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King of Clubs
King of Clu bs The Pugh Center has become the source of deba te on club f unding, privileges By DREW BUSH low as four students. STAFF WRITER One club, for example, that has come under question is the Four Winds, which is Over the years since its construction, the devoted to expanding understanding on Pugh Center has become known as the Eitz campus about Native American cultural Carleton of club offices. Clubs that receive diversity, history, and contemporary issues. looms in the Pugh Center find themselves The club has been criticized because some in well-furnished offices that come with a students feel that last year it was relatively phone and computer. inactive. This year, the dub is not even According to Student Government funded by SGA. Yet, no other dubs were Treasurer Rob Painter '01, many other clubs ever moved into its office space. have to pay a monthly fee to have a phone However, Jeffrey Anderson, Assistant in their office and do not have computers Professor of Anthropology and advisor to provided for them. In addition, Pugh Four Winds reports that this year there are Center clubs are located squarely in the 10 students involved with the dub and they center of campus while most other offices have "already helped to sponsor two major are located in dorms. Many student leaders ECHO FILE PHOTO ECHO FILE PHOTO REBECCA SOLOMON speakers, Charlene Teters and L.J. Foley." question this inequity between how clubs "The myth about Four Winds inactivity in the Pugh Center are treated compared to from last year was based only on the fact other clubs. -
Julianne Moore Stephen Dillane Eddie Redmayne
JULIANNE MOORE STEPHEN DILLANE EDDIE REDMAYNE ELENA ANAYA Directed By Tom Kalin UNAX UGALDE Screenplay by Howard A. Rodman Based on the book by Natalie Robins & Steven M. L. Aronson BELÉN RUEDA HUGH DANCY Julianne Moore, Stephen Dillane, Eddie Redmayne Elena Anaya, Unax Ugalde, Belén Rueda, Hugh Dancy CANNES 2007 Directed by Tom Kalin Screenplay Howard A. Rodman Based on the book by Natalie Robins & Steven M.L Aronson FRENCH / INTERNATIONAL PRESS DREAMACHINE CANNES 4th Floor Villa Royale 41 la Croisette (1st door N° 29) T: + 33 (0) 4 93 38 88 35 WORLD SALES F: + 33 (0) 4 93 38 88 70 DREAMACHINE CANNES Magali Montet 2, La Croisette, 3rd floor M : + 33 (0) 6 71 63 36 16 T : + 33 (0) 4 93 38 64 58 E: [email protected] F : + 33 (0) 4 93 38 62 26 Gordon Spragg M : + 33 (0) 6 75 25 97 91 LONDON E: [email protected] 24 Hanway Street London W1T 1UH US PRESS T : + 44 (0) 207 290 0750 INTERNATIONAL HOUSE OF PUBLICITY F : + 44 (0) 207 290 0751 info@hanwayfilms.com CANNES Jeff Hill PARIS M: + 33 (0)6 74 04 7063 2 rue Turgot email: [email protected] 75009 Paris, France T : + 33 (0) 1 4970 0370 Jessica Uzzan F : + 33 (0) 1 4970 0371 M: + 33 (0)6 76 19 2669 [email protected] email: [email protected] www.dreamachinefilms.com Résidence All Suites – 12, rue Latour Maubourg T : + 33 (0) 4 93 94 90 00 SYNOPSIS “Savage Grace”, based on the award winning book, tells the incredible true story of Barbara Daly, who married above her class to Brooks Baekeland, the dashing heir to the Bakelite plastics fortune. -
2014 Cal State L.A. Golden Eagles Baseball • Www .Csulaathletics.Com
2014 Cal State L.A. Golden Eagles Baseball • 1 www.CSULAathletics.com 2 CORPORATE PARTNERS THE GOLDEN EAGLES WISH TO THANK THE FOLLOWING: in-n-out.com sierraacura.com www.CSULAathletics.com mixedchicks.net sizzler.com doubletree.com pepsi.com 2014 Cal State L.A. Golden Eagles Baseball • FOR MORE INFORMATION ON BECOMING A GOLDEN EAGLE CORPORATE PARTNER, PLEASE CONTACT THE DIVISION OF INTERCOLLEGIATE ATHLETICS, AT (323) 343-3080 OR ONLINE AT CSULAATHLETICS.COM 2014 CSULA BASEBAll TEAM # Name Pos. B/T. Ht. Wt. Yr. Hometown/High School Last School 1 Matt Sanchez INF R/R 6-0 180 Sr. Granada Hills / Kennedy HS L.A. Pierce College 2 Andrew Montanari INF L/R 6-0 165 Jr. Santa Monica / Santa Monica HS Cuesta College 3 Niko Garcia INF L/R 5-9 160 Sr. Van Nuys / Cleveland HS L.A. Mission College 4 Casey Ryan IF/OF R/R 5-10 170 Sr. Burbank / Notre Dame HS L.A. Valley College 5 David Trejo INF R/R 5-10 190 Jr. Ventura / St. Bonaventura HS 7 Reed Reznicek RHP R/R 6-2 210 Jr. Vista / Rancho Buena Vista HS Indiana 8 Geoff Schuller OF R/R 6-2 170 Jr. Mission Viejo / Mission Viejo HS Santa Ana JC 9 Steven Luna 1B L/L 6-1 220 Sr. Long Beach / Lakewood HS West L.A. College 10 Manny Acosta INF R/R 6-3 210 Sr. South El Monte / South El Monte HS 13 Greg Humbert RHP/C L/R 5-10 180 Fr. Bellflower / Gahr HS 2014 Cal State L.A. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
A Subcategory of Neo Noir Film Certificate of Original Authorship
