Charles Daggett: Is Now Nevada, but It Also Is a Textbook Example of How Frost- Nevada’S First Doctor Bite Is Treated in Similar Circum- Stances Today
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Getting a Second Opinion Before Surgery
Revised September 2020 Getting a Second Opinion Before Surgery A second opinion is when another doctor (in addition to your regular doctor) gives their view about your health problem and how it should be treated. Getting a second opinion can help you make a more informed decision about your care. Medicare Part B (Medical Insurance) helps pay for a second opinion before surgery. When your doctor says you have a health problem that needs surgery, you have the right to: • Know and understand your treatment choices • Have another doctor look at those choices with you (second opinion) • Participate in treatment decisions by making your wishes known When should I get a second opinion? If your doctor says you need surgery to diagnose or treat a health problem that isn’t an emergency, consider getting a second opinion. It’s up to you to decide when and if you’ll have surgery. Medicare doesn’t pay for surgeries or procedures that aren’t medically necessary, like cosmetic surgery. This means that Medicare also won’t pay for second opinions for surgeries or procedures that aren’t medically necessary. Don’t wait for a second opinion if you need emergency surgery. Some types of emergencies may require surgery right away, like: • Acute appendicitis • Blood clots or aneurysms • Accidental injuries How do I find a doctor for a second opinion? Make sure the doctor giving the second opinion accepts Medicare. To find a doctor for a second opinion: • Visit Medicare.gov to find doctors who accept Medicare. • Call 1-800-MEDICARE (1-800-633-4227). -
Sample File Under Licence
THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CREDITS LINE DEVELOPER: Gareth Ryder-Hanrahan WRITING: Darren Pearce and Gareth Ryder-Hanrahan ADDITIONAL DEVELOPMENT: Nathaniel Torson EDITING: Dominic McDowall-Thomas COVER: Paul Bourne GRAPHIC DESIGN AND LAYOUT: Paul Bourne CREATIVE DIRECTOR: Dominic McDowall-Thomas ART DIRECTOR: Jon Hodgson SPECIAL THANKS: Georgie Britton and the BBC Team for all their help. “My First Begins With An Unearthly Child” The First Doctor Sourcebook is published by Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Find out more about us and our games at www.cubicle7.co.uk © Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and devices) are trade marks of the British Broadcasting Corporation and are used Sample file under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2009. TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. Printed in the USA THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CONTENTS CHAPTER ONE 4 CHAPTER SEVEN 89 Introduction 5 The Chase 90 Playing in the First Doctor Era 6 The Time Meddler 96 The Tardis 12 Galaxy Four 100 CHAPER TWO 14 CHAPTER EIGHT 104 An Unearthly Child 15 The Myth Makers 105 The Daleks 20 The Dalek’s Master Plan 109 The Edge of Destruction 26 The Massacre 121 CHAPTER THREE 28 CHAPTER NINE 123 Marco Polo 29 The Ark 124 The Keys of Marinus 35 The Celestial Toymaker 128 The -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
''Doctor Who'' - the First Doctor Episode Guide Contents
''Doctor Who'' - The First Doctor Episode Guide Contents 1 Season 1 1 1.1 An Unearthly Child .......................................... 1 1.1.1 Plot .............................................. 1 1.1.2 Production .......................................... 2 1.1.3 Themes and analyses ..................................... 4 1.1.4 Broadcast and reception .................................... 4 1.1.5 Commercial releases ..................................... 4 1.1.6 References and notes ..................................... 5 1.1.7 Bibliography ......................................... 6 1.1.8 External links ......................................... 6 1.2 The Daleks .............................................. 7 1.2.1 Plot .............................................. 7 1.2.2 Production .......................................... 8 1.2.3 Themes and analysis ..................................... 8 1.2.4 Broadcast and reception .................................... 8 1.2.5 Commercial releases ..................................... 9 1.2.6 Film version .......................................... 10 1.2.7 References .......................................... 10 1.2.8 Bibliography ......................................... 10 1.2.9 External links ......................................... 11 1.3 The Edge of Destruction ....................................... 11 1.3.1 Plot .............................................. 11 1.3.2 Production .......................................... 11 1.3.3 Broadcast and reception ................................... -
Download the Digital Booklet
