE MASTErPIECES FrOM 1650 TO 1789, with representative examples of the rich creativity of the period. Th e exhibition off ers a glimpse of the ingenuity of a bygone era viewed through the lens of the present day and showcases the innovative and avant-garde nature of the shapes, tech niques, ornamentation and materials used in 18th century furniture. Th is is the fi rst exhibition of its kind since 1955. The exhibition includes a hundred or so works owned by some of the wealthiest art-lovers of the time, including the royal family and its entourage, arist ocrats and fi nanciers, and illust rates the revolution in furniture-making that took place in the 18th century. Works from all the great mast ers will be on disp lay, including those by André-Charles Boulle, Antoine-Robert Gaudreaus, Charles Cressent, Bernard van Risenburgh II, Jean-François Œben, Jean-Henri Riesener and Georges Jacob. Alongside major works from collections at the Palace of Versailles, the Exhibition curators Musée du Louvre, the Musée des Arts Décoratifs, the Château de Fontainebleau and the Getty Daniel Alcouff e Museum, previously-unknown works from private collect ions will be shown to the public for the Honorary curator fi rst time. Yves Carlier Head Curator at the Musée National des Châteaux de Versailles As visitors make their way around the exhibition, they will come to underst and how et de Trianon furniture shapes and forms evolved over time, from the expansiveness of mid-17th century cabinets Patrick Hourcade to the playful curves of the Louis XV st yle to the st raight lines of the late 18th century.
    [Show full text]
  • Classicism & Caprice
    702132/702835 European Architecture B classicism & caprice COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice CAPRICIOUS CLASSICISING BAROQUE flamboyant magnificent ROCOCO frivolous elegant THETHE COMPLETIONCOMPLETION OFOF VERSAILLESVERSAILLES Versailles: view towards Paris and the écuries, by Jean-Baptiste Martin, c 1690 Nancy Mitford, The Sun King (London 1966), facing p 96 Versailles, aerial view from the Paris side by J-B Martin Mitford, The Sun King, facing p 240 Versailles: plan of the whole complex Durand, Receuil et Parallèle, pl 60 Versailles: plan of development Jean-Marie Pérouse de Montclos, Versailles (New York 1991) p 418 Versailles, Galerie des Glaces, or Hall of Mirrors, by Hardouin- Mansart, with decoration by Lebrun, carving by Tubi, Coysevox &c, 1678-80 Rolf Toman, Baroque: Architecture, &c (no place 2007 p 136 Versailles, Galerie des Glaces during the wedding of Louis XVI and Marie Antoinette Dunlop, Versailles, pl 15 Versailles, Galerie des Glaces: French order by Charles Le Brun, 1678 J B Scott, 'Guarino Guarini's Invention of the Passion Capitals in the Chapel of the Holy Shroud, Turin', Journal of the Society of Architectural Historians, LIV, 4 (December 1995), p 426 Versailles, Salon de la Guerre, by Jules Hardouin-Mansart, decorated by Le Brun, sculpture by Coysevox, from 1678, opened 1682, but completed over a period Toman, Baroque, p 136 Versailles, Salon de la Paix, 1678-80, & Salon d'Abondance, 1682, ceiling 1683.
    [Show full text]
  • Peak 8-20142020123122941.Pdf
    PURSUITS • REPORT Madame de Pompadour’s of ideas and inventiveness that characterised the Age boat-shaped of Enlightenment, and Breguet played a lead role in lidded potpourri vase in Sèvres ensuring that the more than 2,000 treasures of French art porcelain by are preserved for the enrichment of future generations Charles-Nicolas Dodin, 1760. through a complete revamp of the Louvre’s Louis XIV, Louis XV and Louis XVI rooms, presenting, in 2,200 sq m of exhibition space, these masterpieces which were previously hidden away in storerooms. Nayla Hayek, Chairwoman of the Swatch Group’s Board of Directors, gave a moving speech to 300 VIP guests during a gala dinner held under the museum’s glass pyramid to celebrate the galleries’ relaunch recently. The daughter of the late Nicolas G Hayek, Founder of the Swatch Group, who, in 2009, had initiated the company’s contribution towards the Louvre’s EUR26million renovation of its 18th-century decorative art galleries (the museum’s first major project entirely funded by private donors) but didn’t live to see its completion, announced how proud her father would have been. Nicolas Hayek once said: “Preserving world cultural heritage is an investment for all of us, for our children and our grandchildren. It is 01 our duty to do so, as much for the future as for the past. We are responsible for caring for and preserving the beauty of Europe.” He believed that Breguet was an integral part of European cultural heritage, as he viewed watchmaking as a PRINCELY TREASURES combination of science, technology and the decorative arts.
