Pam Krist Phd Thesis Illustrations
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TOP ROME ATTRACTIONS The Pantheon Constructed to honor all pagan gods, this best preserved temple of ancient Rome was rebuilt in the 2nd century AD by Emperor Hadrian, and to him much of the credit is due for the perfect dimensions: 141 feet high by 141 feet wide, with a vast dome that was the largest ever designed until the 20th century. The Vatican Though its population numbers only in the few hundreds, the Vatican—home base for the Catholic Church and the pope—makes up for them with the millions who visit each year. Embraced by the arms of the colonnades of St. Peter’s Square, they attend Papal Mass, marvel at St. Peter’s Basilica, and savor Michelangelo’s Sistine Ceiling. The Colosseum Legend has it that as long as the Colosseum stands, Rome will stand; and when Rome falls, so will the world. One of the seven wonders of the world, the mammoth amphitheater was begun by Emperor Vespasian and inaugurated by Titus in the year 80. For “the grandeur that was Rome,” this obstinate oval can’t be topped. Piazza Navona You couldn’t concoct a more Roman street scene: caffè and crowded tables at street level, coral- and rust-color houses above, most lined with wrought-iron balconies, street performers and artists and, at the center of this urban “living room,” Bernini’s spectacular Fountain of the Four Rivers and Borromini’s super-theatrical Sant’Agnese. Roman Forum This fabled labyrinth of ruins variously served as a political playground, a commerce mart, and a place where justice was dispensed during the days of the emperors (500 BC to 400 AD). -
Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy the Architects
Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy The Architects The Trevi Fountain (Fontana di Trevi) is the most famous and arguably Little of Nicola Salvi’s (1697–1751) work beyond the Trevi Fountain remains the most beautiful fountain in Rome. This impressive Baroque-styled today and relatively little is known of the architect himself. He was monument was completed in 1762 and still dominates the small Trevi admitted to the Roman Academy of Arcadia in 1717 and only became square located in the city’s Quirinale district. an architect after studying mathematics and philosophy. His friend and colleague, the sculptor Pietro Bracci (1700–1773), would eventually go on to complete the fountain. Bracci’s most famous piece of work, the statue of Oceanus, forms the centerpiece of the fountain. 2 History The imposing fountain sits at the junction of three roads, or tre vie, which many believe gave the fountain its name, and marks the terminal point of one of the original aqueducts that supplied water to ancient Rome. Built by Marcu Vipsanius Agrippa in 19 BC, the Aqua Virgo aqueduct was over 13 miles (21 km) long and even then had a fountain at its terminus. The aqueduct and fountain served Rome for over 400 years, but after the invasion of the Goths in AD 537, the aqueduct was cut off and the final portion abandoned, forcing the medieval Romans to draw water from wells and the River Tiber. It would be over 1,000 years, and the advent of the Early Renaissance period, before a fountain would again stand in the location we know today. -
1568984383.Pdf
The Architecture of Modern Italy SWITZERLAND AUSTRIA Italy 1750 Simplon Veneto Lombardy Belluno Gallarate Bergamo Possagno Monza Treviso Novara Brescia Verona Trieste Milan Venice Tur in Padua Mantua Piedmont Parma Ferrara Modena Genoa Bologna Liguria Faenza Carrara Pistoia San Marino Florence Urbino Livorno Ancona Tuscany Papal States ADRIATIC SEA Montalcino Follonica Perugia Elba Civitavecchia Tivoli Rome Subiaco Terracina Minturno Gaeta Caserta Naples Kingdom of Portici/Herculaneum Two Sicilies Amalfi SARDINIA Paestum TYRRHENIAN SEA Palermo The Architecture of Modern Italy Volume I:The Challenge of Tradition,1750–1900 Terry Kirk Princeton Architectural Press New York for marcello Published by Princeton Architectural Press 37 East Seventh Street New York,New York 10003 For a free catalog of books, call 1.800.722.6657. Visit our web site at www.papress.com. © 2005 Princeton Architectural Press All rights reserved Printed and bound in Hong Kong 08 07 06 05 5 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. Project Coordinator: Mark Lamster Editing: Elizabeth Johnson, Linda Lee, Megan Carey Layout: Jane Sheinman Special thanks to: Nettie Aljian, Dorothy Ball, Nicola Bednarek, Janet Behning, Penny (Yuen Pik) Chu, Russell Fernandez, Clare Jacobson, John King, Nancy Eklund Later, Katharine Myers, Lauren Nelson, Scott Tennent,Jennifer Thompson, and Joseph Weston of Princeton Architectural Press —Kevin C. Lippert, publisher Library of Congress Cataloging-in-Publication Data Kirk,Terry. -
