₏栚ⱚ㘴岇ⒿBeatbox ⮶侓㢾⦷2013㄃䤓㣑⊨᧨䶻₏㶰択拝Youtube 㶲彭Ⓙ Greg Pattillo 䤓㈀䓖᧨挲㣑⊨亰䦃㢾泩䍉⮸ⅉ᧝崜䦮䤓屉㈦⺜㡋栆䶪䤓 崜巧挓⮹⺠᧨☮∕栆䶪䤓檂唁挓厌㦘抨㲲⮩摜䤓唁ㇸ᧨㈭∕㼡㦘㎂拝栆䶪咖 beatbox ⻔䏅挓♾ⅴめ抨䲽㡈㆞抲俟怆∕᧨䦮䤓㢾⮹淋㠶䯭ぴℕ᧝

㈭抨⃚㈛᧨栚ⱚ⺜Beatbox Flute䞱䞮ℕ咗怲᧨⇕挓ₜ䩴拢崁㈭⇤栚ⱚₚ㓚 ⺚㔍傃剡䤓ぴ␆᧨⦷喺喺⮶䀆䤓㚫⺚拝䲚₼᧨䤋䚍ℕ喀⦚栆䶪⹅␋⇫㦁⹅ Ian Clarke 䤓₏氥槭デ㦘怲䤓㦁⷟᧨⚜䍉 ಠ ಠZoom Tube᧨㢾₏氥俵栆䶪solo䤓搆䌺䗷 ⯞㦁䥽ᇭ楥䏅₵ₜ⏷䏅㢾beatbox flute䤓䆣⯞㽤᧨⇕䠅₼㓏∎䞷Ⓙ䤓ᇷㆅ⇇㔏 㽤 ಠExtendedಠ techniqueᇸ☊㎞⮥⦿㓢栚ℕ㒠⺜beatbox flute䤓∎䞷㡈㆞᧝

⃮峀㢾⥯䍉㦘怙∕怙⮩䤓ⅉ嬺 Greg Pattillo 䤓beatbox flute㓏⛇ㆤ᧨⚛㄃ Ⅵ⻀⦷呹む㓏⻻䤓⦧浣 䤓 Youtube 櫊拢孰摜㠿ₙ⍂ℕ₏侊⒦ 䤓㟨⸇ᇭ抨K㈀䓖㦍⦷2010㄃䟀⚛㲲⦧浣ₙ⍂拝᧨⚜䍉ᇷBeatbox Flute 101 - A Lesson with Greg Pattilloᇸᇭ

₏栚ⱚ䤓㈀䓖侣♲承♙⻤䯉⛈⯞㡈㆞⇕⺩㦹┯⏴↊⇤䤓巫√᧨力 2013 ㄃ ₙ⍂䤓㠿㟨⸇㈀䓖ⓖ⚁䎰ⓜ√䤓棓ヅℕ傃剡䤓巫√咖₏KⅥ㦻ⅉ䆣⯞䤓㦁巫㟨 ⸇᧨崁㈀䓖㒹咂䥽ⓜ䍉㷱⃮め┄抯ℕ36嚻䤓㟅䦚㶰㠇ᇭ

㈭㷳 Beatbox Flute 抟䇇ℕ㓢栚ℕⅥ䯭䱧䤓⮶栏᧨挏嵚⚓恾浧㓚拁⏴⪰⭧ ⏶᧨㦘怙∕怙⮩䤓ⅉₙ⍂₵䆣⯞呹む䤓 Beatbox Flute 䓗㦻᧨⃮㏱㏱䤓帙㒟ℕ ₏匰㠿䇽㿐₵栚䤋⒉ Beatbox Flute 㓏䔈㦘䤓檂唁᧝

⦷傃剡咖⹵悟䤓拝䲚₼᧨㏱㏱⦿㒠⃮㘴岇ℕ棎◰弬㕘ᇬBeatbox ䷘䷘咖 Beatbox Flute 抲㘴䤓㔏厌᧨㩴桀ᇬ律彆ℕ䦇桫䤓㦇仜咖㦁巫᧨岑桀ℕ⚓㆞⚓㲲 䤓Youtube櫊拢᧨䪣䴅㹞⊚ⅉ䤓䆣⯞㡈㆞ᇭ㦏俑⃮㎂尐⺖抨⯦㠿䤓䆣⯞㲰㆞ヅ ⥭♿䋲᧨咗峀厌䍉㓏㦘⸇栆䶪㔏嫢䤓ⅉ㓢栚₏䓖〓㠿䤓⮸䴉᧨⦷㦹∕厌␀⚛栚 ┄㠿䤓ゑ⫃₵俵℗⮶䧍₏⊚㠿䤓匁檂᧨㦮㦪♻楕⚓恾ⅉ氻₏⚛䍉抨⊚⏔䆎゛㦪 咖♾厌㊶䤓ℭ㿁檂㲑ゑ⫃₏怆⋩煭⅏煋᧝

掼⸖㽿, 2018 ⏼㦗

1

⇫劔亰⅚

掼⸖㽿 Myrllin Cheng

䟨㽤栆䶪䆣⯞⹅᧨㦍↊㽤⦚⚁䔈㕘㠾⪰檂㲑棱栆䶪咖⹵泦┖⫃┸㟨᧨位抩 䠅ⅲ咖☂咗檂㲑ᇭ㦍䘁㡴㦻⮶梹⦚椪檂㲑⮶後䶻ℛ⚜᧨₵䘁㡴㦻⹛⭺⼀榊尥♿ ✛㽤⦚䆣⯞⹅◣㦒᧤SPEDIDAM᧥䗝⸇摠ᇭ䟱㯼㡋㽤⦚ゃ煝ズ乓檂㲑棱ᇬゃ煝 ゑ䵚檂㲑棱♙⚁䔈㕘㠾⪰檂㲑棱᧨♥㈦栆䶪✛⸳⏶㲑䆣⯞⹅㠖㐠᧷䚍↊浧楓澂 㠿浧₼ᇬ㠿咗⦚₼檂㲑䙼栆䶪♙⸳⏶㲑㟨ズᇬ㉆㠿丰ㆵ㲑⦧栆䶪氥ゼᇬ浧楓ゑ 丰㲑⦧⓾氥ゼᇭ

2014㄃扣♿㈛᧨䳜㰄咖⚓櫭⨚檂㲑⹅⚗⇫䆣⒉᧨嫷䆣ㇱ㏚㳺恷♳␇咖䚍ⅲ 檂㲑⃒咂恷䟛嫷䆣ᇭ扠㄃⏶棳ℕ咖䧍⮩ℳ檎㲑⦧ᇬ栆䶪⦧ᇬ㷛㓚䷘⚗⇫䆣⒉᧨ 㦃⦷2016㄃咘戵ℕ₏⫃⊚ⅉ┄⇫檂㲑䆣⟀㦒᧨ₜ㡆⢦峵㘷椂⒉㠿᧨㖠㒿栆䶪䆣 ⯞䤓㰄棟᧨俟⚗Beatboxᇬ㈹䜿✋⛇ᇬ榊⷟匁檎㟗㨫䷘᧨帢栆䶪♾ⅴ悂厺⒉♳ ␇䤓㫕㩅᧨⺖檂㲑娜⏴䞮㿊㦃彋扠䧍ⅉ䤓₥䟛ᇭ

2

⺗㠖㘷堵

㨦㠖啠劐ズ 浧楓ゑℳ檎㲑⦧栆䶪氥ゼ

挓岧㈦⃔拯ⓜ䤓㩟₏㄃㝣↊栆䶪㹣後䤓峤⹸㣑᧨㦘₏⇜≙初䤓⺞䟆䞮⛈ Hüe 䤓 Fantasie ⇫䍉呹指㦁᧨䠅㣑㒠嬺Ⅵ怔燰䤓檂㲑㊶㓏⛇ㆤ᧨㦃岬䟿抨⊚ ⺞䟆䞮♾ⅴ㔙㺲㘶Ⓟ䤓抨煋Ⰼ᧨Ⅵ⻀㢾ᇷ掼⸖㽿ᇸ᧝

ℚ椣扠20㄃䤓㣑栢᧨Ⱁ⅙Ⅵ⦷栆䶪䤓檧⩮㦃┯位拁᧨楥䏅㒠咖⸖㽿₵䎰ズ 䞮桫≑᧨䏅力Ⅵ㿐㤱䤓㈹䜿✋⛇♙䞮╤⦿栆䶪Beatbox㔏ぶ☊囦⹵⛇ㆤ囦㒠᧨ ⥯㷳⃮䑒怆ℕ㒠ヺⅥ栚嵁抯䰞檂㲑⸇⷟䤓䑀㍔咖㊄檼᧝