    [Show full text]
  • Elle-Decor-11-11.Pdf
    In a Manhattan apartment designed by Robert Couturier, the entrance hall features bronze-and-crystal light fixtures by Hervé Van der Straeten and custom-made benches upholstered in a Prelle velvet; the silk curtains are custom embroidered. The boiseries and wall moldings throughout the apartment are by Féau & Cie, and the flooring is Versailles parquet.FACING PAGE: In the living room, the canapé à confident is Louis XV and the bergères are Louis XVI; the cocktail table is by Mattia Bonetti, the stool is by Michel Boyer, the sconces are 1950s Italian, and the rug is by Diurne. See Resources. t ra n s l at e d f r o m t h e f r e n c h f or a high-style Manhattan couple, decorator robert couturier creates a francophile fantasy both classic and bold Text by Nancy Hass · Photography by William Abranowicz Produced by Anita Sarsidi ED1111_Parker.indd 166 9/14/11 4:51 PM The financier’s wife wanted French—very French. She and her hus- requires a bit of gardening. Housed in a 1920 building where apart- band had given up their Park Avenue prewar duplex in order to move ments rarely change hands, the place hadn’t been touched since the to a vast, majestic apartment on Fifth Avenue. The old place had been 1970s. It contained dark paneling and dreary finishes. And while it had done in fine traditional style years ago, but the couple now wanted huge rooms, several of them more than 30 feet wide, the ceilings something extraordinary, a home that would work, the financier ex- weren’t particularly high.
    [Show full text]
  • Educational Guide
    EDUCATIONAL GUIDE Educational Guide - Exhibition: From One Louvre to Another 1 Introduction 1. THE EXHIBITION “From One Louvre to Another: Opening a Museum for Everyone” is the first “FROM ONE LOUVRE temporary exhibition to be held at the Louvre Abu Dhabi. By retracing the history TO ANOTHER: of the musée du Louvre, the exhibition will question the notion of a museum: OPENING A MUSEUM how have the collections been built up, what projects led up to the creation FOR EVERYONE” of the musée du Louvre, and what is the mission of a museum like the Louvre? These questions will be answered in the three sections of the museum presentation. Visitors will initially discover the royal collections through the figure of Louis XIV, king of France from 1643 to 1715, who exhibited them at the Palace of Versailles. The second part of the exhibition focuses on the Louvre Palace where artists were given accommodation and workshops there. The Royal Academy of Painting and Sculpture and the Salon exhibitions were also hosted there. The last section of the exhibition highlights the museum projects that occurred before the opening of the musée du Louvre, such as the exhibitions held in the Luxembourg Gallery. Lastly, the presentation will end on the subject of the universal nature of the museum. The exhibition will show a variety of objects, including paintings, sculptures, objets d’art and drawings. Most of these outstanding works are drawn from the collections of the Louvre, the Palace of Versailles and other French institutions. They will explain the different stages in the process that led to the creation of a museum in the Louvre Palace.
    [Show full text]
  • 3D Virtual Reconstruction and Visualization of the Petit Trianon in Versailles
    3D Virtual Reconstruction and Visualization of the Petit Trianon in Versailles Noémie Renaudin Bertrand Rondot (UMR CNRS/MCC 3495 MAP-Gamsau, France) (Etablissement Public du musée et du domaine national de Versailles,Livio De Luca France) (UMR CNRS/MCC 3495 MAP-Gamsau, France) It is difficult to grasp the complex history of the successive changes of the furnishings and layout of the Petit Trianon. Our ongoing project addresses this challenge. Based on 3D digitizing, high photorealistic rendering, real-time visualization and spatio-temporal data structuring, our ap- proach provides more than a straightforward 3D model of the rooms: it ensures that the contents of the rooms are not fixed in their current state, but enhanced on the basis of additional perspec- tives. The refurnished virtual rooms are, paradoxically, more realistic. Freed from the constraints imposed by visitor traffic and security, they are presented not in their existing fragmentary state, but as a completed whole. Our data structuring method also enables the user to explore the con- secutive changes of the furnishings over time (integrating furniture which today is conserved in different museums worldwide) and thus provides a dynamic vision of the Petit Trianon’s spaces. The current project focuses on the 3D reconstruction and virtual visualization of the rooms and their furnishings in their current state. Today it is possible to discover a historic site not just in its current state but through its successive occupants and developments over time. The château of the Petit Trianon is above all associated with Marie Antoinette (1755–1793), whose time is still predominant in the eyes of most visitors.
