DOCSLIB.ORG

Start Time Description Number-Cut Length User Defined 00:00:00 TOP

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Start Time Description Number-Cut Length User Defined 00:00:00 TOP Start Time Description Number-Cut Length User defined 00:00:00 TOP OF HOUR 00:00:00 RUN MACRO-ON AIR 00:00:00-E (:00)LEGAL ID 00:00:00-E (:00)Enjoy Yourself (It's Later Than You Thin 0069603-001 03:17:0 Artist - Guy Lombardo 00:03:17-E (:00)Ory's Creole Trombone 0033104-001 03:59:0 Artist - Hotlanta Dixieland Jazz 00:07:16-E (:00)Wolverine Blues 0033111-001 04:16:0 Artist - Hotlanta Dixieland Jazz 00:11:32-E (:00)PARADE OF THE SANDWICH-BOARD MEN 0014213-001 02:53:0 Artist - BILLY MAYERL 00:14:25-E (:00)Little Joe from Chicago 0013316-001 02:48:7 Artist - Andy Kirk and 12 Clouds of Joy 00:17:14-E (:00)SOMETHING TELLS ME THAT ONE IS YOU 0011422-001 02:44:2 Artist - ABE LYMAN'S CALIF ORCH 00:19:59-E (:00)Yellow Bird 0046205-001 02:41:0 Artist - MILLS BROTHERS 00:22:40-E (:00)LYONIA 0047911-001 02:51:0 Artist - TED HEATH AND HIS MUSIC 00:25:31-E (:00)Blue Tail Fly 0053502-001 02:04:0 Artist - BURL IVES 00:27:35-E (:00)Secret Love 0062616-001 02:32:0 Artist - Spike Jones 00:30:07-E (:00)WHERE IS THE LIFE THAT LATE I LED 0064111-001 04:22:0 Artist - ALFRED DRAKE 00:34:29-E (:00)NEW RIVER TRAIN 0077703-001 02:21:3 Artist - LULA BELLE AND SCOTTY 00:36:50-E (:00)GUITAR RAG 0077112-001 02:25:0 Artist - Merle Travis 00:39:15-E (:00)Pagan love song 0077319-001 03:13:0 Artist - Glenn Miller 00:42:28-E (:00)Quizas, Quizas 0012517-001 02:46:9 Artist - XAVIER CUGAT 00:45:15-E (:00)VOL VISTU GAILY STAR 0098814-001 02:13:6 Artist - Jack Teagarden 00:47:29-E (:00)LEAD ME TO THAT ROCK 0095434-001 02:17:1 Artist - CAPTAIN STUBBY AND THE BUCANNEERS 00:49:46-E (:00)AND THE ANGELS SING 0111113-001 03:12:0 Artist - BENNY GOODMAN v MARTHA TILTON 00:52:58-E (:00)HIGH OCTANE 0112101-001 03:06:4 Artist - ALVINO REY 00:56:05-E (:00)FOUR OR FIVE TIMES 0113704-001 03:21:0 Artist - SAM DONAHUE ORCH v KEN MEISEL 01:00:00 TOP OF HOUR 01:00:00-E (:00)LEGAL ID 01:00:00-E (:00)CONTACT US 0367002-001 00:23:8 Artist - DB 01:00:24-E (:00)WALL STREET WAIL 0112910-001 02:58:3 Artist - DUKE ELLINGTON ORCH 01:03:22-E (:00)SITTIN' BULL - SHINE 0114407-001 03:05:2 Artist - Pinky Tomlin 01:06:28-E (:00)MY HEART AND I 0117202-001 02:44:6 Artist - BOB TERRY AND HIS ORCHESTRA 01:09:12-E (:00)I GOT RHYTHM 0117923-001 02:41:6 Artist - KATE SMITH w BEN SELVIN ORCH 01:11:54-E (:00)I Knew