䥽ⓜ♿䋲⺠⷟▥㒟䍉ℕ₏䲽怷╱᧨⦚⹅倢䉮⮶ₜⰑⓜ᧨檂㲑䟛䤓ぴ⇫榏㻑 摞㦘棟᧨抯㒟⮶㔈⎹䱏ⅉ㓜⮥㿐䤓䴧⬒᧤Ⱁ㒠䤓㎪㈡囘㊰䯌⦷▦℻⮶㷛┖棱㝣 ↋栆䶪氥ゼ᧥᧨力抨⻀㢾㒠栚㷳嵁䲚䤓䥽䤓᧨゛㦪厌⺖⎹䱏䤓ⅉ㓜㫈䟨♿䋲᧨ 䍉㦹∕䤓⃊ⅉ剐㙟◖⦚椪䶅䒼┪᧷㦃㦮䦋抨㶰嵁䲚㓏㜡ₚ䤓䲽⷟᧨厌帢抨刳㰄 ␆䇪┪䤓栆䶪⹅⊠抟䇇⦷⦚椪咭♿ₙ䤋⏘䤋䑀᧨䯬䰞⮶⹅⦷塬嫢抨㬬初焦力唀 截䤓拢恾ₙ᧨偊㟍⏘唡᧝

3

ؾᙕ รԫີΚBeatbox Flute ࣳԺ٤ၲ 5 1.1 Beatbox Flute ਢչᏖΛ 6 ϟ Beatbox Flute 9 זΚႚอΕ෼ٽዝ৉ऄऱ࿨ .1-2 13 פรԲີΚBeatbox Flute ᒭࣳ Կଃ 1 4ءഗ .2-1 Օቔ Kick / Bass drum15 ሥ Hi-hat 1 8 K՛ቔ K snare 20 2-2. ܮ௛ଃ 2 4 5 2 ۥଃۼ࢏ .2-3 2-4. ૹរᖞ෻ 2 7 รԿີΚᆏ৉ᒭ฾ 28 3-1. Bass / Kick drum (B)29 3-2. K Snare (K) 3 1 3-3. Hi-Hat (T) 3 3 3-4. ᆏ৉ᒭ฾ 3 4 3-5. Little 007 Star 35 ள۩ॹဢ 38 .3-6 40 ڴਣᎾՕᖏ߆უ .3-7 ร؄ີΚBeatbox Flute ᑨԺྤᒡ 4 2 4-1. Beatbox Flute ଅᑪፖႚࢭ 43 4-2. Beatbox Flute ኙ࣍९ยඒߛऱᐙ᥼ 50 Q & A 52

஼ؾ 53ە೶ ࿨፿ 54

4

䶻₏䵯 Beatbox Flute 㷵┪⏷栚

5

䶻₏䵯᧶Beatbox Flute 㷵┪⏷栚

“乏⯞♲㔏ಠ Beatbox / Beatboxing” “栆䶪乏⯞♲㔏ಠ Beatbox Flute / Flute beatboxing / Fluteboxing” (ⅴₚ亰䳀 BBF)

1.1 Beatbox Flute 㢾⅏煋᧻

ಠBeatbox 怆䄟㡋ℛ◐₥侏 80 - 90 ㄃ⅲ䤓⣊❗♙毡咛㠖▥᧨㦘曡㡋䓄⭺熢 俓岼⌨㠃⯦彆ₚ∕㒥㢾䱮⊮䤕槭デ㢑彃᧨㡋㢾⦷乏䦐倢彊♙⚓䲽劒摞ₙ᧨㣑デ ⦷斓檂栢㒥㘡傃⸳ㇸ㘡㣑䞷ⅉ匁♊㲰↎ᇬ㦎ⅲ䓄⭺熢㒥熢匁㳮⣷᧤drum machine᧥䤓㟗㨫᧨力㈛㓜㏱㏱⦿䆣帙㒟₏䲽ⅉ匁㲰↎塬嫢ᇭ

侣ⅉ匁 Beatbox ∎䞷楨➖ᇬ咛檼ᇬ♲口♙燊口␀澃䴉栢ⅴ♙⠘捷匁ヅ᧨∕ 完抯♙䤋⒉⚓䲽㛸㝵檂᧨塘ⅴ㲰↎ⅴ熢㭡㒥熢Ⓠ㠁㝙熢䤽ᇬ熢挙㒥擇䤓㟗㨫᧨ ⃮⥯㷳䎰嵥⦷侣ⅉ匁 Beatbox 㔠㒥 Beatbox Flute᧤BBF᧥ₙ㛸㝵檂䤓岢傃㰄 䍉摜尐᧨⃮㓜㢾帢䓄⭺熢䤓匁檂➾Ⱘ➾匥䤓桫昄ᇭ

ಠ= ಠ ಠ?

6

ಠ ⃮⻀㢾崹᧨ BBF ⹵椪ₙ⻀㢾⺖䓄⭺熢俓䤓檂㟗┯拁栆䶪䤓䆣⯞ₙ᧨帢㒠 ⊠♾ⅴ⚛㣑䤋⒉抨⏸䲽㲑⣷䤓匁檎ᇭ

ಠ 栆䶪᧧䓄⭺熢 ᧹ Beatbox Flute

BBF 棳ℕ♾ⅴ䆣⯞⚓㆞⚓㲲䚍ⅲ㿐嫛檂㲑欷㫋䤓㦁䥽᧨⃮㣑デ♜拝∕摜㠿 䆣儈♳␇檂㲑䤓倢␇㦁䥽⍞㢾᧶ゃ❗A⺞嵎䎰⇃⯞栆䶪䗷⯞㦁ᇬ㪃♾⮺㠾⪉䤓 印㫒擦䷘᧨∎栆䶪䤓䆣⒉㦁䥽♗㦃┯䤓㞃㇄♙ㅲ㽪ᇭ

㉒㤉⦥1᧶Beatbox Flute

ಠ ಠ栆䶪㦻愺㢾₏檔槭デ␆ⓜ嫪㊶䤓ⅲ嫷㲑⣷᧨⸒咖ⅉ匁䤓␀ⷧ㦃㢾⹕ₜ♾⒕ 䤓᧨␅☮⥯⦷㡋㒠⊠䤓⣃➖咖㲑⣷㦻愺䤓抲㘴ₙ₵䎰亶䓖㒥⛈⣃䤓棊椣᧨䦃㘴 ₣⠽侣⦿ⅴ㺲㋾♙㺲㪀抲㘴ⅉ浣咖㲑⣷᧷⥯㷳 Beatbox 㔏厌₼⮶⮩㠇䤓㛸㝵匁 ᧤Ⱁ᧶⮶熢ᇬ⺞熢ᇬ擇䷘᧥㈦ⅴ⸛初䤓咖栆䶪䤓匁檎俟⚗᧨㒟䍉㠿₏ⅲ䤓䆣⯞ 㲰㆞ᇭ

䧍㓏䤕䩴᧨栆䶪⦷♳␇檂㲑ゑ⫃₼⇣㦘₏ゼ⃚⦿᧨⦷㲑⦧ᇬ䗷⯞♙⸳⏶㲑 䤓⇫❐₼⃮倢デ匌Ⓙ⸒䤓匁檂ᇭ䏅力ℚ⹵ₙ᧨ₜ⚛㡋⍂倀檂㲑₼䤓檂唁㰑㊄᧨ ⦷ Rap 檂㲑䤋⻤⚁孰栆䶪⒉⃝㎞㠨⃚⮥䤓⃮㢾㈗摜尐䤓₏檔檂㲑⏒侯ᇭ⸒⏔䆎 ㈚╤㎮♙☮ⱚ㎮䤓檂唁䔈役᧨∎栆䶪⦷ℛ◐₥侏 50 - 60 ㄃ⅲ᧨㦃㢾⮶摞䤓∎ 䞷⦷䓄⭺㲑孰᧨㒟䍉䓄⭺堸⏚㠾欷㓚㉔⌨䤓䶻ℛ⺗栆㲑⣷ᇭ

7

厌呹䟀䤓俟⚗⍂倀᧤♳␇᧥檂㲑✛䓄⭺檂㲑䤓偙⹕桫≑ಠ᧨∎栆䶪栚ⱚ嬺⮶ 䧍㓏崜䩴᧨ಠ⸒⏔䆎㺲㋾ᇬ䑀㍔₣䃁㩢┪㇆䤓匁檂᧨⃮∎㈦⸒⦷㕘ₐ檂㲑⃚₼Ⱁ Charangaᇬ泆嘝᧤Salsa᧥䷘檂㲑孰⮶㟍䟿ㇸ᧨㒟䍉㉔ₜ♾⺠䤓㲑⣷⃚₏ᇭ