Louise Alston Supervisor: Gillian Leahy Co-supervisor: Margot Nash Doctorate in Creative Arts University of Technology Sydney Femme noir: a subcategory of neo noir film Certificate of Original Authorship I, Louise Alston, declare that this thesis is submitted in fulfillment of the requirements for the award of the Doctorate of Creative Arts in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the exegesis. This document has not been submitted for qualifications at any other academic institution. This research is supported by the Australian Government Research Training Program. Signature: Production Note: Signature removed prior to publication. Date: 05.09.2019 2 Acknowledgements Feedback and support for this thesis has been provided by my supervisor Dr Gillian Leahy with contributions by Dr Alex Munt, Dr Tara Forrest and Dr Margot Nash. Copy editing services provided by Emma Wise. Support and feedback for my creative work has come from my partner Stephen Vagg and my screenwriting group. Thanks go to the UTS librarians, especially those who generously and anonymously responded to my enquiries on the UTS Library online ‘ask a librarian’ service. This thesis is dedicated to my daughter Kathleen, who joined in half way through. 3 Format This thesis is composed of two parts: Part one is my creative project. It is an adaptation of Frank Wedekind’s Lulu plays in the form of a contemporary neo noir screenplay. Part two is my exegesis in which I answer my thesis question. -
The Femme Fatale: a Recurrent Manifestation of Patriarchal Fears
THE FEMME FATALE: A RECURRENT MANIFESTATION OF PATRIARCHAL FEARS by LESLEY CECILE MARIE ANDERSON B.A., The University of Western Ontario, 1987 B.A. (Honours), The University of Toronto, 1992 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Theatre and Film) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA July 1995 © Lesley C. M. Anderson, 1995 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree: that permission for extensive copying of this thesis "lor scholarly purposes may be - granted by the head of my department or by his or her representatives. It is j understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Theatre c\ncA F^wi The University of British Columbia Vancouver, Canada Date 2o Jut-V \9>°iS DE-6 (2/88) II ABSTRACT The Femme Fatale: A Recurrent Manifestation of Patriarchal Fears This thesis examines how and why the representation of the femme fatale is constructed and recycled by a dominant patriarchal ideology throughout history by outlining the catalysts that have produced and continue to produce such a figure. The image of the femme fatale is utilised as an ideological contrivance, occurring in the cultural discourses of various historical epochs in an attempt to quell any social change considered to be threatening to the patriarchal infrastructure. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
The Postmodern Sacred
The Postmodern Sacred Popular Culture Spirituality in the Genres of Science Fiction, Fantasy and Fantastic Horror Em McAvan BA (Honours) Curtin University This thesis is submitted for the degree of Doctor of Philosophy at Murdoch University, August 2007. Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. __________________________ Acknowledgements My thanks to Vijay Mishra and Wendy Parkins for their supervision, my friends and family for their support and encouragement, and to Candy Robinson for everything else. Contents Introduction 1 Chapter One 17 The Postmodern Sacred Chapter Two 60 ‘Something Up There’: Transcendental Gesturing in New Age influenced texts Chapter Three 96 Of Gods and Monsters: Literalising Metaphor in the Postmodern Sacred Chapter Four 140 That Dangerous Supplement: Christianity and the New Age in Tolkien’s Lord of the Rings Chapter Five 171 Good, Evil and All That Stuff: Morality and Meta-Narrative in the Postmodern Sacred Chapter Six 214 Nostalgia and the Sacredness of “Real” Experience in Postmodernity Conclusion 253 Bibliography 259 1 Introduction The Return of the Religious and the Postmodern Sacred God is no longer dead. When Nietzsche famously declared his death toward the end of the 19th century, it seemed possible, even inevitable, that God and religion would die under the rationalist atheist onslaught. That, however, was not to be the case. Religion and “spirituality” have survived the atheist challenge, albeit profoundly changed. Although there are a number of contributing factors, the revival of the religious in the West has occurred partly as a result of the postmodernist collapse of the scientific meta-narratives that made atheism so powerful. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
Tax Time Sale NOW in PROGRESS
