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2021 Virtual Sewing & Stitchery Expo Schedule Checklist
Virtual Expo Schedule Use this checklist to plan your Virtual Expo experience. Don’t forget to buy your class tickets online beginning Jan. 12! All times listed are Pacific Standard Time (PST). Registration for Three & Four Needle classes that require a kit will end Feb. 2 to allow time for shipping. Wednesday 8:00 AM - 12:00 PM 4104 The Victorian Sewing Box 1:00 PM - 1:45 PM FS Lighting your Sewing Room 8:00 AM - 12:00 PM 4106 Beyond the Basics in Free Motion Quilting 1:00 PM - 2:00 PM Cutting Line Designs 8:00 AM - 12:00 PM 4107 Cadence Top Sew-A-Long 1:00 PM - 2:00 PM Fit for Art Patterns 8:00 AM - 12:00 PM 4110 A TempLee Quilted Medallion 1:00 PM - 2:00 PM The Rain Shed 8:00 AM - 12:00 PM 4111 From Thread to Lace 1:00 PM - 5:00 PM 4101 Flowermania English Paper Piecing 8:00 AM - 12:00 PM 4114 Scrappy Wonky Quilt Blocks 1:00 PM - 5:00 PM 4103 The Caprice Organizer 8:00 AM - 12:00 PM 4119 Temari—Japanese Thread Balls 1:00 PM - 5:00 PM 4105 Featherweight Spa Day 8:00 AM - 12:00 PM 4121 Easy Fit and Sew Yoga Pants 1:00 PM - 5:00 PM 4109 Enchantress Bracelet 8:00 AM - 12:00 PM 4122 The Ultimate Stabilizer Class 1:00 PM - 5:00 PM 4112 Vintage Windmill 8:00 AM - 12:00 PM 4123 Coverstitch Workshop 1:00 PM - 5:00 PM 4115 The Boro and Sashiko Pillow 9:00 AM - 9:30 AM FS Rulerwork Tips for Any Machine 1:00 PM - 5:00 PM 4117 Sew For You: Panties 9:00 AM - 10:00 AM WonderFil Specialty Threads 1:00 PM - 5:00 PM 4118 No Pins, No Basting, No Kidding! 9:00 AM - 10:00 AM Paradiso Designs 1:00 PM - 5:00 PM 4120 Viking Knitting: Trichinopoly on a Dowel -
About the Designer ...Margaret Pierce
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 3 – Issue 8 August 2011 From The Editor – About the designer . Margaret Pierce Jim and I just returned from a refreshing vacation to the Baltic’s Margaret has taught French Handsewing for 37 years. She and North Cape. Refreshing in many ways, not just the cool studied with Sarah Howard Stone in Montgomery, AL; with the temperatures – although I confess the temperatures ranged embroideresses on the island of Madeira; and at La Maison R. from the mid‐40s Fahrenheit at the North Cape to the mid‐60s Malbranche Embroidery School in Paris. She also received a BA in Home Economics Education at Queens University in in southern Norway. But the trip was refreshing also in seeing Charlotte, North Carolina. how the Scandinavian countries cling to their heritage with such zeal and commitment. Children still enjoy not only wearing the She taught for National and Regional SAGA and EGA Seminars native costumes of their local communities, but love sharing and Conventions; for Valentine Museum Assembly-Richmond, their local games, folklore and heritage. Girls continue to be VA; Callaway Gardens School of Needlework; in Ireland at the taught such arts as yarn spinning and fabric weaving as well as Au Grianan School for the Guild of Irish Lacemakers bread making and other ‘lost’ arts. We visited several working Convention; in Australia for the Australian Needlework School; museums which was very interesting. One mother and her 3 and local needlework guilds and shops throughout the US and small children were baking cinnamon rolls in the old fashioned Canada. -
Masonic Imagery in Baltimore Album Quilts
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Mysterious Messages: Masonic Imagery in Baltimore Album Quilts Anne Bayne Battaile College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Art and Design Commons Recommended Citation Battaile, Anne Bayne, "Mysterious Messages: Masonic Imagery in Baltimore Album Quilts" (2000). Dissertations, Theses, and Masters Projects. Paper 1539626245. https://dx.doi.org/doi:10.21220/s2-hjy1-7t02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. MYSTERIOUS MESSAGES: MASONIC IMAGERY IN BALTIMORE ALBUM QUILTS A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Anne Bayne Battaile 2000 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Anne Bayne Battaile Approved April, 2000 Kimbei Barbara Watkinson TABLE OF CONTENTS LIST OF ILLUSTRATIONS iv ACKNOWLEDGEMENTS vi ABSTRACT vii INTRODUCTION 2 CHAPTER I. THE EDUCATED EYE 4 CHAPTER II. WOMEN, RELIGION AND EDUCATION IN BALTIMORE 15 CHAPTER III. -
