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PDF SVA Handbook 2020–21
2020/2021 SVA Handbook SVA • 2020 / 2021 20 /21 SVA Handbook CONTENTS President’s Letter 2 The College 3 Academic Information 9 Student Information 23 Faculty Information 44 General Information 55 Standards, Procedures, Policies and Regulations 69 SVA Essentials 93 2020–2021 Academic Calendar 113 Index 119 SVA.EDU 1 THE SVA HANDBOOK provides faculty, students and administrative staff with information about the College, its administration, services and processes. In addition, the Handbook contains policies mandated by federal and state regulations, which all faculty, students and administrative staff need be aware of. In this regard, I would especially like to call your attention to the sections on attendance (pages 12 and 46), the Family Educational Rights and Privacy Act (FERPA) (page 85), Student Disruptive and Concerning Behavior (page 74), Title IX procedures (page 84) and the SVA policy on alcohol and drugs (page 70). We look forward to the 2020–2021 academic year. Our students, this year from 45 states, one U.S. territory and 49 countries, will once again pursue their studies with the focused guidance of our renowned professional faculty. DAVID RHODES President August 2020 2 SVA HANDBOOK THE COLLEGE Board of Directors 4 Accreditation 4 SVA Mission Statement 4 SVA Core Values 4 History of SVA 5 Academic Freedom 6 First Amendment Rights 6 SVA Student Profile 7 SVA.EDU 3 BOARD OF DIRECTORS The Interior Design program leading to the Brian Palmer Bachelor of Fine Arts in Interior Design is ac- Joseph F. Patterson credited by the Council for Interior Design Anthony P. Rhodes Accreditation (accredit-id.org), 206 Grand- David Rhodes ville Avenue, Suite 350, Grand Rapids, MI Lawrence Rodman 49503-4014. -
Thomas Silva, Aia, Faar, Ncarb, Leed Ap
THOMAS SILVA, AIA, FAAR, NCARB, LEED AP PROFILE Thomas Silva is a registered architect with over 34 years experience in the design and documentation of over dozens of projects ranging from museums, performance centers, groundbreaking scientific and academic research facilities, custom homes and multi-family high-rises, office buildings, hotels, live/work lofts, hospitals and medical facilities, tenant improvements, high-end interior design, award winning renovations of landmark buildings, innovative retail design, and pro-bono work. He has been a practitioner of sustainable design building integration since the 1970’s, and is a LEED accredited professional. In addition to providing overall design and contract management, Mr Silva has specialized technical design skills including exterior cladding design, envelope and waterproofing detailing, contract document quality control peer review, specifica- tion writing, code analysis/interpretation. He has over 25 years construction administration experience in a variety of complex projects, costs ranging from $10m- $11 b and maintains continuing professional practice education in the fields of new materials, innovative engineering systems and technologies, construction law and building codes. Fellow EDUCATION 1989 Rome Prize Fellowship, American Academy in Rome Rome, Italy Bachelor of Architecture 1987 The Cooper Union The Irwin S. Chanin School of Architecture New York, NY REGISTRATIONS 2002 Registered Architect: California, License No. C29212 1995 Registered Architect: New York, License No. 25266 2004 LEED Accredited Professional PROFESSIONAL EXPERIENCE Perkins+Will Technical Director San Francisco, CA Responsible for technical aspects of project delivery and overview of all project Senior Associate construction documents, detailing and coordination activities; implementation of 2012-Present the firm’s quality assurance and control programs; research new technologies and building systems, and integrate sustainability into project technical methodology. -
