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CODART ZEVENTIEN Congress
CODART ZEVENTIEN network document CODART ZEVENTIEN Board of CODART congress Erik van Ginkel, managing director, Network document Rijksmuseum, Amsterdam Emilie Gordenker, director, Mauritshuis, The Hague Sari van Heemskerck Pillis-Duvekot, former Presenting our collections: Ideals, member of parliament, VVD (Dutch Liberal Ideas and Practice Party), The Hague Jan Hoekema, mayor of the city of Wassenaar, Wassenaar 16-18 March 2014 in Amsterdam Judith van Kranendonk, former director- general of culture and media, Ministry of Education, Culture and Science, The Hague Thomas Leysen, chairman of the board of The CODART ZEVENTIEN congress was made directors KBC Bank and collector, Brussels possible thanks to the support of the following Anthony Ruys (chair), former chair of the institutions: supervisory board, Rijksmuseum Amsterdam Manfred Sellink, director, Musea Brugge, Bruges Amsterdam Museum CODART board Chris Stolwijk (advisor to the board), director, CODART program committee RKD (Netherlands Institute for Art History), The Erasmus Books Hague Vlaamse Kunstcollectie (Flemish Art Collection; Koninklijk Museum voor Schone Kunsten Antwerpen, Musea Brugge, Museum Schone CODART bureau Kunsten, Gent) Friends of CODART Foundation Gerdien Verschoor, director Gemeente Amsterdam Maartje Beekman, project manager Ministerie van Onderwijs, Cultuur en Brenda Eijkenaar, project manager Wetenschap (Netherlands Ministry for Tom van der Molen, website manager Education, Culture and Science), The Hague Suzanne Rus, project associate Museum Van Loon, Amsterdam -
Marianne Boesky Gallery Hans Op De Beeck
MARIANNE BOESKY GALLERY NEW YORK | ASPEN HANS OP DE BEECK BIOGRAPHY 1969 Born in Turnhout, Belgium Lives and works in Brussels, Belgium EDUCATION 1998 – 1999 Participant at the Rijksakademie, Amsterdam (post-MA) 1996 – 1997 Participant at The Higher Institute for Fine Arts-Flanders, Antwerp (post-MA) 1992 – 1996 Masters Degree in Visual Arts, Higher Institute Sint-Lukas, Brussels SELECTED SOLO AND TWO-PERSON EXHIBITIONS 2021 San Gimignano, Italy, Galleria Continua, Hans Op de Beeck: The Boatman and Other Stories, July 24, 2021 –January 6, 2022 Vienna, Austria, Galerie Krinzinger, Hans Op de Beeck: Works on Paper, June 8 – August 21, 2021 St. Petersberg, Russia, The State Hermitage Museum, The Horseman, May 25 – October 3, 2021 2020 San Francisco, CA, Catharine Clark Gallery, The Girl, November 14 – December 23, 2020 Instanbul, Turkey, Gallery Pilevneli, Drifting, October 8 – November 22, 2020 2019 Vienna, Austria, Galerie Krinzinger, The Conversation, March 14 – April 20, 2019 Krems and der Donau, Austria, Kunsthalle Krems, The Cliff, March 3 – June 23, 2019 New York, NY, Boesky East, Hans Op de Beeck, February 23 – April 6, 2019 2018 Havana, Cuba, Galleria Continua, My bed a raft, the room the sea, and then I laughed some gloom in me, December 1, 2018 – March 31, 2019 Amsterdam, The Netherlands, Galerie Ron Mandos, Cabinet of Curiosities, September 8 – October 27, 2018 Amsterdam, The Netherlands, Het Scheepvaartmuseum, Sea of Tranquility, September 8, 2018 – June 9, 2019 Deurle, Belgium, Museum Dhondt-Dhaenens, The Wunderkammer Residence, -
Flags and Identities in Early Modern Dutch Marine Painting
