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Neal Addresses NHS Class by THOMAS MATTSON TRIBUNE STAFF WRITER NORTHBRIDGE — U.S
Mailed free to requesting homes in Douglas, Northbridge and Uxbridge Vol. III, No. 17 Complimentary to homes by request ONLINE: www.blackstonevalleytribune.com “Honesty is the first chapter in the book of wisdom.” Friday, January 22, Neal addresses NHS class BY THOMAS MATTSON TRIBUNE STAFF WRITER NORTHBRIDGE — U.S. Rep. Richard Neal, D-Massachusetts, spoke on a variety of subjects Thursday, Jan. 14, and then answered questions from students at Northbridge High School. Neal noted every bill goes through the House Ways and Means Committee, of which he is a member. He said there are 20 Democrats and 16 Republicans on that committee. He noted the group deals with taxes, tariffs, trade, Social Security, Medicare, Medicaid and welfare. He said he had worked for educa- tion, health care and manufactur- ing jobs in Massachusetts. “Every tax bill goes through my committee,” Neal said. He noted the importance of growing the economy but also of meeting responsibilities. “We find ourselves in an eco- nomic morass,” he declared of the country. Neal spoke of picking up and going forward, with one slight caveat. He would do that without entering a partisan fray, “but if it becomes a matter of demagoguery (from the other side), I’ll get into it.” By that, the congressman seemed to mean he would not sit Thomas Mattson photo idly by if conservatives attack Congressman Richard Neal (left) with NHS senior James Tabur. Neal nominated Tabur every attempt of Democrats in to receive an appointment at a U.S. military academy. Congress to achieve things. Courtesy photo “It’s entertainment versus infor- acknowledged, “but we also gov- People see something and say Nick Hollibaugh at work on a sculpture in his Manchaug Mills studio. -
Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
Recreation, Tourism and Nature in a Changing World
Recreation, tourism and nature in a tourism and nature Recreation, Recreation, tourism and nature in a changing world changing world The Fifth International Conference on Monitoring and Management of Visitor Flows in Recreational and Protected Areas Recreational and Protected Areas and Protected Recreational Monitoring and Management of Visitor Flows in Wageningen, The Netherlands, 30 May - 3 June 2010 Book of Abstracts Edited by Martin Goossen, Birgit Elands and Ramona van Marwijk Recreation, tourism and nature in a changing world Proceedings of the Fifth International Conference on Monitoring and Management of Visitor Flows in Recreational and Protected Areas Wageningen, the Netherlands May 30–June 3, 2010 Edited by: Martin Goossen, Birgit Elands & Ramona van Marwijk Editors Martin Goossen, Alterra (Chair) Birgit Elands, Wageningen University (CoĉChair) Ramona van Marwijk, Wageningen University (CoĉChair) Citation Goossen, M., Elands, B., Marwijk, R. van (eds.). 2010. Recreation, tourism and nature in a changing world. Proceedings of the fifth international conference on Monitoring and Management of Visitor flows in recreational and protected areas, May 30–June 3, 2010, Wageningen, The Netherlands English language check Sophie Hopkins Copyediting Ramona van Marwijk, Meike van den Brink, Rutger de Jong Cover Junus Tahitu Published by Alterra, Wageningen University and Research centre Printed by GSC, Wageningen, the Netherlands ISBN 978ĉ90ĉ327ĉ0387ĉ5 Table of contents Preface............................................................................................................................................ -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
Bio 2018 Charlie Daniels
CHARLIE DANIELS Bio 2018 www.charliedaniels.com www.twitter.com/charliedaniels www.youtube.com/charliedanielsvideos www.facebook.com/charliedanielsband www.instaGram.com/thecharliedanielsband From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America’s musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 80, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin’ Cousins.” He played on such landmark albums as Bob Dylan’s Nashville Skyline and tried his hand at producing the Youngbloods’ Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South’s Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards. -
November 2009 Newsletter
November 09 Newsletter ------------------------------ Yesterday & Today Records PO Box 54 Miranda NSW 2228 Phone/fax: (02)95311710 Email:[email protected] Web: www.yesterdayandtoday.com.au ------------------------------------------------ Postage: 1cd $2/ 2cds 3-4 cds $6.50 ------------------------------------------------ Loudon Wainwright III “High Wide & Handsome – The Charlie Poole Project” 2cds $35. If you have any passion at all for bluegrass or old timey music then this will be (hands down) your album of the year. Loudon Wainwright is an artist I have long admired since I heard a song called “Samson and the Warden” (a wonderfully witty tale of a guy who doesn’t mind being in gaol so long as the warden doesn’t cut his hair) on an ABC radio show called “Room to Move” many years ago. A few years later he had his one and only “hit” with the novelty “Dead Skunk”. Now Loudon pundits will compare the instrumentation on this album with that on that song, and if a real pundit with that of his “The Swimming Song”. The backing is restrained. Banjo (Poole’s own instrument of choice), with guitar, some great mandolin (from Chris Thile) some fiddle (multi instrumentalist David Mansfield), some piano and harmonica and on a couple of tracks some horns. Now, Charlie Poole to the uninitiated was a major star in the very early days of country music. He is said to have pursued a musical career so he wouldn’t have to work and at the same time he could ensure his primary source of income, bootleg liquor, was properly distilled. He was no writer and adapted songs he had heard to his style. -
