Hippie Subculture Which Attract Certain Kinds of Dropouts
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Resist Newsletter, Feb. 2, 1968
Trinity College Trinity College Digital Repository Resist Newsletters Resist Collection 2-2-1968 Resist Newsletter, Feb. 2, 1968 Resist Follow this and additional works at: https://digitalrepository.trincoll.edu/resistnewsletter Recommended Citation Resist, "Resist Newsletter, Feb. 2, 1968" (1968). Resist Newsletters. 4. https://digitalrepository.trincoll.edu/resistnewsletter/4 a call to resist illegitimate authority .P2bruar.1 2 , 1~ 68 -763 Maasaohuaetta A.Tenue, RH• 4, Caabrid«e, Jlaaa. 02139-lfewaletter I 5 THE ARRAIGNMENTS: Boston, Jan. 28 and 29 Two days of activities surrounded the arraignment for resistance activity of Spock, Coffin, Goodman, Ferber and Raskin. On Sunday night an 'Interfaith Service for Consci entious Dissent' was held at the First Church of Boston. Attended by about 700 people, and addressed by clergymen of the various faiths, the service led up to a sermon on 'Vietnam and Dissent' by Rev. William Sloane Coffin. Later that night, at Northeastern University, the major event of the two days, a rally for the five indicted men, took place. An overflow crowd of more than 2200 attended the rally,vhich was sponsored by a broad spectrum of organizations. The long list of speakers included three of the 'Five' - Spock (whose warmth, spirit, youthfulness, and toughness clearly delight~d an understandably sympathetic and enthusiastic aud~ence), Coffin, Goodman. Dave Dellinger of Liberation Magazine and the National Mobilization Co11111ittee chaired the meeting. The other speakers were: Professor H. Stuart Hughes of Ha"ard, co-chairman of national SANE; Paul Lauter, national director of RESIST; Bill Hunt of the Boston Draft Resistance Group, standing in for a snow-bound liike Ferber; Bob Rosenthal of Harvard and RESIST who announced the formation of the Civil Liberties Legal Defense Fund; and Tom Hayden. -
Cannabis (Sub)Culture, the Subcultural Repository, and Networked Mediation
SIMULATED SESSIONS: CANNABIS (SUB)CULTURE, THE SUBCULTURAL REPOSITORY, AND NETWORKED MEDIATION Nathan J. Micinski A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Ellen Berry, Advisor Rob Sloane © 2014 Nathan Micinski All Rights Reserved iii ABSTRACT Ellen Berry, Advisor Subcultural theory is traditionally rooted in notions of social deviance or resistance. The criteria for determining who or what qualifies as subcultures, and the most effective ways to study them, are based on these assumptions. This project seeks to address these traditional modes of studying subcultures and discover ways in which their modification may lead to new understandings and ways of studying subcultures in the contemporary moment. This will be done by suggesting a change in the criteria of examining subcultures from that of deviance or resistance to identification with a collection of images, symbols, rituals, and narratives. The importance of this distinction is the ability to utilize the insights that studying subcultures can offer while avoiding the faults inherent in speaking for or at a subculture rather than with or from it. Beyond addressing theoretical concerns, this thesis aims to apply notions of subcultural theory to study the online community of Reddit, in particular, a subset known as r/trees–a virtual repository for those images, symbols, rituals, and narratives of cannabis subculture. R/trees illustrates the life and vibrancy of a unique subcultural entity, which to this point has evaded a cultural studies analysis. To that end, this project advocates for the importance of the cultural studies approach to analyzing cannabis subculture and further, to insert the findings of this study into that gap in the literature. -
Adzahlie-Mensah, Vincent.Pdf
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details i BEING ‘NOBODIES’: SCHOOL REGIMES AND STUDENT IDENTITIES IN GHANA VINCENT ADZAHLIE-MENSAH DOCTOR OF PHILOSOPHY UNIVERSITY OF SUSSEX NOVEMBER, 2013 ii ACKNOWLEDGEMENT My adviser, Prof. Mairead Dunne, provided invaluable support to me in the course of this research. She took interest in my academic, economic and social needs. Prof. Mario Novelli provided critical comments that shaped my thinking and theorisation. He is more than a friend, a present help in the time of need. Dr. Barbara Crossouard deserves special mention for her guidance as PhD Convenor. My PhD colleagues and staff of the Centre for International Education have been a source of great support throughout the period of my studies. I cannot forget the invaluable support that the families of Rebecca Webb and Rachel Thompson provided me in some of my most difficult moments. Ghana Education Trust Fund (GETFUND) provided sponsorship to support my studies through the staff development programme of the University of Education, Winneba. -
Cannabis Sativa Native to Central Asia, Cultivated for Thousands of Years for Fiber, Seeds, Medicine, Drug Use
