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Ancient Battles Guido Beltramini
Ancient Battles Guido Beltramini In 1575 Palladio published an illustrated Italian edition of Julius Caesar’s Commentaries. Five years later, his death halted the publication of Polybius’ Histories, which included forty-three engravings showing armies deployed at various battles: from Cannae to Zamas, Mantinea and Cynoscephalae. At the height of his career, Palladio invested time, energy and money into two publishing ventures far removed from architecture. In fact the two publications were part of a world of military matters which had attracted Palladio’s interest since his youth, when it formed an integral part of his education undertaken by Giangiorgio Trissino. As John Hale has shown, sixteenth-century Venice was one of the most active centres in Europe for military publications dealing with matters such as fortifications, tactics, artillery, fencing and even medicine. The distinguishing element in the Venetian production of such books was the widespread belief in the importance of the example of the Classical Greek and Roman writers, shared by men of letters and professional soldiers. This was combined with particular care shown towards the reader. The books were supplemented with tables of contents, indices, marginal notes and even accompanied by the publication of compendia illustrating the texts, such as the series entitled Gioie (‘Gems’) which Gabriele Giolito published from 1557 to 1570 (Hale 1980, pp. 257-268). Fig 1: Valerio Chiericati, manuscript of Della Many of the leading players in this milieu were linked to Trissino, albeit Milizia. Venice, Museo Correr, MS 883 in different ways: cultivated soldiers like Giovan Jacopo Leonardi, the Vicentine Valerio Chiericati (fig. -
Gian Cristoforo Romano in Rome: with Some Thoughts on the Mausoleum of Halicarnassus and the Tomb of Julius II
Gian Cristoforo Romano in Rome: With some thoughts on the Mausoleum of Halicarnassus and the Tomb of Julius II Sally Hickson University of Guelph En 1505, Michel-Ange est appelé à Rome pour travailler sur le tombeau monumental du pape Jules II. Six mois plus tard, alors que Michel-Ange se trouvait à Carrare, le sculpteur et antiquaire Gian Cristoforo Romano était également appelé à Rome par Jules II. En juin 1506, un agent de la cour de Mantoue rapportait que les « premiers sculpteurs de Rome », Michel-Ange et Gian Cristoforo Romano, avaient été appelés ensemble à Rome afin d’inspecter et d’authentifier le Laocoön, récemment découvert. Que faisait Gian Cristoforo à Rome, et que faisait-il avec Michel-Ange? Pourquoi a-t-il été appelé spécifi- quement pour authentifier une statue de Rhodes. Cet essai propose l’hypothèse que Gian Cristoforo a été appelé à Rome par le pape probablement pour contribuer aux plans de son tombeau, étant donné qu’il avait travaillé sur des tombeaux monumentaux à Pavie et Crémone, avait voyagé dans le Levant et vu les ruines du Mausolée d’Halicarnasse, et qu’il était un sculpteur et un expert en antiquités reconnu. De plus, cette hypothèse renforce l’appartenance du développement du tombeau de Jules II dans le contexte anti- quaire de la Rome papale de ce temps, et montre, comme Cammy Brothers l’a avancé dans son étude des dessins architecturaux de Michel-Ange (2008), que les idées de ce dernier étaient influencées par la tradition et par ses contacts avec ses collègues artistes. -
C HAPTER THREE Dissertation I on the Waters and Aqueducts Of
Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. Evans http://www.press.umich.edu/titleDetailDesc.do?id=17141, The University of Michigan Press C HAPTER THREE Dissertation I on the Waters and Aqueducts of Ancient Rome o the distinguished Giovanni Lucio of Trau, Raffaello Fabretti, son of T Gaspare, of Urbino, sends greetings. 1. introduction Thanks to your interest in my behalf, the things I wrote to you earlier about the aqueducts I observed around the Anio River do not at all dis- please me. You have in›uenced my diligence by your expressions of praise, both in your own name and in the names of your most learned friends (whom you also have in very large number). As a result, I feel that I am much more eager to pursue the investigation set forth on this subject; I would already have completed it had the abundance of waters from heaven not shown itself opposed to my own watery task. But you should not think that I have been completely idle: indeed, although I was not able to approach for a second time the sources of the Marcia and Claudia, at some distance from me, and not able therefore to follow up my ideas by surer rea- soning, not uselessly, perhaps, will I show you that I have been engaged in the more immediate neighborhood of that aqueduct introduced by Pope Sixtus and called the Acqua Felice from his own name before his ponti‹- 19 Aqueduct Hunting in the Seventeenth Century: Raffaele Fabretti's De aquis et aquaeductibus veteris Romae Harry B. -
