DOCSLIB.ORG

Ridley Scott: Interviews Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ridley Scott: Interviews Free FREE RIDLEY SCOTT: INTERVIEWS PDF Laurence F. Knapp,Andrea F. Kulas | 277 pages | 01 Mar 2005 | University Press of Mississippi | 9781578067268 | English | Jackson, United States Ridley Scott - IMDb Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Up this week. His father was an officer in the Royal Engineers and the family followed him Ridley Scott: Interviews his career posted him throughout the United Kingdom and Europe before they Filmography by Job Trailers and Videos. The Best Horror Movies on Netflix. Share this page:. Untitled Gucci Project Life in A Day Golden Globe Nominees: Actors. Horror by the Numbers. Greatest Directors. Omar moutaz bar. Do you have a demo reel? Add it to your IMDbPage. How Much Ridley Scott: Interviews You Seen? How much of Ridley Scott's work have you seen? Nominated for 4 Oscars. Known For. The Martian Producer. Blade Runner Ridley Scott: Interviews. Gladiator Producer. David producer announced. Earthless producer announced. Emma's War producer announced. Gladiator 2 producer announced. Kitbag producer announced. Potsdamer Platz producer announced. The Cartel TV Series executive producer announced. Untitled Alien Prequel producer announced. War Party producer announced. Show all 12 episodes. Empire of the Summer Moon producer pre-production. Pompeii TV Series executive producer - Ridley Scott: Interviews episodes announced - Dawn Show Ridley Scott: Interviews 20 episodes. Show all 17 episodes. Show all 6 episodes. Show all Ridley Scott: Interviews episodes. Show all 10 episodes. Show all 30 episodes. Show all 8 episodes. Expansionary Policies Are Discovered and Patched Show all 13 episodes. Show all episodes. LFN Terrence Cody Make Us Famous Red Shoe Rebels Joe Carnahan Clarke Jane producer. Gladiator 2 announced. Kitbag announced. Untitled Alien Prequel announced. O: The Seven Worlds Video short. TV Series 3 episodes - The Resurrectionists TV Movie. Self - Guest. Self - Director, Blade Runner. Self - Director, Alien. Self as Sir Ridley Scott. Self - Interviewee. Self - Director, The Martian. Ridley Scott: Interviews - Executive Producer. Self - Director segment "Explaining Russell Crowe ". Self - Presenter. Self - At the Golden Globes. Related Videos. Alternate Names: Sir Ridley Scott. Edit Did You Know? Personal Quote: [inon production designer Arthur Max and The Martian ] The key is to always kick off a creative conversation on what each scene can be. Then Arthur will go away and research it with the digital artists; they'll come back with a digital representation of the set. That also happened for the spacesuits. They're tricky; they're industrial design because they have to breathe. I didn't Trivia: He was asked to direct Conan the Barbarianbut declined. Star Ridley Scott: Interviews Sagittarius. Edit page. October Streaming Picks. Back to School Picks. Clear your history. Ridley Scott Teases New Alien Film and Future of the Franchise | IndieWire The Hollywood star Russell Crowe has reportedly stated that the director Ridley Scott should get all the praise for his hit film Gladiator becoming a massive success. The A Beautiful Mind actor Russell Crowe reportedly said while talking in an interview with the Australian show, Today that when he saw the film's live streaming some time back at Rome's Colosseum, he felt that the director, Ridley Scott deserves all the credit for the film tremendous success. The Robin Hood actor further goes on to add that he received a lot of appreciation for the film, Gladiator which was helmed by the ace Hollywood director Ridley Scott. The Hollywood star Russell Crowe also states that the film, Gladiator helped him immensely in getting a strong hold in the industry. The actor goes on to add that he got a lot of love and praises from the fans Ridley Scott: Interviews film audiences across the globe for his role in the film, Gladiator. The actor mentions how the film Gladiator was a director's film and Ridley Scott: Interviews Scott should get all the credit for the film becoming such Ridley Scott: Interviews massive success. Some time back, Ridley Scott: Interviews Crowe had reportedly revealed that he wanted to drop the film before director Ridley Scott came Ridley Scott: Interviews the picture. Pinkvilla has updated its Privacy and Cookie policy. We use cookies Ridley Scott: Interviews improve your experience on our site and show you Personalized advertisement. By continuing, you accept Ridley Scott: Interviews Terms of Use and Privacy Policy. Skip for Now. What do you love reading about? Russell Crowe says director Ridley Scott deserves all the credit for the film Gladiator becoming