I’d Fall In Love Tonight 0114829-001 03:16:5 Artist - Mitchell Ayres Orch v Buddy Clark 01:15:11-E (:00)MOONSHINE BLUES 0017416-001 03:12:9 Artist - Bessie Smith 01:18:24-E (:00)MY CONFESSION 0018312-001 02:56:6 Artist - Bob Wills and His Texas Playboys 01:21:20-E (:00)I'VE FOUND A NEW BABY 0041806-001 03:08:2 Artist - THE CHICAGO RHYTHM KINGS v RED MCKENZIE 01:24:29-E (:00)BUMBLE BOOGIE 0079116-001 02:10:9 Artist - BEE BUMBLE AND THE STINGERS 01:26:40-E (:00)BYE AND BYE 0120606-001 03:47:5 Artist - Uptown Lowdown Jazz Band 01:30:27-E (:00)MY LOVE FOR YOU 0125312-001 02:28:6 Artist - RAY BLOCH ORCHESTRA AND CHORUS 01:32:56-E (:00)HONEY 0127112-001 02:49:3 Artist - Dinah Shore 01:35:45-E (:00)WHEN YOU LEAVE ME ALONE TO PINE 0129225-001 04:58:4 Artist - BLACK SWAN CLASSIC JAZZ BAND 01:40:44-E (:00)ROSALIE 0136908-001 03:46:7 Artist - JIMNMY RUSHING ORCH 01:44:31-E (:00)MY DEAR (1907) 0142523-001 02:42:1 Artist - HARRY MACDONOUGH with orchestra 01:47:13-E (:00)OLD PAL WHY DON'T YOU ANSWER ME (1920) 0144409-001 02:58:7 Artist - HENRY BURR 01:50:12-E (:00)WHEN MY BABY SMILES AT ME (1920) 0144107-001 02:43:9 Artist - TED LEWIS JAZZ BAND 01:52:56-E (:00)A FELLOW ON A FURLOUGH 0151211-001 02:38:8 Artist - MARK WARNOW ORCH v THE HIT PARADERSNZIE 01:55:35-E (:00)CHARLESTON 0155209-001 01:53:5 Artist - PETE KELLEY'S BIG SEVEN 01:57:28-E (:00)FLAG THAT TRAIN (TO ALABAM') (1925) 0160917-001 03:09:3 Artist - FRED HAMM 05.TXT[8/30/2021 4:07:54 PM] AND HIS ORCH 02:00:00 TOP OF HOUR 02:00:00-E (:00)LEGAL ID 02:00:00-E (:00)THANK YOU 0367001-001 00:07:4 Artist - DB 02:00:08-E (:00)CASA LOMA STOMP 0010116-001 02:29:3 Artist - JIMMIE GREER 02:02:37-E (:00)How Long Has This Been Going On 0024614-001 04:54:0 Artist - June Christy 02:07:31-E (:00)LUCKY ME - LOVABLE YOU 0007920-001 03:10:3 Artist - TED WALLACE AND HIS CAMPUS BOYS RSNZIE 02:10:41-E (:00)She's Got You 0043005-001 02:57:0 Artist - PATSY CLINE 02:13:39-E (:00)ROSES IN DECEMBER 0052903-001 02:28:0 Artist - BENNY GOODMAN TRIO 02:16:07-E (:00)Twinklin' 0013315-001 03:09:0 Artist - Andy Kirk and 12 Clouds of Joy 02:19:16-E (:00)I'LL STRING ALONG WITH YOU 0050707-001 02:43:0 Artist - JEFF CHANDLER 02:21:59-E (:00)I LIKE MOUNTAIN MUSIC 0062413-001 02:38:0 Artist - COUNTRY GENTLEMEN 02:24:37-E (:00)Something To Remember You By 0068805-001 02:54:0 Artist - Vera Lynn 02:27:31-E (:00)hollywood babysitter 0098210-001 03:01:8 Artist - eddie brandt 02:30:33-E (:00)Jamboree Jones 0077004-001 02:43:0 Artist - Spike Jones and His City SlickersSNZIE 02:33:16-E (:00)A ROOM WITH A VIEW 1938 0164503-001 03:14:3 Artist - RUSS MORGAN AND HIS ORCH v MERT CURLINE 02:36:30-E (:00)THE WORLD YOU LEFT BEHIND 0050106-001 02:17:8 Artist - Jim Reeves 02:38:48-E (:00)CALYPSO ITALIANO 0071917-001 02:31:7 Artist - MARGOT ESKINS AND SILVA FRANCESCOURLINE 02:41:20-E (:00)I Want To Be Bad 1929 0163968-001 02:32:9 Artist - Piccadilly Players dir Al Starita v Edd Collis 02:43:53-E (:00)One Morning In May 1934 0163794-001 02:56:0 Artist - Roy Fox and his band v Denny Dennis Edd Collis 02:46:49-E (:00)Little Man You've Had A Busy Day 1934 0163513-001 03:17:0 Artist - Casani Club orch v Dawn Davis 02:50:06-E (:00)Latin Medley 1936 0163206-001 02:50:4 Artist - Mantovani and his Tipica Orchestra Edd Collis 02:52:57-E (:00)WEARY BLUES 0171985-001 02:46:1 Artist - RAY MILLER ORCH 02:55:43-E (:00)ON THE ATCHISON TOPEKA AND SANTA FE 1945 0174510-001 02:52:0 Artist - TOMMY DORSEY v SENTIMENTALISTS 03:00:00 TOP OF HOUR 03:00:00-E (:00)LEGAL ID 03:00:00-E (:00)LISTENER SUPPORTED 0999956-001 00:22:0 Artist - DB 03:00:22-E (:00)In The Mood 0014716-001 03:46:3 Artist - Billy Vaughn HO 03:04:08-E (:00)I'LL ALWAYS BE IN LOVE WITH YOU 0009320-001 02:56:9 Artist - FOUR ACES 03:07:05-E (:00)Copenhagen 0047420-001 03:24:0 Artist - Ted Shafer's Jelly Roll Jazz Banda Edd Collis 03:10:30-E (:00)Fit As A Fiddle 0064306-001 02:21:0 Artist - The Three Suns 03:12:51-E (:00)No Beer Today 0071312-001 03:03:0 Artist - FRANKIE YANKOVIC 03:15:54-E (:00)Blue Orchids 0074604-001 03:13:0 Artist - LOUISE TOBIN w BENNY GOODMAN & HIS ORCH Collis 03:19:07-E (:00)I'M WAITING FOR SHIPS THAT NEVER COME IN 0091015-001 02:53:3 Artist - IAN WHITCOMB 03:22:00-E (:00)I'M GONNA LOCK MY HEART 0115814-001 02:12:5 Artist - DICK JUGENS ORCH v RONNIE KEMPER 03:24:13-E (:00)YOU'RE GETTING TO BE HABIT WITH ME 0038108-001 02:50:0 Artist - BING CROSBY w GUY LOMBARDO ORCH 03:27:03-E (:00)FIRE IN MY HEART 0128826-001 02:19:6 Artist - Bob Ballard w/string band 03:29:23-E (:00)Alligator Hop 0038807-001 02:26:0 Artist - Uptown Lowdown Jazz Band 03:31:49-E (:00)Keep Sweeping The Cobwebs Off The Moon 1928 0139732-001 02:40:0 Artist - Ciro's Club Dance Band v Raymond Newell Collis 03:34:29-E (:00)I'M IN THE MARKET FOR YOU 0171305-001 02:56:5 Artist - HARRY JAMES AND HIS ORCH V DICK HAYMESl Collis 03:37:25-E (:00)You've Got Me Pickin' Petals Off O' Daisies Medley 1930 0171733-001 03:08:2 Artist - Rhythm Maniacs v Maurice Elwin 