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Seattle Mariners Opening Day Record Book
SEATTLE MARINERS OPENING DAY RECORD BOOK 1977-2012 All-Time Openers Year Date Day Opponent Att. Time Score D/N 1977 4/6 Wed. CAL 57,762 2:40 L, 0-1 N 1978 4/5 Wed. MIN 45,235 2:15 W, 3-2 N 1979 4/4 Wed. CAL 37,748 2:23 W, 5-4 N 1980 4/9 Wed. TOR 22,588 2:34 W, 8-6 N 1981 4/9 Thurs. CAL 33,317 2:14 L, 2-6 N 1982 4/6 Tue. at MIN 52,279 2:32 W, 11-7 N 1983 4/5 Tue. NYY 37,015 2:53 W, 5-4 N 1984 4/4 Wed. TOR 43,200 2:50 W, 3-2 (10) N 1985 4/9 Tue. OAK 37,161 2:56 W, 6-3 N 1986 4/8 Tue. CAL 42,121 3:22 W, 8-4 (10) N 1987 4/7 Tue. at CAL 37,097 2:42 L, 1-7 D 1988 4/4 Mon. at OAK 45,333 2:24 L, 1-4 N 1989 4/3 Mon. at OAK 46,163 2:19 L, 2-3 N 1990 4/9 Mon. at CAL 38,406 2:56 W, 7-4 N 1991 4/9 Tue. CAL 53,671 2:40 L, 2-3 N 1992 4/6 Mon. TEX 55,918 3:52 L, 10-12 N 1993 4/6 Tue. TOR 56,120 2:41 W, 8-1 N 1994 4/4 Mon. at CLE 41,459 3:29 L, 3-4 (11) D 1995 4/27 Thurs. -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
"Funky Days Are Back Again": Reading Seventies Nostalgia In
“Funky Days Are Back Again”: Reading Seven ties Nostalgia in Late-Nineties Rock Music David Sigler Observers of North American and British popular culture witnessed a strange and richly interesting phenomenon unfold between 1995 and 1999. During this period, the culture industry and its creative talent insistently described itself through Sev enties imagery. The period oversaw the theatrical release of Jackie Brown, 54, and Velvet Goldmine as well as the television debut of That 970s Show, The State's “Barry and Levon,” and the Travoltaesque Jack and Steve Butabi on Saturday Night Live. In response to our appetite for Seventies icons, formerly popular bands like the Sex Pistols, Steely Dan, Page and Plant, the Bee Gees, and the Guess Who scrambled to re-form after twenty-year hiatuses. Costumed hard-rockers Marilyn Manson and Rob Zombie, working in the tradition of Alice Cooper and KISS, became high school anthem-bearers. It seems that the late Nineties endured a flood of Seventies imagery across its popular media. In an effort to reexamine the mechanics of popular nostalgia, this essay will engage only a small—but astonishing—corner of this phenomenon: the present- looking Seventies nostalgia of the late Nineties in rock music. Although nostalgia had always been a valuable property for the culture industry, a distinct strain emerged during the late Nineties: whereas traditional forms of commercial nostalgia have re-branded “pastness” and descriptions of previous times as stable entities to be sold to anxious and possibly aging consumers, the new “present-looking” nos talgia did not seek to repackage the Seventies as such. -
Billboard 1978-05-27
031ÿJÚcö7lliloi335U7d SPOTLIG B DALY 50 GRE.SG>=NT T HARTFJKJ CT UolOo 08120 NEWSPAPER i $1.95 A Billboard Publication The International Music -Record -Tape Newsweekly May 27, 1978 (U.S.) Japanese Production Tax Credit 13 N.Y. DEALERS HIT On Returns Fania In Court i In Strong Comeback 3y HARUHIKO FUKUHARA Stretched? TOKYO -March figures for By MILDRED HALL To Fight Piracy record and tape production in Japan WASHINGTON -The House NBC Opting underscore an accelerating pace of Ways and Means Committee has re- By AGUSTIN GURZA industry recovery after last year's ported out a bill to permit a record LOS ANGELES -In one of the die appointing results. manufacturer to exclude from tax- `AUDIO VIDISK' most militant actions taken by a Disks scored a 16% increase in able gross income the amount at- For TRAC 7 record label against the sale of pi- quantity and a 20% increase in value tributable to record returns made NOW EMERGES By DOUG HALL rated product at the retail level, over last year's March figures. And within 41/2 months after the close of By STEPHEN TRAIMAN Fania Records filed suit Wednesday NEW YORK -What has been tales exceeded those figures with a his taxable year. NEW YORK -Long anticipated, (17) in New York State Supreme held to be the radio industry's main 5S% quantity increase and a 39% Under present law, sellers of cer- is the the "audio videodisk" at point Court against 13 New York area re- hope against total dominance of rat- value increase, reports the Japan tain merchandise -recordings, pa- of test marketing. -
