26 F Juil 13.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pre-Pedidos: 05 - Febrero - 2021
CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS DISPONIBLES * descuento del 9% para pedidos de este listado recibidos hasta el 12 - febrero - 2021 inclusive * solo en referencias con el descuento aplicado * PRE-PEDIDOS: 05 - FEBRERO - 2021 26.60 € RIVERETTE NORWELL - ILLUZIO (feat. ALPAR) 24.21 € RVRT016 LP DRONE / SYNTH-WAVE / Release: 08 - March - 2021 ESP KRAUTROCK A1 > lighter than the air *feat Alpar* First solo album from Budapest producer "Norwell", includes 2 collaborations with Farbwechsel Label head honcho "Alpar". Analogue synthwave, kraut, kosmiche, drone... A real journey! Illuzio was inspired by the A2 > outside welikn book "Mr. Vertigo" and especially by this part: "Deep down, I don't believe it takes any special talent for a A3 > tangerine trees person to lift himself off the ground and hover in the air. We all have it in us--every man, woman, and child-- and with enough hard work and concentration, every human being is capable of...the feat....You must B1 > illuzio *feat. Alpar* learn to stop being yourself. That's where it begins, and everything else follows from that. You must let B2 > trancer yourself evaporate. Let your muscles go limp, breathe until you feel your soul pouring out of you, and then shut your eyes. That's how it's done. The emptiness inside your body grows lighter than the air around you. B3 > contours Little by little, you begin to weigh less than nothing. You shut your eyes; you spread your arms; you let B4 > full circle rising yourself evaporate. And then, little by little, you lift yourself off the ground. -
Various Blech II: Blechsdöttir Mp3, Flac, Wma
Various Blech II: Blechsdöttir mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Blech II: Blechsdöttir Country: UK Released: 1996 Style: IDM, Techno, Acid, Ambient, Breakbeat, Abstract, Experimental MP3 version RAR size: 1838 mb FLAC version RAR size: 1665 mb WMA version RAR size: 1507 mb Rating: 4.9 Votes: 339 Other Formats: AU AA DTS DMF VQF MP2 MOD Tracklist Hide Credits Lost 1a –Autechre 2:25 Written-By – Brown*, Booth* Kracht 1b –Disjecta Written-By – Mark Clifford Rotar 2a –Autechre 2:00 Written-By – Brown*, Booth* Flutter 2b –Autechre Written-By – Brown*, Booth* Them 3 –LFO 1:53 Written-By – Mark Bell Abla Eedio (Unreleased Exclusive Mix) 4 –Plaid 3:45 Written-By – Turner*, Handley* Ventolin (Plain-An-Gwaary Mix) 5 –Aphex Twin 3:30 Written-By – Richard D James* Rsdio 6 –Autechre 3:05 Written-By – Brown*, Booth* Nautilus 7 –Jake Slazenger 3:08 Written-By – Mike Paradinas Dredd Overboard (DJ Food Lifesaver Mix) 8a –Nightmares On Wax 3:38 Remix – DJ FoodWritten-By – Evelyn*, Harper*, Firth* Cow Cud Is A Twin 8b –Aphex Twin Written-By – Richard D James* Laughable Butane Bob 9 –AFX* 2:53 Written-By – Richard D James* Brieflei 10 –Freeform 3:04 Written-By – Simon Pyke Chase The Manhattan 11 –The Black Dog 1:26 Written-By – Turner*, Handley*, Downie* Inifinite Lites (Primitives Mix) 12 –B12 4:01 Written-By – Golding*, Rutter* Midnight Drive 13a –Elecktroids 2:49 Written-By – Elecktroids Hey Hey Can U Relate 13b –DJ Mink Written-By – Carruthers, Mink*, McDevitt Dextrous 13c –Nightmares On Wax Written-By – Evelyn*, Harper* -
Suggested Serving: 1. WOODEN STARS 2. COLDCUT 3. HANIN ELIAS 4. WINDY & CARL 5. SOUTHERN CULTURE on the SKIDS 6. CORNERSHOP