a hit Russell Crowe reportedly said while talking in an interview with the Australian show, Today that when he saw the film's live streaming some time back at Rome's Colosseum, he felt that the director, Ridley Scott deserves all the credit for the film. Russell Crowe says director Ridley Scott deserves all the credit for the film Gladiator becoming a hit. Click here. Credits : foxnews. You may like these. Russell Crowe recalls how he helped director Ridley Scott to improve Gladiator's script on the film's sets. Russell Crowe talks of brotherly friendship with Joaquin Phoenix; Recalls last time they met each other. Add new comment. Close Submit. Russell Crowe sends a powerful message about climate change after winning Golden Globe. Golden Globe Russell Crowe thanks his co-stars for making his complex job easy. Russell Crowe to collaborate with Scream writer and producer Kevin Williamson for a thriller? Priyanka Chopra feels writing her memoir Unfinished was a cathartic experience; Says it'll show her human side. Ridley Scott Talks ‘Raised By Wolves’ And The Future Of The ‘Alien’ Franchise By Mackenzie Nichols. A limited edition 4K Blu-ray Steelbook Ridley Scott: Interviews the film will be released on June Ridley Scott: Interviews lieu of a script, producer Walter Parkes pulled out a picture of a 19th century painting, and Scott immediately signed on. It shows Ridley Scott: Interviews armored man with the tuna-fork that would kill you, standing over a netted victim. At the time, he had a shaved head and had packed on pounds for another role. I had no hair because I had been wearing a wig on that movie, so I had shaved my head to make it more comfortable and the wigs go on quicker. For Franzoni, the idea came from a motorcycle trip around the world, Ridley Scott: Interviews he was inspired by the ancient coliseums he passed on the way. Mannix, about the Roman games. There was a very clear understanding that the coliseums were a sports franchise. Do you want me to actually use that phrase? The rewrites did not stop at pre-production, though. Throughout filming, the cast members were often given lines on the spot, and Scott, Franzoni and Crowe worked Ridley Scott: Interviews every day to punch up the screenplay. During the shoot, I went off and met with Russell. We would meet almost daily before he would go shoot and talk about the scenes. I remember once we were sitting on the ground, drawing things in the sand. The direction was Ridley Scott: Interviews collaborative effort led by Scott. Input from the cast was encouraged, and Nielsen said that Richard Harris — who played Marcus Aurelius — came up with a novel idea during a scene with Nielsen and Phoenix in a carriage together. You know what they did, at the time, they would have a little fan made out of bunched herbs. In the ring, Hounsou and Crowe, along with the other gladiators, prepared for their battle sequences, oftentimes injuring themselves in the process. They also lifted weights in a tent on the outskirts of the Colosseum. Hounsou: I almost accidentally stabbed somebody in the head in the fight sequence in the Colosseum when Maximus gets on the horse. Scott: [The tiger was] a big boy from tail to nose, eleven feet. Hey, you were two feet, I was like four feet. Oliver Reed Proximodied in the middle of filming. Instead, he drank on the weekends. He died before he finished filming, and Ridley Scott: Interviews cast mourned his death. Scott: One Sunday morning, he dropped down dead in the floor of a pub. We managed to finish off what was required from Oliver, stealing digital images of his face and attaching them to an appropriate body. He Ridley Scott: Interviews the crew to some sort of drinking debauch. He drinks some, passes out and dies. I still have his bar tab, by the way. Crowe: There were a lot of people in that strange journalistic habit who wanted to Ridley Scott: Interviews poke that fire and kept asking Joaquin about his brother and then about his relationship with me because we have that in the film. The Ridley Scott: Interviews would capture five statues, including wins for costumes, sound, and visual effects. Crowe: I had no idea at all that I would actually be winning that night. I think that year was a really incredible lineup of actors. I want to see movies about lives people have led. Crowe: The standout thing with this film, and 20 years later I can say with confidence that somewhere in the world, today, tonight, that movie will be played on primetime. Not every movie lasts Ridley Scott: Interviews that way. Home Ridley Scott: Interviews News. May 4, pm PT. More From Our Brands. Expand the sub menu Film. Expand the sub menu TV. Expand the sub menu What To Watch. Expand the sub menu Music.