    [Show full text]
  • Dp 18E En.Pdf
    3 CONTENTS PrESS rELEASE 4 FOrEWOrD 7 THE CHALLENGES OF THE EXHIBITION 9 UNVEILING THE DIVErSITY OF 18TH CENTUrY SKILLS AND DESIGNS 10 SEEING, UNDErSTANDING, APPrECIATING... 12 A DIFFErENT PErSPECTIVE ON 18TH-CENTUrY FUrNITUrE 13 THE EXHIBITION 15 PLAN 16 A VISUAL LABOrATOrY 17 CABINET-MAKING 18 JOINErY, SEATING 32 IN CONNECTION WITH THE EXHIBITION 43 PUBLICATIONS 44 JEAN NOUVEL ABC 46 THE ÉCOLE BOULLE 48 MAÎTrES D'ArT VISITS 49 PArTNErS OF THE EXHIBITION 51 SPONSOrS 52 Press contactscontacts MEDIA PArTNErS 54 HélèneHélène Dalifard,Dalifard, AurélieAurélie Gevrey, Elsa Martin,Martin, APPENDICES 59 Violaine SolariSolari PrACTICAL INFOrMATION 60 VISUALS AVAILABLE TO THE PrESS 62 T : + 3333(0)(0) 1 30 83 75 21 [email protected] 4 PrESS rELEASE 18th century, birth of design FUrNITUrE MASTErPIECES, 1650 TO 1790 THrOUGH THE EYES OF JEAN NOUVEL 28TH OCTOBEr 2014 - 22ND FEBrUArY 2015, AFrICA rOOMS AND CrIMEA rOOM THE PALACE OF VErSAILLES IS PrOUD TO PrESENT ITS EXHIBITION OF FUrNITUrE MASTErPIECES FrOM 1650 TO 1789, WITH rEPrESENTATIVE EXAMPLES OF THE rICHLY CrEATIVE WOrK OF THE PErIOD. THE EXHIBITION OFFErS A GLIMPSE OF THE INGENUITY OF A BYGONE ErA VIEWED THrOUGH THE LENS OF THE PrESENT DAY AND SHOWCASES THE INNOVATIVE, AVANT-GArDE NATUrE OF THE SHAPES, TECHNIQUES, OrNAMENTATION AND MATErIALS USED IN 18TH CENTUrY FUrNITUrE. THIS IS THE FIrST EXHIBITION OF ITS KIND SINCE 1955. THE EXHIBITION INCLUDES A HUNDrED Or SO WOrKS owned by some of the wealthiest art-lovers of the time, including the royal family and its entourage, aristocrats and financiers, and illustrates the revolution in furniture-making that took place in the th18 century.
    [Show full text]
  • Top Things to Do in Paris" Travelers Flock from All Over the World to Experience Paris' Legendary Atmosphere
    "Top Things To Do in Paris" Travelers flock from all over the world to experience Paris' legendary atmosphere. Soak in it as you wander the banks of the Seine, feel it as you admire the paintings in the Louvre and appreciate it as you pass by its many iconic landmarks and museums. Created by: Cityseeker 10 Locations Bookmarked Palace of Versailles "The Sun King's Palace" Indisputably one of the most opulent buildings, the Palace of Versailles is the epitome of French royalty. Louis XIV commissioned architects Louis Le Vau and Jules Hardouin to build the Château de Versailles in 1664, on the site of his father's small hunting lodge. It became one of the largest palaces in Europe, accommodating up to 20,000 courtiers at a time. The by ToucanWings interiors are extravagant and the highlights include the Royal Apartments and the world renowned Hall of Mirrors. The Grand Trianon (1687) and the Petit Trianon (1762) are also in the park. In the year 1919, the Hall of Mirrors played a significant role in world politics for being the place where the Treaty of Versailles was signed. An outstanding exemplar of the French Baroque architecture to this day, this UNESCO World Heritage Site palace enthralls visitors with its opulence and legends. +33 1 30 83 78 00 en.chateauversailles.fr/ Place d'Armes, Versailles Louvre Museum "Home to Mona Lisa" The Louvre Museum houses one of the largest collections of artworks and antiquities in the world. The museum is located inside the Louvre Palace, which was built in the 12th Century as a fortress by Philip II.
