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Sentence Overturned for Centralia Gang Member Who Was Sent to Prison for 92 Years at Age 16 Shooting Sentence Shattered
Tenino Mayor Now the Subject of Investigation Following Alleged Sexual Activity in City Vehicle / Main 5 $1 Midweek Edition Thursday, Sept. 20, 2012 Reaching 110,000 Readers in Print and Online — www.chronline.com Cofee cups are seen in one of Ron Gaul’s cofee-stained paintings at the Morgan Art Centre in Toledo on Monday evening. See more in today’s Life: A&E. Pete Caster / [email protected] Two Local Women Charged Following Death of Intoxicated 16-Year-Old Chehalis Boy / Main 4 Sentence Overturned for Centralia Gang Member Who Was Sent to Prison for 92 Years at Age 16 Shooting Sentence Shattered Left: Guadalupe Solis- Diaz Jr., convicted for 2007 drive-by shooting in downtown Centralia DRIVE-BY Man make an appearance in a Lewis County courtroom after the Convicted for 2007 Washington Court of Appeals ‘‘Underwood failed to make ‘reasonable Drive-By Shooting to be ruled that his 92-year sentence efforts’ at advocating for his client during was unconstitutional and that his Resentenced legal representation during his sentencing ... Underwood did not to inform By Stephanie Schendel sentencing was “constitutionally deficient.” the court of a number of important factual [email protected] Guadalupe Solis-Diaz Jr. was and procedural considerations.’’ The former Centralia High 16 when he sprayed bullets along School student convicted for the the east side of Tower Avenue in Above: Michael Underwood, court 2007 drive-by shooting in down- according to unpublished opinion of the Washington State Court of Appeals appointed attorney for -
Hacker Public Radio
hpr0001 :: Introduction to HPR hpr0002 :: Customization the Lost Reason hpr0003 :: Lost Haycon Audio Aired on 2007-12-31 and hosted by StankDawg Aired on 2008-01-01 and hosted by deepgeek Aired on 2008-01-02 and hosted by Morgellon StankDawg and Enigma talk about what HPR is and how someone can contribute deepgeek talks about Customization being the lost reason in switching from Morgellon and others traipse around in the woods geocaching at midnight windows to linux Customization docdroppers article hpr0004 :: Firefox Profiles hpr0005 :: Database 101 Part 1 hpr0006 :: Part 15 Broadcasting Aired on 2008-01-03 and hosted by Peter Aired on 2008-01-06 and hosted by StankDawg as part of the Database 101 series. Aired on 2008-01-08 and hosted by dosman Peter explains how to move firefox profiles from machine to machine 1st part of the Database 101 series with Stankdawg dosman and zach from the packetsniffers talk about Part 15 Broadcasting Part 15 broadcasting resources SSTRAN AMT3000 part 15 transmitter hpr0007 :: Orwell Rolled over in his grave hpr0009 :: This old Hack 4 hpr0008 :: Asus EePC Aired on 2008-01-09 and hosted by deepgeek Aired on 2008-01-10 and hosted by fawkesfyre as part of the This Old Hack series. Aired on 2008-01-10 and hosted by Mubix deepgeek reviews a film Part 4 of the series this old hack Mubix and Redanthrax discuss the EEpc hpr0010 :: The Linux Boot Process Part 1 hpr0011 :: dd_rhelp hpr0012 :: Xen Aired on 2008-01-13 and hosted by Dann as part of the The Linux Boot Process series. -
Of Game 6) That the Games Usually You Ex Pect to See Some Clutch Hitting
Sports Editor—Phil Fretz I don’t know about you, but I felt that One out later, a passed ball sent runners the recently concluded World Series lacked the to second and third and Hal McRae was inten drama and excitement (with the exception of tionally walked to fill the bases for Dane Game 6) that the games usually provide. Iorg. Everyone knows what happened at this When you watch the World Series, you ex point so there's no sense in rubbing it in. pect to see some clutch hitting, strong pitching, The final two innings of game six prvidedo the and solid defenses because these are the two series with the most excitement it was to see. best teams in baseball and they've proven that Game seven began the next evening and they can do these things and do them well. it was hyped-up to be the ultimate game as The Kansas City Royals certainly showed it was John Tudor was facing Bret Saberhagen. everyone that they have an outstanding pitch Welp, Tudor lasted about three innings and ing staff. The Cardinals found this out the Andujar lasted about three pitches as nothing hard way as they managed to produce only 13 went the Cardinals way until the bus going runs in the seven games and had the lowest home. Kansas City humiliated the Cardinals batting average in World Series history. This by beating them 11-0 behind the shutout comes as a big surprise considering that they pitching of Bret Saberhagen and everyone had the highest batting average in the National including the trainer got hits. -