Neil Youngs Harvest Free
FREE NEIL YOUNGS HARVEST PDF Sam Inglis | 128 pages | 30 Oct 2003 | Bloomsbury Publishing PLC | 9780826414953 | English | London, United Kingdom Harvest (Neil Young album) - Wikipedia It topped the Billboard album chart [2] for two weeks, and spawned two hit singles, " Old Man ", which peaked at No. The record was a massive hit, producing a US number one single in "Heart of Gold". Other songs returned to some usual Young themes: " The Neil Youngs Harvest and the Damage Done " was a lament for great artists who had been addicted to heroinincluding Crazy Horse bandmate Danny Whitten ; "Alabama" was "an unblushing rehash of ' Southern Man '"; [5] to which southern rock band Lynyrd Skynyrd wrote their hit " Sweet Home Alabama " in reply, stating "I hope Neil Young will remember, a Southern Man don't need him around, anyhow". Young later wrote of "Alabama" in his autobiography Waging Heavy Peacesaying it Neil Youngs Harvest deserved the shot Lynyrd Skynyrd gave me with their great record. I don't like my words when I listen to it. They are accusatory and condescending, not fully thought out, and too easy to misconstrue. It has a typical Neil Young structure consisting of Neil Youngs Harvest chords during the multiple improvised solos. The album's success caught Young off guard and his first instinct was to back away from stardom. He would later write that the record "put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there. The recording of the remainder of Harvest was notable for the spontaneous and serendipitous way it Neil Youngs Harvest together. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
The---Enterprise
the----- ~, The Boston Strangler Enterprise Captain Shreve High School, Shreveport, Louisiana See p:~ge 4 Volume X Number 2 November 16, 1979 Students upset over grades by Vicky Nettles year, the·system will be in full Basic Phase Many juniors and seniors are swing, affecting all grades. A-3 points up in the air about the weighted The points given for grades B-2 points grade system because they feel received in the different phases C-1 point they were led to believe they are as follows: D-.5 points would be receiving weighted F-0 points grades in their phase classes this Enriched Phase These classes that will be year. However, the system only A-5 points weighted by the 1981-82 school affects this year's sophomores B-4 points year are the following: Phased and freshmen . C-3 points Courses-English I, English II, D-2 points English Ill, English IV, The system, designed to give F-0 points American History, Civics, more credit to the enriched phase Mathematics I, Mathematics II, because of the difference in General Phase General Science, and Biology. material presented, began with A-4 points Non-Phased Courses-Algebra I, last years freshmen. Every in B-3 points Algebra II , Advanced Mathe coming class of freshmen will be C-2 points matics, Biology, Physical receiving weighted grades from D-1 point Science, Chemistry, Physics, and Tommy Powell was recently promoted to assistant principal now on. By the 1981-82 school F-0 points Foreign language II, Ill, and IV. in charge of instruction and curriculum. -
Heroes and Rallies Baseball