17-Aprilinparis(Cebusun-Star)2012
APRIL IN PARIS, SPRINGTIME IN ROME by Manny Gonzalez, Plantation Bay Resort & Spa Part One: April in Paris [intended to be laid out like a scrapbook, with the pictures askew and the captions written in hand-printed letters, arrows leading into the pictures, and the like] It sounded like a good idea at the time – take three beautiful girls to the Continent. Experience April in Paris. Savor Springtime in Rome. The idea was born during a 2011 visit to Plantation Bay by Grace Glory Go (of the Philippine Star) and her French diplomat friend Thierry Mixa, who waxed eloquent on the glories of Paris in spring. Paris 0 [city and number in red print denotes a picture] Grace, Thierry, and Hannah – one of the three girls. Okay, so Hannah isn’t exactly beautiful. But she has a pleasant personality. Mabait pa. Then many things started going wrong. But, not to bore you with the details, finally, six months later and with the mishaps behind us, there we were, on a Segway tour of Paris. Paris 1 Geli Reyes, Manny Gonzalez, Hannah Patalinjug, and Zuri Almendras. The first thing the girls wanted to see was this prominent erection. However, in Paris’s famous Pere Lachaise cemetery, the girls (having gone shopping instead) missed this other, equally fascinating erection: Paris 2 Victor Noir was a 19th-century journalist who was shot dead one night. But, as the groin area of his death effigy shows, he was thinking happy thoughts when he bought a bullet. Today, women come from all over the world, around the clock, to leave him flowers, and kiss his [ahem]. -
Portugal-Venice: Historical Relations — 27 —
Portugal-Venice: Historical Relations — 27 — { trafaria praia } portugal-venice: historical relations Francisco Bethencourt portugal’s relations with italy became formalized in the middle ages, thanks to increas- ing maritime trade between the mediterranean and the north atlantic. throughout this period lisbon functioned as a stopping-off point due to its position on the western coast of the iberian peninsula. between the 12th and the 15th centuries, venetians and genovese controlled several different territories and trading posts throughout the mediterra- nean, with their activity stretching as far east as the black sea (at least up until the conquest of constantinople by the ottomans in 1453). the asian luxury trade was one basis of their wealth. The economic importance of Portugal lay fundamentally in the export of salt. Northern France, Flanders, and England had access to the cereals growing in the north of Europe, which were much coveted by southern Europe; at the same time they were developing metallurgy and woolen textiles. In the 16th century, the population of Flanders was 40 percent city-based, and it was by far the most important city population in Europe. This urban concentration brought with it a specialization of functions and diversified markets. This is why Flanders, followed by England, became specialized in maritime transporta- tion, and then competed with the Venetians and the Genovese. The Portuguese kings used the Italians’ maritime experience to create their military fleet. In 1316, King Denis invited the Genovese mariner Pessagno to be admiral of the fleet, 26 > 33 Francisco Bethencourt — 28 — and the latter brought pilots and sailors with him. -
Rome Hotel Eden