BRAND NAME PRODUCTS Branded Male Marketing to Men.Pdf
Branded Male hb aw:Branded Male 15/1/08 10:10 Page 1 BRANDED MALE Mark Tungate is the “Tungate dissects the social trends that have been shaping the male consumer across a Men are not what they were. In article after author of the variety of sectors in recent years… Provides insights on how brands can tackle the article we’re told a new type of man is bestselling Fashion business of engaging men in a relevant way – and the influential role that the women in abroad – he’s more interested in looking Brands, as well as the their lives play.” good and he’s a lot keener on shopping. highly acclaimed Carisa Bianchi, President, TBWA / Chiat / Day, Los Angeles Adland: A Global Branded Male sets out to discover what History of Advertising, “Finally a book that uses humour, examples and clever storytelling to shed a new light on makes men tick as consumers and how both published by male trends. Helps us approach male consumers as human beings and not simply as products and services are effectively Kogan Page. Based in marketing targets.” branded for the male market. Using a day Photography: Philippe Lemaire Paris, he is a journalist in the life of a fictional “branded male”, specializing in media, marketing and Roberto Passariello, Marketing Director, Eurosport International Mark Tungate looks at communication. Mark has a weekly column BRANDED male-orientated brands and their in the French media magazine Stratégies, “Ideas, advice and insights that will help anyone aiming to get messages across marketing strategies in areas as diverse as: and writes regularly about advertising, style to men.” and popular culture for the trends David Wilkins, Special Projects Officer, Men’s Health Forum • grooming and skincare; intelligence service WGSN and the • clothes; magazine Campaign. -
That Was a T-Shirt!!! We Need Tops! While Cotton Tops Are Easy to Make, Knit Tops Are the Most Versatile Due to the Forgiving Stretch
That was a t-shirt!!! We need tops! While cotton tops are easy to make, knit tops are the most versatile due to the forgiving stretch. Because of the challenges in working with knit fabric, updating a t-shirt is the perfect compromise. Our goal is to have someone look at our top and say “that was a t-shirt?!” All hemlines need to be removed and restyled and the neckline needs to be either ruffled (size small and some medium) or trimmed. Here are some guidelines that we are looking for. Simply sewing a decorative stitch or zigzag over the existing hemline (sleeves and bottom hem) does not make visual changes to the t-shirt. Please cut off the existing hemline and if you like, you can make it shorter. If you have a serger, you can finish the edge prior to hemming but because the knit does not ravel it is not necessary. You also do not need to turn over the edge prior to hemming. Sleeves Match the sleeves and cut off both hems at the same time. You can cut straight or at an angle and make it a cap sleeve Use a decorative stitch for the hemming, variegated thread looks great! Use either white or black thread in the bottom as variegated thread is expensive. Remember to sew on the right side with your finger on the bottom feeling for the fabric edge. Watch for those sales and coupons!! Sulky blendables, 30 weight, 100% cotton is very nice to use. If you hem with a straight stitch, make it a little longer perhaps 3.0 and add some elastic to make it gathered at the hem edge. -
Notions: Fabrics: Sewing with Cuddle™
