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A Strategic Guide for the City-Wide Response to and Recovery from Major Emergencies and Disasters
OFFICE of EMERGENCY MANAGEMENT - BASIC PLAN Albuquerque, New Mexico A STRATEGIC GUIDE FOR THE CITY-WIDE RESPONSE TO AND RECOVERY FROM MAJOR EMERGENCIES AND DISASTERS Martin J. Chávez, Mayor CITY OF ALBUQUERQUE ALL HAZARDS EMERGENCY OPERATIONS PLAN VOLUME 2 - ANNEXES DECEMBER 2005 PREPARED BY: THE CITY OF ALBUQUERQUE OFFICE OF EMERGENCY MANAGEMENT OFFICE of EMERGENCY MANAGEMENT - BASIC PLAN ALBUQUERQUE EMERGENCY OPERATIONS PLAN VOLUME 2 - ANNEXES Table of Contents Annex # Page Annex 1 Direction and Control A-1-1 thru A-1-12 Annex 2 Communications, Warning & Emergency Alert A-2-1 thru A-2-15 Annex 3 Alert & Notification A-3-1 thru A-3-6 Annex 4 Law Enforcement A-4-1 thru A-4-24 Annex 5 Fire and Rescue A-5-1 thru A-5-22 Annex 6 Health and Medical A-6-1 thru A-6-55 Annex 7 Critical Infrastructure A-7-1 thru A-7-11 Annex 8 Damage Assessment and Reporting A-8-1 thru A-8-13 Annex 9 Transportation A-9-1 thru A-9-6 Annex 10 Evacuation A-10-1 thru A-10-20 Annex 11 Logistics and Resources A-11-1 thru A-11-3 Annex 12 Education, Training, Testing and Exercises A-12-1 thru A-12-11 ALBUQUERQUE EMERGENCY OPERATIONS PLAN ANNEX 1 DIRECTION & CONTROL Primary Responsibility: Mayor of the City of Albuquerque/President of the City Council Chief Administrative Officer Chief Public Safety Officer Secondary Responsibility: All City Departments and Divisions Lead Agencies Emergency Management Fire Police Environmental Health Secondary Agencies Water Authority Municipal Development Legal Finance & Administrative Services Solid Waste Management Transit Senior Affairs Family & Community Services I. -
Agenda Regular Meeting City of Fairfield Planning Commission
AGENDA REGULAR MEETING CITY OF FAIRFIELD PLANNING COMMISSION VIA TELECONFERENCE FEBRUARY 10, 2021 JOIN MEETING VIA ZOOM LINK: 6:00 P.M. https://fairfieldca.zoom.us/j/97065607498?pwd=a1dnaVY2UzFINU4xaU5sS0FET09qZz09 PASSWORD: 66781819 Consistent with the Governor's Executive Order N-29-20 regarding public meetings during the COVID-19 emergency, Planning Commissioners may attend the meeting telephonically. Members of the public can observe the meeting on Comcast Cable Channel 26, ATT U-Verse 99, and web-streamed live http://www.fairfield.ca.gov/live, or at www.youtube.com/user/FFCATV/live. Members of the public may join the meeting via Zoom with the following link: https://fairfieldca.zoom.us/j/97065607498?pwd=a1dnaVY2UzFINU4xaU5sS0FET09qZz09 Password: 66781819 I. ROLL CALL II. PLEDGE OF ALLEGIANCE III. INFORMATION ON PROVIDING PUBLIC COMMENTS Persons wishing to address the Planning Commission on subjects not on the agenda but within the jurisdiction of the Planning Commission provided that NO action may be taken on off-agenda items except as authorized by law. Off-agenda items from the public will be taken under consideration without discussion by the Commission and may be referred to staff. Comments will be accepted via Zoom or by email at [email protected]. Identify your name, the item you wish to comment on, and the date of the meeting. All comments received by email prior to the start of an item will be read aloud for up to three minutes. For adjudicative public hearing items, e-mailed comments will be accepted and read aloud for up to three/four minutes if received prior to the close of the public hearing PUBLIC COMMENT INSTRUCTIONS: When joining via Zoom, please use the “raise your hand” feature or press *9 on your phone to request to speak. -
When Being No. 1 Is Not Enough
A Report Prepared by the Civil Rights Forum on Communications Policy When Being No. 1 Is Not Enough: The Impact of Advertising Practices On Minority- Owned & Minority-Formatted Broadcast Stations Kofi Asiedu Ofori Principal Investigator submitted to the Office of Communications Business Opportunities Federal Communications Commission Washington, D.C. All Rights Reserved to the Civil Rights Forum on Communications Policy a project of the Tides Center Synopsis As part of its mandate to identify and eliminate market entry barriers for small businesses under Section 257 of the Telecommunications Act of 1996, the Federal Communications Commission chartered this study to investigate practices in the advertising industry that pose potential barriers to competition in the broadcast marketplace. The study focuses on practices called "no Urban/Spanish dictates" (i.e. the practice of not advertising on stations that target programming to ethnic/racial