ROME HOTEL EDEN Two day itinerary: Romance Italians are considered some of the most romantic people in the world, so where better to celebrate your love than in the Italian capital of Rome? From charming gardens and intimate restaurants to jewellery shopping and jaw-dropping views, there are plenty of opportunities to create lasting memories in the Eternal City. Spend a romantic weekend away in Rome with the help of this two-day itinerary. Day One Start the day with a 20-minute drive to The Orange Garden. THE ORANGE GARDEN Via di Santa Sabina, 00153 Rome While its name suggests that the highlight of The Orange Garden (Giardino degli Aranci or Parco Savello) is its orchard of fruit trees, its views are, in fact, its most captivating attraction. The pocket- sized garden directly overlooks St Peter’s Basilica and its terrace offers unbelievably beautiful views of Rome. Visit with your partner in the morning, when the sun casts an enchanting glow over the city. Take a short five-minute walk to the next garden on the itinerary. ROME ROSE GARDEN T: 006 574 6810 | Via di Valle Murcia 6, 00153 Rome Nothing says romance like a walk through a blossoming rose garden. Rome Rose Garden (Roseto Comunale) at the foot of Aventino Hill is one of the city’s most charming green spaces. Open from May to October each year, the garden is filled with over 1,000 different varieties of botanical roses from all over the world, with some dating back to Roman times. Then, take a 25-minute drive to Keats-Shelley House. -
GROSSI, Giovanni Battista by Rosella Carloni - Biographical Dictionary of Italians - Volume 59 (2002)
GROSSI, Giovanni Battista by Rosella Carloni - Biographical Dictionary of Italians - Volume 59 (2002) We do not know the place and date of birth of this sculptor, documented in Rome in the second half of the eighteenth century, of which we ignore the formation, certainly occurred in the late-baroque tradition, prevailing in the city during the first decades of the century. This is borne out by the analysis of the first decorative cycle attributed to him by the sources and dating back to 1749. They are four bas- reliefs, placed inside the church of S. Nicola dei Lorenesi, then renovated by the architect Pietro Mariotti (Mallory, 1982 , 15, page 147 No. 5052). The stucco squares, worked "with great study and diligence for the copiosity of the Figures" according to the chronicles of the time (ibid.), Represent the prodigious facts of the life of s. Nicola di Bari. Designed according to an ideal point of view, located in the center of the church, and according to a purely baroque theatrical taste, they are arranged in pairs on the opposite walls of the vaulted rectangular hall: the two episodes concerning the Childhood of the saint are at the center, those of maturity at the entrance, thus suggesting a sense of spatial and temporal continuity (Violette, p.499). A series of compositional and formal correspondences also ideally connects scenes illustrating similar periods in the life of the saint on either side of the building. In the bas-relief with S. Nicola, a child who refuses mother's milk on Wednesdays and Fridays , on the second door on the right, and on the second with S. -
Tales & Travel Adventures: Let's Visit…Italy
Tales & Travel Adventures: Let’s visit…Italy With Mary Beth Riedner Retired Librarian & Creator of Tales & Travel Interactive Literacy Activities for those Living with Dementia June 1, 2020 This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/4.0/ Our trip to Italy starts in the far northern Alpine regions of the country near Bolzano. The beautiful scenery includes green terraced fields. Can you see the ancient castle on the hilltop? As we head south on the highway, leaving the Alps behind, we come to the city of Verona on the Adige River. This medieval town is best known as the setting for Shakespeare’s play “Romeo and Juliet”. And here is Juliet’s balcony, as legend would have it. Perhaps this young girl is calling “Romeo, Romeo, wherefore art thou, Romeo?... What's in a name? That which we call a rose by any other name would smell as sweet…”. Verona is also well known for its 1st century Roman Arena. Let’s stop at this outdoor café for a cool drink and to enjoy the view. …or would you prefer gelato? Tonight we have returned to the Verona Arena for a sumptuous production of the opera “Rigoletto” by Giuseppe Verdi. To get to Venice, we have to drive east towards the Adriatic Sea. Venice is made up of over 100 small islands. There are no roads for cars in Venice. You have to get everywhere either on foot or in a boat. -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