Generic Affinities, Posthumanisms and Science-Fictional Imaginings
GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance. -
THE PHILOSOPHY of STEVEN SODERBERGH the Philosophy of Popular Culture
THE PHILOSOPHY OF STEVEN SODERBERGH The Philosophy of Popular Culture Th e books published in the Philosophy of Popular Culture series will illuminate and explore philosophical themes and ideas that occur in popular culture. Th e goal of this series is to demonstrate how philosophical inquiry has been reinvigorated by increased scholarly interest in the intersection of popular culture and philosophy, as well as to explore through philosophical analysis beloved modes of entertainment, such as movies, TV shows, and music. Philosophical concepts will be made accessible to the general reader through examples in popular culture. Th is series seeks to publish both established and emerging scholars who will engage a major area of popular culture for philosophical interpretation and examine the philosophical underpinnings of its themes. Eschewing ephemeral trends of philosophical and cultural theory, authors will establish and elaborate on connections between traditional philosophical ideas from important thinkers and the ever-expanding world of popular culture. Series Editor Mark T. Conard, Marymount Manhattan College, NY Books in the Series Th e Philosophy of Stanley Kubrick, edited by Jerold J. Abrams Football and Philosophy, edited by Michael W. Austin Tennis and Philosophy, edited by David Baggett Th e Philosophy of the Coen Brothers, edited by Mark T. Conard Th e Philosophy of Film Noir, edited by Mark T. Conard Th e Philosophy of Martin Scorsese, edited by Mark T. Conard Th e Philosophy of Neo-Noir, edited by Mark T. Conard Th e Philosophy of Horror, edited by Th omas Fahy Th e Philosophy of Th e X-Files, edited by Dean A. -
Happy Birthday Linux
25 Jahre Linux! Am Anfang war der Quellcode Entstehungsgeschichte und Werdegang von Linux Entwicklung und Diversifizierung der Distributionen Der Wert von Linux oder: „Wat nix kost, dat is och nix.“ Andreas Klein ORR 2016 1 Am Anfang war der Quellcode (70er) ● 1969, Ken Thompson u. Dennis Ritchie erstellen die erste Version von Unix in Assembler. ● Von 1969-1971 entwickeln sie gemeinsam die Programmiersprache B. ● Ab 1971 erweiterte in erster Linie Dennis Ritchie B, um weitere Elemente und nannte sie Anfangs NB (new B). ● 1973 waren die Erweiterungen soweit gediehen, das er die stark verbesserte Sprache C nannte (Brian W. Kernighan hat ebenfalls maßgeblich dazu beigetragen). //Unix=25 PCs ● Bis 1974 war das gesamte Betriebssystem UNIX vollständig in C implementiert und wurde mit einem C-Compiler kostenfrei an verschiedene Universitäten verteilt. ● 1978 wurden bereits über 600 Computer mit dem UNIX-Betriebssystemen betrieben. ● Das aufblühende Zeitalter der Computerisierung der 70er Jahre war geprägt vom regen und freien Austausch von Programmen und dessen zugrunde liegenden Ideen. Sinnvoller Weise tauschte man diese als Quellcode untereinander aus. ● 1979 wurde von AT&T die letzte UNIX-Version 7, mit freiem Quellcode veröffentlicht. Andreas Klein ORR 2016 2 Am Anfang war der Quellcode (80er) ● 1980 – 1983 AT&T sowie zahlreiche andere Unternehmen beginnen mit der Kommerzialisierung von UNIX, durch Koppelung an stark beschränkenden Lizenzen und Geheimhaltung des zugrunde liegenden Quelltextes. ● Richard Stallman kündigt am 27. September 1983 in den Newsgroups net.unix-wizards und net.usoft das GNU-Projekt an. ● Am 5. Januar 1984 begann Stallman offiziell mit der Arbeit am GNU-Projekt, nachdem er seine Stelle am MIT gekündigt hatte. -
Zenoss Developer's Guide
Zenoss Developer’s Guide Version 2.3.3 February 19, 2009 Zenoss Developer’s Guide Version 2.3.3 Copyright © 2009 Zenoss, Inc. All rights reserved. The Zenoss logo is a registered trademark of Zenoss, Inc. Zenoss and Open Enterprise Management are trademarks of Zenoss, Inc. in the U.S. and other countries. Zenoss can be contacted at: Zenoss, Inc. 275 West St. Suite 204 Annapolis MD 21401 U.S.A. Flash is a registered trademark of Adobe Systems Incorporated. Java is a registered trademark of Sun Microsystems, Inc. Linux is a registered trademark of Linus Torvalds. SNMP Informant is a trademark of Garth K. Williams (Informant Systems, Inc.). Tomcat is a trademark of the Apache Software Foundation. Windows is a registered trademark of Microsoft Corporation in the United States and other countries. All other companies and products mentioned are trademarks and property of their respective owners. Table of Contents 1. Introduction .............................................................................................................................. 1 1.1. Overview ...................................................................................................................... 1 1.1.1. Model ................................................................................................................ 1 1.1.2. Availability ......................................................................................................... 1 1.1.3. Events ............................................................................................................... -