䟀㡋抨㲲䤓㸆⚁䂄䄟♙䲽㡞᧤檂㲑᧥娜⚗᧨∎栆䶪䤓㲑䲽∎䞷乓⦜⃮抟䇇 䤓ᇬ⏷槱㊶䤓㞃㇄Ⓙ₥䟛䓗⦥䤓⚓⊚⦿●ᇭ

⬆ J.P. Rampal ᧤♳␇栆䶪᧥ ⬆ ᧤䓄⭺栆䶪᧥

⬆ Dave Valentin ᧤㕘ₐ䓄⭺栆䶪᧥ ⬆ Greg Pattillo ᧤Beatbox Flute᧥

⦥䯉 1᧶栆䶪檂㲑₥䟛䓗⦥

8

1-2. 䆣⯞㽤䤓俟⚗᧶⍂倀ᇬ䚍ⅲ ᧢ Beatbox Flute

␅⹵᧨⦷㓏㦘栆䶪⇫❐䠅₼Ⓒ䞷ⅉ匁䆣⯞栆䶪₵槭⏷㠿䤓㔏ぶ᧨㈭ℛ◐₥ 侏₼㦮䚍ⅲ㲑᧤Contemporary Music᧥栚ⱚ䤋⻤咂⅙᧨㒠⊠⦷⮶摞䤓䠅ⅲ⇫❐ 孰♾ⅴ䤋䚍䠅ⅲ⇫㦁⹅⊠め倢ㅲ㽪⦿∎䞷栆䶪䚍ⅲ䆣⯞㔏ぶ₼䤓ಠᇷㆅ⇇⯞㽤 ಠ Extended technique ᇸಠ᧨␅₼⃮▔⚺ℕⅉ匁咖䶪匁⚛㣑䆣⯞䤓㡈㽤ᇭ

▔㕻⍞㢾ⅴᇷ㝻匁ᇸ䤋檂㡈㆞᧨挙⛈挙䤋⒉㖖⸩䤓ⷦ㹜ᇬ♹⛈㺲匁㒥挙⛈ 挙⟀䷘拁椝㔏ぶ᧨⍞㢾ᇷchᇸᇷkᇸᇷshᇸᇷtᇸᇷhᇸ᧨㒥㢾ᇷ啀咛ᇸᇷ㽪檂ᇸ ᇷ䅠檂ᇸ䷘᧨⻀め倢㦘櫭⇋ BBF 䤓匁檂᧤BTKT᧥✛䆣⯞㓚㹄ℕᇭ

巫√1᧶Ian Clarke, ಠZoom Tube, m.71-72

ℚ⹵ₙ᧨ᇷㆅ⇇⯞㽤ᇸ咖ᇷBBFᇸ⦷∎䞷咖㊬值ₙ㦘K㰑㊄ₙ䤓ₜ⚛ᇭ

栆䶪䤓ᇷㆅ⇇⯞㽤ᇸ⦷䚍ⅲ檂㲑孰⮶⮩㢾⇫䍉䔈㸙檂㟗䤓₏䲽ᇷ㝻㏚ᇸ䤓 嫷䚍᧨⍞㢾欷匁ᇬ㼨㼨匁ᇬ崭㎞ₜ㢝䤓⥗崭䷘᧨俤⮶⮩㠇䤓ㆅ⇇⯞㽤㢾䞷∕䍉 㦁䥽完抯䔈㸙䤓匁檎ⅴ䞱䞮㎂⍞值ㄵ₼䤓㎞⬒᧨┄抯䗷䔈䤓䴉栢㎮᧷䞷ᇷ槭栆 䶪▥ᇸ䤓䔈㸙檂㟗䉏䤋ⅉ⺜㡋匁檂䤓㎂⍞┪᧨≒∎匌劔拁⏴♵₏⻳㶰䤓㎂⍞值 ㄵᇭ1

1 ♾♒劒 Pierre-Yves, Artaud. ಠLa flûte au présent. ♿䋲᧶☮䶨⦚椪⒉䓗䯍 Robert, Dick. ಠTone developpement through extended techniques. ♿䋲᧶㲑檊⒉䓗䯍

9

ᇷBBFᇸ ⓖ㦃⮩䤓⺗㽷⦷檂㲑䤓☂咗咖⺜乏⯞䤓㘛㙰ₙ᧨∎檂㲑䤓⛗䚍␆ 㦘㇆䍗䤓㈚╤㎮᧨₵ⅿ徃䆣⯞劔⺜⊚ⅉ初㎮䤓䚕屲∕┄抯㒥偷僣㓏∎䞷䤓 Beatbox 匁檂᧨₏咻∕崹⒕䍉⏸䲽㡈㆞᧶

1. ㇆嵎㇆䍗䤓乏⯞㎮咖㈚╤ಠ᧨㦃⺗㽷⦷ Beatbox 䤓∎䞷₵ₜ䔈⒴㇆ 嵎㡚㈚偩㬬䞩咂⸛㠃䤓栆䶪匁檂 2. ㇆嵎㡚㈚咖乏⯞䤓俟⚗ಠ᧨㦘扠⃝⸛㠃䤓栆䶪匁檂挓㦘Ⰼ匌㔠㒥勂䐮 厌崂䤓㡚㈚偩㬬

BBF 䤓䤋⻤䜿⬒⮶⮩㠇㢾⦷ RapperᇬBeatboxer 㒥㢾嫦檼䆣⒉劔䤓䆣⒉ 㲰㆞䠅₼᧨⥯㷳檂㲑₼㣑デヅ㦘㇆䍗䤓 “Jazzy feeling” ᧤䓄⭺㎮᧥᧨峵⦥帢匌 劔䞱䞮咖⃚☂咗㒥愺浣恮囦怆咭䤓⇫䞷᧨㇆嵎咖ⅉ䤓℡╤咖抲俟᧨㦃㽷摜䚍⹵ 㩅㱚䤓ㆉ抯᧨㦃␆㣑ⅲ㎮咖ⷧ⦷㎮ᇭ

⥯㷳 BBF ⺜㡋栆䶪䤓䤋⻤∕崹棳ℕ␆⌨⍂倀䆣⯞㽤㓝⹵䤓岢傃᧨⺜㡋㦍㘴 岇拝䚍ⅲ㲑䤓⸇⷟㒥㲑㓚㦃㢾⹈㢢ₙ㓚䤓₏檔ぴ␆᧨Beatbox 抨檔䔈唁⃮帢䚍 ⅲ栆䶪㦃␆⌨ℕ楲厌♾彃䤓㣑ⅲ㎮ᇭ

㉒㤉⦥ 2᧶栆䶪䆣⯞㽤

10

ಠ ␅₼₏檔咖ᇷㆅ⇇⯞㽤ᇸₜ⚛䤓⦿㡈᧨⦷㡋䆣⯞劔榏尐␆⌨䆣⯞ᇷಠ ➖㛸 㝵檂ᇸ♙ಠ ಠᇷ櫝㛸㝵檂ᇸ䤓厌┪ᇭᇷ➖㛸㝵檂ᇸ櫭⇋㡋攔丰㲑⣷䤓䤋匁㡈ಠ ㆞᧨択拝䴉㺲咖楨➖䤓榖╤∕䞱䞮ₜ⚛䤓檂浧᧨帢⚛櫕熢㈦ⅴ㦘ₜ⚛䤓檂唁᧷ 力ᇷ櫝㛸㝵檂ᇸⓖ㢾択拝咛檼咖ₜ⚛●⫙䤓ₙ櫝䞱䞮㛸㝵∕完抯ₜ⚛䤓檂㟗ᇭ