Three Coins in the Fountain - Logic Puzzle
Three Coins in the Fountain - Logic Puzzle "Three coins in the fountain, each one seeking happy news. Thrown by three wishful thinkers, which one will the fountain choose?" Not quite the words of the song, but three young tourists - Brian, Paul, and Charlie who are all currently out of work - on a trip to Rome decide to stop at the famous Trevi Fountain, throw in a coin and make a wish. Each had only one coin which was either 10c, 20c or 50c but had the same value in relation to the granting of a wish. By coincidence each wished to play a star role, either Lucky Starr, Johnny Ladd or Justa Kidd in the up-coming movie "The Three Buddies" and each had their wish granted. From this information and the following clues, for each tourist, can you determine his normal occupation, the value of his coin and the part he wished to play in the movie? 1. No tourist has an occupation starting with the same 3. The coin thrown first was 50c which belonged to the letter as his name. bricklayer, not Charlie. 2. Lucky Starr was the wish of the tourist who had a 4. Johnny Ladd was the plumber's wish. 20c coin and threw last. Occupation Coin Value Movie Role 10c 20c 50c Plumber Bricklayer Carpenter Justa Kidd Lucky Starr Johnny Ladd Brian Paul Name Charlie Lucky Starr Johnny Ladd Movie Role Justa Kidd 10c Name Occupation Coin Value Movie Role 20c Brian Paul Coin Value 50c Charlie play more logic puzzles on ahapuzzles.com/logic-puzzles. -
Giovanni Bottari's Aversion to a Mathematical Assessment of Saint-P
Epistemological obstacles to the analysis of structures : Giovanni Bottari’s aversion to a mathematical assessment of Saint-Peter’s Dome Pascal Dubourg Glatigny To cite this version: Pascal Dubourg Glatigny. Epistemological obstacles to the analysis of structures : Giovanni Bottari’s aversion to a mathematical assessment of Saint-Peter’s Dome. A. Gerbino. Geometrical Objects : Architecture and the mathematical sciences 1400-1800, pp.203-214, 2014, 10.1007/978-3-319-05998- 3_9. halshs-01191415 HAL Id: halshs-01191415 https://halshs.archives-ouvertes.fr/halshs-01191415 Submitted on 6 Oct 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Epistemological Obstacles to the Analysis of Structures: Giovanni Bottari’s Aversion to a Mathematical Assessment of Saint-Peter’s Dome (1743) Pascal Dubourg Glatigny Visible faults in the dome of Saint Peter’s basilica in Rome had raised fears about the structure’s stability ever since its completion in 1593. The most extensively documented episode of this long history erupted in the early 1740s, a few years after Prospero Lambertini was elected Pope Benedict XIV. The debates over the causes of the cracks, the ensuing scientifi c analyses, and the adopted solutions are well known, due to the Memorie istoriche della gran cupola del Tempio vaticano , the magisterial treatise published in 1748 by Giovanni Poleni (1685–1761), the mathematician entrusted with the supervision of the restoration work. -
Architectural Temperance: Spain and Rome, 1700-1759
Architectural Temperance Spain and Rome, 1700–1759 Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700–1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural educa- tion at the newly-founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides an insight into readers with new insights into the cultural history of early modern Spain. Victor Deupi teaches the history of art and architecture at the School of Architecture and Design at the New York Institute of Technology and in the Department of Visual and Performing Arts at Fairfield University. His research focuses on cultural politics in the early modern Ibero-American world. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. The series publishes research from across the globe and covers areas as diverse as architectural history and theory, technology, digital architecture, structures, materials, details, design, monographs of architects, interior design and much more. By mak- ing these studies available to the worldwide academic community, the series aims to promote quality architectural research.