Martha Clippinger Cv
MARTHA CLIPPINGER CV Education 2008 MFA Visual Arts, Mason Gross School of Art, Rutgers University 2005 BA Art History/Visual Arts, Fordham University Rose Hill, cum laude Awards & Fellowships 2018 Arts & Industry Residency, John Michael Kohler Arts Center, Sheboygan, WI 2017 Ella Fountain Pratt Emerging Artists Grant, Durham Arts Council, Durham, NC 2016 PNC Pop-In Residency, Artspace, Raleigh, NC 2015 The Sam and Adele Golden Foundation Exploratory Residency 2014 Fulbright-García Robles Research Grant, Mexico The American Academy of Arts and Letters Purchase Award: Hassam, Speicher, Betts, and Symons Fund 2013 The MacDowell Colony The Edward F. Albee Foundation 2012 Associate Artist, The Atlantic Center for the Arts 2010 The Marie Walsh Sharpe Art Foundation, The Space Program 2009 Nadine Goldsmith Artist’s Fellowship, Vermont Studio Center 2008 Joan Mitchell Foundation MFA Grant nominee 2007 Teaching Fellowship, Mason Gross School of Art, Rutgers University 2006 University Merit Scholars Award, Mason Gross School of Art, Rutgers University 2005 Vasari Lecture speaker, Fordham University 2004 Stark Travel Prize, Fordham University Solo and Two Person Exhibitions 2019 Pieces, Elizabeth Harris Gallery, New York, NY Interwoven, Horace Williams House, Chapel Hill, NC MARTHA CLIPPINGER: off-kilter, Hodges Taylor, Charlotte, NC Forthcoming solo exhibition at Philadelphia Magic Gardens 2018 Martha Clippinger: Two Sides/ Dos Lados, Institute 193, Lexington, KY Three Quilts, Ella Fountain Pratt Gallery, Durham Arts Council, Durham, NC 2017 Martha -
New York, New York
EXPOSITION NEW YORK, NEW YORK Cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo Du 14 juillet au 10 septembre 2006 Grimaldi Forum - Espace Ravel INTRODUCTION L’exposition « NEW YORK, NEW YORK » cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo produite par le Grimaldi Forum Monaco, bénéficie du soutien de la Compagnie Monégasque de Banque (CMB), de SKYY Vodka by Campari, de l’Hôtel Métropole à Monte-Carlo et de Bentley Monaco. Commissariat : Lisa Dennison et Germano Celant Scénographie : Pierluigi Cerri (Studio Cerri & Associati, Milano) Renseignements pratiques • Grimaldi Forum : 10 avenue Princesse Grace, Monaco – Espace Ravel. • Horaires : Tous les jours de 10h00 à 20h00 et nocturne les jeudis de 10h00 à 22h00 • Billetterie Grimaldi Forum Tél. +377 99 99 3000 - Fax +377 99 99 3001 – E-mail : [email protected] et points FNAC • Site Internet : www.grimaldiforum.mc • Prix d’entrée : Plein tarif = 10 € Tarifs réduits : Groupes (+ 10 personnes) = 8 € - Etudiants (-25 ans sur présentation de la carte) = 6 € - Enfants (jusqu’à 11 ans) = gratuit • Catalogue de l’exposition (versions française et anglaise) Format : 24 x 28 cm, 560 pages avec 510 illustrations Une coédition SKIRA et GRIMALDI FORUM Auteurs : Germano Celant et Lisa Dennison N°ISBN 88-7624-850-1 ; dépôt légal = juillet 2006 Prix Public : 49 € Communication pour l’exposition : Hervé Zorgniotti – Tél. : 00 377 99 99 25 02 – [email protected] Nathalie Pinto – Tél. : 00 377 99 99 25 03 – [email protected] Contact pour les visuels : Nadège Basile Bruno - Tél. : 00 377 99 99 25 25 – [email protected] AUTOUR DE L’EXPOSITION… Grease Etes-vous partant pour une virée « blouson noir, gomina et look fifties» ? Si c’est le cas, ne manquez pas la plus spectaculaire comédie musicale de l’histoire du rock’n’roll : elle est annoncée au Grimaldi Forum Monaco, pour seulement une semaine et une seule, du 25 au 30 juillet. -
Faculty and Staff Activities 2014–2015