Heroes and Rallies Baseball Setup Pick two teams to go head to head, and fill out your lineups on the scoresheet. Each team receives 8 skill assignments to give to individual players. All of the skill assignments listed below must be used within your starting lineup for a total of 8. A player may possess two assignments if you wish. Rate your lineup by placing the appropriate notation beside a player’s name on the scoresheet. 1) star hitter (H) 2) star slugger (S) 3) star runner (R) 4) star fielder (F) 5) poor hitter (H-) 6) weak hitter (S-) 7) slow runner (R-) 8) poor fielder (F-) Once a player has a skill assignment, he cannot transfer it to another player. There is one additional skill assignment available for an ace pitcher (X). You may, however, choose not to start one. Make any pitcher a poor hitter as well (H-), so there will be two poor hitters if a pitcher is in the lineup. Game Play Roll the dice for each player who comes up to bat, reading the colored die first and the white die second. If a result occurs on the Batting chart which displays an image of a ballplayer, the inning is considered finished with no further scoring. Draw an X in the box on the scoresheet representing the current hitter’s at-bat. When his team next comes up to bat, the next player in the lineup will hit. If the color of a chart result corresponds to the color of the skill assignment of the player who is currently up to bat, the result changes to the one shown on the bottom of the Batting chart. -
My Replay Baseball Encyclopedia Fifth Edition- May 2014
My Replay Baseball Encyclopedia Fifth Edition- May 2014 A complete record of my full-season Replays of the 1908, 1952, 1956, 1960, 1966, 1967, 1975, and 1978 Major League seasons as well as the 1923 Negro National League season. This encyclopedia includes the following sections: • A list of no-hitters • A season-by season recap in the format of the Neft and Cohen Sports Encyclopedia- Baseball • Top ten single season performances in batting and pitching categories • Career top ten performances in batting and pitching categories • Complete career records for all batters • Complete career records for all pitchers Table of Contents Page 3 Introduction 4 No-hitter List 5 Neft and Cohen Sports Encyclopedia Baseball style season recaps 91 Single season record batting and pitching top tens 93 Career batting and pitching top tens 95 Batter Register 277 Pitcher Register Introduction My baseball board gaming history is a fairly typical one. I lusted after the various sports games advertised in the magazines until my mom finally relented and bought Strat-O-Matic Football for me in 1972. I got SOM’s baseball game a year later and I was hooked. I would get the new card set each year and attempt to play the in-progress season by moving the traded players around and turning ‘nameless player cards” into that year’s key rookies. I switched to APBA in the late ‘70’s because they started releasing some complete old season sets and the idea of playing with those really caught my fancy. Between then and the mid-nineties, I collected a lot of card sets. -
Chris Nelson Speaking of Neil Young
music Chris Nelson Speaking of Neil Young s a junior in high school I found myself humming along to Neil Young’s “Old Man” and “Heart of Gold” whenever the local classic Arock station decided to take a break from Aerosmith or Boston or AC/ DC. Senior year I’d take the scenic route home from football practice while blaring Harvest Moon in the used Mustang I shared with my older brother, driving past the cornfields just as the setting sun made them glow and feeling nostalgic for the innocence I had yet to lose. First semester of college I was getting high to his 1969 self-titled solo debut, and by spring I waited for rainy days to wallow in my loneliness with the haunting On the Beach, playing it over and over on an old turntable of my father’s that I had restored. In accordance with the natural progression of other Neil faithfuls, it wasn’t until I had exhausted this mostly acoustic, more accessible singer/songwriter