㒠⊠♾ⅴ䂉䟴䤓⒦⒉⻻㡋ᇷ➖㛸㝵檂ᇸᇉᇷBᇸᇷPᇸᇷPfᇸ䷘䤓匁檎᧶

● ⮶熢 ● ⺞熢᧤熢䤽᧥ ● ₼熢

力⻻㡋ᇷ櫝㛸㝵檂ᇸᇉᇷkᇸᇷgᇸ䤓匁檎᧶

● ⺞熢᧤熢挙ᇬ榊⷟熢᧥ ● 榊⷟匁檎᧤楫岙ᇬ㝵䥳᧥ ● 檎㭡

㦏䍉亰⠽䤓ⓖ㢾ᇷಠ 燡㛸㝵檂ᇸ᧨⪉㦻ₙ㢾䞷∕㲰㝻ᇷ擇ᇸᇉᇷಠ tᇸᇷkᇸ 䤓匁檂᧨䦇⺜㡋栆䶪䤓⪉㦻傃剡⻀㢾⠽⚟咖楨⚟䤓岢傃ᇭ

㉒㤉⦥ 3᧶㛸㝵檂

11

♵⮥᧨䠅㒠⊠⦷䆣⯞ BBF 㣑㦒䀗劦⮶摞䤓㺶㺲᧨⥯㷳㹞䲽㛸㝵檂掌㦒㦘呹 む䤓ಠᇷ⛇㺲檂ᇸ᧤ಠ inhaled sounds᧥∕⇫䍉✋⛇煭㒥匁檎䤓∎䞷᧨ⅴ挎⏜㙪 㺲ₜ恂抯㒟愺浣䤓ₜ拸䞩咂凉㺶ᇭ㈗呹䏅⦿᧨䆣⯞劔榏尐⃊╤⸇剡䨻栢⮶摞䤓 ⛇㺲咖㉺抮㙪㺲䤓㡈㽤᧨棳ℕ厌帢䆣⯞劔㦃拁₏㷴䤓♊㊬劒栆䶪ₙ䤓㙪㺲⮥᧨ ⺜㡋䆣⯞栆䶪檂㲑俤⺜㢾㈗⮶䤓ヺ┸ᇭ

巫√2᧶Ps᧤⺞熢᧥⛇㺲檂, Greg Pattillo, ಠFour Etudes for Beatbox Flute, Hotel Crazyness, m.13-14

巫√3᧶ts᧤擇᧥K᧤熢挙᧥⛇㺲檂, Greg Pattillo, ಠThree Beats, No.2, m.47 & m.109

12

䶻ℛ䵯 Beatbox Flute 傃㷵┮

13

䶻ℛ䵯᧶Beatbox Flute 傃㷵┮

“㏱┮䁻䏘㒟摠ᇭ㉺┮ⓖ䩴␅㓏㏱⃮ᇭ”ಠ by Andrea La Rose “Slow work refines. Fast work tells you where you need to do more slow work.”

2-1. ⪉㦻ₘ檂

㉒㤉⦥ 4᧶⪉㦻ₘ檂

ᇷBeatbox Fluteᇸ㦏⪉㦻䤓㰑㊄棳ℕᇷFluteᇸ䆣⯞㔏ぶ⃚⮥᧨♾㎂力䩴䤓 挓㦘ᇷBeatbox ᇸ䤓⪉㦻┮岢傃ᇭ

䓄⭺熢↊₏⊚乏⯞傃剡掌⺠ₜℕ⮶熢ᇬ⺞熢♙擇抨ₘ䲽⪉㦻檂唁䤓俟⚗᧨ 抨⃮㢾㦏⍂倀䤓偷Ⓟᇭ⥯㷳㘴ₚ∕䶻₏⊚㷴泮⻀㢾尐∕䨼屲₵₣䥰♾厌⦿➾Ⱘ ➾匥䤓㲰↎抨ₘ䲽㓢㝙㲑⣷䤓檂唁᧶

A. ⮶熢 B B. 擇 T C. ⺞熢 K

BBF ⏗泔囪䛭㫋᧪イ㙟㾪᧤Greg Pattillo᧥䞷ℕ₏♴槭デ亰⠽䤓喀㠖♴⷟ ∕⇫䍉₏栚ⱚ䤓㈚╤傃剡ಠ “Boots and cats” ᧤樃⷟咖弢᧥᧨₏⊚㦏⪉㦻䤓 [ ⮶ 熢 / 擇 / ⺞熢 / 擇 ] ⃮⻀㢾 Beatbox 㦏⪉㦻䤓乏⯞傃剡 [ BTKT ] ᇭ

14

A) ⮶熢 Kick / Bass drum

⦥䯉 2᧶⮶熢

⺜㡋檂㲑⹅㒥㓏㦘䤓 beatboxer᧤乏⯞♲㔏劔᧥∕崹ᇷ⮶熢ᇸ掌㢾槭デ摜 尐䤓匁檂᧨抩デ掌㢾㟍⦷ᇷ㇆㕜ᇸ᧤Down beat᧥ ⃮⻀㢾㕜煭ₙ䤓䶻₏㕜ᇭ

㒠⊠ⅴ喀㠖ᇷBᇸ䤓檂乏⇫䍉⮶熢䤓䶵壮᧨択拝ₚゃ咖楨➖䤓㛸㝵䞱䞮匁 檂䤓␀澃ᇭ㒠⊠⏗偙栘⣃ゃ咖楨➖᧨䞷┪⦿㎂䤋⒉ᇷBᇸ䤓檂᧤⹵椪ₙₜ榏榖 ╤匁ヅ䤋⒉匁檂᧥᧨帢ₚゃ㏱㏱㈏ⓜ䲊╤䦃Ⓙ㺲⤃⒉∕䤋⒉⍞㟍⻐䤓匁檂 ᇷዜዿᇸ᧨峵囦㔍Ⓙ␆㦘櫕伡㎮₣㦘㇆䍗␀澃䤓匁檂ᇭ

帢⇯䤓愺浣⺳␅㢾厇口㟍涕㓢栚᧨䤋⒉ᇷBᇸ檂㣑∎㳺椣含值㖐⦷⚛㲲䤓 ⇜函᧨抨㲲♾ⅴ∎⇯䤓⮶熢匁≬㦘Ⰼ䤓␀澃䴉栢᧨₵₣俵℗₏⊚␆嫬㝙┪䤓匁 檂ᇭ

15

傃剡₏᧶⦷㖎怆栆䶪⃚ⓜ᧨㉔檗䭉≬ᇷBᇸ⦷♹㦘楨➖䤓㛸㝵ₚ⃮厌㷲䭉 ⦿䤋⒉Ⰼ䤓␀澃ᇭ⥯㷳傃剡₏氥尐䥽䤓⦷㡋᧶

● 䭉≬㷲䭉䤋⒉Ⰼ䤓⮶熢␀澃匁ᇷBᇸ ● 㟍涕㓢栚厇口᧨愺浣☂㢾㓏㦘匁檂䤓␀澃乀᧨㦘㟍涕ᇬ⹻桙䤓浣㏚㓜㦘 䦇⺜哾Ⰼ䤓嫬㝙┪✛㰄␆Power䤓┪拢

[B]

傃剡ℛ᧶㖎怆栆䶪᧨ₜ拝⦷抨⊚椝㹄栆䶪匁ₜ摜尐᧨摜尐䤓㢾᧶

● 㷲䭉䤋⒉⮶熢匁ᇷBᇸ䤓⚛㣑帢㺲呹䏅⦿ᇬ㟍涕⦿䋛拁丰♲₼ ● 栆䶪♹檗懘㙪㖖㽤᧨♹榏䤋⒉㺲檂㤺ₜ榏尐䤋⒉⹵檂

16

傃剡ₘ᧶䚍⦷㒠⊠尐帢ᇷBᇸ咖栆䶪匁⏸⊚匁檂㏱㏱℡䦇⛇ㆤᇬ槯扠᧨ 抟䇇⦿帢⏸⊚匁檂♾ⅴಠ synchronizedᇷ⚛㷴䤋匁ᇸಠ᧝

17

B) 擇 Hi-hat

⦥䯉 3᧶擇

ᇷ擇ᇸ㑘崁並㢾㒠㦏⠫㷰䤓匁檂⃚₏᧨⃮♾ⅴ崹㢾栆䶪䆣⯞劔㦏⹈㢢ₙ㓚 䤓匁檂ᇭHi-Hat 抩デ㢾㟍⦷ᇷ㇀㕜ᇸ᧤Up beat᧥ 㒥ᇷ♜㕜ᇸ᧤Off beat᧥⇫䍉 煭偃檂䤓∎䞷ᇭ

㒠⊠ⅴ喀㠖ᇷTᇸ䤓䤋檂⇫䍉Hi-hat䤓䶵壮᧨⹵椪ₙ㒠⊠㔙 [t] ✛ [s] 䤓檂俓 ⚗怆∕䤋⒉ [ts] 䤓檂᧨⍞㢾ᇷዯᇸ䤓檂ᇭ⦷ Beatbox 孰槱㒠⊠♾ⅴ匌Ⓙ⮶摞⇝ 櫊Ⱁ⮶熢㒥⺞熢䤓␀澃匁᧨力 Hi-hat ⓖ俵℗匁檂₏⊚㢝ℽ咖櫕伡䂔㣿䤓唁ㇸᇭ