Short-Title Catalogs: the Current State of Play
SHORT TITLE CATALOGUES: THE CURRENT STATE OF PLAY 121 KRK Short-Title Catalogs: The Current State of Play John Bloomberg-Rissman he output of the Anglophone press is covered by a series of projects, loosely known as short title catalogs. The major projects include: T l A Short-Title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad 1475–1640 (STC) 1 Short-Title Catalogue of Books Printed in England, Scotland, Ireland, Wales, and British America and of English Books Printed in Other Countries 1641 1700 (Wing) 1 The English Short Title Catalogue (ESTC) 1 The Nineteenth Century Short Title Catalogue (NSTC) 1 The North American Imprints Program (NAIP) There are other short title catalog projects, such as the Cathedral Libraries Catalogue and English Catholic Books, 1701–1800 to name but two. Though these projects, and others like them, are arguably as worthy of discussion as any, it is not incorrect to see them as extensions of or supplements to the projects listed above. Volume 1 of the Cathedral Libraries Catalogue is in essence an extension of the can vass undertaken for STC and Wing, while volume 2 concerns itself with continen tal printing, and is therefore irrelevant in this context. English Catholic Books, 1701– 1800 is, in its own words, “a useful adjunct to the ESTC.”1 This paper will limit itself then to discussion of the bulleted projects, and will include up-to-date information on the status of each. The precursor to the first true short title catalog in the Anglophone world is usually considered to be the three-volume Catalogue of Books in the Library of the British Museum Printed in England, Scotland, and Ireland, and of Books in English Printed John Bloomberg-Rissman is Assistant Director for English projects (ESTC), Center for Bibliographical Studies and Research at the University of California, Riverside 121 122 RARE BOOKS & MANUSCRIPTS LIBRARIANSHIP Abroad, to the Year 1640 (Trustees of the British Museum, 1884). -
The Bibliographical Society of America Membership Application and Renewal Form
The Bibliographical Society of America Membership Application and Renewal Form Personal Details Membership Level (all fields required except where noted) (please check only one) Name: 35 & Under Membership, $25 Dr. Ms. Mrs. Mr. (circle one) Emerging bibliographers may join at a dis- counted rate. Partner Membership, $80 Dues cover the cost of the journal, our Mailing Address: meetings, and administration. Sustaining Membership, $125 Help sustain our programs for the future and support members entering our field. $ 45 is tax deductible. Leadership Membership, $250 Support expansion of our programs, further Phone Number: online development, and publications. $ 170 is tax deductible. Advancing Membership, $500 Advance our mission and our geographic Email Address: reach. $ 420 is tax deductible. Lifetime Membership, $1250 One-time contribution. Support our fellow- Which of these options best describe you? ship program and help us develop long- (check all that apply) range initiatives to support teaching and scholarship. $1,170 is tax deductible. Academic (Full-time Faculty, Admini- strator) Please note that all members receive: Academic (Part-time Faculty, Contingent, § A subscription to the quarterly Papers of the Biblio- Adjunct) graphical Society of America (PBSA) in print and e-Book Book Arts Worker formats, as well as online access to the full journal run. Book Collector § Discounted access to the ACLS Humanities eBook Collection for individuals. Bookseller § 30% discount on books published or distributed by Conservator the University of Chicago Press, and discounts on the Society’s other publications. Library Professional (Curator, Cataloger, Administrator) Would you like your contact information to be Library Professional (Para- or Pre- included in our membership directories? professional) (check all that apply) Museum Professional Include my name, title, and email address Retired in a membership directory available to the public. -
Epigraphical Research and Historical Scholarship, 1530-1603