Fabrics: Sewing with Cuddle™ Notions: 1/2 yard Daisy Bouquet Coral from These patterns are very easy to put Sewing machine Crazy for Daisies by ADORNit (dress) together and sew. Cuddle™ fabric Basic sewing supplies: 1/2 yard Mini Zag Aqua/Red/Breeze works best when you take care to pin Thread from Nested Owls by ADORNit each seam before sewing. You Ballpoint needle (sleeve and ruffle for pants) should be able to complete this Pins 3/4 yard Cuddle™ Dimple Teal (pants) project in under 3 hours! Scissors 1/4” elastic and 3/4” elastic 1 Cuddle™ Bouquet Peasant Dress and Ruffle Pants Below you will find a guide to tape your PDF printed pages together. When you print, make sure to select “actual size” so that your pattern does not print at the wrong scale. Check the 1 inch test box before cutting out your fabric to make sure everything is the right size! Read through each step before beginning your project! If there are any questions please contact me at [email protected] and I will be happy to help you! I drafted these patterns off of my daughter’s measurements. She wears a 24m/2T in ready to wear clothes. The dress is meant to be worn with the ruffle pants. If you prefer to have the dress worn alone, add 3-4 inches to the length. To print only the pattern pieces for the dress, print pages 12-15 To print only the pattern pieces for the pants, print pages 16-18 LEVEL—Beginner Terms of Use: Items made from this pattern may be used to sell in limited quantities. -
…Unruffled…Unruffled
TheThe RufflerRuffler …Unruffled…Unruffled A Guide to Buying, Optimizing, and Using a Ruffler Attachment Downloaded by: H C - 9/13/2008 - DUPLICATION PROHIBITED - Downloaded at www.youcanmakethis.com Table of Contents Introduction 3 • Purchasing a Ruffler 4 • Ruffler Anatomy 5 Using Your Ruffler 6 • Pre-Ruffling Checklist 6 • Attaching the Ruffler 7 • Getting to Know Your Ruffler 10 Optimizing Your Ruffler 11 • Ruffling Factor 11 • Testing Your Ruffler 11 • Ruffling Calculations 16 • Ruffling Double Thicknesses 17 • Pleats 18 Attaching Ruffles 19 • “Wiggle Room” 20 • One-Step Gathering and Attachment 21 • One-Step Gathering and Attachment II 22 • Ruffles & Ribbons 23 • Embellishing with Ruffles 24 Other Materials 25 The Dedicated Ruffler 25 Troubleshooting 26 Tools 27 • Ruffler Optimization Worksheet 27 • Ruffler Optimization Gauge 28 • Pleating/Ruffling Ruler 29 You Can Make This! 30 The Ruffler…Unruffled. Copyright © 2007 by Carla Hegeman Crim. All rights reserved. This guide is complimentary, and may be shared freely as long as this copyright statement stays intact. No part of this guide may be resold or redistributed by sites other than http://youcanmakethis.com without permission from the author. I am not affiliated with any doll, pattern, or sewing machine company. Disclaimer: This guide offers instructions and suggestions for normal use of a ruffler. I am not responsible for any ruffler-related injuries or damage to equipment. http://www.dressydolly.com Downloaded by: H C - 9/13/2008 - DUPLICATION PROHIBITED - Downloaded at www.youcanmakethis.com Introduction Ruffles, ruffles everywhere! In both fashion and home décor, nothing adds femininity and flounce like a beautiful ruffle. The ruffle is an important element of custom boutique fashion. -
Halloween Ruffled Edged Apron
Halloween Ruffled Edged Apron Use the Baby Lock Verve sewing and embroidery machine to add a ruffled to the bottom edge of a purchased apron. The edges are finished off using the Overcast “G” foot and a glow in the dark thread. Baking Halloween treats will never be this much fun! Skill Level: Beginner Created by: Diane Kron, Software and Embroidery Project Manager Baby Lock Project: Halloween Ruffled edge Apron Page 1 of 3 Supplies: Baby Lock® Verve Sewing and Embroidery Machine Purchased Apron 1 Fat quarter (Halloween print) Madeira® Glow in the Dark thread Madeira black Cotona thread White bobbin thread Black rick-rack Instructions: 1. At the cutting table, cut (4) 4 ½” wide strips from the Halloween print fabric. These sections will be used for the ruffle. When deciding on how long the ruffle should be, measure the area where it will be placed. The length of the unruffled section should be 2 to 3 times the length of the area. This will give a nice full ruffle. If your apron is larger than the one used in the sample, more fabric may be needed. 