Load more

Recommended publications
  • Elli Griff Set Decorator
    Elli Griff Set Decorator Credits include: KNIVES OUT 2 Writer/Director: Rian Johnson Detective Comedy Crime Drama Producers: Ram Bergman, Rian Johnson Exec Producer: Tom Karnowski Designer: Rick Heinrichs Featuring: Daniel Craig, Dave Bautista, Kathryn Hayn Production Co: T-Street / Lionsgate / Netflix UNCHARTERED Director: Ruben Fleischer Action Adventure Producers: Ari Arad, Avi Arad, Alex Gartner, Charles Roven Designer: Shepherd Frankel Featuring: Tom Holland, Mark Wahlberg, Antonio Banderas Production Co: Atlas Ent. / Arad Productions Columbia Pictures / Sony Pictures THE DARK TOWER Director: Stephen Hopkins Adventure Fantasy Producers: Akiva Goldsman, Stephen King, Glen Mazzara Designer: Barry Robison Featuring: Michael Rooker, Sam Strike, Jerome Flynn Production Co: Amazon Studios / Sony Pictures Television THE ROOK Directors: Sunu Gonera, Rebecca Johnson Fantasy Thriller Drama Series China Moo-Young, Kari Skogland Exec Producer: Stephen Garrett Designer: Jonathan Lee Featuring: Emma Greenwell, Joely Richardson, Jon Fletcher Production Co: Character 7 / Lionsgate / Starz Originals GHOST IN THE SHELL Director: Rupert Sanders Sci-Fi Action Drama Producers: Ari Arad, Avi Arad, Michael Costigan, Steven Paul Designer: Jan Roelfs Featuring: Scarlett Johansson, Michael Pitt, Juliette Binoche Production Co: Paramount Pictures / DreamWorks / Reliance Ent. Arad Productions / Steven Paul Production / Amblin MISS PEREGRINE’S HOME FOR Director: Tim Burton PECULIAR CHILDREN Producers: Peter Chernin, Jenno Topping Adventure Fantasy Drama Designer: Gavin Bocquet Featuring: Eva Green, Asa Butterfield, Ella Purnell Production Co: Twentieth Century Fox / Chernin Ent. Creative Media Management | 10 Spring Bridge Mews | London | W5 2AB t: +44 (0)20 3795 3777 e: [email protected] w: creativemediamanagement.com Creative Media Management Limited Incorporated in England and Wales No: 3816049 VAT No: 739953576 Registered Office: 61 St Dunstans Road, London, W7 2EY Elli Griff | Set Decorator 2 THE MAN FROM U.N.C.L.E.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • I1 ~0402594487 11111 U~ I. Continuity and Change in Hollywood Representations of The
    '\ I1 ~0402594487 11111 U~ I. Continuity and Change in Hollywood Representations of the Middle East after September 11 th by Sulaiman Arti A Doctoral Thesis Submitted in Partial Fulfilment of the Requirements for the Award of Doctor of Philosophy of Loughborough University June 2009 © 2008 S. Arti Abstract This thesis inquires into the factors behind Hollywood's depiction of the Middle East. That depiction is not static, but is modified in response to changes in political events and US government foreign policy. Although the events of 9/11 seemed to justify the traditional negative stereotype of Arabs, the image has been partially and rationally re-interpreted. This was due to the rise in prominence of the ideas of a minority of radical and free-thinking members of the Hollywood cornmunity who embraced a more intellectual approach, which advocated that the popular Western view of the Arab world was unjustified and based on a fallacious fabrication for Western political advantage. The research further shows that these activists did not owe allegiance to the Hollywood-US government propaganda machine. They were able to fracture this traditional alliance and provide the opportunity for the appearance of films of a radical nature, which were critical of US Middle Eastern policy and projected the Arab world in a new light. The study analyzes a selection of films that represent the Middle East in terms of their philosophy and cinematic structure, which enables them to act as vectors to raise public awareness of the issues and to promote reconciliation and co-existence between East and West.
