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USL92761 03/05 series 900

The cutting edge of evolution 900 Introducing the best professional in the world Sennheiser’s new e900 series. Designed for demanding, uncompromising professional use. Musicians and singers love them because they know they deserve only the best. PA rental companies choose them because they love satisfied customers. Sound engineers rely on them because they know they’ll never be let down.

Sennheiser has a world-beating reputation for superior sound solutions. A unique insight into the demands of musical performance. 900 And Sennheiser’s new e900 series takes sound evolution a step higher — as close to the pinnacle of perfection as it is possible to get. The cardioid e935 is a state-of-the-art professional vocal , designed to cut e935 through high on-stage levels.

Features Delivery includes u New, stage-compatible sound design u e935 microphone u “Gain before feedback” increased by 3-6 dB u Pouch (compared to e835) u MZQ 800 microphone clamp Cat. No. 4711 u Sturdy reinforced metal body u Instruction manual u Powerful sound with presence boost for improved u Guarantee certificate vocal intelligibility

Specifications e935

Transducer principle ...... dynamic Frequency response ...... 40–18,000 Hz Pick-up pattern ...... cardioid Sensitivity (free field, no load) (at 1‑kHz) . . . . 2.8 mV/Pa Nominal impedance (at 1‑kHz) . . . . 350 W Min. terminating impedance ...... 1,000 W Connector ...... XLR, gold-plated Weight ...... 330 g Dimensions (Ø x h) ...... 47 x 181 mm

Special ...... Hum compensating coil Shock-mounted capsule The supercardioid e945 is a premium professional lead vocal microphone which will cut through the mix and project a smooth, natural sound. Its warm tonal response is matched with e945 rugged construction and unbeatable feedback rejection.

Features Delivery includes

u New, stage-compatible sound design u e945 microphone u “Gain before feedback” increased by 3-6 dB u Pouch (compared to e845) u MZQ 800 microphone clamp Cat. No. 4711 u Rugged reinforced metal body u Instruction manual u Powerful sound with presence boost for improved u Guarantee certificate vocal intelligibility

Specifications e945

Transducer principle ...... dynamic Frequency response ...... 40–18,000 Hz Pick-up pattern ...... supercardioid Sensitivity (free field, no load) (at 1‑kHz) . . . . 2.0 mV/Pa Nominal impedance (at 1‑kHz) . . . . 350 W Min. terminating impedance ...... 1,000 W Connector ...... XLR, gold-plated Weight ...... 330 g Dimensions (Ø x h) ...... 47 x 186 mm

Special ...... Hum compensating coil Shock-mounted capsule The half-cardioid boundary layer e901 is the optimal microphone for kick drum and grand e901 piano. It is highly robust and completely step-resistant. It benefits from an integrated pre-amp.

Features Delivery includes u Frequency response optimized for kick drum reception u e901 microphone u Very fast attack u Pouch u Built-in XLR plug, no need for special cable u No microphone stand needed for kick drum u Slip-free, dampening rubber pad underneath

0° Specifications e901 0 30° 30° 5 10 60° Transducer principle ...... condenser 60° 15 20 Frequency response ...... 20–20,000 Hz 25 Pick-up pattern ...... half-cardioid 90° dB 90° Sensitivity 120° 120° (free field, no load) (at 1‑kHz) . . . . 0.5 mV/Pa 150° 150° 180° Nominal impedance (at 1‑kHz) . . . . < 100 W 125 Hz 2000 Hz 250 Hz 4000 Hz Min. terminating impedance ...... 1,000 W 500 Hz 8000 Hz 1000 Hz 16000 Hz Connector ...... XLR, gold-plated Weight ...... approx. 350 g dBv Dimensions (Ø x h) ...... 126.5 x 105 x 26.5 mm - 40 - 50 Special ...... Extremely robust - 60 Very high sound pressure - 70 handling capability - 80 - 90 20 50 100 200 500 1000 2000 5000 10000 20000 Hz

0°, 1 m 0°, 5 cm The cardioid polar pattern e902 is a dynamic instrument microphone especially designed for deep bass frequencies such as kick drums, bass guitar amps, and tuba. e902

Features Delivery includes u Frequency response optimized for kick drums u e902 microphone u Very fast attack u Pouch u Exceptionally clean and clear pick-up of the lowest bass signals u Integral stand mount u Ultra-strong full metal body u Shock-mounted capsule

Specifications e902

Transducer principle ...... dynamic Frequency response ...... 20–18,000 Hz Pick-up pattern ...... cardioid Sensitivity (free field, no load) (at 1‑kHz) . . . . 0.2 mV/Pa Sensitivity (free field, no load) (at‑60‑Hz) . . . . 0.6 mV/Pa Nominal impedance (at 1‑kHz) . . . . 350 W Min. terminating impedance ...... 1,000 W Connector ...... XLR, gold-plated Weight ...... 440 g Dimensions (Ø x h) ...... 60 x 128.5 mm

Special ...... Hum compensating coil Shock-mounted capsule The cardioid polar pattern e904 is a dynamic instrument Features e904 microphone especially designed for drums. u Full, impressive, lively sound for drums and percussion u Very fast attack u Compact body ideal for mounting on toms and snare drum u Excellent sound profiling, adapts to all percussive styles u Robust reinforced metal casing

Delivery includes

u e904 microphone u MZH 604 drum clip u Pouch

The cardioid e905 has a high maximum SPL and an e905 excellent transient response, suitable for a wide range Features of instruments and an ideal choice for snare drums. u Impressive and full sound u Very fast attack u Short microphone body to facilitate optimal positioning by drums u Integral stand mount u Sturdy reinforced aluminum metal body