03:40:34-E (:00)LILLI BOOGIE 0129967-001 03:10:6 Artist - KURT EDELHAGEN ORCH 03:43:44-E (:00)TIC TI-TICI TO-TICI TA 0102247-001 02:43:1 Artist - LOU MONTE 03:46:28-E (:00)MOUNTAIN MAW 0022002-001 02:56:3 Artist - BOB ATCHER 03:49:24-E (:00)SORRENTO 1957 0181004-001 02:10:2 Artist - GAYLORDS 03:51:34-E (:00)SKYCOACH 1950 0182284-001 02:38:0 Artist - RAY ANTHONY 03:54:12-E (:00)I'm In Love With The Girl I Left Behind Me 1942 0183787-001 02:24:5 Artist - Oscar Rabin band v Benny Lee 05.TXT[8/30/2021 4:07:54 PM] 04:00:00 TOP OF HOUR 04:00:00-E (:00)LEGAL ID 04:00:00-E (:00)FOUNDED 0999960-001 00:28:1 Artist - DB 04:00:28-E (:00)THE BRITISH DANCE BANDS 139L 0320139-001 59:21:8 Artist - John Wright 05:00:00 TOP OF HOUR 05:00:00-E (:00)LEGAL ID 05:00:00-E (:00)THANK YOU 0999963-001 00:08:6 Artist - DB 05:00:09-E (:00)THE ORIGINAL JELLY ROLL BLUES 0166101-001 03:04:3 Artist - JELLY ROLL MORTON RED HOT PEPPERSAYMESl Collis 05:03:13-E (:00)Street of Dreams 0040307-001 02:12:0 Artist - Esquivel 05:05:25-E (:00)Yancey's bugle call 0017908-001 02:14:6 Artist - Carl Sonny Leyland 05:07:40-E (:00)That's What You Think 0070216-001 02:38:0 Artist - Red McKenzie and His Rhythm KingsAYMESl Collis 05:10:18-E (:00)My Buddy 0075122-001 02:17:0 Artist - HARMONYWORKS 05:12:35-E (:00)S GOOD ENOUGH FOR ME 0113110-001 02:28:3 Artist - LARRY CLINTON ORCH v BEA WAIN 05:15:03-E (:00)REHEARSIN' FOR A NERVOUS BREAKDOWN 0114911-001 03:38:2 Artist - JOHN KIRBY SEXTET 05:18:42-E (:00)LONESOME LITTLE DOLL 0091114-001 03:36:4 Artist - IAN WHITCOMB AND HIS DANCE BAND 05:22:18-E (:00)SUCH SWEET THUNDER 0052708-001 03:15:0 Artist - Duke Ellington 05:25:33-E (:00)PLEASE DON'T TALK ANOUT ME WHEN I'M GONE 0074805-001 02:03:0 Artist - Willie Nelson 05:27:36-E (:00)IT WAS THE DAWN OF LOVE 0136212-001 03:11:1 Artist - BING CROSBY w PAUL WHITEMAN AND HIS ORCHCollis 05:30:48-E (:00)AT THE DEVIL'S BALL 0120502-001 05:11:9 Artist - Uptown Lowdown Jazz Band 05:36:00-E (:00)INTO EACH LIFE SOME RAIN MUST FALL 0141103-001 03:03:1 Artist - Ink Spots 05:39:03-E (:00)RIFFETTE 0144851-001 03:01:9 Artist - FREDDIE SLACK AND HIS ORCHESTRA 05:42:05-E (:00)DEEP PURPLE 0159003-001 03:17:4 Artist - HI-LO'S 05:45:22-E (:00)TANZ NOCH EINMAL 0160813-001 02:41:5 Artist - OSCAR JOOST UND SEIN TANZORCHESTERS ORCHCollis 05:48:04-E (:00)INDIAN SUMMER 1940 0058239-001 02:56:3 Artist - GERALDO AND HIS
Load more
Loading...
Loading...
Loading...
Loading...
Loading...

7 pages remaining, click to load more.