    [Show full text]
  • 15Th Annual ADG Awards Nominations
    15th Annual ADG Awards Nominations Congratulations to the entire team for each film and television show honored! The SDSA would like to particularly acknowledge the set decorators’ contribution for these outstanding productions. NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2010 PERIOD FILM TRUE GRIT Production Designer: Jess Conchor Set Decorator: Nancy Haigh THE KING'S SPEECH Production Designer: Eve Stewart Set Decorator: Judy Farr SHUTTER ISLAND Production Designer: Dante Ferretti Set Decorator: Francesca Lo Schiavo SDSA ROBIN HOOD Production Designer: Arthur Max Set Decorator: SonJa KLaus GET LOW Production Designer: Geoffrey KirkLand Set Decorator: Frank Galline SDSA FANTASY FILM ALICE IN WONDERLAND Production Designer: Robert Stromberg Set Decorator: Karen O’Hara SDSA Set Decorator: Peter Young HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Production Designer: Stuart Craig Set Decorator: Stephanie McMiLLan INCEPTION Production Designer: Guy Hendrix Dyas Set Decorator: Larry Dias SDSA Set Decorator: Doug Mowat TRON: LEGACY Production Designer: Darren GiLford Set Decorator: Lin MacDonaLd THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER Production Designer: Barry Robison Set Decorator: Rebecca Cohen CONTEMPORARY FILM BLACK SWAN Production Designer: Therese DePrez Set Decorator: Tora Peterson THE SOCIAL NETWORK Production Designer: DonaLd Graham Burt Set Decorator: Victor J. Zolfo SDSA THE FIGHTER Production Designer: Judy Becker Set Decorator: Gene Serdena THE TOWN Production Designer: Sharon Seymour Set
    [Show full text]
  • Art Directors Guild Announces Nominations for 2010 Film, Tv, Commercial and Music Video Awards; Ceremony to Take Place February 5
    ART DIRECTORS GUILD ANNOUNCES NOMINATIONS FOR 2010 FILM, TV, COMMERCIAL AND MUSIC VIDEO AWARDS; CEREMONY TO TAKE PLACE FEBRUARY 5 LOS ANGELES, January 5 -- The Art Directors Guild (ADG) today announced nominations in nine categories of Production Design for theatrical motion pictures, television, commercials and music videos competing in the ADG’s 15th Annual Excellence in Production Design Awards for 2010. The nominations were announced by ADG Council President Tom Walsh and Awards co-producers Dawn Snyder and Tom Wilkins. Deadline for final voting, which is done online, is February 3. The black-tie ceremony announcing winners will take place Saturday, February 5, 2010 from the International Ballroom of the Beverly Hilton Hotel in Beverly Hills with Paula Poundstone serving as host for the second consecutive year. Theme of this year's awards ceremony is "Designs on Film" as a tribute to Cathy Whitlock's new HarperCollins book that traces 100 years of Hollywood Art Direction. Walsh will introduce the event. A Lifetime Achievement Award will go to Emmy Award® winning Production Designer Patricia Norris with director David Lynch set to present to her. In addition, the ADG will induct the following legendary Production Designers from the past into its Hall of Fame: Alexander Golitizen, Albert Heschong and Eugène Lourié. This year's Art Directors Guild Cinematic Imagery Award will be presented to Syd Dutton and Bill Taylor, long-time visual effects artists from the legendary company, Illusion Arts. Robert Stromberg, Oscar® winner for “Avatar” will be making the Cinematic Imagery Awards presentation. Filmmaker Cindy Peters' will present a special short video about the many diverse tasks performed by Art Department craftpersons featuring interviews with seasoned and aspiring members of ADG.