Early Modern Low Countries 4 (2020) 1, pp. 1-34 - eISSN: 2543-1587 1 The Language of the Sea: Flags and Identities in Early Modern Dutch Marine Painting David Onnekink David Onnekink (1971) is Assistant Professor in early modern international relations at the Depart- ment of History and Art History of Utrecht University. He was a fellow at Het Scheepvaartmuseum (Amsterdam, 2016-2017) and the Netherlands Institute for Advanced Studies (Amsterdam, 2016) where research for this article was conducted. In March 2018 he delivered the bi-annual Dwight D. Eisenhower endowed lecture on War and Peace at Kansas State University on the theme of this article. In July 2019 his latest book, The Dutch in the Early Modern World. A History of a Global Power (with Gijs Rommelse) was published with Cambridge University Press. He is currently working on a project on the history of global mission, with a particular interest in missionary cartography. Abstract This article investigates the convergence between early modern Dutch marine paint- ing and contemporaneous political identities and diplomatic conventions. It uses the depiction of flags on paintings of naval battles as a lens to query perceptions of national and regional identity as well as international hierarchy. It first introduces the phenomenon of flags on marine paintings and shows how these depictions are not random or ornamental but exhibit patterns and motifs. It then builds on this obser- vation to pursue two further arguments. Firstly, it argues that the configuration of flags on paintings of naval battles resonates with the multi-layered body politic of the Dutch Republic, representing not just the States-General and the Dutch state, but also the towns, provinces, and admiralties as distinct units. -
01 Jaarverslag 2016
01 JAARVERSLAG 2016 02 03 Gezicht op het IJ en ’s Lands Zeemagazijn te Amsterdam (1664) door Reinier Nooms (1623/24) Olieverf op linnen, 51 x 66 cm, aankoop 2016 04 05 Jaarverslag Het Scheepvaartmuseum 2016 inhoud Voorwoord 06 Profiel 08 Het Scheepvaartmuseum in 2016 12 Educatie en participatie 24 Financiële positie 26 Collectie en publicaties 29 Organisatie 34 Vooruitblik 36 Verslag van de Raad van Toezicht 38 Jaarrekening 2016 32 Het Scheepvaartmuseum, juni 2017 Alle rechten voorbehouden www.hetscheepvaartmuseum.nl 06 07 Jaarverslag VOORWOORD Jaarverslag Het Scheepvaartmuseum Het Scheepvaartmuseum 2016 2016 “HET SCHEEPVAARTMUSEUM voorwoord BEHEERT EEN VAN ‘S WERELDS BELANGRIJKSTE MARITIEME COLLECTIES.” Het afgelopen jaar was voor Het exposities en activiteiten, zoals de teld. Hierin belicht het museum het via diverse omzwervingen in de stad maritieme collecties. Dit geeft ons, Scheepvaartmuseum in meerdere exposities ‘The Ultimate Sailor’ en belang van de scheepvaart vanuit uiteindelijk in 1973 haar definitieve plek in een team van ruim 100 enthousiaste opzichten een belangrijk jaar. We ‘Drijfveer’. Hiermee positioneert het Europees perspectief. In juni open- ’s Lands Zeemagazijn. Juist deze locatie professionals, elke dag energie om Het ontwikkelden niet alleen interes- museum zich als relevante culturele den we de fototentoonstelling ‘The is uitermate geschikt om de historie en Scheepvaartmuseum te laten bruisen. sante nieuwe tentoonstellingen, instelling waarin verleden, heden Ultimate Sailor’ waarin vier eigen- relevantie van de scheepvaart voor ons activiteiten en publieksprogram- en toekomst met elkaar verbonden tijdse fotografen hun visie deelden land te illustreren. Hier zijn wij op onze ma’s, maar zijn er ook in geslaagd zijn. op het stereotiepe beeld van de plek. -
Recent Studies of Illustrations and Prints, Including Cartography, 1987
Recent Studies of Book Illustration and Engraving, Including Cartography, 1986-2008 This bibliography surveys scholarship published between 1986-2008 on engraving, including illustrations and prints as well as cartography, during the long eighteenth century (roughly 1660-1820). It is most inclusive for the years 1990-2006, in consequence of my compiling studies of that period for Section 1--"Printing and Bibliographical Studies"--of the ECCB: Eighteenth Century Current Bibliography. A shorter version of this list without cartographic materials appeared in The East-Central Intelligencer, n.s. 15, no. 1 (January 2001), 58-77. Then an intermediate version appeared at Kevin Berland's C18-L website. The present bibliography remains rather weak