December, 1997 That Etiquette Magazine from CiTR 101.9 fM FREE! 1. Soupspoon 2. Dinner knife 3. Plate 4. Dessert fork 5. Salad fork 6. Dinner fork 7. Napkin 8. Bread and butter plate 9. Butter spreader 10. Tumbler u Suggested Serving: 1. WOODEN STARS 2. COLDCUT 3. HANIN ELIAS 4. WINDY & CARL 5. SOUTHERN CULTURE on the SKIDS 6. CORNERSHOP 7. CiTR ON-AIR PROGRAMMING GUIDE Dimm 1997 I//W 179 f€fltUf€J HANIN ELIAS 9 WOODEN STARS 11 WINDY & CARL 12 CORNERSHOP 14 SOUTHERN CULTURE ON THE SKIDS 16 COLDCUT 19 GARAGESHOCK 20 COUUAM COWSHEAD CHRONICLES VANCOUVER SPECIAL 4 INTERVIEW HELL 6 SUBCULT. 8 THE KINETOSCOPE 21 BASSLINES 22 SEVEN INCH 22 PRINTED MATTERS 23 UNDER REVIEW 24 REAL LIVE ACTION 26 ON THE DIAL 28 e d i t r i x : miko hoffman CHARTS 30 art director: kenny DECEMBER DATEBOOK 31 paul ad rep: kevin pendergraft production manager: tristan winch Comic* graphic design/ Layout: kenny, atomos, BOTCHED AMPALLANG 4 michael gaudet, tanya GOOD TASTY COMIC 25 Schneider production: Julie colero, kelly donahue, bryce dunn, andrea gin, ann Coucr goncalves, patrick gross, jenny herndier, erin hoage, christa 'Tis THE SEASON FOR EATIN', LEAVING min, katrina mcgee, sara minogue, erin nicholson, stefan YER ELBOWS OFF THE TABLE AND udell, malcolm van deist, shane MINDING YER MANNERS! PROPER van der meer photogra- ETIQUETTE COVER BY ARTIST phy/i L Lustrations: jason da silva, ted dave, TANYA SCHNEIDER. richard folgar, sydney hermant, mary hosick, kris rothstein, corin sworn contribu © "DiSCORDER* 1997 by the Student Radio Society of the University of British Columbia. -
View Splice Programme 2017
RICH MIX RED GALLERY / KAMIO 35-47 Bethnal Green Rd, 1-3 Rivington St, London E1 6LA London EC2A 3DT www.splicefestival.com WORKSHOPS RESOLUME : BEGINNERS RESOLUME : ADVANCED OPTIKAL INK LAB : LED LAB & Welcome to Splice Festival - London’s dedicated WORKSHOP MASTERCLASS STAGE DESIGN THURSDAY 25TH MAY 13:00 – 16:00 / UAL / LCC FRIDAY 26TH MAY 15:00 – 17:00 / RICH MIX FRIDAY 26TH MAY 11:00 – 17:00 audio visual performing arts festival. We’re very & SATURDAY 27TH MAY 12:00 – 18:00 / From zero to hero in 3 hours. The The two founders of Resolume, Edwin RED GALLERY & KAMIO two founders of Resolume, Edwin de Koning and Bart van der Ploeg host happy to return for our second edition from This workshop is an initiation to de Koning and Bart van der Ploeg, an advanced masterclass at Rich Mix. LED mapping and stage design. LED th th host a beginners workshop at This workshop is for everyone who the 26 –28 May at multi-arts venues Rich Mix, mapping is a technique that uses LED University of the Arts, London College already has some experience with lighting technology and DMX/ArtNet of Communication. This workshop VJing in general, but wants to get protocols to design spaces, stages, Red Gallery and Kamio. teaches you all you need to know to inside the many options Resolume installations, performances, fashion start VJing with Resolume. They’ll has to offer. How to sync clips to the garments and more. On day one go over ‘what does what’ in the BPM or have effects ‘pop’ to the music, Splice Festival forms the UK branch of Creative Europe’s AV Node Network, a large participants will focus on the theory interface and show you the best ways using cue points and BeatLoopr to and on day two they will put theory scale project which partners 13 art and technology festivals across 12 European to use the software. -
U.K.'S Eclectic NO Tune Marks 10 Years with Boxed Set by RASHAUN HALL Own Thing," Explains Koala
Dance ARTISTS & MUSIC U.K.'s Eclectic NO Tune Marks 10 Years With Boxed Set BY RASHAUN HALL own thing," explains Koala. "It's rare says Koala, referring to labelmates always do well for us. It's great, and hits, and compiling from that," says NEW YORK -Individuality seems for a label to just let you develop as like Tobin, Cinematic Orchestra, DJ encouraging, that such an indepen- More. "We couldn't really do that to be a rare commodity in the music an artist. If you decide to do some- Vadim, and the Herbaliser. "There's dent label can now be celebrating its because we're always interested in industry today. With boy bands and thing completely different