Delivery includes

u e905 microphone u Pouch

The supercardioid e906 instrument microphone e906 was especially designed for guitar amps, and is Features also excellent for percussion and horns. u Lively, full sound u Very fast attack u Flat shape perfect for guitar amps u Switchable presence filters (3 levels) u Extra-resistant reinforced metal body

Delivery includes

u e906 microphone u MZQ 100 microphone clip u Pouch Specifications e904

Transducer principle ...... dynamic Frequency response ...... 40–18,000 Hz Pick-up pattern ...... cardioid Sensitivity (free field, no load) (at 1‑kHz) . . . . 2 mV/Pa Nominal impedance (at 1‑kHz) . . . . 350 W Min. terminating impedance ...... 1,000 W Connector ...... XLR, gold-plated Weight ...... 125 g Dimensions (Ø x h) ...... 41 x 63 mm

Special ...... Hum compensating coil

Specifications e905

Transducer principle ...... dynamic Frequency response ...... 40–18,000 Hz Pick-up pattern ...... cardioid Sensitivity (free field, no load) (at 1‑kHz) . . . . 2.6 mV/Pa Nominal impedance (at 1‑kHz) . . . . 350 W Min. terminating impedance ...... 1,000 W Connector ...... XLR, gold-plated

Weight ...... 210 g dBv Dimensions (Ø x h) ...... 41 x 116 mm - 40 - 50

- 60 Special ...... Hum compensating coil - 70

Shock-mounted capsule - 80 - 90 20 50 100 200 500 1000 2000 5000 10000 20000 Hz 0, 1 m

Specifications e906

Transducer principle ...... dynamic Frequency response ...... 40–18,000 Hz Pick-up pattern ...... supercardioid Sensitivity (free field, no load) (at 1‑kHz) . . . . 2.2 mV/Pa Nominal impedance (at 1‑kHz) . . . . 350 W Min. terminating impedance ...... 1,000 W Connector ...... XLR, gold-plated Weight ...... 140 g Dimensions (Ø x w x h) ...... 55 x 134 x 134 mm Center frequency of the presence filter . . 4.2 kHz

Special ...... Hum compensating coil Shock-mounted capsule The e908 D condenser instrument Features microphone was especially designed e908 D u Exceptionally lively, clear sound for drums and percussion. u Easy and flexible set-up; comes with drum-set clamp u Optimal positioning with long-necked, flexible boom u Integrated shock absorber eliminates handling noise u Intelligent MZA 900 P pre-amp (cable, phantom power, and level check) included

MZA 900 P pre-amp included

Delivery includes

u e908 D microphone u MZH 908 D drum clip u In-line pre-amplifier MZA 900 P u Windshield u Pouch

The e908 B condenser instrument Features microphone was especially designed for e908 B u Exceptionally lively, clear sound brass instruments. u Easy and flexible set-up; comes with drum-set clamp u Optimal positioning with long-necked, flexible boom u Integrated shock absorber eliminates handling noise u Intelligent MZA 900 P pre-amp (cable, phantom power, and level check) included

MZA 900 P pre-amp included

Delivery includes

u e908 B microphone u MZH 908 B drum clip u In-line pre-amplifier MZA 900 P u Windshield u Pouch

0° 0 30° 30° 5 10 60° Specifications e908 D and e908 B 60° 15 20 25 Transducer principle ...... Condenser 90° dB 90° Frequency response ...... 40 – 20,000 Hz Pick-up pattern ...... cardioid 120° 120°

Sensitivity in free field, no load (1kHz) . . 4 mV/Pa 150° 150° 180° 125 Hz 2000 Hz Nominal impedance ...... 100 Ohm 250 Hz 4000 Hz 500 Hz 8000 Hz Min. terminating impedance ...... 2000 Ohm 1000 Hz 16000 Hz dBv Phantom powering ...... 12 - 48 V / 3 mA - 30 Weight ...... 311 g - 40 Dimensions ...... Ø 47 x 193 mm - 50 - 60

- 70 - 80 20 50 100 200 500 1000 2000 5000 10000 20000 Hz

0° 180° The e914 is a high-grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e914 for highly sophisticated applications like e914 acoustic guitars, cymbals, percussion, overhead, orchestras, and grand pianos.

Features Delivery includes u Exceptionally lively, clear sound u e914 microphone u Three-position sensitivity switch u Microphone clip u Three-position bass roll-off/cut-off switch u Windshield u Very high sound pressure handling capability u Pouch u Exchangeable capsule

0° 0 30° 30° Specifications e914 5 10 60° 60° 15 20 Transducer principle ...... Condenser 25 90° Frequency response ...... 20–20,000 Hz dB 90°

Pick-up pattern ...... cardioid 120° 120° Sensitivity 150° 150° 180° (free field, no load) (at 1‑kHz) . . . . 12 mV/Pa 125 Hz 2000 Hz 250 Hz 4000 Hz 500 Hz 8000 Hz Equivalent noise level ...... 19 dB(A) 1000 Hz 16000 Hz Attenuation ...... 0 dB, -10 dB, -20 dB Max. sound pressure level (active) ...... 136 dB, 146 dB, 156 dB dBv - 35 Nominal impedance ...... 100 W - 40 - 45 Min. terminating impedance ...... 1,000 W - 50 - 55 Connector ...... XLR, gold-plated - 60 - 65 Weight ...... 198 g - 70 Dimensions (Ø x h) ...... 24 x 157 mm 20 50 100 200 500 1000 2000 5000 10000 20000 Hz 0 dB -10 db -20 db

dBv - 35 - 40 - 45 - 50 - 55 - 60 - 65 - 70 20 50 100 200 500 1000 2000 5000 10000 20000 Hz

bass roll off cut off