February 11 — March 18
FEBRUARY 11 — MARCH 18 H&R Block Artspace at the Kansas City Art Institute kcai.edu/artspace @hrblockartspace Vito Acconci American, born 1940 Wav(er)ing Flag, 1990 lithograph Gift of Landfall Press, Collection of the Kansas City Art Institute Vito Acconci, who began his career as a poet, gained renown (and infamy) in the 1970s for performance-based work through which he challenged borders between public and private space and interrogated the limits of his own body. roughout his performative work and subsequent sculpture, installation, and architecture have run interests in language, power, and the body/self in relationship to space and society. Included have been a number of prints, sculptures and installations incorporating ags, including architectural “houses” in which viewers are literally walled-in by American and/or Soviet ags, as well as a more generalized Flag Full of Holes (1988), which is precisely what the title describes. Wav(er)ing Flag, a suite of six color lithographs that combine to form a 12-foot long American ag, reects many of Acconci’s ongoing concerns, both as it pushes beyond the borders of the conventional print format and as it challenges the authority of ag, deconstructing its symbolic power and complicating its meanings. Here, the text of the Pledge of Allegiance (written in 1887, adopted by Congress in 1942, and to which “under God” was added in 1954) is brought into conversation with the ag itself, breaking down into fragments—literally falling apart—as it stretches across the stripes of this absurdly long ag. Exemplifying Acconci’s dexterity manipulating language and use of repetition as formal and conceptual strategy, the blue text above and below the pledge interrogates the notions of unity, strength, and the freedom “for which it stands.” Words like “fame,” “mad,” “rich,” “un,” and “lie”, are called out as alternate assessments of the nation’s character, while pairings such as “peg/leg” “fag/lag,” “us/just,” “edge/ledge,” and “divisible/die” allude to its vulnerability. -
Copyright by Gregory Scott Brown 2004 the Dissertation Committee for Gregory Scott Brown Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Gregory Scott Brown 2004 The Dissertation Committee for Gregory Scott Brown Certifies that this is the approved version of the following dissertation: Coping with Long-distance Nationalism: Inter-ethnic Conflict in a Diaspora Context Committee: Gary P. Freeman, Supervisor John Higley Zoltan Barany Alan Kessler Ross Terrill Coping with Long-distance Nationalism: Inter-ethnic Conflict in a Diaspora Context by Gregory Scott Brown, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2004 Dedication To Dale Acknowledgements Many people helped me finish this dissertation and deserve thanks. My advisor, Gary Freeman, provided guidance, encouragement, and a helpful prod now and again. I owe him a special debt for his generous support and patience. Special thanks are also due John Higley who provided personal and institutional support throughout the process—even when he had neither the time nor obligation to do so. I also thank the other members of my dissertation committee, Ross Terrill, Alan Kessler, and Zoltan Barany. Each of them offered sound advice and counsel during my fieldwork and the writing phase of this project. I also benefited greatly from numerous funding programs; including, the Edward A. Clark Center for Australian and New Zealand Studies, the Australian and New Zealand Studies Association of North America, and various funding sources in the Department of Government, UT-Austin. My fieldwork was also facilitated by generous support from the Australian Centre at Melbourne University and the Parliamentary Internship/Public Policy program at the Australian National University. -
Linux Networking Cookbook™ by Carla Schroder