    [Show full text]
  • Chinoiserie Design, with Two Seated Figures Black Chalk, with Touches of Red Chalk, and Blue and Red Watercolour
    Jean-Baptiste PILLEMENT (Lyon 1728 - Lyon 1808) Chinoiserie Design, with Two Seated Figures Black chalk, with touches of red chalk, and blue and red watercolour. Laid down. 376 x 308 mm. (14 3/4 x 12 1/8 in.) The present, highly finished sheet, drawn in red and black chalk and touches of watercolour, is likely to have been produced as a collector’s drawing in its own right, and may be dated to the 1760’s. Such charming and original compositions as this, with their immense visual appeal, were the source of much of Pillement's contemporary fame. Among many comparable chinoiserie drawings by Pillement are two studies in The Metropolitan Museum of Art in New York. Provenance: Private collection, France Anonymous sale (‘Succession de Monsieur et Madame X’), Paris, Hôtel Drouot, 22 March 2007, lot 136. Artist description: ‘An artist with a great deal of merit, gifted with a prodigious talent, this busy man worked in all genres (except history painting and portraiture) in oil, pastel, chalk, ink, pencil, and always with an ease, a facility, a remarkable rapidity. His touch is extremely firm, neat, precise. One never sees hesitation or indecision in his works, all of which are characterized by a great harmony, and by an abundance of spirit.’ Thus was Jean Pillement described some twenty years after his death, and such assessments of his abilities have lasted into the present day, with one modern scholar aptly describing the artist as ‘a versatile painter and an exquisite draughtsman’. One of the most influential decorative and ornamental draughtsmen working in Europe in the second half of the 18th century, Pillement was an equally gifted painter, producing pastoral landscapes, marines, flowerpieces, animal subjects and chinoiseries.
    [Show full text]
  • The Apartment of Madame Adélaïde 19
    reopening of the apartments of mesdames, daughters of louis xv 25 april 2013 Palace of Versailles 3 Contents FOREWORD by catherine pÉgard 4 reCREATING THE spIrit OF THE PrINCESSES’ apartments, by bÉatrix saule 6 the apartments OF mesdames 8 mesdames, daughters OF louis xv 9 MAP 11 chronologY OF THE occupation of the apartments 12 the apartment of madame victoire 16 the apartment of madame Adélaïde 19 an evocation of life in the court 22 vErsailles, royal residence 23 at home with mesdames 25 MESDAMES AND MUSIC 30 an exceptional acquisition 32 new places to explore 33 atmospheric lighting 35 swarovski 36 practical information 38 4 FOREWORD by catherine pÉgard Located on the ground floor of the central section, these apartments, symmetrically matching those of the Dauphin and the Dauphine on the other side of the Lower Gallery, were the finest in the Palace of Versailles after those of the King. Although they had been completely transformed by Louis-Philippe, in the 20th century they were gradually restored to the way they looked during the Ancien Régime. The project was halted due to a lack of funds in the 1980s. Supervised by Béatrix Saule, Director of the National Museum of the Palaces of Versailles and Trianon, the restoration work was eagerly resumed to restore these apartments – hitherto closed to the public most of the time – to their former splendour and put them back in the main visit circuit of the Palace. The apartments of Mesdames – Princesses Adélaïde and Victoire, daughters of Louis XV, who occupied them for twenty years from 1769 until the Revolution – have recovered their furniture and fittings made for the royal household and the objets d’art that decorated them: an ignored treasure that has emerged from the Versailles storehouses.
    [Show full text]