minorities) and "minority discounts" (i.e. the practice of paying minority- formatted radio stations less than what is paid to general market stations with comparable audience size). The study consists of a qualitative and a quantitative analysis of these practices. Based upon comparisons of nationwide data, the study indicates that stations that target programming to minority listeners are unable to earn as much revenue per listener as stations that air general market programming. The quantitative analysis also suggests that minority-owned radio stations earn less revenues per listener than majority broadcasters that own a comparable number of stations nationwide. These disparities in advertising performance may be attributed to a variety of factors including economic efficiencies derived from common ownership, assessments of listener income and spending patterns, or ethnic/racial stereotypes that influence the media buying process. -
The Clear Picture on Clear Channel Communications, Inc.: a Corporate Profile
Cornell University ILR School DigitalCommons@ILR Articles and Chapters ILR Collection 1-28-2004 The Clear Picture on Clear Channel Communications, Inc.: A Corporate Profile Maria C. Figueroa Cornell University, [email protected] Damone Richardson Cornell University, [email protected] Pam Whitefield Cornell University, [email protected] Follow this and additional works at: https://digitalcommons.ilr.cornell.edu/articles Part of the Advertising and Promotion Management Commons, Arts Management Commons, and the Unions Commons Thank you for downloading an article from DigitalCommons@ILR. Support this valuable resource today! This Article is brought to you for free and open access by the ILR Collection at DigitalCommons@ILR. It has been accepted for inclusion in Articles and Chapters by an authorized administrator of DigitalCommons@ILR. For more information, please contact [email protected]. If you have a disability and are having trouble accessing information on this website or need materials in an alternate format, contact [email protected] for assistance. The Clear Picture on Clear Channel Communications, Inc.: A Corporate Profile Abstract [Excerpt] This research was commissioned by the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO) with the expressed purpose of assisting the organization and its affiliate unions – which represent some 500,000 media and related workers – in understanding, more fully, the changes taking place in the arts and entertainment industry. Specifically, this report examines the impact that Clear Channel Communications, with its dominant positions in radio, live entertainment and outdoor advertising, has had on the industry in general, and workers in particular. Keywords AFL-CIO, media, worker, arts, entertainment industry, advertising, organization, union, marketplace, deregulation, federal regulators Disciplines Advertising and Promotion Management | Arts Management | Unions Comments Suggested Citation Figueroa, M. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
U. S. Radio Stations As of June 30, 1922 the Following List of U. S. Radio
U. S. Radio Stations as of June 30, 1922 The following list of U. S. radio stations was taken from the official Department of Commerce publication of June, 1922. Stations generally operated on 360 meters (833 kHz) at this time. Thanks to Barry Mishkind for supplying the original document. Call City State Licensee KDKA East Pittsburgh PA Westinghouse Electric & Manufacturing Co. KDN San Francisco CA Leo J. Meyberg Co. KDPT San Diego CA Southern Electrical Co. KDYL Salt Lake City UT Telegram Publishing Co. KDYM San Diego CA Savoy Theater KDYN Redwood City CA Great Western Radio Corp. KDYO San Diego CA Carlson & Simpson KDYQ Portland OR Oregon Institute of Technology KDYR Pasadena CA Pasadena Star-News Publishing Co. KDYS Great Falls MT The Tribune KDYU Klamath Falls OR Herald Publishing Co. KDYV Salt Lake City UT Cope & Cornwell Co. KDYW Phoenix AZ Smith Hughes & Co. KDYX Honolulu HI Star Bulletin KDYY Denver CO Rocky Mountain Radio Corp. KDZA Tucson AZ Arizona Daily Star KDZB Bakersfield CA Frank E. Siefert KDZD Los Angeles CA W. R. Mitchell KDZE Seattle WA The Rhodes Co. KDZF Los Angeles CA Automobile Club of Southern California KDZG San Francisco CA Cyrus Peirce & Co. KDZH Fresno CA Fresno Evening Herald KDZI Wenatchee WA Electric Supply Co. KDZJ Eugene OR Excelsior Radio Co. KDZK Reno NV Nevada Machinery & Electric Co. KDZL Ogden UT Rocky Mountain Radio Corp. KDZM Centralia WA E. A. Hollingworth KDZP Los Angeles CA Newbery Electric Corp. KDZQ Denver CO Motor Generator Co. KDZR Bellingham WA Bellingham Publishing Co. KDZW San Francisco CA Claude W. -