FACULTY AND STAFF ACTIVITIES 2014–2015 COOPER AT ARCHITECTURE Professor Diana Agrest’s film “The Making of an Avant- Assistant Professor Adjunct John Hartmann, co-founder Visiting Professor Joan Ockman was a co-editor for MAS: Garde: The Institute for Architecture and Urban Studies with Lauren Crahan of Freecell Architecture, spoke at The The Modern Architecture Symposia 1962-1966: A Critical Edition 1967-1984” was screened at the Graham Foundation, Hammons School of Architecture at Drury University as part (Yale University Press). The publication was reviewed in Princeton University, Cornell University, UC Berkeley of the 2014-2015 Lecture Series. Architectural Record. She was a presenter at The Building EDITED BY EMMY MIKELSON; DESIGN BY INESSA SHKOLNIKOV, CENTER FOR DESIGN AND TYPOGRAPHY; PHOTOGRAPHY BY JOÃO ENXUTO WITH SPECIAL ASSISTANCE FROM THE SCHOOL OF ARCHITECTURE ARCHIVE AND ELIZABETH O’DONNELL, ACTING DEAN ARCHIVE AND ELIZABETH O’DONNELL, ACTING FROM THE SCHOOL OF ARCHITECTURE WITH SPECIAL ASSISTANCE ENXUTO BY JOÃO DESIGN AND TYPOGRAPHY; PHOTOGRAPHY CENTER FOR SHKOLNIKOV, EDITED BY EMMY MIKELSON; DESIGN INESSA College of Environmental Design and followed by a panel Symposium held at Columbia University GSAPP. discussion with Agrest, Nicholas de Monchaux, Sylvia Lavin Director of the School of Architecture Archive, and Stanley Saitowitz, the 10th Annual Cinema Orange Film Steven Hillyer, co-produced Christmas Without Tears, Acting Dean and Professor Elizabeth O’Donnell was the Series, Newport Beach Film Festival at Orange County a four-city tour of holiday-themed variety shows hosted co-chair and delivered the introductory remarks for Museum of Art, the San Diego Design Film Festival, and Cite by Judith Owen and Harry Shearer, which included “The Sultanate of Oman: Geography, Religion and Culture” de l’Architecture in Paris, France, which was followed by a performances by Mario Cantone, Catherine O’Hara, held at The Cooper Union. -
Annual Report 2012
Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
16-0530 SARA NY Awards 2016 Final
2 SARA| NY DESIGN AWARDS0 11 6 CTA ARCHITECTS P.C. WWW.CTAARCHITECTS.COM ARCHITECT HELPING ARCHITECT SINCE 1956 CONGRATULATIONS TO THE 2016 SARA NY DESIGN AWARDS WINNERS TABLE OF CONTENTS ACKNOWLEDGEMENTS SARA|NY thanks the following people for making the 2016 Design Awards Program a great success: ACKNOWLEDGEMENTS 05 Our deepest appreciation goes to SARA|NY President T amar Kisilevitz , ARA and Vice President Frank A. Szatkowski , ARA for their leadership and support throughout this year’s success. ABOUT SARA 06 To 2016 Special Design Awards Committee Co-Chairs Tim Maldonado , FARA and Ken Conzelmann , ARA, who led this year’s SARA|NY Special Awards s election and arranged MESSAGE FROM THE PRESIDENT 08 project tours. For providing us with informative building tours in consideration for the 2016 SARA|NY Special MESSAGE FROM THE VICE-PRESIDENT 09 Awards: • Saint Ann’s Warehouse: Zachary Griffin, RA , Associate, Marvel Architects; Elizabeth Candela , Development and Marketing, Marvel Architects; Jonathan J. Marvel , FAIA, Founding 2016 SARA|NY SPECIAL AWARD: VIA 57 WEST 10 Partner, Marvel Architects; Lissa So , Founding Partner, Marvel Architects Bjarke Ingels Group • 551W21: Jeremy Dworken , Associate, Foster + Partners; Nelson Estrada , Engineer, Triton Construction; Norman Foster , Chairman and Founder, Foster + Partners; James Barnes , Partner, Foster + Partners; Peter Han , Partner, Foster + Partners 2016 SARA|NY SPECIAL AWARD: TWA FLIGHT CENTER 16 • Via 57 West: Beat Schenk , Project Leader, Bjarke Ingels Group; Alessandro Ronfini , Beyer Blinder Belle Designer, Enclos; Bjarke Ingels , Founding Partner, Bjarke Ingels Group • TWA Flight Center: Richard W. Southwick , FAIA, Partner, Director of Historic Preservation, 2016 SARA|NY DESIGN AWARDS OF EXCELLENCE 23 Beyer, Blinder, Belle; Tyler Morse , CEO, Managing Partner, MCR Development LLC We would like to thank Design Awards Committee Co-Chairs Tamar Kisilevitz and Asaf 2016 SARA|NY DESIGN AWARDS OF HONOR 33 Yogev for their many contributions to the success of the Design Awards Program. -