Recommended publications
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: askone@onearchives.org URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • Press Release
    Press Release The Ted Lewis Orchestra brings back the music of the “High-Hatted Tragedian of Song” with Joseph Rubin and his entertainers in The Rhythm Rhapsody Revue! Relive Ted Lewis’ famous hits, “When My Baby Smiles at Me,” “The St. Louis Blues,” “ The Sunny Side of the Street,” “The Tiger Rag,” “Medicine Man for the Blues,” and of course, “Me and My Shadow,” all in their original arrangements! With his trademark battered old top hat and his immortal catchphrase "Is Everybody Happy?" Ted Lewis captured the hearts of audiences for five decades. Unrivaled in popularity in the 1920s, 30s and 40s, Lewis drew standing room only houses wherever he played, breaking attendance records and drawing more people than Glenn Miller and Tommy Dorsey. Joseph Rubin, Director of the Ted Lewis Orchestra says, “We are very excited to bring the Ted Lewis Orchestra back on the road after a hiatus of 40 years!” Mr. Rubin notes that The Rhythm Rhapsody Revue is unique in big band entertainment, “we have not just a swinging band, but also a cast of extraordinary dancers, singers and entertainers, exactly like Ted had at the height of his popularity.” A consummate showman, Ted Lewis always surrounded himself with the tops in talent (Benny Goodman, Tommy and Jimmy Dorsey all got their start with Ted) and The Rhythm Rhapsody Revue continues that legacy. The Ted Lewis Orchestra deftly recreates Ted's touring stage revues, featuring a female singing trio, a dancer extraordinaire, Ted's famous shadow, a 13-piece orchestra and Joseph Rubin as Ted Lewis.
    [Show full text]
  • Red Hot Songs
    Red Hot Songs 1 2 4 5 A B C D E F G H I J K L M N O P Q R S T U V W Y Z Red Hot Songs - ['] Song Title Artist/Group or Commentary 'Lasses Candy Original Dixieland Jass Band 'Round My Heart Coon Sanders Nighthawks Orchestra 'S Wonderful 'Tain't Clean Boyd Senter Trio http://cij-assoc.com/jazzpages/alphasonglist.html [2003-02-19 00:49:52] The Red Hot Jazz Archive - Songs Red Hot Songs - [1] Song Title Artist/Group or Commentary 1-2-1944 (intro, song - "Valencia") 12-24-1944 (intro, Bing, Pops & The King's Men) 12-28-1938 (intro) 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Blues Anthony Parenti's Famous Melody Boys 12th Street Rag Richard M. Jones 18th Street Stomp Fats Waller 18th Street Strut The Five Musical Blackbirds 18th Street Strut The Bennie Moten's Kansas City Orchestra http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (1 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs 1919 Rag Kid Ory's Creole Orchestra 1943 (Gracie's "Concerto for Scales and Clinker") 19th Street Blues Dodds And Parham http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/1.html (2 of 2) [2003-02-19 00:50:48] The Red Hot Jazz Archive - Songs Red Hot Songs - [2] Song Title Artist/Group or Commentary 29th And Dearborn Johnny Dodds and his Chicago Boys 29th And Dearborn Richard M. Jones' Three Jazz Wizards http://cij-assoc.com/jazzpages/Red_Hot_Songs_files/rhsongs/2.html [2003-02-19 00:51:05] The Red Hot Jazz Archive - Songs Red Hot Songs - [4] Song Title Artist/Group or Commentary 47th Street Stomp Jimmy Bertrand's
    [Show full text]
  • Inc. in the US Only. © 2011 Twentieth Century
    ALVINCW 360 MANUAL-EN_. 12/13/12 9:04 PM Page 2 © 2011 Twentieth Century Fox Film Corporation and Regency Entertainment (USA), Inc. in the U.S. only. © 2011 Twentieth Century Fox Film Corporation and Monarchy Enterprises S.a.r.l. in all other territories.Alvin and the Chipmunks: Chipwrecked. Alvin and the Chipmunks, the Chipettes and Characters TM & © 2011 Bagdasarian Productions, LLC. All rights reserved. Published by Majesco Entertainment Company. Developed by Behaviour Interactive, Inc. KINECT, Xbox, Xbox 360, Xbox LIVE, and the Xbox logos are trademarks of the Microsoft group of companies and are used under license from Microsoft. ALVINCW 360 MANUAL-EN_. 