    [Show full text]
  • A N D R E W P a L M
    A n d r e w P a l m e r email: [email protected] web: www.andrew-palmer.com Feature Films as Senior Art Director Pinocchio Director: Robert Zemeckis Walt Disney Pictures Production Designers: Stefan Dechant & Doug Chiang Supervising Art Directors: Ashley Lamont & Doug Meerdink Indiana Jones V (early development) Director: Steven Spielberg Lucasfilm Production Designer: Adam Stockhausen Supervising Art Director: Martin Foley Fast & Furious 9 Director: Justin Lin Universal Pictures Production Designer: Jan Roelfs Supervising Art Director: Ashley Lamont Mamma Mia: Here We Go Again Director: Ol Parker Universal Pictures Production Designers: Alan MacDonald & John Frankish King Arthur: Legend Of The Sword Director: Guy Ritchie Warner Bros Production Designer: Gemma Jackson Supervising Art Director: Denis Schnegg Feature Films as Art Director The King’s Man Director: Matthew Vaughn 20th Century Fox Production Designer: Darren Gilford Supervising Art Director: Doug Meerdink Maleficent: Mistress Of All Evil Director: Joachim Rønning Walt Disney Pictures Production Designer: Patrick Tatopoulos Supervising Art Director: Helen Jarvis Solo Director: Ron Howard Lucasfilm Production Designer: Neil Lamont Supervising Art Director: Al Bullock Justice League Director: Zack Snyder Warner Bros Production Designer: Patrick Tatopoulos Supervising Art Directors: Christian Huband & Helen Jarvis Star Wars The Force Awakens Director: JJ Abrams Lucasfilm Production Designer: Darren Gilford & Rick Carter Supervising Art Director: Neil Lamont Edge Of Tomorrow
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • Lauren Polizzi March 2021 Email • [email protected] Telephone • 818.425.7325
    Lauren Polizzi March 2021 email • [email protected] telephone • 818.425.7325 Art Director Feature Films & Television: Production Designer: "TheLittleThings" MichaelCorenblith "TopGun:Maverick JeffreyHindle "CaptainMarvel" AndyNicholson “The Last Tycoon” Patrizia Von Brandenstein “Guardians of the Galaxy - Vol 2” Scott Chambliss “Mockingjay - Parts 1 & 2” Phil Messina “Tomorrowland” Scott Chambliss “Saving Mr. Banks” Michael Corenblith “Star Trek Into Darkness” Scott Chambliss “Cowboys & Aliens” Scott Chambliss “Dinner for Schmucks” Michael Corenblith “Transformers 2: Revenge of the Fallen” Nigel Phelps “Indiana Jones and the Kingdom of the Crystal Skull” Guy Hendrix Dyas “Knocked-Up” Jefferson Sage “The Alamo" Michael Corenblith "Dr. Seuss's How The Grinch Stole Christmas" Michael Corenblith "The X-Files" (TV Series - Season Six) Corey Kaplan "The Lost World" Rick Carter Assistant Art Director Feature Films: Production Designer: ”Land of the Lost” Bo Welch "Time Machine" Oliver Scholl "Panic Room" Arthur Max "EdTV" Michael Corenblith "Mercury Rising" Patrizia Von Brandenstein "Amistad" Rick Carter "Independence Day" O. Scholl & P. Tatopoulos "Species" John Muto Set Designer Feature Films & Television: Production Designer: "Euphoria" JasonStewart “HomeEconomics” MichaelCorenblith "Voyager" Scott Chambliss “AdAstra” Kevin Thompson “Suburbicon” Jim Bissel “American Horror Story - Hotel Mark Worthington “Free State of Jones” Phil Messina “R.I.P.D.” Alec Hammond “J Edgar” James Murakami “Date Night” David Gropman “Holiday” Jon Hutman “Pirates
    [Show full text]
  • Curriculum Vitae