Linux Networking Cookbook ™ Carla Schroder Beijing • Cambridge • Farnham • Köln • Paris • Sebastopol • Taipei • Tokyo Linux Networking Cookbook™ by Carla Schroder Copyright © 2008 O’Reilly Media, Inc. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (safari.oreilly.com). For more information, contact our corporate/institutional sales department: (800) 998-9938 or [email protected]. Editor: Mike Loukides Indexer: John Bickelhaupt Production Editor: Sumita Mukherji Cover Designer: Karen Montgomery Copyeditor: Derek Di Matteo Interior Designer: David Futato Proofreader: Sumita Mukherji Illustrator: Jessamyn Read Printing History: November 2007: First Edition. Nutshell Handbook, the Nutshell Handbook logo, and the O’Reilly logo are registered trademarks of O’Reilly Media, Inc. The Cookbook series designations, Linux Networking Cookbook, the image of a female blacksmith, and related trade dress are trademarks of O’Reilly Media, Inc. Java™ is a trademark of Sun Microsystems, Inc. .NET is a registered trademark of Microsoft Corporation. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and O’Reilly Media, Inc. was aware of a trademark claim, the designations have been printed in caps or initial caps. While every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein. -
'"There's More Than One of Everything": Navigating Fringe's Cofactual Multiverse'
. Volume 13, Issue 1 May 2016 ‘There’s More Than One of Everything’: Navigating Fringe’s cofactual multiverse Casey J. McCormick, McGill University, Montréal, Canada Abstract: This article analyzes how viewers of Fringe (FOX 2008-2013) make sense of the series’ complex science fictional storyworld. It argues that Fringe presents multiple iterations of worlds and characters in a way that encourages ‘cofactual’ interpretation: rather than figuring parallel universes and alternate timelines as ontologically hierarchical, the narrative accommodates all versions of reality and invites viewers to participate in shaping the multiverse. The article offers a close reading of Fringe’s complex narrative structure alongside an exploration of how audiences responded to and impacted the series through fannish practices such as vidding and narrative mapping. It concludes that cofactual narration opens up an array of participatory practices that blur the text/paratext distinction and facilitate interactive storyworld building. Keywords: Complex TV, Fandom, Narrative, Paratexts, Counterfactual, Cofactual, Possible Worlds Cofactual Interpretation By the time viewers reach the series finale of Fringe (FOX 2008-2013), they have travelled across two spatially-distinct universes, three versions of the future, and at least four different timelines, with each world-iteration populated by different versions of the show’s central characters. Through its reinvigoration of science fiction tropes, such as time travel, alternate realities, and temporal resets, Fringe asks viewers to re-evaluate typical models of narrative world-building. The series constructs a multiverse comprised of what I deem cofactual diegetic worlds. I use the term ‘cofactual’ in contradistinction to the more common narrative term ‘counterfactual’ as a means of emphasizing the plurality and simultaneity of diegetic worlds in Fringe. -
Building Linux Software with Conary
Building Linux Software with Conary Michael K. Johnson rpath, Inc. [email protected] Abstract of Conary terminology and design, you may want to read the paper Repository-Based Sys- tem Management Using Conary, in Proceed- This paper describes best practices in Conary ings of the Linux Symposium, Volume Two, packaging: writing recipes that take advan- 2004, kept updated at http://www.rpath. tage of Conary features; avoiding redundancy com/technology/techoverview/, which with recipe inheritance and design; implement- introduces Conary’s design and vocabulary in ing release management using branches, shad- greater detail. Terms called out in boldface in ows, labels, redirects, and flavors; and design- this paper without an explicit definition are de- ing and writing dynamic tag handlers. It de- fined in that overview. scribes how Conary policy prevents common packaging errors. It provides examples from our rpath Linux distribution, illustrating the de- sign principles of the Conary build process. It 1 Conary Source Management then describes the steps needed to create a new distribution based on the rpath Linux distribu- Unlike legacy package management tools, tion, using the distributed branch and shadow Conary has integral management for source features of Conary. code and binaries, and the binaries are directly associated with the source code from which Conary is a distributed software management they have been built. system for Linux distributions. Based on exten- sive experience developing Linux distributions Conary stores source files in source compo- and package management tools, it replaces tra- nents, and then uses a recipe (described later) ditional package management solutions (such to build binary components that it can in- as RPM and dpkg) with one designed to enable stall on a system.