from the a consistency in terms of the people 10th anniversary." something new. So we went to the coming -of-age divas being signed left last thing you did, they support it. If doing what they want. People enjoy In preparing the "Xen Cuts" artists and asked them what they and right, it's become ever more dif- that about the label." wanted to do. We gathered all this ficult for experimental artists to find Notes More, "Plus, they are all material and then tried to figure out a label to call home. For this reason, very motivated artists. A lot of peo- what to use. At one point, we just U.K. -based label Ninja Tune remains ple send demos off and expect the said, `Fuck it, let's go for it.'" vital. record companies to fall all over Highlights of the 39 -track collec- Home to a wide variety of art- themselves, but that doesn't happen. -
Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali -
10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
Madness +he (,ecials +he (katalites Desmond Dekker 5B?0 +oots and Bob Marley 2+he Maytals (haggy Inner Circle Jimmy Cli// Beenie Man #eter +osh Bob Marley Die 6antastischen BuBu Banton 8nthony B+he Wailers Clueso #eter 6oA (ean #aul *ier 6ettes Brot Culcha Candela MaA %omeo Jan Delay (eeed Deichkind 'ek181Mouse #atrice Ciggy Marley entleman Ca,leton Barrington !e)y Burning (,ear Dennis Brown Black 5huru regory Isaacs (i""la Dane Cook Damian Marley 4orace 8ndy +he 5,setters Israel *ibration Culture (teel #ulse 8dam (andler !ee =(cratch= #erry +he 83uabats 8ugustus #ablo Monty #ython %ichard Cheese 8l,ha Blondy +rans,lants 4ot Water 0ing +ubby Music Big D and the+he Mighty (outh #ark Mighty Bosstones O,eration I)y %eel Big Mad Caddies 0ids +able6ish (lint Catch .. =Weird Al= mewithout-ou +he *andals %ed (,arowes +he (uicide +he Blood !ess +han Machines Brothers Jake +he Bouncing od Is +he ood -anko)icDescendents (ouls ')ery +ime !i/e #ro,agandhi < and #elican JGdayso/static $ot 5 Isis Comeback 0id Me 6irst and the ood %iddance (il)ersun #icku,s %ancid imme immes Blindside Oceansi"ean Astronaut Meshuggah Con)erge I Die 8 (il)er 6ear Be/ore the March dredg !ow $eurosis +he Bled Mt& Cion 8t the #sa,, o/ 6lames John Barry Between the Buried $O6H $orma Jean +he 4orrors and Me 8nti16lag (trike 8nywhere +he (ea Broadcast ods,eed -ou9 (,arta old/inger +he 6all Mono Black 'm,eror and Cake +unng &&&And -ou Will 0now Us +he Dillinger o/ +roy Bernard 4errmann 'sca,e #lan !agwagon -ou (ay #arty9 We (tereolab Drive-In Bi//y Clyro Jonny reenwood (ay Die9 -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) DJs, Rappers, Ravers (These are excerpts from my book "A History of Rock and Dance Music") One of the problems with the 1980s was that, by the end of the decade, a "rocker" was as obsolete a social and musical figure as a pop singer had been in 1956. During the 1980s three revolutions took hold of popular music: the emergence of disc-jockeys as a creative force (in particular in techno music), the advent of hip-hop (and therefore of the "rapper"), and the marriage of industrial music, heavy metal and hardcore (generically associated with the "cyber-punk" culture). Rap-music 1979-87 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The idea of rapping was imported into New York by the Jamaican immigrants, who were already familiar with "toasting" (a reggae artist talking in rhyme over the instrumental sections of a record). Some of them became disc-jockeys ("dj") that traveled around New York carrying their "sound system" to perform at block parties. In 1975 in the Bronx of New York, one of them, Clive "Hercules" Campbell, or "Kool Herc", started making music with two turntables out of breakbeats (the instrumental breaks of a song that focused on the rhythm section, the favorite part of the song for most dancers), while another young black man of the Bronx, Theodore "Grand Wizard" Livingstone was accidentally discovering the "skratching" sound of a turntable. -