105 Hudson Street, New York NY
TRIBECA NEW YORK NY 105 HUDSON STREET SPACE DETAILS LOCATION COMMENTS Northwest corner of Franklin Street Strong corner with tremendous wraparound frontage APPROXIMATE SIZE Strong retail adjacencies to fashion, design and restaurant tenants Space A One block from the subway station and critically acclaimed Greenwich Hotel Ground Floor 4,030 SF * All uses allowed Lower Level 820 SF * Lower Level is selling, has a sidewalk hatch facing Hudston Street and a loading elevator facing Franklin Street Space B Direct deal, no key money, fully vented restaurant opportunity with infrastucture Ground Floor 2,390 SF * in place Lower Level 2,590 SF * Gorgeous retail space at the base of Carrere and Hastings Powell building Total 9,830 SF *Can be combined POSSESSION Immediate TERM Long term FRONTAGE Space A 35 FT on Hudson Street 95 FT on Franklin Street Space B 20 FT on Hudson Street SITE STATUS Formerly Nobu and Nobu Next Door NEIGHBORS Mr. Chow, Bubby’s, Shinola, Issey Miyake, Thom Browne, Tamarind, everafter, Locanda Verde, Noted Tribeca (coming soon), Maison Kayser, Patron of the New and Thierry Despont Gallery VIEW FROM HUDSON STREET FLOOR PLANS GROUND FLOOR LOWER LEVEL HUDSON STREET 20 FT 35 FT SPACE B SPACE A 95 FT SPACE B 2,390 SF 4,030 SF 2,590 SF FRANKLIN STREET SPACE A 820 SF AREA NEIGHBORS TRIBECA · NEW YORK, NY Ã Tribeca Spa of Tranquility S Crave I Expresso Bar ST JOHN'S LANE X T H Brilliant Bicycle Company A CANAL STREET VARICK STREET V DESBROSSES STREET United Pupculture E Grocery N Michael K Innovation U Pepolino Sea Shades E Church Street Surplus N Q R W Nancy Whiskey Pub Saluggis Pizza Mercato Goldfeder / Kahan Framing Fabbrica Cafe Bari Hudson Wine & Spirits LISPENARD STREET Art Project Maharishi Montauk FoundRae Empire Luggage Gallery Plastic Land Store Sofa John Allan's Antique Garage Kong W. -
Anthology Film Archives 104
242. Sweet Potato PieCl 384. Jerusalem - Hadassah Hospital #2 243. Jakob Kohn on eaver-Leary 385. Jerusalem - Old Peoples Workshop, Golstein Village THE 244. After the Bar with Tony and Michael #1 386. Jerusalem - Damascus Gate & Old City 245. After the Bar with Tony and Michael #2 387. Jerusalem -Songs of the Yeshiva, Rabbi Frank 246. Chiropractor 388. Jerusalem -Tomb of Mary, Holy Sepulchre, Sations of Cross 247. Tosun Bayrak's Dinner and Wake 389. Jerusalem - Drive to Prison 248. Ellen's Apartment #1 390. Jerusalem - Briss 249. Ellen's Apartment #2 391 . European Video Resources 250. Ellen's Apartment #3 392. Jack Moore in Amsterdam 251, Tuli's Montreal Revolt 393. Tajiri in Baarlo, Holland ; Algol, Brussels VIDEOFIiEEX Brussels MEDIABUS " LANESVILLE TV 252. Asian Americans My Lai Demonstration 394. Video Chain, 253. CBS - Cleaver Tapes 395. NKTV Vision Hoppy 254. Rhinoceros and Bugs Bunny 396. 'Gay Liberation Front - London 255. Wall-Gazing 397. Putting in an Eeel Run & A Social Gathering 256. The Actress -Sandi Smith 398. Don't Throw Yer Cans in the Road Skip Blumberg 257. Tai Chi with George 399. Bart's Cowboy Show 258. Coke Recycling and Sheepshead Bay 400. Lanesville Overview #1 259. Miami Drive - Draft Counsel #1 401 . Freex-German TV - Valeska, Albert, Constanza Nancy Cain 260. Draft Counsel #2 402, Soup in Cup 261 . Late Nite Show - Mother #1 403. Lanesville TV - Easter Bunny David Cort 262. Mother #2 404. LanesvilleOverview #2 263. Lenneke and Alan Singing 405. Laser Games 264. LennekeandAlan intheShower 406. Coyote Chuck -WestbethMeeting -That's notRight Bart Friedman 265. -
Visual Arts, School of Website: President: David J