THC/Marijuana Marijuana/THC Overview (an intoxicant) • Cannabis Sativa native to Central Asia, cultivated for thousands of years for fiber, seeds, medicine, drug use • Main psychoactive ingredient, delta- 9-tetrahydrocannabinol (THC), from resin on unfertilized flowers • 421 chemicals (60-70 cannabinoids) • Psychoactive uses: euphoria, sedative, altered state of consciousness Marijuana Smoke vs. Tobacco Smoke • Which is more harmful? • Each type has more of certain toxins and carcinogens than other • Mitigating factors – Filtration – Additives – Frequency of use – Method of inhalation World Cannabis Highlights • Archaelogical record of hemp cord (~8000 B.C.) • Documentation of medical use in China (~2700 B.C.) • Religious use in India (~2000 B.C.) • Hashish use in Arab world (~1000 A.D.) • Western World learns of psychoactive use (mid 1800s) U.S. Cannabis History • Harvested for hemp in American colonies • Smoking introduced in 1850s by Mexicans and West Indians • Portrayed as evil in 1920s, laws passed to outlaw use • By mid-1930s, considered a “narcotic” • Marijuana Tax Act (1937): made illegal • By 1940 public convinced that it – Induced violent crimes – Led to heroin addiction – Was a great social menace U.S. Cannabis History continued • THC isolated from marijuana (1964) • Hippie era (1960s) • Synthetic marijuana - Marinol (1980) • First cannabinoid receptor isolated and cloned (1990) • Endogenous ligand (anandamide) isolated (1992) • Voters in CA, AZ approve medical use (1996) • Marinol as Schedule 3 (1999) THC Pharmacokinetics • Absorption – Inhaled (smoked) – Oral (tea, food) • Distribution – Peak blood levels in about 10 minutes – Significant depot binding due to high lipid solubility THC Pharmacokinetics continued • Metabolism and Elimination – Metabolized almost entirely by liver – Half-life 20-30+ hours (1-10 days) – More than 24 metabolites, some of which are psychoactive (e.g. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Radio Transmission Electricity and Surrealist Art in 1950S and '60S San
Journal of Surrealism and the Americas 9:1 (2016), 40-61 40 Radio Transmission Electricity and Surrealist Art in 1950s and ‘60s San Francisco R. Bruce Elder Ryerson University Among the most erudite of the San Francisco Renaissance writers was the poet and Zen Buddhist priest Philip Whalen (1923–2002). In “‘Goldberry is Waiting’; Or, P.W., His Magic Education As A Poet,” Whalen remarks, I saw that poetry didn’t belong to me, it wasn’t my province; it was older and larger and more powerful than I, and it would exist beyond my life-span. And it was, in turn, only one of the means of communicating with those worlds of imagination and vision and magical and religious knowledge which all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists heard and saw and ‘tuned in’ on. Poetry was not a communication from ME to ALL THOSE OTHERS, but from the invisible magical worlds to me . everybody else, ALL THOSE OTHERS.1 The manner of writing is familiar: it is peculiar to the San Francisco Renaissance, but the ideas expounded are common enough: that art mediates between a higher realm of pure spirituality and consensus reality is a hallmark of theopoetics of any stripe. Likewise, Whalen’s claim that art conveys a magical and religious experience that “all painters and musicians and inventors and saints and shamans and lunatics and yogis and dope fiends and novelists . ‘turned in’ on” is characteristic of the San Francisco Renaissance in its rhetorical manner, but in its substance the assertion could have been made by vanguard artists of diverse allegiances (a fact that suggests much about the prevalence of theopoetics in oppositional poetics). -
The Green Regulatory Arbitrage
Table of Contents I. EXECUTIVE SUMMARY ...................................................................................................... 1 II. PROHIBITION - HOW CANNABIS BECAME ILLEGAL ..................................................... 4 III. THE LEGAL LANDSCAPE .................................................................................................... 7 A. Federal Law And Its Impact On The Cannabis Industry ..................................................... 7 1. Cannabis Is A Schedule 1 Substance ............................................................................ 7 2. Access To Capital Markets Restricted ......................................................................... 9 3. Banking Services Limited .......................................................................................... 10 4. Tax Burdens .............................................................................................................. 11 5. Interstate And International Commerce Restrictions ................................................. 11 6. Insurance Options Limited ........................................................................................ 12 7. Medical Research And Clinical Trials Stymied .......................................................... 12 8. Professional Services Harder To Find ........................................................................ 13 9. Real Estate Challenges .............................................................................................. 13 B. The States -
Outrageous Opinion, Democratic Deliberation, and Hustler Magazine V
VOLUME 103 JANUARY 1990 NUMBER 3 HARVARD LAW REVIEW THE CONSTITUTIONAL CONCEPT OF PUBLIC DISCOURSE: OUTRAGEOUS OPINION, DEMOCRATIC DELIBERATION, AND HUSTLER MAGAZINE V. FALWELL Robert C. Post TABLE OF CONTENTS PAGE I. HUSTLER MAGAZINE V. FALWELL ........................................... 6o5 A. The Background of the Case ............................................. 6o6 B. The Supreme Court Opinion ............................................. 612 C. The Significance of the Falwell Opinion: Civility and Intentional Infliction of Emotional Distress ..................................................... 616 11. THE FIRST AMENDMENT AND PUBLIC DISCOURSE ............................. 626 A. Public Discourse and Community ........................................ 627 B. The Structure of Public Discourse ............... ..................... 633 C. The Nature of Critical Interaction Within Public Discourse ................. 638 D. The First Amendment, Community, and Public Discourse ................... 644 Im. PUBLIC DISCOURSE AND THE FALIWELL OPINION .............................. 646 A. The "Outrageousness" Standard .......................................... 646 B. The Distinction Between Speech and Its Motivation ........................ 647 C. The Distinction Between Fact and Opinion ............................... 649 i. Some Contemporary Understandings of the Distinction Between Fact and Opinion ............................................................ 650 (a) Rhetorical Hyperbole ............................................. 650 (b) -