12/13/12 9:04 PM Page 4 WARNING Before playing this game, read the Xbox 360® console instructions, KINECT sensor manual, and any other peripheral manuals for Table of Contents importanttant safety and health information. Keep all manuals for future reference. For replacement hardware manuals, go to wwww.xbox.com/support or call Xbox Customer Support. Controls ............................................2 ForFor additional safety information, see the inside back coveroverr.. On Screen Display ...........................2 Importanttant Health Warning About Playing Video Games PPhotosensitivehotosensitive seizurseizureses Questionnaire ..................................3 A very small percentage of people may experience a seizure when exposed to FHUWDLQYLVXDO LPDJHV LQFOXGLQJ ÁDVKLQJ OLJKWV RU SDWWHUQV WKDW PD\ DSSHDU LQ videovideo games. Even people who have no history of seizures or epilepsy may have anan undiagnosed condition that can cause these “photosensitive epileptic seizures” Main Menu ......................................3 while watching video games. These seizureess may have a variety of symptoms, including lightheadedness, altered vvision,ision, eye or face twitching, jerking or shaking of arms or legs, disorientation, Co-Op ...............................................4 confusion, or momentary loss of awareness.
    [Show full text]
  • Miller Discography [J D Uv in Peris, Conf
    D O W N BEAT February 24. 1954 February PERSPECTIVES Feather Tells Woes Of Lunch, Too? New York — Apollo Theater _________ ________________ By Ralph J- Gleason ■nd all points north! Jazz Club U.S.A. Tour Stag« show» huvr disappear«^) Is the band business coming back? Well, I don’t think any­ By Leonard Feather ♦------------------------------------------------ irons the Broadway scene, and one can legitimately claim to know the answer to that one, shows, (2) Gene Wright and Bobby the Apollo in Harlem is flow The but there are some indications which point to a resurgence Oslo, Norway — If you’ve1 White, Buddy DeFraneo’ii bassist about the only theater to fea­ | of interest in the big units. ever told yourself what a ball1 and drummer, had to work on bor­ ture name bands. And many New t rowed equipment because their in­ Yorkers will learn this when Gh To begin with, the days of the it must be to tour Europe with Lionel Hampton applies his pro­ single acts, the vocalists, and struments were snowbound in New a jazz unit, you ought to be; York, (3) Billie Holiday, after a motional mallet* to the problem. Miller the featured instrumentalists, are along on the “Jazz Club U.S. A.” bound, by the nature of the beast, ( long series of hassels about who Hamp goes into the Apollo jaunt, now engaged in a 28-day should accompany her, had nc time for a week starting Feb. 12, and Tradi Biography to be numbered. Most of the real tussle with customs officials in nine draws in the vocal field have priced ' to rehears« with Carl Drinkard, for that period he'll station his had a r countries.
    [Show full text]
  • J2P and P2J Ver 1
    December 25, 1961 D50 Cents MuJEICEILLBDAR WEEk Music- Phonograph Merchandising Radio -Tv Programming Coin Machine Operating Fewer Big Breakout Sides BILLBOARD PAGE ONE MUSIC WLGK PAGE ONE RECORD RECORDS As Mfrs. Key to Xmas Wax NEW YORK - Only 10 new tinued its strong sales pace across 1411:11 singles broke open across the the nation with albums by country this week as dealers, dis- Chubby Checker, Joey Dec, Ray tributors and manufacturers con- Charles and the Ventures moving * NATIONAL BREAKOUTS centrated on selling Christmas up and up. Demand for hot al- 1A.4 consumers. And bums and singles was so strong disks to eager MURRAY THE "K'S" BLASTS FROM THE PAST, Vari- eager. They were that many distributors ran short MONO Ts ous Artists, Chess consumers were s albums at a of wanted merchandise, making fai buying singles and TIME FURTHER OUT, Dave Brubeck Quartet, Columbia greetings healthy rate, with expectations dealers most unhappy. Many aé high that this December would presses worked around the clock turn out to be one of the best in to supply the demand the past and a big 1962 from years. week. The two -week semi -hiatus. course, of new releases is expected to end STEREO LP's CHRISTMAS MUSIC, Mantovani, London Christmas records, of BILLBOARDWEEK were big sellers, both new 1961 next week when manufacturers MUSIC product and the hardy perennials bring forth their strong single and The size of the "Who's Who of other years. The Twist con- album product for January. in the World of Music" sec- tion of this issue has necessi- * NEW AL4ivltt Li' 4 tated a reduction in the size of the regular news section.