    Jason Knox-Johnston Mobile: +44 7802 812 875 email: [email protected] http://www.jknoxj.com FEATURE FILM & TV DRAMA “The Flash” Warner Bros/DC 2022 Supervising Art Director Director-Andy Muschietti, Production Designer-Paul Austerberry “School for Good & Evil” Netflix 2022 (Budgeting & Development) Supervising Art Director Director-Paul Feig, Production Designer-Andy Nicholson “Red Notice” Netflix 2020 Supervising Art Director Director-Rawson Marshall Thurber, Production Designer-Andy Nicholson “Krypton-Season 2” Warner Horizons/SyFy 2019 Production Designer Exec Producer-David S Goyer, Showrunner/Exec Producer-Cameron Welsh “The Merlin Saga” Disney 2018 (In Turn-around) Supervising Art Director Director-Ridley Scott, Production Designer-Chris Seagers “Outlaw King” Netflix / Anonymous 2017 Supervising Art Director Director-David Mackenzie, Production Designer-Donald Graham Burt “Jurassic World-The Fallen Kingdom” Universal 2017 Supervising Art Director Director-JA Boyena, Production Designer-Andy Nicholson “Transformers-The Last Knight” Paramount 2016 Supervising Art Director (UK) Director-Michael Bay, Production Designer-Jeffrey Beecroft “Allied” Paramount 2016 Supervising Art Director Director-Robert Zemekis, Production Designer-Gary Freeman “Star Wars-The Last Jedi” Lucasfilm/Disney 2016 Art Director Production Designer-Rick Heinrichs. Sup.Art Director-Chris Lowe “The Martian” 20th Century Fox 2015 Art Director Director-Ridley Scott, Production Designer-Arthur Max. Sup Art Director-Marc Homes “Mowgli” Warner Brothers 2015 Supervising Art Director Director-Andy Serkis, Production Designer-Gary Freeman “Avengers-Age of Ultron” Marvel Studios/Disney 2014 Digital Set Designer Production Designer-Charles Wood. Sup.Art Director-Ray Chan “Hercules-The Thracian Wars” MGM/Paramount 2013 Supervising Art Director Director- Brett Ratner, Production Designer-Jean Vincent Puzos “Robopocalypse” Fox/Dreamworks 2012 (In Turn-around) Art Director Production Designer-Guy Dyas.
    [Show full text]
  • Arthur Max Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8bp050k No online items Arthur Max papers Special Collections Margaret Herrick Library© 2016 Arthur Max papers 1314 1 Descriptive Summary Title: Arthur Max papers Date (inclusive): 1995-2005 Date (bulk): 2000-2010 Collection number: 1314 Creator: Max, Arthur Extent: 6.7 linear feet of papers.4326 production artworks Repository: Margaret Herrick Library. Academy of Motion Picture Arts and Sciences. Languages: English Access Available by appointment only. Publication rights Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library. Preferred Citation Arthur Max papers, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Acquisition Information Gift of Arthur Max, 2006-2015 Biography Arthur Max is a production designer whose film career dates from 1984. Max's work as a commercial production designer brought him to the attention of film directors Ridley Scott and David Fincher. Since that time, he has worked with Scott on six films, including GLADIATOR (2000), BLACK HAWK DOWN (2001) and PROMETHEUS (2012). Max has been nominated for Academy Awards in the art direction category for GLADIATOR and AMERICAN GANGSTER (2007). Collection Scope and Content Summary The Arthur Max papers span the years 1995-2005 (bulk 2000s) and encompass 6.7 linear feet. There are photographs, research, drawings and born-digital material related to the films, AMERICAN GANGSTER (2007), BLACK HAWK DOWN (2001), BODY OF LIES (2008), G.I. JANE (1997),GLADIATOR (2000), GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (1984), KINGDOM OF HEAVEN (2005), PANIC ROOM (2002), PEARL HARBOR (2001), PROMETHEUS (2012), ROBIN HOOD (2010) and SEVEN (1995).
    [Show full text]
  • Jason Knox-Johnston ART DIRECTION & PRODUCTION DESIGN - FILM/TV/COMMERCIALS
    Jason Knox-Johnston ART DIRECTION & PRODUCTION DESIGN - FILM/TV/COMMERCIALS London, UK [email protected] Experience Supervising Art Director London,UK/Atlanta,US/Rome,Italy Aug 2019 - Mar 2020 "Red Notice" Netflix Director - Rawson Marshall Thurber Production Designer- Andy Nicholson Production Designer Belfast, N Ireland Jul 2018 - Mar 2019 "Krypton" Season 2-Warner Horizons TV Executive Producer/Show Runner-Cameron Welsh Executive Producer-David S. Goyer Executive Producer/Producer-Tommy Turtle Co-Producer-Alex Boyd Supervising Art Director London, UK Mar 2018 - Apr 2018 "The Merlin Saga" Disney Director-Ridley Scott Production Designer-Chris Seagers IN TURN AROUND Supervising Art Director UK -Scotland May 2017 - Dec 2017 "Outlaw King" Netflix Director - David Mackenzie Production Designer - Donald Burt Supervising Art Director UK Sep 2016 - May 2017 "Jurassic World - Fallen Kingdom" Universal Director - J A Boyena Production Designer - Andy Nicholson Supervising Art Director (UK) UK Apr 2016 - Sep 2016 "Transformers-The Last Knight" Paramount Director - Michael Bay Production Designer - Jeffrey Beecroft Supervising Art Director London & Spain Sep 2015 - Apr 2016 "Allied" Paramount Director - Robert Zemeckis Production Designer - Gary Freeman Art Director London May 2015 - Sep 2015 "Star Wars - The Last Jedi" Lucasfilm/Disney Director - Rhian Johnson Production Designer - Rick Heinricks Supervising Art Director - Chris Lowe Art Director London, UK Sep 2014 - Nov 2014 "The Martian" 20th Century Fox Director-Ridley Scott Production
    [Show full text]
  • Roland I. Brooks 161 West 15Th St. #2-I New York, N. Y. 10011 Home: 212 633-2839 Cell: 917 885-1283
    Roland I. Brooks 161 West 15th St. #2-I New York, N. Y. 10011 Home: 212 633-2839 Cell: 917 885-1283 CHARGE SCENIC ARTIST 2019-2020 Untitled Art Project, the Anna Delvey Story NETFLIX, Designer: Henry Dunne 2018-2019 CITY ON A HILL Season One. Showtime TV, Designer: Henry Dunne. 2013-2018 GOTHAM Season four and five, Fox Network, Warner Bros TV, Designer: Dan Novotny GOTHAM Season Two,Three and Four Fox Network, Warner Bros TV, Designer: Richard Berg GOTHAM Season One, Fox network, Warner Bros TV, Designer: Doug Kraner, Richard Berg GOTHAM Fox network Pilot, Warner Bros TV, Designer: Doug Kraner 2012-2013 HOSTAGES NBC, Designer: Vaughan Edwards THE NORMAL HEART HBO MOVIE, Designer: Shane Valentino IRONSIDE PILOT NBC PILOT, Designer: Jane Musky SMASH SEASON TWO Designer: Kalina Ivanov 2011 NOTORIOUS (DECEPTION) (NBC Pilot) Designer: Lawrence Bennett SMASH SEASON ONE Desgner: Cabot McMullen SMASH (NBC Pilot) Designer: Jane Musky 2010 THE MIRACULOUS YEAR Designer: Naomi Shohan SOMETHING BORROWED Designer: Jane Musky 2008-2009 THE SCORCERERS APPRENTICE Designer: Naomi Shohan SHUTTER ISLAND Designer: Dante Ferretti 2007 THE HAPPENING Designer: Jeanine Oppewall LEATHERHEADS Designer: James Bissell 2006 AMERICAN GANGSTER Designer: Arthur Max NO RESERVATIONS Designer: Barbara Ling 2005 THE GOOD SHEPHERD Designer: Jeaninne Oppewall FAILURE TO LAUNCH Designer: Jeremy Conway JUST MY LUCK Designer: Ray Kluga 2004 THE PINK PANTHER Designer: Lilly Kilvert 2003 THE VILLAGE Designer: Tom Foden , HAVANA NIGHTS Designer: Hugo Luczyc -Wyhowski 2002 COLD MOUNTAIN (USA) Designer: Dante Ferretti 25th HOUR Designer: James Chinlund CATCH ME IF YOU CAN (N.Y. Unit) Designer: Jeanine Oppewall DUPLEX (N.Y.
    [Show full text]