Tracks 1-10 EPISODE 1: THE DEAD PLANET Tracks 11-13 EPISODE 2: THE SURVIVORS Tracks 14-16 EPISODE 3: THE ESCAPE Tracks 17-19 EPISODE 4: THE AMBUSH Tracks 20-22 EPISODE 5: THE EXPEDITION Tracks 23-28 EPISODE 6: THE ORDEAL Tracks 29-31 EPISODE 7: THE RESCUE MUSIC BY TRISTRAM CARY BONUS TRACKS SPECIAL SOUND BY 32. FIVE EXPLOSIONS BRIAN HODGSON 33. THE AMBUSH (LOOP) AND THE BBC RADIOPHONIC 34. FUNERAL CHORDS WORKSHOP 35. FUNERAL CHORDS (ALTERNATIVE) 36. FUNERAL CHORDS (LOOP) Track 1 composed by Ron Grainer, realised by Delia Derbyshire, BBC Radiophonic Workshop Tracks 2, 4-6, 8, 10, 11, 13-29, 32-36 composed, realised and produced by Tristram Cary Tracks 3, 7, 9, 12, 30-31 Special Sound by Brian Hodgson, BBC Radiophonic Workshop Album compiled, mastered and produced by Mark Ayres EPISODE 1 - THE DEAD PLANET EPISODE 5 - THE EXPEDITION 01. DOCTOR WHO (ORIGINAL THEME) 1.25 20. RISING TENSION 1.18 02. FOREST ATMOSPHERE 1.08 21. DEMENTED DALEK 0.22 03. SKARO: PETRIFIED FOREST 22. THE SWAMP 2.31 ATMOSPHERE (“THAL WIND”) 4.53 04. FOREST WITH CREATURE 0.55 EPISODE 6 - THE ORDEAL 05. CITY MUSIC 1 & 2 0.56 23. THE CAVE I 2.07 06. THING IN JUNGLE 0.52 24. BARBARA LOSES THE ROPE 0.18 07. TARDIS COMPUTER 1.13 25. HIGH SOUND AND HEARTBEATS 08. CITY MUSIC 3 0.43 (ANTODUS AND GANATUS) 2.06 09. DALEK CITY CORRIDOR 3.46 26. PEBBLE DROPPED 0.13 10. THE DALEKS 0.33 27. CAPTIVES OF THE DALEKS 0.16 28. -
Gallifrey: No. 5 Free
FREE GALLIFREY: NO. 5 PDF James Peaty,Una McCormack,David Llewellyn,Gary Russell,Sean Carlsen,Louise Jameson,Lalla Ward | none | 28 Feb 2013 | Big Finish Productions Ltd | 9781844359585 | English | Maidenhead, United Kingdom Classical Gallifrey: Serial The Five Doctors It is the original home world of the Time Lordsthe civilisation to which the main protagonist, the Doctor belongs. It is located in a binary star system [2] million light years from Earth. In the revived series onwards Gallifrey was originally referred to as having been destroyed in the Time Warwhich was fought between the Time Lords and the Daleks. It was depicted in a flashback in " The Sound of Drums " [1] and appeared prominently in " The End of Time " — It is never definitively stated when the appearances of Gallifrey take place. As the planet is often reached by means of time travel, its relative present could conceivably exist almost anywhere in the Earth 's past or future as well as anywhere in the conceivable universe. From space, Gallifrey is seen as a yellow-orange planet and was close enough to central space lanes for spacecraft to require clearance from Gallifreyan Space Traffic Control as they pass through Gallifrey: No. 5 system. The Time Lords' principal city, named The Capitol, consists of shining towers protected by a mighty glass dome. The planet's so-called "second city" is Arcadia, and is seen falling to the Daleks in the minisode " The Last Day. The Doctor's granddaughter Susan first describes her home world not named as "Gallifrey" at the time as having bright, silver-leafed trees and a burnt orange sky at night in the serial The Sensorites In The Time Monsterthe Third Doctor says that "When I was a Gallifrey: No. -
Law, the Digital and Time: the Legal Emblems of Doctor Who
Law, the Digital and Time: The Legal Emblems of Doctor Who Author Tranter, Kieran Published 2017 Journal Title International Journal for the Semiotics of Law Version Accepted Manuscript (AM) DOI https://doi.org/10.1007/s11196-017-9522-0 Copyright Statement © 2017 Springer Netherlands. This is an electronic version of an article published in International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique, 30(3), 515-532, 2017. International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique is available online at: http://link.springer.com// with the open URL of your article. Downloaded from http://hdl.handle.net/10072/352711 Griffith Research Online https://research-repository.griffith.edu.au This is a preprint version of this manuscript. The final manuscript is: Kieran Tranter ‘Law, the Digital and Time: The Legal Emblems of Doctor Who’ (2017) 30(3) International Journal for the Semiotics of Law 515-532 DOI: 10.1007/s11196-017-9522-0 Law, the Digital and Time: The Legal Emblems of Doctor Who Dr Kieran Tranter Associate Professor Griffith Law School/Law Futures Centre Griffith University, Gold Coast Australia Address for Correspondence [email protected] Abstract This article is about time. It is about time, or more precisely, about the absence of time in law’s digital future. It is also about time-travelling and the seemingly ever-popular BBC science fiction television series Doctor Who. Further, it is about law’s timefullness; about law’s pictorial past and the ‘visual baroque’ of its chronological fused future. Ultimately, it is about a time paradox of seeing time run to a time when time runs ‘No More!’ This ‘timey-wimey’ article is in three parts. -
A Brief History of Doctor Who
A BRIEF HISTORY OF DOCTOR WHO Doctor Who is a British television science-fiction series, produced and screened by the British Broadcasting Corporation on their BBC 1 channel from 1963 to 1989 in its original form, with a new series launched in early 2005. In between the two, there was a one-off television movie co-produced with Universal Pictures and 20th Century Fox Television, screened on the Fox Network in the United States in 1996. In December, 1962, Canadian-born Sydney Newman arrived at BBC Television as the new Head of Drama. Newman was a science-fiction fan who had overseen several such productions in his previous positions at ABC Television and the Canadian Broadcasting Corporation. In March 1963, he was made aware of a gap in the schedule on Saturday evenings between the sports showcase Grandstand and the pop music program Juke Box Jury. Ideally, any program scheduled here would appeal to children that had previously been accustomed to the timeslot as well as the teenaged audience of Juke Box Jury and the adult sports fan audience of Grandstand. Newman personally came up with the idea of a time machine larger on the inside than the outside and the idea of the central character, the mysterious "Doctor"; he also gave the series the name Doctor Who. Later in the year production was initiated and handed over to producer Verity Lambert to oversee. Doctor Who was originally intended to be an educational series, with the TARDIS taking the form of an object from that particular episode's time period (a column in Ancient Greece, a sarcophagus in Egypt, etc.). -