How to Detect Tornadoes Using Your TV Or Radio
May 1997 PaulLewis KE4DNK for hamradio-online.com.at www.hamradio-online.com. How to detect tornadoes using your TV or Radio The season for tornadoes is This system was discovered by New- ton Weller of West Des Moines after 12 drawing near and I would like to years of study. It works because every pass this information on to you. It might TV set has a Channel 2 at 55 mhz. Light- come in handy some day. ning and tornadoes generate a signal near Tornadoes are most likely to occur in this frequency that overrides the bright- the spring on a hot, sticky day between 3 ness control. Channel 13 is at the high and 7 p.m. An hour or two before a twister end of the frequency band is not affected. forms, familiar thunderstorm clouds may This is why the darkness must be set on begin to have a peculiar greenish hue and that channel. bulge down instead of up. Heavy rains and First, warm up your set, tune in Chan- hail often precede the tornado. nel 13 and darken the screen to almost The gigantic and violent whirlwinds black, using the brightness control. Then, almost always march across the country- turn to Channel 2 and leave the volume side from Southwest to down. Northeast about 30 mile Your tornado detec- per hour. This pre- tion device is now in dictability can save your operation. Lightning life, especially if you use will produce momentary Weller’s technique of de- white bands of varying tecting storms 20 to 30 widths across the screen. -
1 in the UNITED STATES BANKRUPTCY COURT for the DISTRICT of DELAWARE in Re:
IN THE UNITED STATES BANKRUPTCY COURT FOR THE DISTRICT OF DELAWARE __________________________________________ In re: : : TW, Inc., f/k/a Cablevision Electronics : Case No. 03-10785 (MFW) Investments, Inc., : Debtor. : __________________________________________: : TW, Inc., f/k/a Cablevision Electronics : Investments, Inc., : : Plaintiff, : v. : : R.J. Palmer LLC : Adversary Proceeding No. Infinity Broadcasting Corp. d/b/a : WNEW-FM 102.7 : A 05-50579 (PBL) CBS, Inc. d/b/a WCBS-TV : Infinity Broadcasting Corp. d/b/a WINS-AM : Clear Channel Communications, Inc. d/b/a : WLTW-FM 106.7 Lite FM Clear Channel : Radio : CBS, Inc. d/b/a WCBS-AM Newsradio 880 : ABC, Inc. d/b/a WABC-TV, Inc. : Infinity Broadcasting Corp. d/b/a WCBS-FM 101.1 : WLNY-TV, Inc. : NBC Universal, Inc. f/k/a National Broadcasting : Company, Inc. : Fox Television Stations, Inc. d/b/a : WNYW-New York : Clear Channel Broadcasting, Inc. d/b/a WKTU-FM : WQCD-FM 101.9 : WPIX, Inc. : WWOR-TV, Inc. : Infinity Broadcasting Corp. NY d/b/a : WFAN-AM : WPLJ FM Radio : Infinity Broadcasting Corporation d/b/a : WXRK-FM Infinity : Clear Channel Communications, Inc. d/b/a : 1 WAXQ-FM Q104.3 Clear Channel Radio : Clear Channel Communications, Inc. d/b/a : WHTZ-FM, : : Defendants. : __________________________________________: MEMORANDUM BY: PAUL B. LINDSEY, UNITED STATES BANKRUPTCY JUDGE This adversary proceeding was commenced on March 11, 2005 by the debtor, TW, Inc., f/k/a Cablevision Electronics Investments, Inc. (the “Plaintiff”), seeking to avoid and recover certain allegedly preferential transfers, pursuant to § 547(b) of the Bankruptcy Code, in the amount of $2,569,463.37. -
Analysis of Hydrologic Properties Data." These Data Are Also Associated with AMR U0035, "Calibrated Properties Model." Submittal Date: 10/22/1999
DISCLAIMER This contractor document was prepared for the U.S. Department of Energy (DOE), but has not undergone programmatic, policy, or publication review, and is provided for information only. The document provides preliminary information that may change based on new information to be used specifically for Total System Performance Assessment analyses. The document is a preliminary lower-level contractor document and is not intended for publication or wide distribution. Although this document has undergone technical reviews at the contractor organization, it has not undergone a DOE policy review. Therefore, the views and options of authors expressed may not state or reflect those of the DOE. However, in the interest of the rapid transfer of information, we are providing this document for your information per your request. IA1 I OFFICE OF CIVILIAN RADIOACTIVE WASTE MANAGEMENT 1. CA: OA ANALYSIS/MODEL COVER SHEET Page: 1 of 72 Complete Only Applicable Items Analysis Check all that apply 3.5 Model Check all that apply Type of 3 Engineering Type of [3 Conceptual Model 0 Abstraction Model Analysis [3 Performance Assessment Model MeI Mathematical Model- [ System Model 0 Scientific o3 Process Model Intended Use [3 Input to Calculation Intended [] Input to Calculation of Analysis IInput to another Analysis or Model Use of Model [3 Input to another Model or Analysis 03 Input to Technical Document [o Input to Technical Document Describe use: Describe use: Provides reprsentive estimates of fracture and matrix properties for use in the Calibrated Properties Model and numerical grid development. 4. Title: Analysis of Hydrologic Properties Data 5. Document Identifier (including Rev. -