    [Show full text]
  • Devil Tune Song List- Final
    That Devilin' Tune: A Jazz History, 1900-1951 Volume 1 CD 1 1. Standard Quartette Who Broke The Lock 1895/1896 2. Voss’ 1st Regiment Band Aunt Dinah’s Supper Party Late 1890s 3. Len Spencer Clime De Golden Fence Late 1890s 4. Metropolitan Orchestra Coon Town Capers 1897-1899 5. Sousa Band Whistlin’ Rufus 1899 6. Len Spencer You’ve Been a Good Old Wagon 1900 or 1901 7. Williams and Walker My Little Zulu Babe Nov. 10 1901 8. Arthur Collins Bill Bailey ca. May, 1902 9. Len Spencer On Emancipation Day late 1902 10. Hager’s Orchestra Rooster Dance 1904 11. Vess Ossman Buffalo Rag 1905 12. Prince’s Orchestra St. Louis Tickle Aug., 1905 13. Pryor’s Band St. Louis Rag 1906 14. Orquestra Typicas La Patti Negra 1906 15. Sir Herbert Clarke Bride of the Waves Dec. 21, 1907 16. May Irwin When You Ain’t Got No Money You Needn’t Come Around May 21, 1907 17. Arthur Collins Parson Jones’ Three Reasons ca. 1909 18. Stella Mayhew/Billie Taylor That Beautiful Rag July 5, 1910 19. Sophie Tucker That Lovin’ Rag Jan. 5, 1910 20. Stella Mayhew That Devilin’ Tune Apr. 24, 1911 21. Collins and Harlan Alexander’s Ragtime Band 1911 22. Sophie Tucker Some of These Days Feb. 24, 1911 23. Grupo Bahianainho El Cavito ca. 1911 24. Grupo Bahianainho Bambino ca. 1911 25. Grupo Bahianainho Destimido ca. 1911 26. Prince’s Orchestra Red Pepper Rag May, 1911 27. Gene Greene King of the Bungaloos Feb. 17, 1911 CD 2 1.
    [Show full text]
  • CONSTRUCTING TIN PAN ALLEY 17 M01 GARO3788 05 SE C01.Qxd 5/26/10 4:35 PM Page 18
    M01_GARO3788_05_SE_C01.qxd 5/26/10 4:35 PM Page 15 Constructing Tin Pan 1 Alley: From Minstrelsy to Mass Culture The institution of slavery has been such a defining feature of U.S. history that it is hardly surprising to find the roots of our popular music embedded in this tortured legacy. Indeed, the first indige- nous U.S. popular music to capture the imagination of a broad public, at home and abroad, was blackface minstrelsy, a cultural form involving mostly Northern whites in blackened faces, parodying their perceptions of African American culture. Minstrelsy appeared at a time when songwriting and music publishing were dispersed throughout the country and sound record- The institution of slavery has been ing had not yet been invented. During this period, there was an such a defining feature of U.S. history that it is hardly surprising to find the important geographical pattern in the way music circulated. Concert roots of our popular music embedded music by foreign composers intended for elite U.S. audiences gener- in this tortured legacy. ally played in New York City first and then in other major cities. In contrast, domestic popular music, including minstrel music, was first tested in smaller towns, then went to larger urban areas, and entered New York only after success elsewhere. Songwriting and music publishing were similarly dispersed. New York did not become the nerve center for indigenous popular music until later in the nineteenth century, when the pre- viously scattered conglomeration of songwriters and publishers began to converge on the Broadway and 28th Street section of the city, in an area that came to be called Tin Pan Alley after the tinny output of its upright pianos.