䚍⦷㒠⊠䞷咛檼㔙㺲㷱⇞᧨䤋⒉䩼≒䤓ᇷTᇸ᧨帢匁檂匌怆∕偙䃙₵₣櫕 伡䂔㯩ᇭ㒠⊠㉔檗⏗岢傃咛檼≬㖐㦘┪䤓䕏㏚᧨⚵ⓖ匁檂⹈㢢匌怆∕䎰㇄┪᧷ 䠅䐮㌘偙䃙ᇬ櫕伡䂔㣿䤓ᇷTᇸ㈛᧨峵囦抟䇇┯抮㒥㟈帙乏⯞⇫䍉傃剡ᇭ

18

Hi-Hat ♾ⅴ亰䟴⦿⒕䍉ₘ䲽ₜ⚛䤓檂唁᧨抨ₘ䲽檂唁⦷⹵椪㝜⇫䤓㣑⊨⺜ 檂㲑掌厌怆Ⓙ㈗Ⰼ䤓䇳殍⇫䞷᧶

● Closed hi-hat ⺐栘匁᧶䩼≒檂 ● Open hi-hat 栚㟍匁᧶㸧檎⮩ / 栆檂 ● Pedal hi-hat 吂悞匁᧶䩼≒檂

[t / ts / tsh]

Hi-Hat 㣑デ榏尐㉺抮䤓煭咛₵⿛⚗拁㕜煭栢便㈽䤓傺椨₼᧨⃮⥯㷳⦷擇䤓 ⏼⊚傃剡孰值㖐䳸⸩䤓抮ㄵᇬ䟀㏱咂㉺┯抮ᇬ≬㖐㈚╤㎮㢾咂桫摜尐䤓ᇭ

㦘䳸⸩ᇬ⦉⸩ᇷ⸘孬Ⰼᇸ䤓乏㕜᧨㦒帢檂㲑䤓㈚╤匌怆∕㦃㿐㤱᧨⃮㢾∎ BBF 唁ㇸ匌怆∕㫋⮥⛇ㆤⅉ䤓摜尐⥯侯⃚₏ᇭ

19

C) K⺞熢 K snare

⦥䯉 4᧶⺞熢

⺞熢⺜㡋↊⇤₏⊚ beatboxer 㒥 beatbox flute player ∕崹掌㢾㦏摜尐⃮㢾 㦏桫昄䤓₏⊚匁檂᧨ₜ⚛㡋⮶熢咖擇᧨⺞熢䤓匁檂䂔厕㦃␆檎ℽ䤓嫬㝙┪᧨⦷ ⪉䮝乏⯞₼⃮⮶⮩⒉䚍⦷䶻ℛ㕜ₙᇭ

㒠⊠ⅴ喀㠖ᇷKᇸ䤓䤋檂⇫䍉K⺞熢䤓䶵壮᧨抨⃮㢾ᇷ⛇㺲檂ᇸ䤓␅₼₏⊚ 㙪㺲煭ᇭ⺖㈛咛㫈檑⇞ₙ櫝₵₣⛇₏♲㺲᧨␀澃煭⮶侓⦷㈛燡✻⚗壤᧨峵囦⮩ ⛇ㄍ㶰㺲⺚㔍㛸㝵煭ᇭ

♾ⅴ⦷ᇷKᇸ檂䤓俟⻍壤┯煭 [sh] 䤓⣃⨚⍞㢾 [ksh] ᇬ[kh] 㒥 [keh]᧨帢 K snare 䤓匁檂␀澃㦃⦢ᇬ㦃㦘▔尕㎮ᇭ

㹞₏⊚ⅉ䤓♲口㱚抯掌㦘㓏ₜ⚛᧨峵囦⦷ₜ⚛䤓煭ₙ⢦峵㛸㝵檂᧨Ⰼ䤓␀ 澃煭⃮峀㦒⦷㈛燡ふ⚂⏸⌃⃚₏㒥劔⦷㷲₼栢᧨㹞⊚ⅉ掌ₜ₏㲲ᇭ⦷㔍Ⓙ㷲䭉 䤓㛸㝵煭⃚ⓜ⇯⃮㦘♾厌㦒嬺呹む䤓♲㻃⡕Ⓙ᧨ₜ拝抨㢾₏⊚拝䲚᧨⺞熢䤓匁 檎挓㦘⚓䲽ₜ₏㲲䤓匁檂⍞㢾᧶PfᇬPsh䷘䷘ᇭ

ₜ拝氥⏗㒠⊠㉔檗⏗䳸⸩ K Snare 䤓匁檂᧨抨㢾㦻䵯䤓摜煭檂ᇭ⇤㽐⦷栆 䶪ₙᇷKᇸ⃮㢾槭デⰌ䞷䤓⛇㺲檂咖㙪㺲煭᧨㦘Ⰼ䤓␀澃⃚㈛㒠⊠⻀♾ⅴ∕䤋 ⻤⚓䲽ₜ₏㲲䤓⺞熢匁ℕ᧝

20

K Snare 棳ℕ⛇㺲檂⃚⮥䠅䏅⃮㦘⍞栆䶪ₙ䤓 K ⚟檂᧨ₜ拝㦃榏尐⺚㔍㈛ 咛㫈咖ₙ櫝䤓㛸㝵檂帢ᇷKᇸ㦃㦘␀澃ᇭ㈛咛㫈檑⇞ₙ櫝᧨帢⣃ゃ≬㖐㓢栚᧨ ₚ櫝㈏ⓜ㘷㦘┪䤓䤋⒉ᇷKᇸᇭ

[K / Ksh / Keh]

ಠ傃剡₏᧶⏗⠽䗷択拝♲口㔙㷲䭉䤓⇜函㔍⒉∕

● ㈛咛㫈檑⇞ₙ櫝᧨⮩㎂㎂熢䤽䤓匁檎⺜匁檂䤓㲰↎⃮㦒㦘㓏ヺ┸

傃剡ℛ᧶㘴囦㖎怆栆䶪∎䞷ᇷㆅ⇇㔏ぶᇸ孰䤓 “Aeolian Tone” ᧤㺲檂᧥᧨ 帢ᇷKᇸ咖ᇷ㺲檂ᇸ⚛㣑䤋⒉匁檎

● 栆䶪榏∎䞷 “Aeolian Tone” ⥯㷳檂唁♹㦘㺲檂䍉㷲デ

21

傃剡ₘ᧶⹵檂᧧㺲檂

● 楨⚟傃剡᧨ₜ拝ᇷKᇸ檗␆⌨ BBF 崁㦘䤓㛸㝵檂

傃剡⥪᧶⚛檂傃剡

● 択拝G嵎塜嵎檂椝∕傃剡⺞熢ᇷKᇸヅ拁㲑㦁㣑䤓㈚╤㎮᧨䟀㏱力㉺᧨檂 㲑䤓㈚╤♙䓄⭺㎮⦷㉺抮䆣⯞䤓㣑⊨㓜厌憤力㢢咘⦿⻤䚍⒉∕ ● 㹞₏⊚ᇷKᇸ⸛掌⃊╤㙪㺲

22

傃剡℣᧶◙檂椝᧧⇝檂傃剡

● ⇝檂椷㣑≬㖐厇口䤓栚桙咖㟍涕᧨㖖㽤懘㙪㣑䭉≬㺲㋾ₜ♦㈀檎₵厌䤋 ⒉哾Ⰼ䤓⺞熢檂ᇭ ● 㺲㋾ᇷKᇸ䭉⹵咖䶪♲䞱䞮㛸㝵帢匁檂␆㦘☮ⱚ㎮⻀㢾㦏Ⰼ䤓䕏㏚

傃剡⏼᧶⚟檂咖⺞熢ᇷKᇸ檂懘㙪

● 㦘乏⯞䤓㈚╤᧨≬㖐抮ㄵ䳸⸩᧨ヅ煭䢚䕑ᇬⰌ䘸䤓㉒㏚ₚ♊傃剡᧨㦏㈛ 䞩咂♾ⅴ┯拁呹䟀☂咗᧨䤋㙽┄㎞帢傃剡㦃㦘怲᧝

23

2-2. ⛇㺲檂

⛇㺲檂᧤inhaled sound᧥㢾㓏㦘 beatboxer ✛ beatbox flute player 㦏摜 尐䤓㙪㺲䤓㡈㽤᧨勿㢝⦿⦷乏㕜⃚栢㔍Ⓙ♾∪㙪㺲䤓檂唁㢾 BBF 㦏榏尐䤋㙽 ┄㎞✛㉒┪♊㊬侱䤓⦿㡈ᇭ抩デ㒠⊠㦒Ⓒ䞷⺞熢䤓㕜煭㙪㺲᧨⇕⃮㦘㣑㦒⦷擇 㒥䴉䤌壤㙪㺲ᇭ