side of Neil Young that I was able to graduate to an appreciation of his electric work—the highest and most challenging level a Neil faithful can reach. And it took me even longer to fall in love with it. Only recently have I begun to figure out why: his style of playing, with its wailings and repetitions and clutter and incoherence, is my style of speaking. Like his guitar, I stutter. The phonetic makeup of the word itself seems cruel, stutter, in that its intonation peaks at the difficult and forceful “t” sound—a voiceless alveolar stop produced by blocking airflow in the vocal tract—and therefore prevents sufferers from cleanly vocalizing what’s afflicting them, rather like the blatantly onomatopoeic lisp. -
1979 Topps Baseball
The Trading Card Database https://www.tradingcarddb.com 1979 Topps Baseball 1 1978 Batting Leaders - Ro LL 66 Detroit Tigers - Les Moss TC, MGR, CL 131 Jim Clancy 196 Steve Kemp DP 2 1978 Home Run Leaders - J LL 67 Jim Mason DP 132 Rowland Office 197 Bob Apodaca 3 1978 RBI Leaders - Jim Ri LL 68 Joe Niekro DP 133 Bill Castro 198 Johnny Grubb 4 1978 Stolen Base Leaders LL 69 Elliott Maddox 134 Alan Bannister 199 Larry Milbourne 5 1978 Victory Leaders - Ro LL 70 John Candelaria 135 Bobby Murcer 200 Johnny Bench AS, DP 6 1978 Strikeout Leaders - LL 71 Brian Downing 136 Jim Kaat 201 Mike Edwards RB 7 1978 ERA Leaders - Ron Gu LL 72 Steve Mingori 137 Larry Wolfe RC, DP 202 Ron Guidry RB 8 1978 Leading Firemen - Ri LL 73 Ken Henderson 138 Mark Lee RC 203 J.R. Richard RB 9 Dave Campbell 74 Shane Rawley RC 139 Luis Pujols RC 204 Pete Rose RB 10 Lee May 75 Steve Yeager 140 Don Gullett 205 John Stearns RB 11 Marc Hill 76 Warren Cromartie 141 Tom Paciorek 206 Sammy Stewart RB 12 Dick Drago 77 Dan Briggs DP 142 Charlie Williams 207 Dave Lemanczyk 13 Paul Dade 78 Elias Sosa 143 Tony Scott 208 Clarence Gaston 14 Rafael Landestoy RC 79 Ted Cox 144 Sandy Alomar Sr. 209 Reggie Cleveland 15 Ross Grimsley 80 Jason Thompson 145 Rick Rhoden 210 Larry Bowa AS 16 Fred Stanley 81 Roger Erickson RC 146 Duane Kuiper 211 Dennis Martinez 82 New York Mets - Joe Torre TC, MGR, 17 Donnie Moore 147 Dave Hamilton 212 Carney Lansford RC CL 18 Tony Solaita 83 Fred Kendall 148 Bruce Boisclair 213 Bill Travers 214 Boston Red Sox - Don Zimm TC, 19 Larry Gura DP 84 Greg Minton -
Reading Seventies Nostalgia in Late-Nineties Rock Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 5, Issue 1 2004 Article 5 NOSTALGIA ”Funky Days Are Back Again”: Reading Seventies Nostalgia in Late-Nineties Rock Music David Sigler∗ ∗ Copyright c 2004 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs “Funky Days Are Back Again”: Reading Seven ties Nostalgia in Late-Nineties Rock Music David Sigler Observers of North American and British popular culture witnessed a strange and richly interesting phenomenon unfold between 1995 and 1999. During this period, the culture industry and its creative talent insistently described itself through Sev enties imagery. The period oversaw the theatrical release of Jackie Brown, 54, and Velvet Goldmine as well as the television debut of That 970s Show, The State's “Barry and Levon,” and the Travoltaesque Jack and Steve Butabi on Saturday Night Live. In response to our appetite for Seventies icons, formerly popular bands like the Sex Pistols, Steely Dan, Page and Plant, the Bee Gees, and the Guess Who scrambled to re-form after twenty-year hiatuses. Costumed hard-rockers Marilyn Manson and Rob Zombie, working in the tradition of Alice Cooper and KISS, became high school anthem-bearers. It seems that the late Nineties endured a flood of Seventies imagery across its popular media. In an effort to reexamine the mechanics of popular nostalgia, this essay will engage only a small—but astonishing—corner of this phenomenon: the present- looking Seventies nostalgia of the late Nineties in rock music.