Schedule A: Aria Licensing - Copyright Owners
SCHEDULE A: ARIA LICENSING - COPYRIGHT OWNERS BEGGARS GROUP MEDIA LIMITED www.beggars.com BINNABURRA FILM CO PTY LTD Address withheld BLACK MARKET MUSIC www.blackmarketmusic.com.au COLOSSAL RECORDS OF AUSTRALIA PTY LTD Address withheld COMPASS BROS RECORDS PTY LTD www.compassbros.com.au COOKING VINYL AUSTRALIA www.cookingvinylaustralia.com CREATE CONTROL PTY LTD www.create-control.com DEX AUDIO PTY LTD T/A NEW MARKET MUSIC www.newmarketmusic.com EMI MUSIC (AUSTRALIA) PTY LTD www.emimusic.com.au EXIST RECORDINGS www.existrecordings.com HEAD RECORDS* www.headrecords.com HEAVEN MUSIC AUSTRALIA PTY LTD Address withheld INERTIA PTY LTD www.inertia-music.com KOBALT MUSIC PUBLISHING www.kobaltmusic.com LEONIE MACPHERSON Address withheld LIBERATION MUSIC PTY LTD www.liberation.com.au LIOR ATTAR www.lior.com.au MIDNIGHT RECORDS PTY LTD Address withheld MODERN MUSIC PTY LTD www.modernmusic.com.au NLV Records www.nlvrecords.com. ORIGIN RECORDINGS PTY LTD www.originmusic.com.au PRO AGENCY GMBH www.pro-agency.net PUBLIC OPINION * Address withheld RED REBEL MUSIC www.redrebelmusic.com REGENCY MEDIA PTY LTD T/A SHOCK www.shockrecords.com.au ENTERTAINMENT* REMOTE CONTROL RECORDS PTY LTD www.remotecontrolrecords.com.au Updated December 2020 RUBBER MUSIC PTY LTD T/A RUBBER RECORDS www.rubberrecords.com RUFUS RECORDS www.rufusrecords.com.au SAMPLES 'N' SECONDS RECORDS PTY LTD www.gotye.com SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD www.sonymusic.com.au SOUNDPROOF AUSTRALIA PTY LTD Address withheld TRUSTEE FOR THE GEORGI FAMILY TRUST Address withheld TWO SHOES PTY LTD Address withheld UNDERCOVER MUSIC PTY LTD www.undercovermusic.com.au UNIFIED MUSIC GROUP PTY LTD www.unifiedmusicgroup.com UNIVERSAL MUSIC AUSTRALIA LIMITED www.umusic.com.au WARNER MUSIC AUSTRALIA PTY LTD www.warnermusic.com.au XELON www.xelonentertainment.com Updated December 2020 * Labels controlled by this Licensor are excluded from the grant of rights in relation to Music Videos (only sound recording rights are granted). -
Variations #7
Curatorial > VARIATIONS VARIATIONS #7 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The composer different points of view organised in curatorial series. In the nineties, sampling technology reached a level of sophistication and control 'Variation' is the formal term for a musical composition based that allowed musicians to truly assert themselves over their materials. While some on a previous musical work, and many of those traditional collagists innovated by confidently stepping into the traditional role of the methods (changing the key, meter, rhythm, harmonies or romantic composer, presenting the resulting music as an expression of self, tempi of a piece) are used in much the same manner today others continued to explore the intrinsic meanings suggested by the craft itself. by sampling musicians. But the practice of sampling is more than a simple modernization or expansion of the number of In this episode we trace through examples of the popular music that brought the options available to those who seek their inspiration in the term ‘remix’ into the popular lexicon, hear the CD player joining the turntable as refinement of previous composition. The history of this music a live performance instrument, and connect digital sampling to the history of traces nearly as far back as the advent of recording, and its musical borrowing: written notation’s classical equivalent to the editing techniques that modern composers use to transform existing music into new emergence and development mirrors the increasingly self- compositions. conscious relationship of society to its experience of music. -