2. Set the machine up for sewing: Thread the machine with the Glow in the Dark thread. Wind the bobbin with white bobbin thread and place in the bobbin case. Select the Overcasting stitch #118. Snap on the Overcasting “G” Foot. 3. With right sides together, piece together the 4 ½” wide Halloween print sections end to end. 4. Overcast each of the seams together. Press the seams in the same directions. 5. Overcast the top and bottom edges on the pieced section along with each of the ends. -
Condensed Data Are Available in VT 002 611. a Wide Variety Of
I N Arti M I r% I T II E S V 14r ED 023 796 VT 002 621 By -0 Donnell.Beatrice Descriptions of Home and Community Occupations Related to Home Economics:Descriptions ofSpecific Occupations Classified Into Suc Clusters. Index to Areas of Work and Worker Trait Groupsfor Individual Occupateons.Professional Education Series No.HE -8. Michigan State Univ., East Lansing.Educational Publication Services. Pub Date Jan 67 Note -204p. EDRS Price MI -SI 00 HC -51030 . Descriptors -.Home EconomicsSkills,*Occupational Clusters. Occupational Guidance, Occupational Home Economics. *Occupational Information. Occupations Identifiers -Dictionary of Occupational Titles This buletin is a relerence tool for the identification of homeeconomics-related occupations and requirements and methodsof entry into these occupations. A full description of 200 home econor,:s-related occupations as found inthe Dictionary of Occupational Titles. Volume I, and page references which will facilitate thelocation of descriptions of the "area of work" and "worker trait group" asindicated in Volume H of the Dictionary are presented. Occupations have been classified andalphabetically arranged into one of six clusters: (1) family relationships. (2) clothing andtextiles, (3) foods and nutrition, (4) housing and furnishings, (5) clothing maintenance,and (6) household maintenance and services. Home economics-related occupations were identified by independent analysisof thethirdedition of the Dictionary of Occupational Titles, Volume I. Lists were compared and organized intoclusters. Value judgments of 136 knowledgeable persons to the questions: (1)Is the occupation related to the duster in which it is dassified? (2) To what extent is home economics needed for job competence or lob training? and (3) What otherprofessional.business. -
Stitch Overview Utility Stitches
Stitch overview Utility stitches Stitch Stitch number Name Description For seaming and topstitching. Select from 37 different needle 1.1.1 Straight stitch positions. Note: This stitch makes a stronger tie-off than stitch 2.1.1. Stretch triple straight 1.1.2 Reinforced seam. Topstitching. stitch 1.1.3 Straight stitch reverse Sew continuous reverse with strong tie-off. Single stitch used for basting. Touch foot control to sew one stitch. 1.1.4 Basting stitch Move fabric manually to desired position and touch foot control again to sew another stitch. 1.1.5 Zigzag stitch 5HLQIRUFHVHDPVFOHDQÀQLVKVWUHWFKVHZLQJODFHLQVHUWLRQ Zigzag stitch, right or 1.1.6 5HLQIRUFHVHDPVFOHDQÀQLVKVWUHWFKVHZLQJ left needle position 1.1.7 Z-zigzag stitch Applique, couching, eyelets. Stretch triple zigzag 1.1.8 Elastic stitch for decorative hems or topstitching. stitch Three-step zigzag 1.1.9 Sewing elastic, darning, patching and decorative sewing. stitch 1.1.10 Elastic stitch Sewing elastic, darning, patching. 1.1.11 Triple stretch stitch Sewing elastic, darning, patching and decorative sewing. Decorative stitch for stretch fabrics and hems. Also used with elastic 1.1.12 Honeycomb stitch thread in the bobbin. Joining fabrics and quilt batting, decorative stitch for quilting, 1.1.13 Bridging stitch hemstitching. Foundation elastic Joining stitch for undergarments, terry cloth, leather, bulky fabrics 1.1.14 stitch where overlapping the seams. 1.1.15 Crosshem stitch Elastic decorative hem for stretch fabrics. 1.1.16 Blindhem stitch Sewing blindhems on woven fabrics. 1.1.17 Elastic blindhem stitch Sewing blindhems on stretch fabrics. 1.1.18 Stretch tricot stitch Sewing seams on stretch fabrics. -