⛇㺲䤓㖖䯉䶵壮抩デ㦒ⅴ抨㲲䤓䶵壮嫷䯉ᇷ^Kᇸᇬᇷ^Pᇸᇬᇷ^Tᇸ㒥劔⍞ 㢾丰㲑㙪㺲煭䤓䶵壮ᇷᅚᇸ䦃㘴㲨䯉⦷崁檂⃚ₙᇭ

巫√ 4᧶J.B. de Boismortier, arr. Christopher Kuhns, Suite No.5 in b minor Mov. IV, Fantaisie, m.13-14

巫√ 5᧶Tilmann Dehnhard, ಠthe new flute, Inhaled Sounds, p.38

24

2-3. ㆅ⇇檂唁

㈔䐮㌘ᇷ⪉㦻ₘ檂ᇸ䤓∎䞷㡈㆞⃚㈛᧨㒠⊠⻀♾ⅴ栚ⱚ拁⏴爟⮶䤓檂唁ㄺ ₼♊⸇剡ᇬ指㝖₵┄抯㒠⊠㓏⠫㷰䤓匁檂᧨塘㷳㑘䞷⦷⚓㆞⚓㲲䤓㦁䥽䠅₼ᇭ 㦻㦇㓏㙟∪䤓傃剡䤕䍉ㆤ檧⇫䞷᧨ಠ嵚呹䟀䤋㙽┄㎞⺖↊₏檂唁ᇬ乏⯞ヅ拁↊⇤ ₏檔⪉㦻傃剡孰ᇭ

ⓜ₏䵯㦘㙟Ⓙ拝㹞₏䲽熢䤽掌㦒㦘ₜ₏㲲䤓檂唁᧨㦘K匁檂㦘浧⇝櫊䘖⃚ ⒕᧨㦘Kⓖ␆㦘ₜ⚛䤓唁ㇸᇭ

抨孰亰⠽䤓⺖ BBF ♾∎䞷䤓⚓䲽檂唁䂉䟴䤓⒦咘⒉∕᧨⦷槱⺜㦃⮩拁椝 BBF 㲑㦁㣑⻀厌椷㣑∎䞷᧶

● ⮶熢᧶[B]ᇬ[P] ● 熢挙᧶[K]ᇬ[G] ● ⺞熢᧶[Pf]ᇬ[Psh]ᇬ[Ps]ᇬ[^P] ● Hi-Hat᧶[T]ᇬ[ts]ᇬ[tz]ᇬ[tsss]ᇬ[^T] ● 䔈㸙檂㟗᧶嘝嘝 [sh] [ch]ᇬ㇗咛 [kl]ᇬ榊⷟檂 [m] [ng] ● 㺲檂᧶[h]

ⅴₚ“嫷㫋1”㢾䥽ⓜ beatboxer ⏻崜䤓㘰巫岧巫㲨䯉㽤᧨䟀乏⯞♲㔏䆣⯞劔 Gavin Tyte ✛ Mark Splinter 㓏栚䤋⒉䤓ᇷ乏⯞♲㔏㲨䄥岧巫侊倀ᇸಠStandard Beatbox Notation2 (SBN)ᇭ

⥯㷳⦷ BBF 䤓岧巫㲨䯉ₙ⃮⮶咃㔎封呹抨⊚侊倀᧨嫷㫋₼㦘₏K檂唁㢾 BBF 倢デ∎䞷䤓᧨抨孰䔈⒴䞷 ღ 㲨䯉⒉∕ᇭ

2 Kuhns, Christopher. ಠBeatboxing and the Flute: Its History, Repertoire, and Pedagogical Importance, p.26

25

嫷㫋 1᧶乏⯞♲㔏㲨䄥岧巫侊倀᧤SBN᧥

26

2-4. 摜煭㠃䚕

27

䶻ₘ䵯 乏⯞傃剡

28

䶻ₘ䵯᧶乏⯞傃剡

3-1. Bass / Kick drum (B)

29

30

3-2. K Snare (K)

31

32

3-3. Hi-Hat (T)

33

3-4. 乏⯞傃剡

34

3-5. Little 007 Star For Beatbox Flute Arr. 掼⸖㽿

35

36

37

3-6. 㡔嫛槡奨 For Beatbox Flute Arr. 掼⸖㽿

38

39

3-7. 㢮椪⮶㒿䕑㎂㦁 ಠFor Beatbox Flute Arr. 掼⸖㽿

40

41

䶻⥪䵯 Beatbox Flute 䇪┪䎰䴽

42

䶻⥪䵯᧶Beatbox Flute 䇪┪䎰䴽

4-1. Beatbox Flute 欷䇽咖⍂㔎

䥽ⓜ桫㡋 BBF 䤓㟨䲚㦇仜₵ₜ⮩᧨⇕⦷ Youtube 櫊拢ₙ㦘桫㡋 Beatbox Flute 䤓䦇桫㈀䓖め倢⮩拣24嚻7◒⮩㬬᧨♾尚␅㈀檎┪㢾䂀ₜ♾䂻䤓᧝3

BBF ⏔䆎㈚╤㎮䤓嫷䆣⨚㏚め倢䂀䂀䤓⛇ㆤⒿ㠿₏ⅲ䤓栆䶪⹅⊠᧨㦃㢾⮶ ピㄵ⦿⦷₥䟛⚓⦿栚ⱚ㘷ㅲ᧨⺳␅⦷初⦚桫㡋 BBF 䤓嵁䲚ᇬ⮶ズ䙼♙嶪ㄶ㡸 め⦷⚓檂㲑棱♙檂㲑㳮㱚孰ㅲ㽪䤓嬺岝嵥咖㘴侜᧨㓏Ⓙ⃚壤㦃㢾ㆤ怆㇆䍗䤓抃 檎᧝

初⦚⇫㦁⹅⊠椇椇儛儛䤓⃮栚ⱚ㽷㎞Ⓙ抨檔㰄␆䇪┪䤓栆䶪䆣⯞㽤᧨⥯㷳 初⦚⇫㦁⹅ Anna Meredith ⃮⹺ℕ₏氥俵 BBF ♙丰ㆵ㲑⦧䤓◣⯞㦁 ಠConcerto for Beatboxer and Orchestra ⅴ♙ Randall Woolf ⹺俵 BBF ♙ㆵ㲑⦧䤓⇫❐ Native Tongues for beatbox flute and string orchestra.

3 2018.05.19

43

巫√ 6᧶Randall Woolf. ಠNative Tongue, for beatboxing flute and string orchestra

44

棳ℕ◣⯞㦁⃚⮥᧨栆䶪⦧⃮抟䇇ㆤ拁抨檔㠿䳝䤓㔏厌㟍拁㟈偷巫䠅₼᧨√ Ⱁ᧶初⦚栆䶪⹅㤷⇫㦁⹅ Christopher Kuhns 俵 Beatbox栆䶪⦧㟈偷呹勥㫠㷛 ┖ᇷ堸ⱕ㭽咖⮶Ⓒ㕘 ಠSamson et Dalilaᇸ₼䤓ᇷ䕑㷰⃚咭 ಠBacchanaleᇸ᧨ⅴ♙ 㟈偷呹 ಠMichael Jackson 倢␇㷛㦁 ᇷ䔾凹浧㓚 ಠSmooth Criminalᇸ䷘⇫❐ᇭ

巫√ 7᧶C. Saint-Saëns, arr. Christopher Kuhns, Samson et Dalila: Bacchanale, for Beatbox

45

ಠ挓㦘㦻㦇⇫劔㦻愺⃮⹺ℕ俵Beatbox栆䶪摜⯞⦧᧨㟈偷呹㢮椪⮶㒿榊㈀⃊ 櫛㦁䤓ᇷStar War for Beatbox Flute Ensembleᇸbeatbox栆䶪⏼摜⯞᧨咖俟⚗ ⏡㷛⺞㢮㢮♙007榊㈀揜㲑䤓ᇷLittle 007 Star for Kid’s Beatbox Flute Quatuor ᇸbeatbox栆䶪⥪摜⯞ᇭ