Epigraphical Research and Historical Scholarship, 1530-1603 William Stenhouse University College London A thesis submitted in fulfilment of the requirements of the Ph.D degree, December 2001 ProQuest Number: 10014364 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10014364 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis explores the transmission of information about classical inscriptions and their use in historical scholarship between 1530 and 1603. It aims to demonstrate that antiquarians' approach to one form of material non-narrative evidence for the ancient world reveals a developed sense of history, and that this approach can be seen as part of a more general interest in expanding the subject matter of history and the range of sources with which it was examined. It examines the milieu of the men who studied inscriptions, arguing that the training and intellectual networks of these men, as well as the need to secure patronage and the constraints of printing, were determining factors in the scholarship they undertook. It then considers the first collections of inscriptions that aimed at a comprehensive survey, and the systems of classification within these collections, to show that these allowed scholars to produce lists and series of features in the ancient world; the conventions used to record inscriptions and what scholars meant by an accurate transcription; and how these conclusions can influence our attitude to men who reconstructed or forged classical material in this period. -
100 Papers of the Bibliographical Society of Canada Xvini 107, 109-I2
100 Papers of the Bibliographical Society of Canada xvInI 107, 109-I2, Io3 [i.e., 115], 116-23). Anomalous is the classing of the primarily literary bibliographies The Year's Work in Modern Language Studies (178) and Hatzfeld, A Crit- ical Bibliography of the New Stylistics (174) in the 'Special Categories - Linguistics' subsection. The question of precisely which specific works should be included in, or excluded from, a guide of this nature is most vexatious. I would only note, among the small number of useful titles omitted, such compendia of literary terminology as those of Berardi, Gildi, and Traversetti; compilations of proverbs such as those by Arthaber and Gluski; the excellent bibliographical Introduzione allo studio della lingua italiana of MuliaciE, the Dizionanio d'ortografiae di pronunzia of Bruno Migliorini et al., Parenti's Prime edizioni italiane, Pownall's Articles on ?Twentieth Century Literature, the Index to Book Reviews in the Humanities, perhaps Umberto Eco's Come si fa una tesi di laurea, and the neW MLA Handbook for Writers, vitiated admittedly by its paradoxically cavalier attitude to 'foreign' languages, nevertheless the generally received, particularly in North America, authority on matters of scholarly documentation. Its flaws notwithstanding (and bibliographies are not to be adjudged so much by the presence or absence of blemishes as by the number and hue thereof), Italian Reference Aids deserves to be put to thorough use by graduate students in Italian and Comparative Literature and could also find application -
Books & Works on Paper Including Autographs & Memorabilia (31 Mar
Books & Works on Paper including Autographs & Memorabilia (31 Mar 2020) Tue, 31st Mar 2020 Viewing: Clients may bid online via our own bidding platform, by telephone or absentee bidding as normal. Lot 74 Estimate: £1000 - £1500 + Fees Vitruvius (Pollio) Vitruvius (Pollio) De architectura libri decem nuper maxima diligentia castigati atque excusi, additis, Iulii Frontini de aqueductibus libris propter materiæ affinitatem, 2 parts in one volume, with separate pagination, woodcut printer’s device on title, ink faded, last leaf supplied in early facsimile, lacking Giunta’s device on verso, circa 140 illustrations, some leaves misnumbered, front endpaper and first 2 leaves restored, some spotting or foxing, paper flaws to E1, slight water staining to quire E & F, contemporary marginalia in part 2, later vellum over boards, new endpapers, soiled, upper hinge split, with loss, slight worming, [Adams V 904; Berlin Kat. 1800; Cicognara 699; Fowlwe 396; Sander 7697], 8vo, Giunti, Florence, 1522. ***Filippo Giunta’s re-edition in italics of the 1513 pocket version of Vitruvius, following the illustrated edition that Fr' Giocondo had published in Venice in 1511, with the woodcuts from the same blocks. It is accompanied by Frontinus’ treatise, De aquæductibus. It has been proved that Giocondo himself went back over the text, the index and the illustrations. A copy from 1511 kept at the ‘Centro Internazionale di Studi di Archittetura Andrea Palladio’, which was used to prepare the Giunta edition (Tura 2011, pp. 29- 36) proves this. Giocondo’s corrections are concerned above all with assimilating the errata from 1511, including the illustrations. The work is dedicated to Giulio de' Medici. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters. -
On a Human Scale. Drawing and Proportion of the Vitruvian Figure Veronica Riavis