    [Show full text]
  • 100 Years: a Century of Song 1930S
    100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls
    [Show full text]
  • Trevor Tolley Jazz Recording Collection
    TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
    [Show full text]
  • Roger Drinkall Resigns; Conflicts Cited Scheduled for a February, 1^77 Opening Is Journey to Jefferson, Robert L
    IS The No 25 vol. wr niversity tfMpriff, 1976 Pi Omicron To Become - Oliver, Godspell Phi Sigma Sigma Slated for Members of one of UTC's local Kidney Foundation, since kidney disease sororities have voted to affiliate is the leading killer of women in America themselves with a national organization. today." Phi Sigma Sigma, according to Kathy Talking about the sorority's plans here UTC Theatre Harbison, president of Pi Omicron. at UTC, Ms. Bolshow commented lasl The UTC Theatre Board of Managers Harbison revealed that the sisters of Pi week, "The girls are talking already aboul ha.» approved and announced the major Omicron met last week with a Phi Sigma attending leadership workshops al our productions lor the I(>7(>-77 season, citing Sigma respresentativc, Nancy Bolshow, and National Convention this summer." She a notable change in the directions of after careful deliberation decided on the noted that enthusiasm within the group is campus drama. Bob Selcer, President of move to "go national." They are now very high. the UTC Theatre, announced Ihs slate on awaiting the approval of Chancellor James Ms. Harbison concurred with Ms. Tuesday, March 30, explaining that the I Drinnon, Jr. before beginning the Bolshow assessment of her group's selections had been chosen by the Board pledging process. enthusiasm and several Pi Omicron in consultation with Dr. David Wiley, head Phi Sigma Sigma Fraternity, founded in members hastened to add that in their of 'he Department of Theatre and Speech, 1913 at Hunter College in New York, is opinion, "It's time for a fourth national anu Jim Lewis, faculty advisor of the known more as a northern sorority but is sorority here al UTC." Nancy Bolshow, Field Representative for group.
    [Show full text]
  • The Wisconsin-Texas Jazz Nexus Jazz Wisconsin-Texas the the Wisconsin-Texas Jazz Nexus Nexus Jazz Wisconsin-Texas the Dave Oliphant
    Oliphant: The Wisconsin Texas Jazz Nexus The Wisconsin-Texas Jazz Nexus Jazz Wisconsin-Texas The The Wisconsin-Texas Jazz Nexus Nexus Jazz Wisconsin-Texas The Dave Oliphant The institution of slavery had, of course, divided the nation, and Chicago. Texas blacks had earlier followed the cattle trails and on opposite sides in the Civil War were the states of Wis- north, but, in the 1920s, they also felt the magnetic pull of consin and Texas, both of which sent troops into the bloody, entertainment worlds in Kansas City and Chicago that catered decisive battle of Gettysburg. Little could the brave men of the to musicians who could perform the new music called jazz that Wisconsin 6th who defended or the determined Rebels of the had begun to crop up from New Jersey to Los Angeles, beholden Texas Regiments who assaulted Cemetery Ridge have suspected to but superseding the guitar-accompanied country blues and that, one day, musicians of their two states would join to pro- the repetitive piano rags. The first jazz recordings had begun to duce the harmonies of jazz that have depended so often on the appear in 1917, and, by 1923, classic jazz ensembles had begun blues form that was native to the Lone Star State yet was loved performing in Kansas City, Chicago, and New York, led by such and played by men from such Wisconsin towns and cities as seminal figures as Bennie Moten, King Oliver, Fletcher Jack Teagarden, courtesy of CLASSICS RECORDS. Teagarden, Jack Fox Lake, Madison, Milwaukee, Waukesha, Brillion, Monroe, Henderson, and Duke Ellington.
    [Show full text]