The Authenticity of Ambiguity: Dada and Existentialism
THE AUTHENTICITY OF AMBIGUITY: DADA AND EXISTENTIALISM by ELIZABETH FRANCES BENJAMIN A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages College of Arts and Law University of Birmingham August 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ii - ABSTRACT - Dada is often dismissed as an anti-art movement that engaged with a limited and merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Neither was nonsensical or meaningless, but both reveal a rich individualist ethics aimed at the amelioration of the individual and society. It is through their combined analysis that we can view and productively utilise their alignment. Offering new critical aesthetic and philosophical approaches to Dada as a quintessential part of the European Avant-Garde, this thesis performs a reassessment of the movement as a form of (proto-)Existentialist philosophy. The thesis represents the first major comparative study of Dada and Existentialism, contributing a new perspective on Dada as a movement, a historical legacy, and a philosophical field of study. -
16: the Up-And-Coming Metro Phoenix Bands to Watch This Year
1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times 16 FOR '16: THE UP-AND-COMING METRO PHOENIX BANDS TO WATCH THIS YEAR BY AMY YOUNG, LAUREN WISE, JARON IKNER, TOM REARDON, JEFF MOSES, ROGER CALAMAIO, GARYN KLASEK, SERENE DOMINIC, JASON KEIL, JASON P. WOODBURY, MITCHELL HILLMAN WEDNESDAY, JANUARY 27, 2016 | 1 DAY AGO Couples Fight Jim Louvau The new year means new beginnings, fresh ideas, and more chances to give birth to new projects. In such a populous area, we are privy to a tremendous amount of ambition and diversity when it comes to the local music scene. The area's creative class constantly churns out new music. The city overflows with talent, from bands with members not old enough to drink to veterans with decades of music experience in the scene. With that in mind, we present to you 16 promising local bands to watch in 2016. These bands span a range of genres, from noisy punk to electro pop to surf-tinged garage rock, but they all share a common drive to create great music and share it with the world. Don't be surprised to see these bands popping up on lineups at venues around town and filling out the local slots once festival season hits. Give these bands a listen. We don't think you'll be disappointed. http://www.phoenixnewtimes.com/music/16for16theupandcomingmetrophoenixbandstowatchthisyear8001905 1/10 1/28/2016 16 Metro Phoenix Bands to Watch in 2016 | Phoenix New Times Molly and the Molluscs Dani Perez Molly and the Molluscs These band members are having a better time than you. -
Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966
Cleveland State University EngagedScholarship@CSU ETD Archive 2010 The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966 Dana Aritonovich Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/etdarchive Part of the History Commons How does access to this work benefit ou?y Let us know! Recommended Citation Aritonovich, Dana, "The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966" (2010). ETD Archive. 714. https://engagedscholarship.csuohio.edu/etdarchive/714 This Thesis is brought to you for free and open access by EngagedScholarship@CSU. It has been accepted for inclusion in ETD Archive by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH Bachelor of Arts in Communications Lake Erie College May, 2006 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2010 This thesis has been approved for the Department of HISTORY and the College of Graduate Studies by _____________________________________________ Thesis Chairperson, Dr. Karen Sotiropoulos ___________________________ Department & Date _____________________________________________ Dr. David Goldberg ___________________________ Department & Date _____________________________________________ Dr. Thomas Humphrey ___________________________ Department & Date THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH ABSTRACT This thesis is a social and cultural history of young people, race relations, and rock and roll music in Cleveland between 1952 and 1966. -
The Big Bopper Died for Your Sins
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Master of Divinity Thesis Concordia Seminary Scholarship 3-1-1970 The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth John Metzig Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: https://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Metzig, John, "The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth" (1970). Master of Divinity Thesis. 101. https://scholar.csl.edu/mdiv/101 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Master of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. TABLE OF CONTENTS Content Page I. THE• INTRODUCTION 1 II. THE PAPER . 3 III. THE FOOTNOTES BIBLIOGRAPHY 34 INTRODUCTION I'm not trying to cause a big sensation I'm just ttitkirtg 'bout my generation. -Peter Townshend (for The Who) 1 The problem with trying to write a paper on the subject of rock is that the field is so diverse and varied that it is all but impossible to describe everything in complete detail. Furthermore, the entire subject of the effects of rock on a listening audience varies considerably from listener to listener. The teen-ager just likes, the sound of the music and the feelings that the music brings out in him, while the adult still thinks of rock as a lot of noise no matter how many magazine articles they read or TV programs they see.