April-May 2021
The April/May 2021 A publication by the Southwest Bluegrass Association SWBA BOARD OF DIRECTORS The Bluegrass Soundboard STAFF President Vice-President Terry Brewer Marc Nelissen Managing Editor Terry Brewer 661-364-9321 909 289 8730 661-364-9321 [email protected] [email protected] [email protected] Associate Editor Treasurer Secretary Sheila Brewer Paula De Bie Missy Lyn Gibson 951-934-3478 774-248-4128 Regular Contributors [email protected] [email protected] Terry Brewer, Bert Luontela, Ann Smith, Membership Connie Tripp Chris Jones, Wayne Erbsen, Eric Nordbeck Sheila Brewer 661-305-1554 Distribution 661-364-7415 [email protected] Flo De Bie, Carol Lister, Frank & Patsy Abrahams, [email protected] Susan Brown, Ella Carter, Paula De Bie Louie De Bie The Bluegrass Soundboard Deadlines 951-934-3478 [email protected] DECEMBER JANUARY issue November 1st FEBRUARY /MARCH issue January 1st APRIL MAY issue March 1st COMMITTEE CHAIRPERSONS JUNE JULY issue May 1st AUGUST SEPTEMBER issue July 1st OCTOBER NOVEMBER issue September 1st Soundboard & Web manger Terry Brewer Terry Brewer Missy Lyn Gibson ADVERTISING RATES Julie Ann Evans Single Issue Yearly SWBA Host Full page $65 $350 Sheila Brewer Advertising Half page $35 $190 $25 SWBA Jam Host Missy Lyn Gibson Quarter page $130 $10 $60 Howard Doering Terry Brewer Card size Marc Nelisse Foe more information concerning advertising Mark Shutts Campout Hosts (including special rates and discounts) Contact Terry Brewer René Baquet Paula De Bie 661-364-9321 [email protected] SWBA School -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
Form 990-PF Or Section 4947 ( A)(1) Trust Treated As Private Foundation \2 ^O^ Do Not Enter Social Security Numbers on This Form As It May Be Made Public
/ ^V AMENDED RETURN YC7^^V VU 8 Return of Private Foundation OMB No 1545-0052 Form 990-PF or Section 4947 ( a)(1) Trust Treated as Private Foundation \2 ^O^ Do not enter social security numbers on this form as it may be made public. Department of the Treasury ► and its separate instructions /form990pf. • Internal Revenue Service ► Information about Form 990-PF is at For calendar y ear 2016 or tax y ear beg inning , 2016 , and ending , 20 Name of foundation A Employer Identification number AT&T FOUNDATION 43-1353948 Number and street (or P 0 box number if mall is not delivered to street address) Room/suite B Telephone number (see instructions) 208 S. AKARD, SUITE 100 (800) 591-9663 City or town, state or province, country, and ZIP or foreign postal code q C If exemption application is ► pending, check here . DALLAS, TX 75202-4206 G Check all that apply: Initial return Initial return of a former public charity D 1 Foreign organizations , check here. ► El Final return X Amended return 2 Foreign organizations meeting the q 85% test , check here and attach . ► Address change Name change computation H Check type of organization' X Section 501(c)(3) exempt private foundation E If private foundation status was terminated Section chantable trust Other taxable p rivate foundation El 4947 ( a )( 1 ) nonexem pt under section 507(b)(1)(A), check here . ► Fair market value of all assets at J Accounting method. L_J Cash X Accrual F 11 the foundation is in a 60-month termination end of year (from Part ll, col. -
Newsletter 1993A
SMOKEY'S RECORDS N E w s L E T T E R VOLUME ONE, NUMBER THREE SPRING, 1993 OUR FAVORITE PICKS We thought you might be interested in what we are listening to here at Smokey's, so we asked each employee to list their favorite album of the moment. Here are their responses: --:-.r:-•"'~~ t . -. ;:/"~/~ Tetevision j o=-~>'"'Ji ~ . ·. ~ ' ·.·· ~// !.'t~~.... ~; ~/ l ~ -~ ~ ':<. ~\.>··· "~ I I• " . ll ,-,.P/j ,) \1! ·..{~ 'l: ,.. ;t MYRA JOES. Neil Young: Harvest Moon Television gems include his playful duet with the Mills Reprise 45057 Capitol 98396 Brothers on "Dinah" and one of the greatest Neil Young's new album harkens back to The legendary band Television returns jazz recordings of all time on "Sweet his work of old, like After the Gold Rush, after a hiatus of nearly 15 years with Tom Georgia Brown." Harvest and Comes a Time. Actually, it's Verlaine and Richard Lloyd once again even more mellow than most, complete trading gorgeous guitar leads over a solid with Neil's good old musical stock in trade: rhythm section. straight harp, lazy rhythms and that sleepy Verlaine's lyrics are as elliptic as ever and SMOKEY southern California sound reminiscent of his "been there done that" vocals sound like Lo Mejor De Jose Alfredo Jiminez most of his earlier work. Once again an Arlo Guthrie for the 90s. This is the 33 Grandes Exitos showing his political folk roots, this album band that inspired a · generation of RCA Int'l 2254 shows that his dedication to political alternative rockers. It's great to welcome In keeping with my current infatuation involvement hasn't waned since 1969 and them back. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson).