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Asmita Sood Gets Good Role in Ekta's 'Dil Hi Toh Hai'
BOLLYWOOD voice entertainment Friday, June 8, 2018 www.WeeklyVoice.com Section B Fiji Is Exciting Says Brand Envoy Ileana NADI (FIjI): Actress Ileana D’Cruz on Sunday returned to Fiji to keep her promise of visiting the island nation again to experience its natural, cultural and adventur- ous bounty. The actress, who has worked in the southern and Hindi ilm- indus try, irst visited the country in the Oceania region last year. But it was just earlier this year that she was named the oficial brand- am bassador for Tourism Fiji in India. “Coming back to Fiji feels like coming home again. I’m really excited about my trip this time. There’s a lot of new places and new experience that I will - be try ing out,” Ileana told IANS here. India is an important potential tourism market for Fiji, which roped in the actress for a year- long association to showcase the destination through her travel and diverse experiences. While here, she will be - explor ing different regions including Nadi, Coral Coast, the Mamanuca Islands, Paciic Harbour and- Sa vusavu. Visiting a pearl farm, kayaking, hiking to a waterfall, Asmita Sood Gets Good Role snorkelling, quad biking and- surf ing are some of the activities on her itinerary. She is here to shoot - a cam In Ekta’s ‘Dil Hi Toh Hai’ paign for the tourism board and is accompanied by beau Andrew Kneebone, an Australian photog- rapher. They were welcomed with Actress Asmita Sood will be play- rials and now I am delighted about tainment Television. the traditional hello, Bula. -
Mahendra Singh Dhoni Exemplified the Small-Town Spirit and the Killer Instinct of Jharkhand by Ullekh NP
www.openthemagazine.com 50 31 AUGUST /2020 OPEN VOLUME 12 ISSUE 34 31 AUGUST 2020 CONTENTS 31 AUGUST 2020 7 8 9 14 16 18 LOCOMOTIF INDRAPRASTHA MUMBAI NOTEBOOK SOFT POWER WHISPERER OPEN ESSAY Who’s afraid of By Virendra Kapoor By Anil Dharker The Gandhi Purana By Jayanta Ghosal The tree of life Facebook? By Makarand R Paranjape By Srinivas Reddy By S Prasannarajan S E AG IM Y 22 THE LEGEND AND LEGACY OF TT E G MAHENDRA SINGH DHONI A cricket icon calls it a day By Lhendup G Bhutia 30 A WORKING CLASS HERO He smiled as he killed by Tunku Varadarajan 32 CAPTAIN INDIA It is the second most important job in the country and only the few able to withstand 22 its pressures leave a legacy By Madhavankutty Pillai 36 DHONI CHIC The cricket story began in Ranchi but the cultural phenomenon became pan-Indian By Kaveree Bamzai 40 THE PASSION OF THE BOY FROM RANCHI Mahendra Singh Dhoni exemplified the small-town spirit and the killer instinct of Jharkhand By Ullekh NP 44 44 The Man and the Mission The new J&K Lt Governor Manoj Sinha’s first task is to reach out and regain public confidence 48 By Amita Shah 48 Letter from Washington A Devi in the Oval? By James Astill 54 58 64 66 EKTA KAPOOR 2.0 IMPERIAL INHERITANCE STAGE TO PAGE NOT PEOPLE LIKE US Her once venerated domestic Has the empire been the default model On its 60th anniversary, Bangalore Little Streaming blockbusters goddesses and happy homes are no for global governance? Theatre produces a collection of all its By Rajeev Masand longer picture-perfect By Zareer Masani plays performed over the decades By Kaveree Bamzai By Parshathy J Nath Cover photograph Rohit Chawla 4 31 AUGUST 2020 OPEN MAIL [email protected] EDITOR S Prasannarajan LETTER OF THE WEEK MANAGING EDITOR PR Ramesh C EXECUTIVE EDITOR Ullekh NP Congratulations and thanks to Open for such a wide EDITOR-AT-LARGE Siddharth Singh DEPUTY EDITORS Madhavankutty Pillai range of brilliant writing in its Freedom Issue (August (Mumbai Bureau Chief), 24th, 2020). -
Burning Injustice a Rights Advocacy Manual for Lawyers, Activists & Survivors on Acid Violence in India
BURNING INJUSTICE A RIGHTS ADVOCACY MANUAL FOR LAWYERS, ACTIVISTS & SURVIVORS ON ACID VIOLENCE IN INDIA EDITED BY KERRY MCBROOM AND SALINA WILSON Human Rights Law Network BURNING INJUSTICE: A Rights Advocacy Manual for Lawyers, Activists and Survivors on Acid Violence in India © Socio Legal Information Centre* ISBN: 81-89479-88-1 August 2014 Edited by Kerry McBroom and Salina Wilson Copy-editing Andrew Kirtley and Gilli Paveley Cover photograph Salina Wilson Cover Design Unnikrishnan Manikoth Book Design Ritu Aggarwal Published by Human Rights Law Network (HRLN) A division of Socio Legal Information Centre 576 Masjid Road, Jangpura- 110014 Ph: +91 1124379855 Website: www.hrln.org Supported by Designed Printed by Kalpana Printographics Shakarpur, Delhi-110092 *Any section of this volume may be reproduced without prior permission from the Human Rights Law Network for the interest of the public with appropriate acknowledgement. To all survivors, victims and their families For their undying spirit and Courage to fight Acknowledgements HRLN would sincerely like to thank Eileen Fisher for her support of our Women’ Justice Initiative. Her contributions have bolstered our advocacy on acid attacks and made it possible to ensure justice for survivors and their families. We would also like to thank Adv. Colin Gonsalves for his continued support to our legal and advocacy work related to acid attacks. HRLN also extends its gratitude to our interns Pious Pavi Ahuja, Caroline Pierrey, Nitika Khaitan, Osama Salman, Jennifer Li, Andrew Kirtley, and Gilli Paveley whose research, fact-findings, and legal drafting have made immense contributions to HRLN’s acid attack work. The activists who assist acid attack survivors and bring cases make justice a reality. -
Kabhi Na Kabhi Movie Torrent Free Download
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Volume 3 Issue Iv || May 2021 ||
PIF – A++ ISSN 2581-6349 VOLUME 3 ISSUE IV || MAY 2021 || Email: [email protected] Website: www.jurisperitus.co.in 1 PIF – A++ ISSN 2581-6349 DISCLAIMER No part of this publication may be reproduced or copied in any form by any means without prior written permission of Editor-in-chief of Jurisperitus – The Law Journal. The Editorial Team of Jurisperitus holds the copyright to all articles contributed to this publication. The views expressed in this publication are purely personal opinions of the authors and do not reflect the views of the Editorial Team of Jurisperitus or Legal Education Awareness Foundation. Though all efforts are made to ensure the accuracy and correctness of the information published, Jurisperitus shall not be responsible for any errors caused due to oversight or otherwise. 2 PIF – A++ ISSN 2581-6349 EDITORIAL TEAM Editor-in-Chief ADV. SIDDHARTH DHAWAN Core-Team Member || Legal Education Awareness Foundation Phone Number + 91 9013078358 Email ID – [email protected] Additional Editor -in-Chief ADV. SOORAJ DEWAN Founder || Legal Education Awareness Foundation Phone Number + 91 9868629764 Email ID – [email protected] Editor MR. RAM AVTAR Senior General Manager || NEGD Ministry of Electronics and Information Technology Phone Number +91 9968285623 Email ID: [email protected] SMT. BHARTHI KUKKAL Principal || Kendriya Vidyalaya Sangathan, New Delhi Ministry of Human Resource and Development Phone Number + 91 9990822920 Email ID: [email protected] MS. NIKHITA Assistant Manager || Deloitte India Phone Number +91 9654440728 Email ID: [email protected] MR. TAPAS BHARDWAJ Member || Raindrops Foundation Phone + 91 9958313047 Email ID: [email protected] 3 PIF – A++ ISSN 2581-6349 ABOUT US Jurisperitus: The Law Journal is a non-annual journal incepted with an aim to provide a platform to the masses of our country and re-iterate the importance and multi-disciplinary approach of law. -
Get Set for a November and December to Remember As Altbalaji Shares a Glimpse of Their Upcoming Shows by : Editor Published on : 2 Nov, 2020 09:43 AM IST
Get set for a November and December to remember as ALTBalaji shares a glimpse of their upcoming shows By : Editor Published On : 2 Nov, 2020 09:43 AM IST INVC NEWS Mumbai , Known for its ever-increasing pool of unique and relatable content that offers a wide range of clutter- breaking shows to their ardent subscribers, ALTBalaji has grown to become one of the most-consumed OTT platforms in the country. Ensuring that they’ll be keeping audiences hooked to their screens in the form of non-stop entertainment, ALTBalaji shares a glimpse of their upcoming dhamakedaar shows that will be streaming in the next two months. The video starts with a phone ringing where we see some of the most popular characters on ALTBalaji saying Hello over the phone with the popular song from Ragini MMS Returns 2 ‘Hello Ji’ playing in the background. By adding the line of ‘Entertainment hoga beshumaar’, ahead we get a sneak peek into the shows. Starting with Bebaakee, we see Kushal Tandon and Shiv Jyoti Rajput taking their chemistry forward. Up next we see the dashing and debonair Angad Bedi, as Bhaskar Shetty, Sandeepa Dhar as his wife, and Sikandar Kher as Rama Shetty, in the crime drama Mum Bhai. In addition to the above, we see Divyenndu Sharma getting into the skin of Akhil Srivastava in Bicchoo Ka Khel and Sumeet Vyas as a leading politician in Dark7White. Checking on to the next one, we see Shilpa Shinde in her character looking ravishing along with the versatile veteran Annu Kapoor in their upcoming web-series Paurashpur. -
Balaji Telefilms Limited
Balaji Telefilms Limited Company Overview BSE Code 532382 Balaji Telefilms Limited is in Media & BSE Symbol BALAJITELE Entertainment sector and it is in film production, distribution & entertainment industry. BTL was Key Highlights incorporated in 1994 as a private limited Latest Date 17 Sept 2018 company and became listed in the year 2000. Latest Price (Rs.) 106.5 BTL produces Television serial content, Movies 52 Week High (Rs.) 181 and digital content. 52 week low (Rs.) 102 BTL has produced 18000 hours of Television Face Value (Rs.) 2 content since its inception. BTL has produced Market Cap. (Rs. in Cr.) 1112 some of the best television serials in the country Net Worth (Rs. in Cr.) 853 including the famous K series of daily soap: TTM EPS (Rs.) -4.61 ‘Kyunki Saas Bhi Kabhi Bahu Thi', ‘Kahani PE Ratio (x) 0 Ghar Ghar Ki' and more recently created ‘Naagin-1', ‘Naagin-2' a weekend fiction based PB Ratio (x) 1.34 programming. EV/ EBITDA (x) -31.01 Market Cap./ Sales (x) 3.19 Segment Summary Shareholding Pattern The company operates in 3 segments. Promoters 33% FII 18% 1. TV Serial Production DII 35% The backbone of the company is their TV serial Non-Institutional 14% production business. BTL is in this business from the incorporation of the company in 1994. The returns from the TV Business are steady because the company operates on a cost-plus model, whereby company adds profit to the whole cost of production and bill that to the broadcaster. 2. Movie Production The company started movie production in 2001. -
Mizoram University Inayam~K Prixana Examinations Department Tanhril - 796004 No
imaj,aaOrma ivaSvaivaValaya Mizoram University inayaM~k prIxaNa Examinations Department Tanhril - 796004 No. Ex/UG/1-4/12/ Dated, the 10th July, 2013 N O T I F I C A T I O N The Vice-Chancellor, Mizoram University, Aizawl is pleased to declare the results of the Third Year (Annual System) examinations held in February - March, 2013 who have passed their respective examinations as per list attached. (Prof. R.L. THANMAWIA) Controller of Examinations Copy to: 1 P.S. to Vice-Chancellor, Mizoram University, Aizawl. 2 P.S. to Registrar, Mizoram University, Aizawl. 3 P.A. to Finance Officer, Mizoram University, Aizawl. 4 Director, CDC/ Acad, Mizoram University, Aizawl. 5 Director, Higher & Technical Education, Govt. of Mizoram, Aizawl. 6 Secretary, Mizoram Board of School Education, Aizawl. 7 Controller of Examinations. Mizoram Board of School Education, Aizawl. 8 All Principals of Colleges affiliated under Mizoram University. 9 Station Director, DD/AIR, Aizawl. With a request to announce/include 10 LPS/Zonet, Aizawl. the result as a news item. 11 Leading Local Newspapers. (Prof. R.L. THANMAWIA) Controller of Examinations imaj,aaOrma ivaSvaivaValaya Mizoram University inayaM~k prIxaNa Examinations Department Tanhril - 796004 STATISTICAL RESULTS OF THIRD YEAR DEGREE (HONOURS & GENERAL) EXAMINATION 2013 Course Batch No. of Candidates No. of Appeared Passed Pass % 2010 1123 1104 786 71.20 Honours 2009 368 360 260 72.22 2008 84 84 71 84.52 BA 2010 2031 1980 1059 48.00 General 2009 599 580 387 66.72 2008 149 143 119 83.21 2010 255 255 128 50.20 Honours 2009 79 79 42 53.16 2008 15 15 15 100.00 B.Sc 2010 13 13 3 23.07 General 2009 6 6 4 66.67 2008 1 1 1 100.00 2010 104 104 91 87.50 Honours 2009 18 18 13 72.22 2008 5 5 4 80.00 B.Com 2010 97 96 46 47.92 General 2009 14 14 6 42.86 2008 6 6 6 100.00 2010 16 16 16 100.00 Honours 2009 1 1 1 100.00 2008 Nil Nil Nil B.Sc.(H.Sc) 2010 2 2 2 100.00 General 2009 2 2 2 100.00 2008 Nil Nil Nil Grand Total 5132 5124 3059 59.70 MZU, Aizawl (Prof. -
INDIAN INSTANCES of REGULATION of FREESPEECH 2011 1. Political Cartoonist's Website Blocked, Followed by His
INDIAN INSTANCES OF REGULATION OF FREE-SPEECH 2011 1. Political Cartoonist©s website blocked, followed by his arrest nine months later. Month: 27 December 2011 Website: www.cartoonsagainstcorruption.com Reason: Complaint by private entity ± objectionable pictures and texts related to the flag and emblem of India. The website at www.cartoonsagainstcorruption.com was a cartoon based campaign started by a 25 year old political cartoonist, Aseem Trivedi, to support the nation-wide anti-corruption movement in India started by Anna Hazare in 20111. Having published his cartoons in several newspapers, Trivedi, who hails from Kanpur, had launched the website in October 2011 to reach a wider audience. In December 2011 Trivedi©s banners had received a lot of media attention at the time of Anna Hazare©s three-day fast at Mumbai. Consequently, on the second day of the campaign, Trivedi©s website, which features anti-corruption cartoons, had become inaccessible and upon inquiry from the web-site©s host (Big Rock) it was revealed to him that the portal had been suspended following a complaint from the Mumbai Police. The complaint that resulted in suspension of the website was made by a Mumbai- based lawyer, R.P. Pandey2, who alleged that several of the cartoons violated provisions of the Indian Penal Code, 1860 and the State Emblem of India (Prohibition of Improper Use) Act 2005.3 The Aftermath & ©Save Your Voice© Campaign 4: Following his web-site©s ban, Trivedi initiated a blog on Blogger, a Google-based service, where he continued to voice his opinions5. Thereafter a movement against censorship in India called the ©Save Your Voice© campaign was initiated by Trivedi along with journalist Alok Dixit. -
D8A4 E` Ac`SV ?R \R R Reert\
'* ; "<%"= %"== !" RNI Regn. No. MPENG/2004/13703, Regd. No. L-2/BPLON/41/2006-2008 /* 01 2 /!") " # $%& !" !"#$% &$' * 3) ) 34 5)6.33..3 . ) 36 +8 &!&'#(%') )'# ..-8) .3 5) )' !)'# ') , 384 ,.9) 3).) . ))3*75 ** )' !#* )'&' +'*%' ' # $%& ' '(%)*)*+ , -": - .-/ rapes and violence for decades meet Pakistan’s Punjab and the Nankana incident Governor and Chief Minister,” shows how minorities there are he said. Longowal said the del- persecuted and why they need egation will comprise Rajinder citizenship in India. Singh Mehta, Roop Singh, Lekhi also said that this Surjit Singh and Rajinder incident should open the eyes Singh. !"" of Congress leaders such as So- “We have spoken with the nia Gandhi, Rahul Gandhi and Gurdwara Nankana Sahib Q ))*+ no borders. Navjot Singh Sidhu, TMC sup- management committee...They Taking to Twitter, Rahul remo Mamata Banerjee, the told us the situation is normal ! he Shiromani Gurdwara termed Friday attack repre- leftists and the “Urban Naxals” now,” Longowal said. # $% TParbhandhak Committee hensible, and said the only who have been opposing the The SGPC chief said the &'() +L (SGPC), the apex body which known antidote to bigotry is amended Citizenship Act. sentiments of the Sikh com- *,- provincial authorities in the - manages Sikh shrines, will love, mutual respect and under- Meanwhile, strongly con- munity were hurt with the Punjab province have informed L send a four-member delegation -
INDIAN OTT LANDSCAPE a Survey Report by Vidooly
INDIAN OTT LANDSCAPE A Survey Report by Vidooly Video Intelligence & Cross Platform Analytics Software INTRODUCTION The increasing popularity of OTT Platforms in India is no more a secret. While Hotstar, Netflix and Amazon Prime have become established names in the industry, we also have new entrants such as AppleTV+ and Flipkart Videos marking their debut. With 30+ platforms competing to build a subscriber base, they are experimenting with newer way to please their audience. With the help of big data, platforms are devising ways of personalizing their user experience. Innovations such as voice tags, augmented and virtual reality, 360 degree viewing and blockchain technology are also getting intensely explored. The pace at which the industry is transforming, makes it indispensable for the platforms to evolve continuously. Other than recognizing consumer’s changing preferences and their need of personalized experiences, brands also realize their price-sensitive nature. This has led to the provision of multiple screens and introduction of cheaper subscription plans by these platforms in order to fit consumers’ pockets. Undisrupted 4G connectivity has played a major role in enabling the online content consumption, that too, at viewers’ ease. Not only has it made internet accessible but also affordable, thus driving the user-spends towards other means of entertainment - in this case – Video-on-Demand Platforms. The penetration of internet in rural areas has also soared, resulting in a higher demand of regional content on these platforms. There’s no second guessing in the fact that the OTT industry is going to be the face of Media & Entertainment Industry in the coming years. -
“Censorship in OTT Platforms: the Necessity”; *Bhagavatula Naga Sai Sriram, School of Law, SASTRA University
Volume 11, July 2020 ISSN 2581-5504 “Censorship in OTT Platforms: The Necessity” *Bhagavatula Naga Sai Sriram School of Law, SASTRA University **Sandhiya K. School of Law, SASTRA University Internet and technology have become an inevitable part of our lives and therefore omnipresent. In this fast paced world, each one of us sits in front of an electronic gadget to pass time. The evolution of media and visual entertainment has witnessed a drastic change in the current decade due to the era of digitalization. The whole concept of visual entertainment started with few television channels and now it is easily available and accessible through the mobile phone, personal computers and Smart TVs. This research paper is centred on Over The Top (OTT) platforms which enables visual entertainment through the usage of internet. The current trend stands out to be the use of OTT platforms for which the number of users increases exponentially in our country. With regards to laws related to media and censorship, we are yet to upgrade ourselves to fit in the computerized world. This paper is an attempt to explore the grey area of OTT platforms and its evolution along with possible outcomes and suggestions that can be brought in the aspect of censorship and media laws. Keywords: OTT (Over The Top) and Types, Censorship, Online Content regulation provisions in India. What are OTTs: OTT represents Over-the-top which is a term used to depict visual content (films, videos and original web series) suppliers through web. These services are known as over-the-top since it goes over a traditional cable box to provide a user access to content which otherwise is transmitted through customary medium.