A Preferential Introduction to WESTERN MUSIC For
A Preferential Introduction to WESTERN MUSIC for EFL Students VOCABULARY: band, artist, singer, composer, musician, instrument, instrumental, style, (sub)genre, rhythm, beat, melody, acoustic, electric, lyrics, lip-synch, album, Pop Charts /Top40, live music, concert, bootleg, teenybopper, boy band, "one-hit wonder", hit song/album, catchy, (Sth. gets) stuck in Sb.'s head, know Sth. by heart, (Be) into Sth., dig Sth., feel Vs. not feel Sth., record, vinyl, cassette tape, compact disc (CD), streaming service, MP3, playlist, mixtape, remix, round, verse, chorus, music snob, hipster, (music) scene, record label, collection VS. library, pretentious, backup band/singers Classical (Pre-20th Century): Includes subgenres baroque, renaissance, opera, etc. Some call more recent orchestral music "modern classical" or "avant-garde" farther below. Very serious stuff! Examples of composers: Mozart, Beethoven, Brahms, Handel, Bach, Chopin, Mendelsson, Mussorgsky, Ravel, Bizet, Grieg, Rachmaninoff,Coplin, Haydn,Strauss, Wagner, Tchaikovsky, Lizst, etc. A Cappella: The opposite extreme of orchestral music is made using only the human voice as an instrument. A cappella groups are very popular on college campuses and TV singing pageantry shows. The Youtube era has ensured every popular song has an a cappella version. Beatboxing is a percussive variation. Examples: Chanticleer, Hyperpotamus, Rockapella, and various "barbershop" groups. Easy Listening: Includes polkas, waltzes, "show tunes" (from vaudeville acts and musicals), lounge music, as well as some "new age", smooth jazz, and ambient music. Some refer to these styles as "background" music or disparagingly as "elevator" music. It is never loud, but many still find it annoying! Most U.S. cities have one or more radio stations which play these kinds of music, but they are usually on AM radio, not in "stereo" sound, and not listened to by young people. -
Dj Spooky Is Articulate, Articulates
DJ SPOOKY IS ARTICULATE, OR IS IT BETTER TO SAY THAT HE ARTICULATES'? HE EXPRESSES HIMSELF WITH HIS MIXES AND WRITTEN THE PROCESS, WORKS; IN a COMMON SENSE CHARACTERIZING OF GIDDY CONFUSION AND EXCITEMENT WITH THE CONDITIONS OF CONTEMPORARY LIFE, WHILE DISPLAYING AN INFORMED, HISTORICALLY LOCATED, SENSE OF PLACE AKin ...^p ALSO: OLIVIA TREMOR CONTROL, |Hfc UULUHIHlb,30 SECOND MOTION PICTURE, SPEEDBUGGY, THE ELECTROSONICS, KANEVA AND SPACEKID. PLUS: SAVE THE CBCI .O \, 1176 GRANVILLE ST, G08-GATK APRIL 1997 ISSUE *171 APRIL CALENDAR FRI. 4th SAT. 5X1-1 BRICKHOUSE FEATURES WITH GUESTS BALL II THE ATROCITY EXHIBITION SAVE THE CBC 7 ONS SCANTY WEAR FASHION SHOW/ FRI. nth THE SADDLESORES 30 SECOND MOTION PICTURE 10 VANCOUVER POLK KIOSKS. TAROT. PERFORMERS OIIVIA TREMOR CONTROL 13 MUSIC FESTIVAL ^m^m^m^m^m^m^m^m^m^tm PRESENTS FROM ELEOROSONICS/SPACEKID/KANEVA/SPEEDBUGGY 14 SATr I2t SALNN FRANCISCFRANCISCOO I rSEL DJ SPOOKY 16 ELE MUSIC WASTE DBLE CO RE LI * i___fi2 ZOLTY CRACKEI THE COLORIFICS 20 ETS: -nCktfMASTER. If I W SMAK MHiHV#t, 11/ HOMECOMING SHOW BLACK SWAM I W I ' :'•' . I- *P—mmmml Columns FRI, iQth COWSHEAD CHRONICLES NOISE _ SATtJ9th VANCOUVER SPECIAL THERAPY | COLORIFICS DIARY of JONNIE LOAF BOY WITH QUEAZY 4fe INTERVIEW HELL GUESTS SUBCULT. GASIVI editrix BASSLINES 19 miko hoHman SA^, 2*9th PRINTED MATTERS 19 ort director •ea«(_©i_«*£K c«-c«_i<_ fcgo^ai kenny paul SEVEN INCH 21 FROM SAN FRANCISCO ad rep BETWEEN THE LINES 21 FRI, 25th kevin pendergraft TEMPEST UNDER REVIEW 22 production manager 24 MUSCLE barb yamazakf REAL LIVE ACTION BITCHE CHARTS 27 graphic design/layout WITH | STONY PLAIN RECORDING ARTISTS tania alekson, atomos, erin ON THE DIAL 29 hodge, ken paul, GUESTS.