巫√ 8᧶arr. 掼⸖㽿. ಠStar War, for beatbox flute ensemble

46

巫√ 9᧶arr. 掼⸖㽿. ಠLittle 007 Star, for kid’s beatbox flute quatuor

47

劐⹵崹᧨㒠⊠㈗楲䟛⸩㒥⒳⒴䴅䵮崿㓜㢾 BBF 㦏⒬䤓怆䄟᧨⇕㒠⊠♾ⅴ䭉 ⸩䤓㢾栆䶪䤓䤋⻤抟䇇♦Ⓙ峀⮩∕呹ₜ⚛⦚⹅⍂倀檂㲑䤓㈀檎᧨⺳␅㢾⦷☂咗 㣑匁檂ₙ⚓䲽檂乏䤓∎䞷咖乏⯞ₙ⮩㲲▥䤓岢傃᧨⍞㢾᧶

● 㡸㦮㎪䓍墼⍂倀㷛⟀ㇱ㆞ ಠLilting ● ◿ㄵ ಠBol 4 ● 橢⦚㧥熢 ಠchanggo ● ♳ゃ檂㲑 ಠtumao ● 䓄⭺☂咗⚮⟀ 5

巫√ 10᧶◿ㄵ⍂倀檂㲑, ⫣ₜ㕘熢㓚ᇷ⫣㕘ᇸ乏⯞㲰㆞

巫√ 11᧶Michele Weir, ಠThe scat singing dialect, An introduction to vocal improvisation, Choral Journal Vol.55, No.11, Pg.32, Figure 8

4 ◿ㄵ䔈㦘䤓乏㕜岧巫㡈㆞᧨ⅴ㝻匁ⷦ㲰↎㲑⣷䤓匁檂帢ⅉ岧⇞╤⇫咖乏⯞ 5 ☂咗⚮⟀ scat singing ∕䄟㡋䓄⭺檂㲑崹㽤᧨㎞㡷ⅴₜ␆崭㎞䤓檂乏∕☂咗䆣⟀᧨⦷⍂倀㷛嶯₼⃮ₜ⃞☂咗 䆣⟀䤓㲰㆞᧨⍞㢾㽿楔♳嵎₼ⅴ♳崭∕☂咗⚮⟀

48

♦Ⓙₜ⚛䤓⍂倀檂㲑欷㫋䷘⥯侯㈀檎᧨∎ⅉ匁抟䇇⦿咖栆䶪䤓䆣⯞䞱䞮䬿 㜭ᇬ懘帙咖娜⚗᧨帢䆣⯞劔⦷䆣⯞栆䶪㣑㦘ℕ㦃⮩ₜ⚛㡋ⅴ㈏᧨㦃⮩⏒ᇬ㦃廟 ⹛䤓㊬值㡈㆞ᇭ㦘⒴㡋栆䶪䤓⍂倀初匁᧨㦃摜尥␅檂㲑䤓嫷䚍┪咖㇄┪᧨≒∎ 栆䶪抨檔㲑⣷咖䯍㦒䤓抲俟䇇䇇⦿䞱䞮ℕ⹕ₜ♾⒕䤓桫勾ᇭ

⃮峀⇯㦒崜䍉 BBF 侣佈♹㢾₏檔孬搆ᇬ㠿䇽䤓搆䌺㔏厌᧤⸒䤓䭉㢾᧥᧨⇕ BBF 岧巫㽤䤓䤋⻤咖䦇⺜㑘䱠㔏䤓䤋⻤᧤檂檎岼⌨䷘᧥᧨⸒㓏ヅ俵栆䶪䆣⯞劔 䤓㢾₏檔㡱厌娜⏴䠅ⅲ䯍㦒䤓䆣⯞㔏嫢咖檂㲑᧨⃮俟⚗ℕ⍂倀䆣⯞㲰㆞᧨帢⍂ ♦劔咖嬺⍂♦劔䤕㦘ℕ₏⊚㦃Ⰼᇬ㦃拸⚗䄬抩䤓⍂㔎㡈㽤ᇭ

49

4-2. Beatbox Flute ⺜㡋栆䶪㟨十䤓㈀檎

棳ℕ⍂㔎⃚⮥᧨Beatbox ᧢ BBF 䤓岢傃帢㒠⊠⦷槱⺜ₜ⚛䤓㟨十䜿⬒㣑㙟 ∪㦃⮩ₜ₏㲲䤓㟨⸇㡈㆞咖䇪⦷䤓ヺ┸᧶

● Beatbox Flute 䤓岢傃帢檂㲑⹅♙⸇䞮⊠㈦ⅴ⬭拁⺜呹愺愺浣屉䩴䤓㘛㙰 ᧤kinesthetic awareness᧥ ● 帢㒠⊠㦘恂⮯䤓厌┪槱⺜♙壤䚕⮩摜/⮩┮厌↊╨ㇱ㏚䷘㦁䥽䤓尐㻑 ● 摜宖䤓㈚╤㈦ⅴ⬭拁位䯭ₙ䤓⺗㽷┪ ● ⏔䆎乏⯞㎮ᇬ摜宖㊶浧₣㦘怲䤓 Beatbox ㈚╤᧨厌⮯㦃㦘㟗䘖䤓ヺ┸檂 㲑⹅♙⸇䞮⊠㇆▥乏⯞䤓㈚╤㎮ ● 扺∎⸇䞮⃊╤⸇剡㉺抮㙪㺲咖㙪㺲煭䤓岼岗

㉒㤉⦥ 5᧶⸇剡 Beatbox Flute 䤓⎹煭咖ヺ┸

50

⺖ Beatbox 䤓檂㟗㑘䞷⦷㡸㦮䤓᧤♳␇᧥檂㲑₼㣑᧨♾ⅴ䍉㒠⊠㇆▥₏K 摜尐䤓檂㲑⪉㦻㰑㊄᧶Ⱁゃ❗䤓宖⚗㡚㈚䤓⛗䚍ᇬₜ⚛匁捷䤓俟㱚⻳㶰䷘ᇭ

䠅 BBF ∎䞷⦷栆䶪摜⯞⦧᧨⺳␅⦷䆣⯞䚍ⅲ㿐嫛檂㲑䤓㟈偷㦁㣑᧨㦃♾ⅴ ㈗Ⰼ䤓䍉₏咻㺠䧍㙟∪₏⊚␋␆▔⹈㊶₣恷櫛㧟䤓勾僺咖䜿⬒᧨拁力≒拁栆䶪 ⦧䤓䤋⻤ㆅ⇇咂⚓⊚ₜ⚛䤓⻳槱ᇭ6

BBF 䤓䤋⻤咂⅙㓏䞱䞮䤓抲春㟗㑘ₜ⹈⺞屆᧨櫾力㢢尚䤓㢾䠅 Beatbox Flute 岧巫㽤栚ⱚ䍉ℕ岧斓巫槱力㑘拚力䞮㣑᧨楥䏅䥽ⓜ⺩㦹㦘₏⊚⏻⸩䤓岧 巫㡈㆞᧨⇕⻀⍞ℛ◐₏₥侏䤓䚍ⅲ㲑⇫㦁⹅⊠₏㲲᧨㹞₏⇜⇫㦁⹅掌㝐㦘呹む 䐮㌘䤓㓢巫慮浣咖岧巫㲰㆞᧨楥䦚⇋楫ℑ䎰䵯☊掌㝐㦘␀⚛䤓䆣⯞㡈㽤᧨♹榏 䩴拢Ⱁ⇤㷲䭉䤓䆣⯞☂♾ℕ屲⚓䲽岧巫㽤䤓㎞券ᇭ

⥯㷳᧨BBF 岧巫㽤䤓䞱䞮∎㈦㦁䥽㈦ⅴ⮶摞⦿嬺栆䶪⹅✛⸇䞮⊠⸇剡咖⍂ 桀᧨₵厌択拝㦘㩅㱚ᇬ⦉⸩䤓䆣⯞㡈㆞䳸⸩₣㖐儛⦿嬺⏻栚䆣⯞᧨⃮⥯䍉厌⮯ 䗷䵚䆣⯞₏㠃氥⸛㠃䤓㦁䥽᧨択拝䔈⸩⣷㧟䤓憣┸☂厌俓㒟㣑ₚ檂㲑 Youtuber 㦏㿐嫛䤓 One man band᧤₏ⅉ㲑⦧᧥᧨∎抨櫭⨚䤓䆣⯞㲰㆞⺖㦘㦃⮩䤓㳮㦒 ⛗䚍⦷刳䧍槱ⓜᇭ