Quilts As Visual Texts Marcia Inzer Bost Kennesaw State University
Kennesaw State University DigitalCommons@Kennesaw State University Dissertations, Theses and Capstone Projects Fall 12-2010 Quilts as Visual Texts Marcia Inzer Bost Kennesaw State University Follow this and additional works at: http://digitalcommons.kennesaw.edu/etd Part of the Art and Design Commons, and the Communication Commons Recommended Citation Bost, Marcia Inzer, "Quilts as Visual Texts" (2010). Dissertations, Theses and Capstone Projects. Paper 418. This Thesis is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Dissertations, Theses and Capstone Projects by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Quilts as Visual Texts By Marcia Inzer Bost A capstone project submitted in partial fulfillment of the Requirements for the degree of Master of Arts in Professional Writing in the Department of English In the College of Humanities and Social Sciences of Kennesaw State University Kennesaw, Georgia 2010 Dedication The capstone project is dedicated to those who gave me the quilts and the knowledge of quilts that I have used for this project: My mother, Julia Layman Inzer, whose quilts I am finishing; Her mother, Alma Lewis Layman, who quilted my early quilts and whose eccentric color choices inspired me to study quilt design; Her mother, Molly Belle Lewis, who left a masterpiece quilt to whose standards I aspire; My father’s sister, Barbara Inzer Smith, who always has the quilting advice I need; Her mother and my grandmother, Grace Carruth Inzer, whose corduroy quilt provides warmth on a cold day; and Her mother, Bertha Carroll Carruth, whose example of a strong, independent woman still inspires me and whose quilts still grace family beds. -
Just Sew-It Twin Needles
BERNINA eBook Series JUST SEW IT! Exploring Twin Needles Written by Megann Freese EXPLORING TWIN NEEDLES In the wide array of techniques used in the sewing, quilting, and embroidery worlds, different needles are needed to provide the best results for every project. Twin needles, or double needles, are a type of needle that is often overlooked, but prove to be very useful in every category of sewing, not to mention that they are fun to use. Twin needles are two needles leading to two identical rows of parallel stitching accomplished using a single bobbin. Available in different types, sizes, and needle distances, there are few techniques that the twin needle cannot accomplish. This eBook discusses the anatomy of the twin needle, the different sizes and types, how to set up the sewing machine to operate with this type of needle, and different sewing techniques that are enhanced with the twin needle. ANATOMY How is the twin needle designed? The anatomy is simple: The two needles are connected to a single shank by a plastic bridge piece. The bridge piece acts as the shoulder for both needle shafts. Each needle has its own groove, eye, and point; however, both are the exact same size. The shank of a twin needle has a flat side, like that of a singular needle, which should be positioned to the back when inserted into the machine. Each needle has its own thread supply. Two spools of thread are needed for proper threading. NEEDLE ANATOMY LABELED Point Eye Shank Bridge Groove Two Needles PAGE 1 © 2020 BERNINA of America bernina.com EXPLORING TWIN NEEDLES HOW THE STITCHES ARE MADE In order to use a twin needle, or double needle, the sewing machine must be able to do a zigzag stitch.