Memorandum to Clients
Memorandum to Clients November, 2004 News and Analysis of Recent Events in the Field of Communications No. 04-11 FCC, takin’ care of bid-ness FM Auction Action: A Recap By: R.J. Quianzon 703-812-0424 [email protected] ith 450 applicants starting to bid on the day after bids totaling close to $40 million. Former Clear Channel W Election Day, slightly more than 100 remained CEO Randy Michaels was looking good for 20 licenses, for standing two weeks later. With the end of the FCC’s first which he made unadjusted bids totaling about $13 million – open auction of FM spectrum looming in sight at press time, but don’t feel that sorry for him, because he will receive a it looked like U.S. taxpayers would be nearly $200 million 35% discount for being a “new entrant” to the broadcasting dollars to the good, in exchange for which industry. The criteria for “new entrant” they would be handing over 275 or so con- status are based upon how many TV and struction permits. The final prices for fre- The auction rules prohibit radio stations, cable companies and quencies were expected to range from bidders from discussing the newspapers an applicant owned or con- $4,000 for Kotzebue, Alaska, to $7 million auction with one another trolled on August 6, 2004. Although he for Pacific Junction, Iowa (Omaha). until several weeks after the has numerous connections and signifi- auction is over. Even cant experience in the industry, Many of the most active bidders (and most though the auction is over, Michaels owned no stations on August 6 likely winners) in the auction were no and was entitled to the $4.5 million dis- you are still prohibited from strangers to the broadcasting industry. -
The Spectral Voice and 9/11
SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings. -
Federal Communications Commission DA 19-322 Before the Federal Communications Commission Washington, D.C. 20554 in the Matter Of
Federal Communications Commission DA 19-322 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) iHeart Media, Inc., Debtor-in-Possession ) Seeks Approval to Transfer Control of and ) Assign FCC Authorizations and Licenses ) ) AMFM Radio Licenses, LLC, as ) BALH-20181009AAX et al. Debtor-in-Possession ) (Assignor) ) and ) AMFM Radio Licenses, LLC, ) (Assignee) ) ) AMFM Texas Licenses, LLC, as Debtor-in- ) BALH-20181009AEM et al. Possession ) (Assignor) ) and ) AMFM Texas Licenses, LLC ) (Assignee) ) ) Capstar TX, LLC, as Debtor-in-Possession ) BALH-20181009AEV et al. (Assignor) ) and ) Capstar TX, LLC ) (Assignee) ) ) Citicasters Licenses, Inc., as Debtor-in- ) BALH-20181009ARH et al. Possession ) (Assignor) ) and ) Citicasters Licenses, Inc. ) (Assignee) ) ) Clear Channel Broadcasting Licenses, Inc., as ) BAL-20181009AZD et al. Debtor-in-Possession ) (Assignor) ) and ) Clear Channel Broadcasting Licenses, Inc. ) (Assignee) ) ) AMFM Broadcasting Licenses, LLC, as ) BALH-20181009BET et al. Debtor-in-Possession ) (Assignor) ) and ) AMFM Broadcasting Licenses, LLC ) (Assignee) ) Federal Communications Commission DA 19-322 ) CC Licenses, LLC, as Debtor-in-Possession ) BALH-20181009BGM et al. (Assignor) ) and ) CC Licenses, LLC ) (Assignee) ) ) For Consent to Assignment of Licenses ) ) AMFM Broadcasting, Inc., as Debtor-in-Possession ) BTC-20181009BES (Transferor) ) and ) AMFM Broadcasting, Inc. ) (Transferee) ) ) For Consent to Transfer of Control ) ) Citicasters Licenses, Inc., as Debtor-in- ) BALH-20181026AAD Possession ) (Assignor) ) and ) Sun and Snow Station Trust LLC ) (Assignee) ) ) AMFM Radio Licenses, LLC, as Debtor-in ) BALH-20181026AAF Possession ) (Assignor) ) and ) Sun and Snow Station Trust LLC ) (Assignee) ) ) For Consent to Assignment of Licenses ) ) CC Licenses, LLC, As Debtor-in-Possession ) BAPFT-20181023ABB (Assignor) ) and ) CC Licenses, LLC ) (Assignee) ) ) Capstar TX, LLC, as Debtor-in-Possession ) BAPFT-20181220AAG et al.