⃮⻀㢾崹᧨岧巫㽤✛ Beatbox Flute 䆣⯞㽤䤓㿐嫛⺖∎㈦栆䶪抨檔㲑⣷㦃 ⹈㢢⦷抨K㄃憤䤓ᇬ㦘䇪⦷䤋⻤┪䤓⸇⷟浣⏶栚㨬㟲囘᧨∎ BBF ⦷㦹∕䤓栆 䶪䆣⯞ₙ⺖㝐㦘㦃⹻ㅲᇬ㦃䎰♾棟摞䤓䤋⻤䴉栢᧝

6 Kuhns, Christopher. ಠBeatboxing and the Flute: Its History, Repertoire, and Pedagogical Importance, p.38

51

Q & A

ᇄ Q: 傃剡 Beatbox Flute 㦒帢檂唁帙佮⡝᧻ Ⴗ A: ₜ㦒ᇭBBF㢾⍂倀栆䶪㔏塬⍂㔎㈛䤓₏檔㒟㨫᧨♾ⅴ崹⇫䍉栆䶪 䤓⪉㦻傃剡㦃厌ヺ┸䚍ⅲⅉ䳸⸩乏㕜咖㘛㙰⛈⣃咖♲口䤓拚䞷ᇭ㦃 ⇤㽐᧨栆䶪檂唁䤓∎䞷䤍䤍䲽᧨㝐㦘ₜ⚛檂唁☊⒉唁䤓栆䶪䆣⯞劔 ⦷䠅⅙䤓栆䶪㯼䟛⏶⮶㦘ⅉ⦷᧨⥯㷳䎰檗㝣㉒檂唁䤓峽摚㢾⚵ₜⰴ ᧨䥰♾厌䞷愺浣♊㎮♦檂㲑᧨㓜厌⦷⅙㈛䤓傃剡₼ヺ┸呹む拣Ⓙ㦏 ⮶䤓㒟㟗ᇭ

ᇄ Q: 䆣⯞ Beatbox Flute 㣑デ㎮Ⓙₙ㺲ₜ㘴ₚ㺲᧨㊝煋戵᧻ Ⴗ A: ␅⹵BBF䦮䤓並㢾₏檔嫊劦彊浣┪䤓䆣⯞㲰㆞᧨⇕⻀⍞䆣⯞ Paganini 㒥 Jolivet 䤓摛嶍⃚㷛㣑₏㲲᧨⚛㲲掌㦒⥯䍉⥿楲䤓㔏ぶ ✛⮶摞䤓⚟㺲力㎮Ⓙ䡁侾ᇭ➾₏厌┯㇆䤓⻀㢾呹愺䤓浣厌᧨ⅴ♙䥰 ♾厌䤓楥㣑≬㖐⏷愺䤓㟍涕᧨愺浣㦘恂⮯䤓㇗㊶咖䴉栢㓜厌帢呹む 㦘恂⮯䤓匛功┪咖㖐⃔┪值㖐愺浣䤓㦏∂䕏㽐᧨⃮㓜厌䃇⒒㦘殧䤓 峽摚檂㲑ᇭ

ᇄ Q: 䍉⅏煋僌屉㈦㒠⛈⒉∕䤓⮶熢匁ₜ⮯⮶匁ᇬ⺞熢匁ₜ⍞⺞熢ᇬ擇ₜ⍞ 擇⛱᧻ Ⴗ A: ⮶熢匁㈗榏尐愺浣≬㖐⸛⏷䤓㟍涕᧨帢愺浣㦘恂⮯䤓␀澃䴉栢㓜 厌帢⮶熢䤓⇝櫊殌䆎᧨䟆䞮䤓愺浣㱚抯♗䦇⺜㹣Ⰲ䞮䤓␀澃㎮∕䤓 ㇆䍗₏K᧷力⺞熢匁✛擇䤓匁檂ⓖ㈗ㆉ巿Ⅳ便動匌䦮㷲⺞熢㒥擇択 拝熢㭡㓢⒉∕㈛䤓㹞₏櫕匁檂᧨Ⅳ便匌₵㲰↎᧨㦏俑㓜厌㔍Ⓙ㦏⚗ 拸䤓㛸㝵煭᧨拁力厌⮯䤋Ⓙ䆑ℽ䤓⪉㦻ₘ檂ᇭ

52

♒劒㦇䥽

- Christopher, Kuhns. ಠBeatboxing and the Flute: It’s History, Repertoire and Pedagogical Importance. Florida State University Libraries. 2014

- Tilmann, Dehnhard. ಠThe New Flute. Universal Edition. 2013

- La Rose, Andrea. A Fluteboxing Workbook. 2011

- Greg, Pattillo. ಠwww.pattillostyle.com

53

俟崭

Beatbox Flute 㢾₏檔槭デ劒泦乏⯞㎮咖㈚╤㊶䤓䆣⯞㡈㆞᧨䏅力䎰嵥ⅴ⇤ 䲽㡈㆞䆣⯞栆䶪᧨㺲㋾䤕䍉₏⒖䤓㫈㦻᧨厌䃇⒒㦘殧䤓㘶Ⓟ㺲㋾䤓懇⒉咖懇⏴ 摞᧨㓜厌峽摚⒉䶵⚗崁㲑䲽䤓檂唁咖㈚╤㎮ᇭ

₏䦃ⅴ∕᧨檂㲑⹅䤓䆣⯞恮ᇷ㟍涕ᇸ䤓䲚ㄵ㋾㋾䦇桫᧨㟍涕㓜厌帢愺浣㓢 栚∎匱浣㒥♲口㦘恂⮯䤓䴉栢♾ⅴ㿊╤᧨㦘䴉栢㿊╤㓜㦘戵㽤┄抯㦘┪䤓㞾㜟 煭咖␀澃∎匁檂拣Ⓙ㈗Ⰼ䤓㕢⻤ᇭ

⦷䆣⯞ Beatbox Flute 㣑榏尐㦘⏔恂䤓┪拢帢匁檂匌怆∕㦃㦘嫬═ᇬ㦃㦘 䒕䤋┪᧨䏅力␆㦘┪拢₵ₜⅲ嫷尐㈗䞷┪᧷摜┪┯抮ㄵ㢾₏⊚㈗㦘㟗䤓㟊㝙┪ ᧨⍞㖂㝙㓚₏㲲Ⓒ䞷㡚懘䤓┪摞∕帢䦚⇋憤涕䤓䦃㖂␆䫃⭭┪᧨抨㣑⊨㹣憒⍞ 㢾㷵嫢ₙ䤓ᇷ═┪ᇸ㒥ᇷ⊮┪䤋┪ᇸ᧨ᇷ䞷┪ᇸ咖ᇷ═┪ᇸ䤓㰑㊄⸛⏷ₜ⚛᧨ ₣㓏㙟∪䤓䫃⭭┪ⓜ劔⻀⍞業奚力㈛劔⻀㢾䪂檼᧨ぽ⒴㡋㷳ᇭ

㎂尐㝐㦘Ⰼ䤓 beatbox 匁檂㦃摜尐䤓㢾⮩屏⹮ᇬ⮩匌␅Ⅵ䲽㲑⣷䤓匁檂᧨ 㝐㦘便傊⏴㈽䤓屏⹮┪㓜厌⺖匁檂㲰↎䤓㍮Ⱘ㍮匥᧨䏅㈛␜∕劒㏽⚗拸䤓栆䶪 檂唁᧨檂唁㦻愺㦻∕⻀▔刔嚻廰᧨⺚㔍Ⓙ㦏拸⚗呹む䤓檂唁咖嫷䚍┪㓜㢾㈦ⅴ 栆⃔䤋⻤䤓⥯侯ᇭ

㦏㈛᧨Beatbox Flute 㔏嫢䤓㘷ㅲ⺖㦒䍉栆䶪䟛ヅ∕ₜ⹈⺞屆䤓㈀檎᧨帢栆 䶪抨檔㲑⣷㦘恂⮯䤓厌┪䴐䫃♳␇檂㲑䤓棟Ⓟ∕Ⓙ㦃䍉⹻ㅲ䤓檂㲑₥䟛᧨栆䶪 㔏塬䤓⍂㔎咖䱠㔏慮䫻浣䤓拁㷴掌⺖䍉㦹∕䤓檂㲑䞱㯼ヅ∕ₜ⚛䲚ㄵₙ䤓㈀檎 ᧨┹┪䤓⏔⹵呹㒠ᇬ䭷傃㔏嫢᧨檂㲑䞱㯼䤓䤋⻤挓榏尐∕呹㦃⮩㡈槱䤓⚗⇫咖 Ⓣ䉏᧨㦹∕䤓恾挓㈗栆᧨帢㒠⊠⮶⹅₏怆┹┪┄抯㠿䤓₥䟛⚶᧝

54

MAY THE BEATBOX FLUTE BE WITH YOU