7 / 2020 On a Human Scale. Drawing and Proportion of the Vitruvian Figure Veronica Riavis Abstract Among the images that describe the proportions of the human body, Leonardo da Vinci’s one is certainly the most effective, despite the fact that the iconic drawing does not faithfully follow the measurements indicated by Vitruvius. This research concerned the geometric analysis of the interpretations of the Vitruvian man proposed in the Renaissance editions of De Architectura, carried out after the aniconic editio princeps by Sulpicio da Veroli. Giovanni Battista da Sangallo drew the Vitruvian figure directly on his Sulpician copy, very similar to the images by Albrecht Dürer in The Symmetry of the Human Bodies [Dürer 1591]. Fra Giocondo proposes in 1511 two engravings of homo ad quadratum and ad circulum in the first Latin illustrated edition of De Architectura, while the man by Cesare Cesariano, author of the first version in vernacular of 1521, has a deformed body extension to adapt a geometric grid. Francesco di Giorgio Martini and Giacomo Andrea da Ferrara also propose significant versions believed to be the origin of Leonardo’s figuration due to the friendship that bound them. The man inscribed in the circle and square in the partial translation of Francesco di Giorgio’s De Architectura anticipates the da Vinci’s solution although it does not have explicit metric references, while the drawing by Giacomo Andrea da Ferrara reproduces a figure similar to Leonardo’s one. The comparison between the measures expressed by Vitruvius to proportion the man and the various graphic descriptions allows us to understand the complex story of the exegesis of the Roman treatise. -
I22 Papers of the Bibliographical Society of Canada 35 /I Robert
I22 Papers of the Bibliographical Society of Canada 35 /I Robert Lecker. Making It Real: TI2e Canonization of Englisl2- Canadian Literature. Concord, Ont.: Anansi, 1995. xi, [I], 276 pp.; $22.95 (paper). IsBN 0-88784-566-5- Despite the assertion that in the 1960s 'government, academia, and the publishing industryjoined hands to create a national canon' (p.26), Robert Lecker's Making It Real: TI2e Canonization of English-CanadianLiterature places its primary focus on the critical writings of Canadian literary academics rather than govern- ment cultural policy or the activities of Canadian publishers. It's disappointing not to find publishing accorded a more integral role in canon formation through- out this volume. Moreover, Lecker's emphasis on the academic institution and the period after 1960 is troubling if one considers editors, book reviewers, or academics of earlier generations as having been engaged in canonical activities. Eight previously published and revised essays make up this book. They range from broadly conceived studies of canonization and its relation to English- Canadian literary criticism by academics, thr·ough examinations of particular activities, such as anthologies and a reprint series, to interpretive readings of Northrop Frye's Conclusion to the Literary History of Canadaand Frank Davey's 'Surviving the Paraphrase.' The book's introduction and conclusion, 'Making It Real' and 'Making It Real (Again),' like its title, allude to Robert Kroetsch's contention that 'The fiction makes us real.' Affirming a belief in the creative aspect of critical acts of writing, Lecker argues: 'Kroetsch is right: in any number of ways, people involved in writing about Canadian writing keep trying to con- struct their country, to write it into existence, to make it real' (p. -
Veleia 29.Indd
JEAN MATAL AND HIS ANNOTATED COPY OF THE EPIGRAMMATA ANTIQUAE VRBIS (VAT. LAT. 8495): THE USE OF MANUSCRIPT SOURCES1 jean matal y su copia anotada de los EPIGRAMMATA ANTIQUAE VRBIS (vat. lat. 8495): el uso de las fuentes manuscritas Resumen: Entre los ejemplares de los Epigrammata Antiquae Vrbis (1521) editados por J. Mazochius y copiosamente anotados por humanistas del s. xvi, es sin duda el de Jean Matal (ms. Vat. Lat. 8495) el que revela unos objetivos más claros y un método de trabajo más sistemático. Hasta ahora se han puesto de relieve los esfuerzos del mismo Matal o de sus numerosos informantes para corregir las inscripciones mediante su autopsia; más desaper- cibido ha quedado, sin embargo, el estudio que realizó de diversas fuentes manuscritas con las que igualmente colacionó los textos impresos. En este artículo avanzamos en la identifi- cación de estas fuentes manuscritas y analizamos el método de trabajo que desarrolló, y por el que no solo merece formar parte de la vanguardia en la ciencia epigráfica, sino que debe ser considerado como el iniciador del uso de las herramientas filológicas para la edición de los textos epigráficos. Palabras clave: Mazochius, Metellus, Epigrafía, Manuscritos, Humanismo. Abstract: Among the different copies of the Epigrammata Antiquae Vrbis (1521) published by J. Mazochius and abundantly annotated by 16th century humanists, Jean Matal’s (ms. Vat. Lat. 8495) is undoubtedly the one that reveals the clearest objectives and the most systematic work method. The importance of Matal’s efforts, as well as those of his many informants, to correct the inscriptions based on their autopsy has already been highlighted.