Main telephone: 212 592-2000, 888 220-5782 Main FAX: 212 725-3587 Visual Arts, School of Website: http://www.sva.edu President: David J. Rhodes School of Visual Arts Director of Admissions: Adam Rogers Admissions telephone: 212 592-2000 Admissions FAX: 212 592-2116 209 East 23rd Street Admissions e-mail: [email protected] New York, New York 10010-3994 Director of Financial Aid: William Berrios Private college established in 1947 as a coed institution. Financial aid telephone: 212 592-2030 Total undergraduates: 3,678. Financial aid FAX: 212 592-2029 Graduate enrollment: 719. Financial aid e-mail: [email protected] Total campus enrollment: 4,397. International Student Contact: Office of Admissions FICE #7468, FAFSA #007468, SAT #2835, ACT #2895, International student contact e-mail: [email protected] OPEID #746800, IPEDS #197151. ADMISSIONS Scholarships and Grants Need-based state and UNCF scholarships/grants. Non-need-based creat- Requirements ive arts/performance scholarships/grants. Graduation from secondary school required; GED accepted. General col- lege-preparatory program recommended. 4 units of English, 4 units of Loans foreign language, 4 units of history, and 2 units of visual/performing arts Direct subsidized Stafford, direct unsubsidized Stafford, direct PLUS, recommended.Portfolio required ofart programapplicants. SATReason- and Federal Perkins loans. Institutional payment plan. ing or ACT required. No policy for SAT or ACT writing component. Student Employment TOEFL required ofinternationalapplicants.Campusvisit and admissions Institutional employment. Freshmen are discouraged from working during interview recommended. Off-campus interview may be arranged with an their first term. Off-campus part-time employment opportunities rated “fair.” admissions representative. -
The Laboratory Timeline Architecture for Scientific Research Past, Present & Future 1 Prologue
The Laboratory Timeline Architecture for Scientific Research Past, Present & Future 1 Prologue 2 Historical Introduction The Scientific Method and Early Labs 3 The Lab Timeline Purpose-Built Labs, Mid-19th Century to Present 4 The Lab Timeline Buildings Stories, Details and Floor Plans 5 What is the Lab of the Future? 6 Epilogue 1 Prologue 4 5 The Laboratory Timeline was born from a few today with new conviction and intent. The second fundamental questions. As architects, we had is that one can’t ignore that great science and noticed that the lab building typology had not been research occurred in certain buildings and spaces comprehensively researched and that the available that are now legacy and that those environments literature on the subject was scattered. We felt compelled engendered discovery and invention. Certainly to investigate this typology and the ways it has been the individual researcher’s imagination or the shaped by research priorities and architectural ambitions research group’s collective minds and inquiries over time, and we began by asking: played a critical role, but the design of the physical environment must have contributed in some way How have research labs, the “knowledge production too. The Lab Timeline therefore tracks the history 1 centers” of our physical environment, evolved from of scientific discovery and invention alongside the solitary spaces in unlikely locations to the scientific history of lab architecture. The physical location of communities and major segments of institutional the “Fly Lab” in Columbia University’s monumental fabric that they are today? Schermerhorn Hall and the building's proximity to What can be learned from labs designed and built in museological collections as well as other natural- previous generations, and even within the past decade, science departments surely played a role in the great to best inform our building designs? discoveries in genetics that occurred there.