INSIDE THIS ISSUE Horoscopes ........................................................... 2 Now Streaming ...................................................... 2 Puzzles ................................................................... 4 TV Schedules ......................................................... 5 “The Hunt” seeks “Mrs. America” Traveling and Top 10 ................................................................... 6 6 out savage satire 7 starts a movement 7 eating out by proxy Home Video .......................................................... 7 April 11 - April 17, 2020 Peacock shows its feathers as streaming service premieres BY JAY BOBBIN and “Parenthood” also among series choices. The “Battlestar Galactica”: Executive producer Sam Its debut date was set before people likely started Universal movie library will provide a wide range of Esmail’s (“Mr. Robot”) take on the sci-fi saga pits doing their viewing at home more than ever, and a selections, with “E.T.: The Extra-Terrestrial,” “Jurassic humans against evil Cylons again. new streaming service is about to become another Park” and “Schindler’s List” (all directed by Steven “Brave New World”: The classic Aldous Huxley option for them. Spielberg, as it happens) as several of the available novel gets a new treatment starring Alden Ehrenreich NBC Universal launches its direct-to-consumer titles. (“Solo: A Star Wars Story”), Demi Moore and Jessica Peacock – named in tribute to the NBC network’s Different takes on current TV offerings will be on Brown Findlay. the Peacock menu, too, with viewers able to watch classic logo – in the first of two waves Wednesday, “Division One”: Besides “Parks and Recreation,” “The Tonight Show With Jimmy Fallon” and “Late April 15. The customer base of NBC Universal parent Amy Poehler supplies something new to Peacock as Comcast gets it first, then the service will go wide on Night With Seth Meyers” several hours earlier. -
Spring Elections Student Polity Association, Inc
What is Bob Jones University? In the presidential race, there's so nobody can give go a quick, three-word code for racial - credit. There are no de and religious intolerance: Bob Jones ties, so no organiza University. credit, There are no f But what is this institution? Who large/regular donors, so no was Bob Jones? And why all the credit." fuss? By week's end, the The fundamentalist Christian BJU, ~obJones 111, ap school of 3,500 students in this some additional exp Appalachian foothills city entered needed. He bought full-page ads candidates Ronald Reagan, Bob the spotlight when Republican Friday in USA Today and the three Dole, Dan Quayle and Phil Gramm presidential candidate George W. largest South Carolina papers, in all have appeared here. So did GOP Bush visited a month ago to bolster Columbia, Charleston and hopeful Alan Keyes, 12 days after his then-sagging campaign. Bush Greenville, defending the school's Bush, though in his speech he quickly came under fire for failing beliefs. challenged the university not to "let to criticize the university's racial This week on the campus - any sectarian bigotry, any racial policies and the anti-Catholic where students observe a strict dress prejudice stand in the way of the statements on its Web site. code of khakis and ties for men and unity that Christ represents for all As for BJU itself, it did what it long skirts for women - Bob Jones Christian people." Bob Jones Ill has always done when its views security guards stood watching as a Bush appeared at BJU shortly Bush said: "On reflection, I should cause controvers~:It firmly restated reporter talked with a man marching after he lost to Sen. -
2011 Cal State L.A. Golden Eagles Baseball Co R P O R a T E Pa R T N E R S
2011 Cal State L.A. Golden Eagles Baseball CORPORATE PARTNERS THE GOLDEN EAGLES WISH TO THANK THE F OLLOWING : Cal State L.A. Federal Credit Union pepsi.com calstatela-fcu.org chipotle.com yourusarmy.com/CSLA sierraacura.com in-n-out.com shakeys.com sizzler.com doubletree.com alumni.calstatela.edu FOR MORE IN F ORMATION ON BECOMING A GOLDEN EAGLE CORPORATE PARTNER , PLEASE CONTACT THE DIVISION O F INTERCOLLEGIATE ATHLETICS , AT (323) 343-3080 OR ONLINE AT CSULAATHLETICS .COM 1 www.csulaathletics.com 2011 CAL STATE L.A. GOLDEN EA G LE S BA S E B ALL RO S TE R # Name Pos. B/T. Ht. Wt. Yr. Hometown/Last School 1 Joe Park Util R/R 5-8 155 Jr. Norwalk/Gahr HS 2 Kamakani Usui RHP R/R 5-11 175 Jr. Honolulu, HI/Santa Rosa JC 3 Jordan Castro INF L/R 5-8 165 So. Mission Viejo/Capistrano Valley HS 4 David Marquez C R/R 5-9 144 Fr. Whittier/California HS 5 David Trejo INF R/R 5-10 180 Fr. Santa Paula/St. Bonaventure HS 6 Chris Matzner INF R/R 6-0 185 Sr. Castaic/Valencia HS 7 Brian Compton C R/R 6-2 190 Jr. Cypress/Long Beach CC 8 Peter Straka INF R/R 6-0 195 Jr. Eugene, OR/Allan Hancock JC 9 David Compton INF R/R 6-1 190 Jr. Cypress/Long Beach CC 10 Manny Acosta INF R/R 6-3 210 Fr. South El Monte/South El Monte HS 12 Jacob Valenzuela RHP R/R 5-9 185 Jr.