10 Objects of Dr
The right of Philip Bates to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. An unofficial Doctor Who Publication Doctor Who is © British Broadcasting Corporation, 1963, 2021 Editor: Shaun Russell Editorial: Will Rees Cover and illustrations by Martin Baines Published by Candy Jar Books Mackintosh House 136 Newport Road, Cardiff, CF24 1DJ www.candyjarbooks.co.uk All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Come one, come all, to the Museum of ! Located on the SS. Shawcraft and touring the Seven Systems, right now! Are you a fully-grown human adult? I would like to speak to someone in charge, so please direct me to any children in the vicinity. No, no, that's not fair – I was programmed not to judge, for I am a simple advertisement bot, bringing you the best in junk mail. Are you always that short? No, don’t look at me like that: my creators were from Ravan-Skala, where the people are six hundred ft tall; you have to talk to them in hot air balloons, and the tourist information centre is made of one of their hats. -
From Balaclavas to Jumpsuits: the Multiple Histories and Identities of Doctor Who’S Cybermen
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 30.1 (June 2008): 85–100 ISSN 0210-6124 From Balaclavas to Jumpsuits: The Multiple Histories and Identities of Doctor Who’s Cybermen Lincoln Geraghty University of Portsmouth [email protected] Through a detailed analysis of the Cybermen’s narrative evolution and changing cyborg appearance, this essay maintains that throughout the decades that spanned its series’ run, Doctor Who addressed key fears present in British society: fear of technology, loss of identity, American economic power and totalitarianism. These fears not only evolved alongside the physical appearance of the Cybermen, but also changed in significance as British television audiences accepted the consequences of technological assimilation and looked to the future in anticipation rather than apprehension. The general field of study on the cyborg in popular culture remains transfixed on the products of the big screen; American cinema is the focus for many works which continue to examine the cyborg as a predominantly American reality, for example Star Trek’s The Borg dominate the work done by scholars in these fields. Fear of technology, or fear of the automaton, is thus depicted as somehow an inherently American fear. However, this essay attempts to correct this imbalance and bring close attention to bear on the Cybermen as televisual figures of a technological complexity; one that is not necessarily American or cinematic, but rather British and televisual in origin and nature. Keywords: Cybermen; Doctor Who; cyborg; technology; television; Pedler, Kit; Science Fiction; British Culture; history; totalitarianism “Resistance is useless… you will be eliminated”. -
The Classic Doctor Who Dvd Compendium: Every Disc - Every Episode - Every Extra Pdf, Epub, Ebook
THE CLASSIC DOCTOR WHO DVD COMPENDIUM: EVERY DISC - EVERY EPISODE - EVERY EXTRA PDF, EPUB, EBOOK Paul Smith | 436 pages | 04 Aug 2014 | Wonderful Books | 9780957606210 | English | London, United Kingdom The Classic Doctor Who DVD Compendium: Every Disc - Every Episode - Every Extra PDF Book The original series — , generally consists of multi-episode serials; in the early seasons, and occasionally through its run, serials tend to link together, one story leading directly into the next. Evangelism for the 21st Century Paperback or Softback. Spearhead from Space Blu-ray Edition [b]. Series 1 — 4 including specials. Doctor Who : " Last Christmas ". Doctor Who: The Infinite Quest. Be the first to write a review About this product. Doctor Who episodes. Whether your collection is complete, still building or just starting, this is the perfect companion to the Classic Who DVD range. Wikipedia list article. Planet of the Spiders [p]. Remembrance of the Daleks. Ebook for Kindle , Apple , Nook or for other devices direct from Smashwords. The Android Invasion [h]. He is, to date, the actor who has played the Doctor on television for the longest period of time, [8] having held the role for seven seasons. Dreamland " Music of the Spheres ". The price may be the seller's own price elsewhere or another seller's price. Terrance Dicks and Malcolm Hulke. The Tenth Planet. David Fisher. Galaxy 4. The Classic Doctor Who DVD Compendium: Every Disc - Every Episode - Every Extra Writer The Smugglers and The Tenth Planet were the last serials to star the First Doctor, his regeneration to the Second occurring in the latter.