in the area of cartography, but excellent annual surveys of cartographic publications have been compiled by Francis Herbert (see the entry below). Focused on printed sources, it fails to note some valuable electronic sources, such as Juliette Sodt's website on illustration in botanical books, <www.library.wwu.edu/ref/subjguides/BOTILL.htm>, and the many exhibition catalogues posted on the web by museums. I will continue to revise this bibliography to cover 1987-2006 as inclusively as possible, so I request additions and corrections from scholars. I thank Jeffrey Barton, Travis Gordon, and all involved in the Bibliographical Society of America's BibSite for making this posting possible. James E. May ([email protected]) (11 July 2003; revised 30 April 2004; 12 January 2005; 31 December 2006; 17 March 2008) Recent Studies of 18th-Century Book Illustration and Engraving, Including Cartography, 1986-2008 by James E. May - page 1 Abel, Ernest L. -
Bekijk Deze Editie (Pdf)
:0£NLyl)f \CIi\ Vp^lRS, /EPTENTRIONILIS •*J& > !%*«, O/C E AN ui •*$>* K# l, , ZsÜK-l, 5i »&lY.' ; Tlliiiip ^"^"^ "Ô SÖ •*** - ^ EUCALEDOlsriUS EVROPA, EXACTISSIM; DE SCRIPTE Auc tope IENRICO HOND ICK O/C C I DE 1ST C*K 'Smllj«,; MA R E CS.Vótmle * /o/S- '• GMUvaAH-WïN1'! ttUJer. VMxoic Ci traita?1 A T L A N T I '.ö.™ CAERT-THRESOÖR Tijdschrift voor de geschiedenis van de kartografie in Nederland 16e jaargang, 1997 nr. 4 CAERT-THRESOOR Inhoud 16de jaargang 1997, nr. 4 1 Antiquariaat ^ina** W.E. Penning Balthasar Florlsz. van Berckenrode en de netBùiïdûÙoftofi plattegrondjes in het Theatrutn van Boxhorn 85 Lida Ruitinga Een bijzondere hemelglobe uit de collectie van de Kaartenverzameling van de Bibliotheek van Oude boeken de Vrije Universiteit te Amsterdam 89 Prenten Eric Schliesser Van Nierops paskaart van Europa en Kaarten in een rapport van Christiaan Huygens 93 Jet Pijzel-Domisse J.W. Kervezee Wie herkent de kaarten uit de niiniatuur boekjes van een 17de-eeuws poppenhuis? 97 Lichte Gaard 1 3511 KT Utrecht Varia Cartographica 100 Tel. 030-2314093 Besprekingen 105 Nieuwe Literatuur en Facsimile-uitgaven 108 Nederlandse stads- en dorpsgezichten. Kaarten en plattegronden. Redactie Plaatsbeschrijvingen en atlassen. Dr. Henk Deys, Drs. Marco van Egmond, Geïllustreerde boeken. Drs. Mare Hameleers, Dr. Peter van der Krogt, Dr. Wim Ligtendag, Drs. Lida Ruitinga, Han Voogt, Drs. Jan Werner Internet Caert-Tbresoor pagina: http://kartoserver.frw.ruu.nl/html/staff/krogt/ct.htm ^dfeäyMsÄ! Redactiesecretariaat Kopij, recensie-exemplaren enz. zenden aan: fill^. Caert-Thresoor, dhr. J.W.F. Voogt, Universiteit Utrecht, FRW-Vakgr. -
November 2015 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 32, No. 2 November 2015 Jheronimus Bosch, Saint Christopher, 1490 – 1505. Oil on panel, 123.5 x 83.0 x 5.2 cm. Museum Boijmans Van Beuningen, Rotterdam. Exhibited at the Museum Boijmans Van Beuningen, Rotterdam, October 10, 2015 – January 17, 2016. Photo: Studio Tromp, Rotterdam. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President – Amy Golahny (2013-2017) Lycoming College Williamsport PA 17701 Vice-President – Paul Crenshaw (2013-2017) Providence College Department of Art History 1 Cummingham Square Providence RI 02918-0001 Treasurer – Dawn Odell Lewis and Clark College 0615 SW Palatine Hill Road Portland OR 97219-7899 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents Board Members President's Message .............................................................. 1 Lloyd DeWitt (2012-2016) Stephanie Dickey (2013-2017) Obituaries ............................................................................... 1 Martha Hollander (2012-2016) HNA News ............................................................................4 Walter Melion (2014-2018) Personalia ............................................................................... 5